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“‘The marriage of the King is a matter of State,’ says Dan, in a white-hot rage, for he could feel, I hope, that he was going against his better mind. He walked out of the Council-room, and the others sat still, looking at the ground.

“‘Billy Fish,’ says I to the Chief of Bashkai, ‘what’s the difficulty here? A straight answer to a true friend.’

“‘You know,’ says Billy Fish. ‘How should a man tell you who knows everything? How can daughters of men marry Gods or Devils? It’s not proper.’

“I remembered something like that in the Bible; but, if after seeing us as long as they had, they still believed we were Gods, it wasn’t for me to undeceive them.

“‘A God can do anything,’ says I. ‘If the King is fond of a girl he’ll not let her die.’ ‘She’ll have to,’ said Billy Fish. ‘There are all sorts of Gods and Devils in these mountains, and now and again a girl marries one of them and isn’t seen any more. Besides, you two know the Mark cut in the stone. Only the Gods know that. We thought you were men till you showed the sign of the Master.’

“I wished then that we had explained about the loss of the genuine secrets of a Master Mason at the first go-off; but I said nothing. All that night there was a blowing of horns in a little dark temple half-way down the hill, and I heard the girl crying fit to die. One of the priests told us that she was being prepared to marry the King.

“‘I’ll have no nonsense of that kind,’ says Dan. ‘I don’t want to interfere with your customs, but I’ll take my own wife.’ ‘The girl’s a little bit afraid,’ says the priest. ‘She thinks she’s going to die, and they are a-heartening of her up down in the temple.’

“‘Hearten her very tender, then,’ says Dravot, ‘or I’ll hearten you with the butt of a gun so you’ll never want to be heartened again.’ He licked his lips, did Dan, and stayed up walking about more than half the night, thinking of the wife that he was going to get in the morning. I wasn’t any means comfortable, for I knew that dealings with a woman in foreign parts, though you was a crowned King twenty times over, could not but be risky. I got up very early in the morning while Dravot was asleep, and I saw the priests talking together in whispers, and the Chiefs talking together too, and they looked at me out of the corners of their eyes.

“‘What is up, Fish?’ I say to the Bashkai man, who was wrapped up in his furs and looking splendid to behold.

“‘I can’t rightly say,’ says he; ‘but if you can make the King drop all this nonsense about marriage, you’ll be doing him and me and yourself a great service.’

“‘That I do believe,’ says I. ‘But sure, you know, Billy, as well as me, having fought against and for us, that the King and me are nothing more than two of the finest men that God Almighty ever made. Nothing more, I do assure you.’

“‘That may be,’ says Billy Fish, ‘and yet I should be sorry if it was.’ He sinks his head upon his great fur cloak for a minute and thinks. ‘King,’ says he, ‘be you man or God or Devil, I’ll stick by you to-day. I have twenty of my men with me, and they will follow me. We’ll go to Bashkai until the storm blows over.’

“A little snow had fallen in the night, and everything was white except the greasy fat clouds that blew down and down from the north. Dravot came out with his crown on his head, swinging his arms and stamping his feet, and looking more pleased than Punch.

“‘For the last time, drop it, Dan,’ says I, in a whisper; ‘Billy Fish here says that there will be a row.’

“‘A row among my people!’ says Dravot. ‘Not much. Peachey, you’re a fool not to get a wife too. Where’s the girl?’ says he, with a voice as loud as the braying of a jackass. ‘Call up all the Chiefs and priests, and let the Emperor see if his wife suits him.’

“There was no need to call any one. They were all there leaning on their guns and spears round the clearing in the centre of the pine wood. A lot of priests went down to the little temple to bring up the girl, and the horns blew fit to wake the dead. Billy Fish saunters round and gets as close to Daniel as he could, and behind him stood his twenty men with matchlocks – not a man of them under six feet. I was next to Dravot, and behind me was twenty men of the regular Army. Up comes the girl, and a strapping wench she was, covered with silver and turquoises, but white as death, and looking back every minute at the priests.

“‘She’ll do,’ said Dan, looking her over. ‘What’s to be afraid of, lass? Come and kiss me.’ He puts his arm round her. She shuts her eyes, gives a bit of a squeak, and down goes her face in the side of Dan’s flaming-red beard.

“‘The slut’s bitten me!’ says he, clapping his hand to his neck, and, sure enough, his hand was red with blood. Billy Fish and two of his matchlock men catches hold of Dan by the shoulders and drags him into the Bashkai lot, while the priests howls in their lingo, ‘Neither God nor Devil, but a man!’ I was all taken aback, for a priest cut at me in front, and the Army behind began firing into the Bashkai men.

“‘God A’mighty!’ says Dan, ‘what is the meaning o’ this?’

“‘Come back! Come away!’ says Billy Fish. ‘Ruin and Mutiny is the matter. We’ll break for Bashkai if we can.’

“I tried to give some sort of orders to my men, – the men o’ the regular Army, – but it was no use, so I fired into the brown of ‘em with an English Martini and drilled three beggars in a line. The valley was full of shouting, howling creatures, and every soul was shrieking, ‘Not a God nor a Devil, but only a man!’ The Bashkai troops stuck to Billy Fish all they were worth, but their matchlocks wasn’t half as good as the Kabul breech-loaders, and four of them dropped. Dan was bellowing like a bull, for he was very wrathy; and Billy Fish had a hard job to prevent him running out at the crowd.

“‘We can’t stand,’ says Billy Fish. ‘Make a run for it down the valley! The whole place is against us.’ The matchlock-men ran, and we went down the valley in spite of Dravot. He was swearing horrible and crying out that he was a King. The priests rolled great stones on us, and the regular Army fired hard, and there wasn’t more than six men, not counting Dan, Billy Fish, and Me, that came down to the bottom of the valley alive.

“Then they stopped firing, and the horns in the temple blew again. ‘Come away – for Gord’s sake come away!’ says Billy Fish. ‘They’ll send runners out to all the villages before ever we get to Bashkai. I can protect you there, but I can’t do anything now.”

“My own notion is that Dan began to go mad in his head from that hour. He stared up and down like a stuck pig. Then he was all for walking back alone and killing the priests with his bare hands; which he could have done. ‘An Emperor am I,’ says Daniel, ‘and next year I shall be a Knight of the Queen.’

“‘All right, Dan,’ says I; ‘but come along now while there’s time.’

“‘It’s your fault,’ says he, ‘for not looking after your Army better. There was mutiny in the midst, and you didn’t know – you damned engine-driving, plate-laying, missionary’s-pass-hunting hound!’ He sat upon a rock and called me every foul name he could lay tongue to. I was too heart-sick to care, though it was all his foolishness that brought the smash.

“‘I’m sorry, Dan,’ says I, ‘but there’s no accounting for natives. This business is our Fifty-seven. Maybe we’ll make something out of it yet, when we’ve got to Bashkai.’

“‘Let’s get to Bashkai, then,’ says Dan, ‘and, by God, when I come back here again I’ll sweep the valley so there isn’t a bug in a blanket left!’

“We walked all that day, and all that night Dan was stumping up and down on the snow, chewing his beard and muttering to himself.

“‘There’s no hope o’ getting clear,’ said Billy Fish. ‘The priests have sent runners to the villages to say that you are only men. Why didn’t you stick on as Gods till things was more settled? I’m a dead man,’ says Billy Fish, and he throws himself down on the snow and begins to pray to his Gods.

“Next morning we was in a cruel bad country – all up and down, no level ground at all, and no food, either. The six Bashkai men looked at Billy Fish hungry-way as if they wanted to ask something, but they never said a word. At noon we came to the top of a flat mountain all covered with snow, and when we climbed up into it, behold, there was an Army in position waiting in the middle!

“‘The runners have been very quick,’ says Billy Fish, with a little bit of a laugh. ‘They are waiting for us.’

“Three or four men began to fire from the enemy’s side, and a chance shot took Daniel in the calf of the leg. That brought him to his senses. He looks across the snow at the Army, and sees the rifles that we had brought into the country.

“‘We’re done for,’ says he. ‘They are Englishmen, these people, – and it’s my blasted nonsense that has brought you to this. Get back, Billy Fish, and take your men away; you’ve done what you could, and now cut for it. Carnehan,’ says he, ‘shake hands with me and go along with Billy. Maybe they won’t kill you. I’ll go and meet ‘em alone. It’s me that did it! Me, the King!’

“‘Go!’ says I. ‘Go to Hell, Dan! I’m with you here. Billy Fish, you clear out, and we two will meet those folk.’

“‘I’m a Chief,’ says Billy Fish, quite quiet. ‘I stay with you. My men can go.’

“The Bashkai fellows didn’t wait for a second word, but ran off, and Dan and Me and Billy Fish walked across to where the drums were drumming and the horns were horning. It was cold – awful cold. I’ve got that cold in the back of my head now. There’s a lump of it there.”

The punka-coolies had gone to sleep. Two kerosene lamps were blazing in the office, and the perspiration poured down my face and splashed on the blotter as I leaned forward. Carnehan was shivering, and I feared that his mind might go. I wiped my face, took a fresh grip of the piteously mangled hands, and said, “What happened after that?”

The momentary shift of my eyes had broken the clear current.

“What was you pleased to say?” whined Carnehan. “They took them without any sound. Not a little whisper all along the snow, not though the King knocked down the first man that set hand on him – not though old Peachey fired his last cartridge into the brown of ‘em. Not a single solitary sound did those swines make. They just closed up tight, and I tell you their furs stunk. There was a man called Billy Fish, a good friend of us all, and they cut his throat, Sir, then and there, like a pig; and the King kicks up the bloody snow and says, ‘We’ve had a dashed fine run for our money. What’s coming next?’ But Peachey, Peachey Taliaferro, I tell you, Sir, in confidence as betwixt two friends, he lost his head, Sir. No, he didn’t, neither. The King lost his head, so he did, all along o’ one of those cunning rope bridges. Kindly let me have the paper-cutter, Sir. It tilted this way. They marched him a mile across that snow to a rope bridge over a ravine with a river at the bottom. You may have seen such. They prodded him behind like an ox. ‘Damn your eyes!’ says the King. ‘D’ you suppose I can’t die like a gentleman?’ He turns to Peachey – Peachey that was crying like a child. ‘I’ve brought you to this, Peachey,’ says he. ‘Brought you out of your happy life to be killed in Kafiristan, where you was late Commander-in-Chief of the Emperor’s forces. Say you forgive me, Peachey.’ ‘I do,’ says Peachey. ‘Fully and freely do I forgive you, Dan.’ ‘Shake hands, Peachey,’ says he. ‘I’m going now.’ Out he goes, looking neither right nor left, and when he was plumb in the middle of those dizzy dancing ropes, ‘Cut you beggars,’ he shouts; and they cut, and old Dan fell, turning round and round and round, twenty thousand miles, for he took half an hour to fall till he struck the water, and I could see his body caught on a rock with the gold crown close beside.

“But do you know what they did to Peachey between two pine-trees? They crucified him, Sir, as Peachey’s hand will show. They used wooden pegs for his hands and feet; but he didn’t die. He hung there and screamed, and they took him down next day, and said it was a miracle that he wasn’t dead. They took him down – poor old Peachey that hadn’t done them any harm – that hadn’t done them any – ”

He rocked to and fro and wept bitterly, wiping his eyes with the back of his scarred hands and moaning like a child for some ten minutes.

“They was cruel enough to feed him up in the temple, because they said he was more of a God than old Daniel that was a man. Then they turned him out on the snow, and told him to go home, and Peachey came home in about a year, begging along the roads quite safe; for Daniel Dravot he walked before and said, ‘Come along, Peachey. It’s a big thing we’re doing.’ The mountains they danced at night, and the mountains they tried to fall on Peachey’s head, but Dan he held up his hand, and Peachey came along bent double. He never let go of Dan’s hand, and he never let go of Dan’s head. They gave it to him as a present in the temple, to remind him not to come again; and though the crown was pure gold and Peachey was starving, never would Peachey sell the same. You know Dravot, Sir! You knew Right Worshipful Brother Dravot! Look at him now!”

He fumbled in the mass of rags round his bent waist; brought out a black horsehair bag embroidered with silver thread; and shook therefrom on to my table – the dried, withered head of Daniel Dravot! The morning sun, that had long been paling the lamps, struck the red beard and blind sunken eyes; struck, too, a heavy circlet of gold studded with raw turquoises, that Carnehan placed tenderly on the battered temples.

“You be’old now,” said Carnehan, “the Emperor in his ‘abit as he lived – the King of Kafiristan with his crown upon his head. Poor old Daniel that was a monarch once!”

I shuddered, for, in spite of defacements manifold, I recognised the head of the man of Marwar Junction. Carnehan rose to go. I attempted to stop him. He was not fit to walk abroad. “Let me take away the whisky, and give me a little money,” he gasped. “I was a King once. I’ll go to the Deputy Commissioner and ask to set in the Poorhouse till I get my health. No, thank you, I can’t wait till you get a carriage for me. I’ve urgent private affairs – in the south – at Marwar.”

He shambled out of the office and departed in the direction of the Deputy Commissioner’s house. That day at noon I had occasion to go down the blinding-hot Mall, and I saw a crooked man crawling along the white dust of the roadside, his hat in his hand, quavering dolorously after the fashion of street-singers at Home. There was not a soul in sight, and he was out of all possible earshot of the houses. And he sang through his nose, turning his head from right to left:

 
  “The Son of Man goes forth to war,
        A golden crown to gain;
   His blood-red banner streams afar —
        Who follows in His train?”
 

I waited to hear no more, but put the poor wretch into my carriage and drove him off to the nearest missionary for eventual transfer to the Asylum. He repeated the hymn twice while he was with me, whom he did not in the least recognise, and I left him singing it to the missionary.

Two days later I inquired after his welfare of the Superintendent of the Asylum.

“He was admitted suffering from sunstroke. He died early yesterday morning,” said the Superintendent. “Is it true that he was half an hour bareheaded in the sun at midday?”

“Yes,” said I; “but do you happen to know if he had anything upon him by any chance when he died?”

“Not to my knowledge,” said the Superintendent.

And there the matter rests.

“THE FINEST STORY IN THE WORLD”

 
  “O’ ever the knightly years were gone
    With the old world to the grave,
  I was a king in Babylon
    And you were a Christian slave.”
 

– W. E. Henley.

His name was Charlie Mears; he was the only son of his mother who was a widow, and he lived in the north of London, coming into the City every day to work in a bank. He was twenty years old and suffered from aspirations. I met him in a public billiard-saloon where the marker called him by his given name, and he called the marker “Bulls-eyes.” Charley explained, a little nervously, that he had only come to the place to look on, and since looking on at games of skill is not a cheap amusement for the young, I suggested that Charlie should go back to his mother.

That was our first step toward better acquaintance. He would call on me sometimes in the evenings instead of running about London with his fellow-clerks; and before long, speaking of himself as a young man must, he told me of his aspirations, which were all literary. He desired to make himself an undying name chiefly through verse, though he was not above sending stories of love and death to the drop-a-penny-in-the-slot journals. It was my fate to sit still while Charlie read me poems of many hundred lines, and bulky fragments of plays that would surely shake the world. My reward was his unreserved confidence, and the self-revelations and troubles of a young man are almost as holy as those of a maiden. Charlie had never fallen in love, but was anxious to do so on the first opportunity; he believed in all things good and all things honorable, but, at the same time, was curiously careful to let me see that he knew his way about the world as befitted a bank clerk on twenty-five shillings a week. He rhymed “dove” with “love” and “moon” with “June,” and devoutly believed that they had never so been rhymed before. The long lame gaps in his plays he filled up with hasty words of apology and description and swept on, seeing all that he intended to do so clearly that he esteemed it already done, and turned to me for applause.

I fancy that his mother did not encourage his aspirations, and I know that his writing-table at home was the edge of his washstand. This he told me almost at the outset of our acquaintance; when he was ravaging my bookshelves, and a little before I was implored to speak the truth as to his chances of “writing something really great, you know.” Maybe I encouraged him too much, for, one night, he called on me, his eyes flaming with excitement, and said breathlessly:

“Do you mind – can you let me stay here and write all this evening? I won’t interrupt you, I won’t really. There’s no place for me to write in at my mother’s.”

“What’s the trouble?” I said, knowing well what that trouble was.

“I’ve a notion in my head that would make the most splendid story that was ever written. Do let me write it out here. It’s such a notion!”

There was no resisting the appeal. I set him a table; he hardly thanked me, but plunged into the work at once. For half an hour the pen scratched without stopping. Then Charlie sighed and tugged his hair. The scratching grew slower, there were more erasures, and at last ceased. The finest story in the world would not come forth.

“It looks such awful rot now” he said, mournfully. “And yet it seemed so good when I was thinking about it. What’s wrong?”

I could not dishearten him by saying the truth. So I answered: “Perhaps you don’t feel in the mood for writing.”

“Yes I do – except when I look at this stuff. Ugh!”

“Read me what you’ve done,” I said. He read, and it was wondrous bad and he paused at all the specially turgid sentences, expecting a little approval; for he was proud of those sentences, as I knew he would be.

“It needs compression,” I suggested, cautiously.

“I hate cutting my things down. I don’t think you could alter a word here without spoiling the sense. It reads better aloud than when I was writing it.”

“Charlie, you’re suffering from an alarming disease afflicting a numerous class. Put the thing by, and tackle it again in a week.”

“I want to do it at once. What do you think of it?”

“How can I judge from a half-written tale? Tell me the story as it lies in your head.”

Charlie told, and in the telling there was everything that his ignorance had so carefully prevented from escaping into the written word. I looked at him, and wondering whether it were possible, that he did not know the originality, the power of the notion that had come in his way? It was distinctly a Notion among notions. Men had been puffed up with pride by notions not a tithe as excellent and practicable. But Charlie babbled on serenely, interrupting the current of pure fancy with samples of horrible sentences that he purposed to use. I heard him out to the end. It would be folly to allow his idea to remain in his own inept hands, when I could do so much with it. Not all that could be done indeed; but, oh so much!

“What do you think?” he said, at last. “I fancy I shall call it ‘The Story of a Ship.’”

“I think the idea’s pretty good; but you won’t be able to handle it for ever so long. Now I – ”

“Would it be of any use to you? Would you care to take it? I should be proud,” said Charlie, promptly.

There are few things sweeter in this world than the guileless, hot-headed, intemperate, open admiration of a junior. Even a woman in her blindest devotion does not fall into the gait of the man she adores, tilt her bonnet to the angle at which he wears his hat, or interlard her speech with his pet oaths. And Charlie did all these things. Still it was necessary to salve my conscience before I possessed myself of Charlie’s thoughts.

“Let’s make a bargain. I’ll give you a fiver for the notion,” I said. Charlie became a bank-clerk at once.

“Oh, that’s impossible. Between two pals, you know, if I may call you so, and speaking as a man of the world, I couldn’t. Take the notion if it’s any use to you. I’ve heaps more.”

He had – none knew this better than I – but they were the notions of other men.

“Look at it as a matter of business-between men of the world,” I returned. “Five pounds will buy you any number of poetry-books. Business is business, and you may be sure I shouldn’t give that price unless – ”

“Oh, if you put it that way,” said Charlie, visibly moved by the thought of the books. The bargain was clinched with an agreement that he should at unstated intervals come to me with all the notions that he possessed, should have a table of his own to write at, and unquestioned right to inflict upon me all his poems and fragments of poems. Then I said, “Now tell me how you came by this idea.”

“It came by itself.” Charlie’s eyes opened a little.

“Yes, but you told me a great deal about the hero that you must have read before somewhere.”

“I haven’t any time for reading, except when you let me sit here, and on Sundays I’m on my bicycle or down the river all day. There’s nothing wrong about the hero, is there?”

“Tell me again and I shall understand clearly. You say that your hero went pirating. How did he live?”

“He was on the lower deck of this ship-thing that I was telling you about.”

“What sort of ship?”

“It was the kind rowed with oars, and the sea spurts through the oar-holes and the men row sitting up to their knees in water. Then there’s a bench running down between the two lines of oars and an overseer with a whip walks up and down the bench to make the men work.”

“How do you know that?”

“It’s in the tale. There’s a rope running overhead, looped to the upper deck, for the overseer to catch hold of when the ship rolls. When the overseer misses the rope once and falls among the rowers, remember the hero laughs at him and gets licked for it. He’s chained to his oar of course – the hero.”

“How is he chained?”

“With an iron band round his waist fixed to the bench he sits on, and a sort of handcuff on his left wrist chaining him to the oar. He’s on the lower deck where the worst men are sent, and the only light comes from the hatchways and through the oar-holes. Can’t you imagine the sunlight just squeezing through between the handle and the hole and wobbling about as the ship moves?”

“I can, but I can’t imagine your imagining it.”

“How could it be any other way? Now you listen to me. The long oars on the upper deck are managed by four men to each bench, the lower ones by three, and the lowest of all by two. Remember it’s quite dark on the lowest deck and all the men there go mad. When a man dies at his oar on that deck he isn’t thrown overboard, but cut up in his chains and stuffed through the oar-hole in little pieces.”

“Why?” I demanded, amazed, not so much at the information as the tone of command in which it was flung out.

“To save trouble and to frighten the others. It needs two overseers to drag a man’s body up to the top deck; and if the men at the lower deck oars were left alone, of course they’d stop rowing and try to pull up the benches by all standing up together in their chains.”

“You’ve a most provident imagination. Where have you been reading about galleys and galley-slaves?”

“Nowhere that I remember. I row a little when I get the chance. But, perhaps, if you say so, I may have read something.”

He went away shortly afterward to deal with booksellers, and I wondered how a bank clerk aged twenty could put into my hands with a profligate abundance of detail, all given with absolute assurance, the story of extravagant and bloodthirsty adventure, riot, piracy, and death in unnamed seas. He had led his hero a desperate dance through revolt against the overseas, to command of a ship of his own, and ultimate establishment of a kingdom on an island “somewhere in the sea, you know”; and, delighted with my paltry five pounds, had gone out to buy the notions of other men, that these might teach him how to write. I had the consolation of knowing that this notion was mine by right of purchase, and I thought that I could make something of it.

When next he came to me he was drunk – royally drunk on many poets for the first time revealed to him. His pupils were dilated, his words tumbled over each other, and he wrapped himself in quotations. Most of all was he drunk with Longfellow.

“Isn’t it splendid? Isn’t it superb?” he cried, after hasty greetings. “Listen to this —

 
  “‘Wouldst thou,’ so the helmsman answered,
    ‘Know the secret of the sea?
  Only those who brave its dangers
    Comprehend its mystery.’
 

By gum!

 
  “‘Only those who brave its dangers
    Comprehend its mystery.’”
 

he repeated twenty times, walking up and down the room and forgetting me. “But I can understand it too,” he said to himself. “I don’t know how to thank you for that fiver. And this; listen —

 
  “‘I remember the black wharves and the ships
    And the sea-tides tossing free,
  And the Spanish sailors with bearded lips,
  And the beauty and mystery of the ships,
    And the magic of the sea.’
 

“I haven’t braved any dangers, but I feel as if I knew all about it.”

“You certainly seem to have a grip of the sea. Have you ever seen it?”

“When I was a little chap I went to Brighton once; we used to live in Coventry, though, before we came to London. I never saw it,

 
  ‘When descends on the Atlantic
    The gigantic
  Storm-wind of the Equinox.’”
 

He shook me by the shoulder to make me understand the passion that was shaking himself.

“When that storm comes,” he continued, “I think that all the oars in the ship that I was talking about get broken, and the rowers have their chests smashed in by the bucking oar-heads. By the way, have you done anything with that notion of mine yet?”

“No. I was waiting to hear more of it from you. Tell me how in the world you re so certain about the fittings of the ship. You know nothing of ships.”

“I don’t know. It’s as real as anything to me until I try to write it down. I was thinking about it only last night in bed, after you had loaned me ‘Treasure Island’; and I made up a a whole lot of new things to go into the story.”

“What sort of things?”

“About the food the men ate; rotten figs and black beans and wine in a skin bag, passed from bench to bench.”

“Was the ship built so long ago as that?”

“As what? I don’t know whether it was long ago or not. It’s only a notion, but sometimes it seems just as real as if it was true. Do I bother you with talking about it?”

“Not in the least. Did you make up anything else?”

“Yes, but it’s nonsense.” Charlie flushed a little.

“Never mind; let’s hear about it.”

“Well, I was thinking over the story, and after awhile I got out of bed and wrote down on a piece of paper the sort of stuff the men might be supposed to scratch on their oars with the edges of their handcuffs. It seemed to make the thing more lifelike. It is so real to me, y’know.”

“Have you the paper on you?”

“Ye – es, but what’s the use of showing it? It’s only a lot of scratches. All the same, we might have ‘em reproduced in the book on the front page.”

“I’ll attend to those details. Show me what your men wrote.”

He pulled out of his pocket a sheet of note-paper, with a single line of scratches upon it, and I put this carefully away.

“What is it supposed to mean in English?” I said.

“Oh, I don’t know. Perhaps it means ‘I’m beastly tired.’ It’s great nonsence,” he repeated, “but all those men in the ship seem as real people to me. Do do something to the notion soon; I should like to see it written and printed.”

“But all you’ve told me would make a long book.”

“Make it then. You’ve only to sit down and write it out.”

“Give me a little time. Have you any more notions?”

“Not just now. I’m reading all the books I’ve bought. They’re splendid.”

When he had left I looked at the sheet of note-paper with the inscription upon it. Then I took my head tenderly between both hands, to make certain that it was not coming off or turning round. Then… but there seemed to be no interval between quitting my rooms and finding myself arguing with a policeman outside a door marked Private in a corridor of the British Museum. All I demanded, as politely as possible, was “the Greek antiquity man.” The policeman knew nothing except the rules of the Museum, and it became necessary to forage through all the houses and offices inside the gates. An elderly gentleman called away from his lunch put an end to my search by holding the note-paper between finger and thumb and sniffing at it scornfully.

“What does this mean? H’mm,” said he. “So far as I can ascertain it is an attempt to write extremely corrupt Greek on the part” – here he glared at me with intention – “of an extremely illiterate-ah-person.” He read slowly from the paper, “Pollock, Erckman, Tauchnitz, Henniker” – four names familiar to me.