Kitabı oku: «A DI Meg Dalton thriller»
Praise for Cut to the Bone
‘A series that gets stronger with every book. Roz Watkins is up there with the best.’ Cass Green, author of The Killer Inside
‘I love the acerbic wit of Meg Dalton, and this is a brilliant read. Compelling, beautifully crafted, with murder and twists aplenty.’ Amanda Jennings, author of The Storm
‘Intelligent, propulsive and incredibly atmospheric, Cut to the Bone is not only a riveting thriller but a thoughtful portrait of modern society.’ Kia Abdullah, author of Take It Back
‘Roz Watkins ups the ante and gives us a rollicking crime adventure laced with plenty of dead bodies, a touch of gothic mystery, dark humour and Meg’s trademark acerbic wit. I loved it. A real page-turner that also gets you thinking.’ Sophie Draper, author of Cuckoo
‘A taut, richly atmospheric and original thriller that will keep you glued to your seat. I loved it!’ Jane Isaac, author of For Better, For Worse
‘Another ripper from Roz! It’s just gone 7 a.m. and I have had a brief pause for sleep to race through her latest detective thriller. BRILLIANT!’ Suzy K Quinn, author of Not My Daughter
‘A heart-in-your-mouth read which made me gasp out loud on more than one occasion! Roz’s best yet.’ Jo Jakeman, author of Safe House
‘True to its name, Cut to the Bone has the precision of a surgeon’s scalpel. Each razor-sharp chapter slices deeper. I barely came up for air!’ Jo Furniss, author of All the Little Children
‘What a protagonist! A chillingly compelling and utterly twisted plot. Loved it!’ Danielle Ramsay, author of The Last Cut
ROZ WATKINS is the author of the DI Meg Dalton crime series, which is set in the Peak District where Roz lives with her partner and a menagerie of demanding animals.
Her first book, The Devil’s Dice, was shortlisted for the CWA Debut Dagger Award, and has been optioned for TV.
Roz studied engineering at Cambridge University before training in patent law. She was a partner in a firm of patent attorneys in Derby, but this has absolutely nothing to do with there being a dead one in her first novel.
In her spare time, Roz likes to walk in the Peak District, scouting out murder locations.
Also by Roz Watkins
The Devil’s Dice
Dead Man’s Daughter
Cut to the Bone
Roz Watkins

ONE PLACE. MANY STORIES
Copyright

An imprint of HarperCollins Publishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HQ in 2020
Copyright © Roz Watkins 2020
Roz Watkins asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © June 2020 ISBN: 9780008214722
Version 2020-06-06
Note to Readers
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Page numbers taken from the following print edition: ISBN 9780008214708
For Starsky the dog, whose foul woodland scavenging started all this.
And to the animals in intensive farms who don’t get that freedom.
Contents
Cover
Praise
About the Author
Booklist
Title Page
Copyright
Note to Readers
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Extract
Author’s Note
Acknowledgements
About the Publisher
1
Meg – Present day
Monday
The road swooped into the valley, its sun-beaten tarmac melting into the hillside. The car smelled of petrol and hot plastic, and the steering wheel stuck to my hands. DS Jai Sanghera was sprawling in the passenger seat beside me, legs thrown apart, head back, and we were embroiled in a pointless argument in which I’d found myself defending his girlfriend for a reason I could no longer remember.
Jai’s manspreading was reaching such critical levels it was impeding my access to the gearstick. ‘I know you’re hot,’ I said. ‘No need to turn it into performance art.’
Jai dragged himself forward to fiddle with his air vent. ‘Let’s just agree to disagree, shall we? I think if Suki’s serious about me, she should try harder with the kids; you clearly don’t. We’ve got a missing person to focus on.’
‘Fine.’
I eased my foot off the brake and let the car accelerate through the treacly air. The wind curled round my damp face, and my shirt flapped against my stomach. I fanned myself, trying to let the tension dissipate.
In the distance I could see the dazzling surface of Ladybower Reservoir. We were heading for a valley to its east that looked like a huge meteorite crater, but had probably been caused by some dramatic event in the last ice age. The hot summer had turned the grass yellow, and the bowl of the valley was surrounded by rocks. They jutted up like teeth, as if we were driving into a gaping mouth. In the centre, where the tonsils would have been, was an ugly industrial building. Gritton Abattoir.
I forced my tone to be friendly. ‘What do we know about her?’
Jai took a long breath and when his voice came out, it was normal, not pissed off. ‘Eighteen-year-old girl. She was working at the abattoir overnight and when they got in this morning, her car was still there but no sign of her. You know who she is though?’
‘No. Who is she?’
‘Violet Armstrong.’
I looked at him for a beat longer than the driver should, our disagreement forgotten. ‘The Violet Armstrong?’
‘Yep. Bikini-barbecue-babe Violet Armstrong. Poster girl for carnivores everywhere. Missing from an abattoir.’
‘Jesus. What was she doing at an abattoir?’
‘I think she works there. Bit weird, I know. Especially with someone as controversial as her. It’s when “turning up in one piece” is way too literal.’
‘Thanks for that, Jai. No doubt there’ll be some banal explanation involving a dodgy boyfriend or a runaway pig.’
Jai laughed and I felt the atmosphere loosen. ‘Yeah,’ he said. ‘If I was a pig I’d run away from her and her barbecue tongs.’
On the horizon, tendrils of smoke drifted upwards, reminding me we were near the wildfire. ‘This weather’s got to break soon,’ I said. ‘We’ll get monsoon rains.’
‘Most of which will no doubt end up in my basement.’
I hadn’t yet been inside Jai’s new house, even though it was round the corner from mine, but he seemed obsessed with his damp basement. Maybe he’d been droning on to Suki about pumps and that was part of her problem.
We followed a narrow lane through gates into a concrete yard. A slab-sided grey building sat in front of us, sanitised and anonymous, giving away nothing about what went on inside.
‘Are you going to be okay with this?’ Jai said.
My head filled with images from abattoir videos posted by animal rights groups and shared by my friends on Facebook, just to improve my mental well-being and sleeping patterns. I didn’t need to see the real thing, especially in my current state of mind. Or hear it. This abattoir did pigs. Pigs squealed.
‘I’ll be okay,’ I said. ‘I’m more worried about the missing girl.’ But it struck me like an electric shock that I wasn’t that worried about the girl – at least not to my usual PhD-level. Was I so worn down from watching Gran die that I’d lost some vital part of myself? It scared the hell out of me. If I didn’t care about my job to the point of virtual mania, who even was I?
‘You do know she’s famous because she barbecues burgers in a bikini?’ Jai said. ‘A phrase I wouldn’t advise saying when drunk.’
‘Yeah. She simultaneously dumps on feminism and animal rights in an impressive double whammy.’ I could keep the banter going while I had my mini existential crisis, but our camaraderie felt forced. I’d thought I was doing the right thing by being super-nice about his girlfriend, thus removing any question of whether I liked him a little too much for a colleague, but I’d obviously got it all wrong.
We pulled up in the yard and heaved ourselves out of the car. The sun sliced through the hot air, making the car windows so shiny it hurt to look at them. A few uniforms were buzzing around. We had a lot of missing person calls, but this one had triggered a red-button-push.
The door to the abattoir building swung open and a skinny blonde woman came out at a gallop. ‘Goodness, it’s warm. I hope we’re not wasting your time. I’m not wanting to make a fuss, but I thought we should call just in case …’
‘Shall we pop inside a minute?’ I said. ‘I’m Detective Inspector Meg Dalton and this is Detective Sergeant Jai Sanghera. What’s your name?’
‘Anna Finchley. I own the abattoir.’
I wasn’t sure if it was subconscious sexism or ageism, but I was surprised at that revelation. There was a touch of the gangly teenager or new-born foal about her, although she must have been in her thirties. She didn’t look like an abattoir-owner.
‘Not being melodramatic, but do you think it’s the animal rights people?’ she said.
‘What makes you say that?’
‘We’ve had threats. And someone’s smashed the CCTV.’ Anna shook her head. ‘But surely, they wouldn’t … Maybe she went for a walk or …’
I looked at the sun-scorched hills in the distance. A faint smell of smoke hung in the air. It wasn’t an ideal spot for a hike.
‘How far are we from the reservoir?’ Jai said.
The beauty of Ladybower Reservoir seemed to act as a magnet for death. It was well known, to us at least. If some poor soul was planning to slit an artery and bleed to death in north Derbyshire, there was a fair chance Ladybower would be the destination of choice.
Anna said, ‘It’s just over the hill.’
‘Let’s take a few details inside,’ I said. ‘Can we see the smashed CCTV?’
Anna led us through a door into a grey corridor and on into a small room. The building was functional rather than swish, but had been recently renovated. So far, it was mercifully free of butchered animals.
I leaned to peer at the CCTV box, which looked like it had been set about with a baseball bat. I stepped back to let Jai see. ‘They’ve taken the hard drive,’ he said.
‘Let’s get this area sealed off and processed,’ I said.
We shuffled out of the room. A man was walking towards us down the corridor. He was lean, toned, and good-looking in a rough, footballer kind of way, and he moved like a man with something to prove.
Anna said, ‘What is it, Gary?’ I sensed tension between them. A slight narrowing of his eyes; a fractional curling of her upper lip. ‘This is my brother,’ Anna said. ‘He works here too.’
The man held up an expensive-looking, glittery, and clearly now evidentially compromised object. We needed to get the scene under control. ‘I found a watch,’ he said. ‘It—’
‘That’s Violet’s,’ Anna said. ‘Why on earth would she take off her watch? Where did you find it?’
‘If you’d let me finish, I’d tell you. I don’t know why she’d have gone there – it wasn’t in the area she cleans. It’s bloody weird, if you ask me.’
‘Just tell us where it was, Gary!’
‘It was beside the pig pens.’ He shot Anna a look that was almost accusing. ‘And there’s blood on it.’
2
Anna Finchley led us into an office containing a desk and four chairs. White-painted walls were covered with a surprising collection of abstract art – the kind with blobs of colour that my dad would say a three-year-old could do – and a prominent TV screen. Anna sank down on one of the chairs, crossing her legs and arms as if protecting herself.
‘Sit on that side if you want the window-view and the art,’ she said. ‘I sit here so I can monitor the CCTV. When it’s working. And I hate to be negative, but Violet’s not careless with her stuff. Why would she have dropped her watch? She shouldn’t even have been by the pig pens. And why would it have blood on it?’
Jai and I sat opposite her and didn’t answer her questions. She could run the scenarios on her own. I watched her face as she did so. Not giving much away.
‘When did you last see Violet?’ I asked.
Anna blinked a couple of times and looked to the ceiling. ‘The day before yesterday,’ she said. ‘I stayed late and I saw her at the start of her shift.’
‘And how was she?’
Anna shook her head and frowned. ‘Not that I’d necessarily notice, because I didn’t spend long talking to her, but she seemed fine.’
‘Could you talk us through this morning? Were you the first to arrive?’
‘I got here at about eight. Daniel had come in earlier and fed the pigs. Daniel Twigg. I think he’d messed up the amounts though, because they’d left loads. Maybe it was because he wasn’t feeling well – he’s gone home ill. I didn’t realise anything was wrong at first. Violet’s car’s parked round the side so I didn’t see it.’ Anna pushed her hair back behind her ears. ‘I got the pigs killed. Then cleaned up their pen. And the lorry arrived to take the Category 2 waste away – that’s the animals’ innards and other bits we can’t use – to be rendered, and when it went round the side, I noticed Violet’s car. It’s not normally parked that far round, so I hadn’t seen it at first. Anyway, I looked for her everywhere I could think, and tried her mobile but there was no answer. I phoned Esther – my partner, who Violet lodges with – and she’s not there. I phoned Violet’s parents in Sheffield but there was no answer. Then I went to check the CCTV, and when I saw it was smashed, I called you.’
Anna was providing a lot of detail in her descriptions. That could be normal. She might have just been a very helpful person, a kind-of human Lassie dog. Or not. It was too early to tell.
‘The Category 2 waste …’ I said. ‘Would that have included any meat waste from yesterday or last night?’ Our assumption was that Violet was alive, but I wanted to know what had happened to those waste products.
‘Yes,’ Anna said. ‘Yes, it would. And from this morning. It’s all been taken away. It goes to be rendered.’
‘Do you have details of the company that takes it?’ I asked.
She froze a moment. ‘Why would … Oh, okay.’ She reached into a drawer, fished out an invoice and passed it over. If she’d worked out what this could mean, she kept it to herself.
I turned to Jai. ‘Do you mind calling them now? And checking on the searches.’
Jai took the paper and left the room.
When I turned back to Anna, her fists were clenched tight in her lap, knuckles shining white.
‘Violet was on a night shift?’ I said.
Anna nodded rapidly. ‘Ten till two thirty. Cleaning. She has a summer job here.’
‘Why did she come to work in an abattoir?’
‘It’s strange, isn’t it? When I found out who she was, I was baffled. I did ask her and she was rather vague. I can’t say for sure, but I got the impression she wanted to come to Gritton for some other reason, and this job was an excuse.’
‘Okay, thank you. And had she worked her shift last night? Could you tell this morning if the cleaning had been done?’
Anna frowned. ‘I’m not sure … We have such high standards here, it’s not as if she was mopping up blood – it’s more of an extra clean. We have what we call a “clean side” and a “dirty side”. She was on the clean side – meat only, no live animals – which is why it’s so strange that her watch turned up near the pig pen on the dirty side. She’s been given specific instructions not to go on the dirty side when she’s cleaning.’
‘Okay. Could you have another look – the guys will tell you where you can go. See if there’s anything to suggest she did or didn’t clean up.’
‘Yes, of course.’
‘Is there any CCTV other than the broken one? Any camera footage that would show if anyone else was here last night.’
She shook her head. ‘Sorry, no. Not on site.’
‘Where were you last night?’
‘At home. But Esther was with me. She doesn’t live with me, but she stayed over. She can confirm I was with her.’
‘Violet lodges with Esther?’
‘Yes. Yes, she does. I helped that girl a lot, even letting her live with my girlfriend.’ Was that a hint of bitterness in her tone?
‘Did Violet not appreciate that help?’ I asked.
‘Oh yes, I’m not saying she didn’t appreciate it.’ A somewhat tight-lipped response.
‘Do you get along with Violet?’
Anna swallowed. ‘She’s all right, I suppose. A good employee generally.’
‘Generally but not totally?’
Anna’s eyes hardened briefly. A flash of steel. ‘Just a turn of phrase. She’s fine.’
I paused to write in my notebook. Anna kept her face expressionless. She clearly didn’t like Violet. Could be relevant. Could be nothing. I spent half my life wanting to throttle my colleague Craig and I hadn’t murdered him yet.
‘How long has Violet been working here?’ I asked.
‘About a month. I can’t—’ Anna swung her gaze around the room as if Violet might be hiding in a corner. ‘Let me ring Esther again. Violet’s probably home by now.’
‘Okay, you do that,’ I said.
Anna fished out her mobile and dialled. The phone must have been picked straight up at the other end. ‘Is she back?’ Anna’s voice was loud and sharp.
I couldn’t hear the answer but Anna’s face dropped. She spoke into the phone. ‘No, nothing.’ There was a muffled reply, the words audible though my brain could make no sense of them, and then Anna said, ‘Oh, come on, Esther, you don’t believe that rubbish—’
Anna frowned at the woman’s response and ended the call with a brisk, ‘Okay, bye.’
‘No sign of her?’ I asked.
‘No, I’m afraid not.’
‘Okay. And what rubbish does Esther not believe?’
Anna shook her head. ‘It’s nothing. What else do you need to know?’
My brain got there in the end with the words I’d heard. ‘Did she say something about a pale child?’
Anna shifted papers around her desk before looking up and staring straight at me. ‘Not to cast aspersions on the people in this village, but they don’t get out enough. The Pale Child thing is all nonsense.’
‘Who is this Pale Child?’ I asked.
Anna gave me a strange look. Like somebody remembering a scene from their distant childhood. When she spoke, her voice was cracked, like sun-scorched earth. ‘As I said, it’s not real. Are we done here? Because I have things I need to be getting on with. It’s bad enough you people saying I can’t kill animals today, but if I don’t make a few phone calls soon, it’ll be too late to cancel, and they’ll be turning up here. I suspect you don’t need a bunch of condemned pigs marauding around the place.’ She wasn’t in Lassie-dog mode any more.
‘You make your phone calls,’ I said. ‘We’ll need to take a formal statement from you later. But first, could you tell me who else could have got into the abattoir last night.’
‘My brother, Gary, who you just met, has keys. He’s outside looking for Violet. And Daniel Twigg – the one who over-fed the pigs earlier.’
‘You said he was unwell, didn’t you? What’s the matter with him?’
‘Said he felt sick.’
‘Okay, we’ll talk to him. And before we go, even if it is nonsense, what’s the story about this Pale Child?’
Anna sighed. ‘It’s nothing. Just idiot-talk from the people in the village. It’s not relevant.’
‘Fine. Tell me anyway.’
‘People see her in the woods around the village. A girl dressed in white, old-fashioned clothes. Supposedly, if she sees your face, you’re going to die.’ She lowered her gaze. ‘Which is clearly not true.’
‘So she’s a child who lives in the village?’
‘She’s not a real child. The whole Pale Child thing is a myth. I don’t know why Esther even brought it up.’
‘Did Violet see this Pale Child?’
‘Of course not. I don’t know why you’re even asking about this.’
I wrote ‘Pale Child’ in my notebook and underlined it twice, then looked up and said, ‘Okay, tell me about the threats you mentioned earlier.’
Anna’s leg jiggled up and down before she stilled it with a hand. ‘You obviously know who Violet is. Her videos?’
‘I know she’s famous for videoing herself cooking meat-based products in a bikini.’
Anna sighed. ‘Maybe we used her, you could say.’ She fiddled with a loose thread on her vest-top. ‘I’ve been wanting to start a blog for a while, to debate this stuff. Meat, the environment, welfare, etc. Violet helped. She got us attention. I never knew it could be … dangerous.’
‘Okay, you’d better tell me from the beginning.’
‘It’s all so polarised now, like everything. I wanted to have an intelligent discussion. We set the website up – The Great Meat Debate – and put videos and posts on it. Discussions about the ethics of meat, and about how we’d designed the abattoir. Gary does stupid strength challenges with vegans. Lifting vans and ripping up books or whatever. I mean, that wasn’t part of the intelligent debate, but people love that kind of thing. As for Violet … well, Violet’s just Violet, and she brought us most of our visitors.’
‘You’ve had threats?’
‘Yes. I never expected that to happen. It’s not like we’re doing anything bad, but we attracted a load of attention. You know what it’s like – sometimes the more ethical meat producers come in for more vitriol. As if it’s almost worse to be nice to the animals before you kill them. People can’t seem to handle that. Like that farmer who let kids meet the turkeys at Christmas. It’s irrational, but there it is. We get a lot of haters. Especially a group called the Animal Vigilantes. Do you know them?’
I nodded. They’d been on our radar for a while. They wore clothing printed with a design that made it look like their skin had been removed and you could see their insides. They looked like meat. And their violence levels had been escalating.
‘Daniel can tell you more,’ Anna said. ‘He was really worried about it, and he tried to look into the Animal Vigilantes and who was behind them. Maybe he was right to be worried. He said they were getting more aggressive. And he thought they might follow through on their threats.’
‘What kind of threats did they make?’
She swallowed. ‘They said they were going to slit Violet’s throat.’
I left Anna Finchley and made my way through the grey corridor back into the scorching heat outside. This was not our usual kind of missing teenager. For some, going AWOL was practically a weekly occurrence and the police a free taxi service. Violet wasn’t one of those. Besides, someone had threatened to slit her throat.
A man was walking down the verge of the lane, heading away from the abattoir. He was bashing at the undergrowth with a long stick, the effort showing in the sweat soaking his shirt under the armpits and down his back. I called to him, and he jumped and spun round. It was Gary. Anna’s brother who’d found the watch earlier.
I pointed at his stick. ‘You can leave that now. We’re doing a search. It’s best you don’t do it.’
Civilian searches were appalling evidence-manglers. I mentally noted where Gary had been hacking at the undergrowth, just in case he’d been deliberately destroying evidence. He’d already manhandled Violet’s watch.
‘Whatever,’ he said.
‘Can I ask where you were last night?’
‘In bed at home.’
‘Can anyone verify that?’
‘My wife can.’ Gary smacked his stick against the ground again, contrary to my instructions. His attitude made me suspicious. For people who had never been in trouble, your typical questioned-by-the-cops look was a mixture of terror and the eagerness of the schoolkid at the front of the class with their hand up. Gary didn’t have that look. This one was hanging around the bike-sheds and claiming the cigarettes belonged to his mate.
I looked at his stick and he let it drop to the ground.
‘I don’t know why Anna’s giving you this I’m so worried bullshit,’ he said. ‘She bloody hates Violet.’
‘Anna hates Violet?’
‘Yeah. She thinks Violet’s a pain in the arse. Always moaning about the way things are done.’
‘What kinds of things?’
‘Everything. Violet knows best. The way we clean, the way we process the meat, even the way we kill the pigs.’
‘Does that cause conflict?’
‘You could say. Not my problem though. I’m just the minion, aren’t I? Anna’s the boss.’
So was that the tension? Gary didn’t like his sister being his boss? I had to admit, it was an unusual set-up, practically guaranteed to offend any fragile male egos involved.
‘Anna employs you?’
He opened his mouth as if to speak, then shut it again. ‘Yes.’
I softened my stance and gave him a conspiratorial smile. ‘It’s never easy working with family.’
‘No. And stuck in this shithole.’
I wanted to know why he would stay at the abattoir, working for his sister, if he hated it so much, but I sensed it wasn’t the time to get the truth out of him. Thankfully, when it came to criticising Anna, he was happy to spill all.
‘Do you think Anna might harm Violet?’ I asked.
Gary laughed. ‘God, no. Anna wouldn’t have the balls to do that. She’s not what you think, you know. She makes out she’s this tough country girl, so at home running the abattoir and hanging out with proper farmers, but you know what she wants? To live in the city, surrounded by poncy art galleries and theatres, where she’d never have to smell pig shit again in her life. But will she admit it? Will she, bollocks! Anyway, that’s not your concern. It’s the animal rights lunatics who’ve hurt Violet. I just think Anna should drop the Oscar-winning performance of being all upset about it.’
That was quite a speech to blurt out spontaneously. I didn’t comment – it’s best to let people carry on when they’re mid-rant. But he didn’t say any more.
‘Tell me about the animal rights lunatics,’ I said.
‘You know they’ve threatened to kill Violet?’
‘Who threatened to kill her?’
‘Idiots online. Posting sicko stuff about her. But they’ve had a go at all of us. Come to think of it, maybe that’s what Anna’s upset about.’ He let out a sharp laugh. ‘She’s not worried about Violet – she thinks it’s her next.’
‘What exactly have these people said?’
‘Called us murderers. Said they’d come and slit our throats. Messed-up shit.’
That did sound messed up, even by internet standards. ‘Did you take it seriously?’
‘It’s hard not to, when psychos are threatening to kill you. Daniel’s totally freaked out by it, but then he’s a right pansy at the best of times. That’s probably why he’s gone home. When he saw Violet was gone, he must have realised they meant business. You know he’s a junkie? Claims it’s for his back, but it doesn’t do him any favours.’
Gary’s phone pinged and he fished it out of his pocket. Pressed a few keys. ‘Yeah. Look at this.’ He showed me the phone. ‘If it’s not them, how do they even know to post this?’
I looked at the screen. It was the Great Meat Debate website that Anna had told me about. Gary had scrolled down to the bottom of the comments on the home page. One was posted under the name ‘Animal Vigilantes’. It said, Violet got what she deserved.