Kitabı oku: «Prophecy», sayfa 3
I glance down at the red-haired girl, who blinks up at me again, biting her lip. She is the one I need to speak to, if I can only find a way to get her alone. I wonder if she reads Seneca. She looks barely old enough to have learned her letters.
‘Why was she dressed in men’s clothes?’
‘I cannot account for that, Master Bruno. The girls are high-spirited, they do sometimes get up to games and pranks. Dressing up, and so on …’ The words die on her lips. It is clear that she will swear black is white if she must, rather than willingly offer anything that might reflect badly on her own vigilance over the dead girl.
‘Thank you for your help, my lady.’ I bow and make as if to leave, then turn back, as if struck by an afterthought. ‘There is no reason to suppose that Cecily had any loyalty to the Roman faith?’
Lady Seaton is so outraged by this that she rises to her feet, though the vast bulk of her farthingales means she almost becomes stuck in the chair, so the gesture loses some of its impact. She shakes off the girls’ hands on her arm.
‘How dare you, sir! Her family’s loyalty to the queen is impeccable, and if you think I would not have been able to sniff out a papist right under my own nose –’
‘Forgive me. I was only thinking aloud. She was found with a rosary in her hand.’
‘Planted on her by the papist conspirators who carried out this heinous deed!’ She points a finger into my face. ‘I think you should leave, sir. You come here charged with finding poor Cecily’s killer and instead accuse her of whoring and popery!’
I murmur an apology for any offence caused and retire, backing through the doors in a low bow. As I leave, I catch the red-haired girl’s eye and try to convey by a look that I would welcome any confidence she may choose to share. It is not clear if she has understood.
The many fine tapestries hanging on the walls keep the corridor free of draughts, but I hear an insistent wind worrying at the window frames as I settle myself almost out of sight in a bay opposite the stairs, where I can watch the door to the chamber I have just left. Walsingham will be some time with the queen, I suppose, and there is nothing for me to do but wait and hope that the young maid of honour with the red hair will show herself at some point, without the company of Lady Seaton.
Minutes pass, and more minutes. Distant creaks and footfalls tell of activity elsewhere in this warren of passages, but my corridor remains empty. Cupping my hands around my face to the window pane I can make out, under the moonlight, the expanse of the palace compound ahead of me, the great hall on the west side and the chapel on the east, connected to the complex of privy apartments by a narrow covered bridge that spans the moat dividing us from the Great Court. The palace is well protected, bordered on one side by the deer park and another by the river, and all its gates and entrances heavily guarded against intruders. But the truth is that any would-be assassin has ample opportunity to run at Queen Elizabeth during her open procession from the Chapel Royal to her chambers of state every Sunday, or her summer progressions around the country, or any of her many other public appearances. Walsingham frets endlessly over her faith in the love of her subjects – naïve, in his opinion – and her desire to show herself unafraid amongst them; but she insists that she will not be cowed by whispered threats. She likes to meet her people face to face, to give them her hand to kiss. Perhaps this is because Master Secretary Walsingham does not tell her everything he hears regarding plots hatched in the seminaries in France, now filled with angry young Englishmen in exile, who believe that the Papal Bull of 1570 declaring Elizabeth a heretic also gave them, in not so many words, a mandate to kill her on behalf of the Catholic Church.
But tonight’s murder is not the reckless act of a hot-blooded youth willing to martyr himself for his faith; there is a chilling touch of theatre about it, a degree of planning designed to inspire real fear. Fear of what, though? The Catholics? The planets? There is a message, too; Burghley reads it straightforwardly, but I am not so sure. The sign of Jupiter troubles me, perhaps only because it comes so near to me and Doctor Dee and our secret work. I stretch my legs out in front of me and sigh. After my experience in Oxford, I had hoped for some respite from the undercurrents of violence that attend the court of Elizabeth. I am a philosopher, after all; what I really wish for is time to work on my book in peace, for as long as King Henri III of France sees fit to go on paying for me to live here with his ambassador. When I agreed to work for Walsingham shortly after my arrival in England, I had thought it would be merely a question of keeping my eyes open at the embassy, watching who among the English nobles came to dinner there, who stayed for Mass, who grew close to the ambassador and who was corresponding with whom among the Catholics in exile. Now, for the second time, I find myself caught up in a matter of violent death and I am not sure what is expected of me.
My thoughts are disturbed by the soft click of a door opening at the end of the passageway; I shrink back into the window seat and lean my head around cautiously, but in the dim light I can only make out the figure of a woman, too slender to be Lady Seaton. She carries a candle in a holder and walks briskly towards me; as she passes under a sconce of candles on the wall, I catch a flash of red-gold under her white linen cap and whistle softly through my teeth. She gives a little cry and immediately stifles it with her hand; I press my finger to my lips, uncross my legs from the seat and we both freeze, still as marble, waiting to see if any guard comes running. A moment passes before we are satisfied that no one has heard.
‘I waited for you. Can we speak privately?’ I ask her, my voice barely escaping my lips.
She hesitates for a moment, then glances over her shoulder before nodding. Holding her finger to her lips, she gestures for me to follow her, and leads me down the staircase, along another passage and into an empty gallery, unlit except for the moonlight that spills through the diamond panes, casting pale shapes on the wooden boards, faintly coloured where the windows bear heraldic emblems of stained glass. Almost as soon as the doors swing shut behind us, she appears to regret her decision; her eyes open wide in fear and she looks frantically about her.
‘If they should find me here –’
I make soft reassuring noises, such as you might make to a skittish horse, while guiding her away from the door towards one of the large windows.
‘You were friends with Cecily?’
She nods, with emphasis, then smothers a sob behind her handkerchief.
‘What is your name?’
‘Abigail Morley.’
‘You know more than Lady Seaton, I think, Abigail,’ I prompt gently.
She nods again, disconsolate; she will not meet my eye and I guess that she fears disloyalty to her dead friend.
‘Did Cecily have a lover? Did she tell you she was going to meet someone? If you know anything, it may help to catch him.’
Finally the girl raises her head.
‘Lady Seaton says it was black magic.’
‘People talk of magic to cover their ignorance. But you know better, I think.’
Her eyes widen in amazement at this and she almost smiles; the audacity of someone questioning her mistress’s authority. She is standing close to me and I notice that she is pretty in that milky, English way, though there is something bland about her features that does not move me. I prefer a woman with more fire in her eyes.
‘We are not allowed to associate with the gentlemen of the court,’ she whispers. ‘It is strictly forbidden. Even the merest rumour could have us sent straight back to our families in disgrace with no chance of return, you understand?’
‘That seems hard.’
The girl shrugs, as if to say things have always been arranged like this.
‘Being maid of honour to Her Majesty is the surest step to making a grand marriage at court. This is why our fathers send us here, and lay out their money for the privilege. Cecily told me her father paid more than a thousand pounds to get her a place.’
‘Poor man. A double loss for him, then. But how are you supposed to make these grand marriages if you are not allowed near the courtiers?’
‘Oh, the marriages are made for us,’ she says, with a little pout. ‘Between our fathers and the queen. And naturally no man wants to know us if there are rumours flying about the court concerning our virtue. Besides,’ she adds, slipping into a sly grin, ‘Her Majesty is renowned as the Virgin Queen, so she thinks we should all follow her example. She should really know that all the tricks of secrecy make it the more exciting.’
‘Like dressing as a boy?’
‘Cecily was not the first girl to have tried that. You’re just noticed less – it makes it simpler to slip away. Men have it so much easier,’ she adds, with a pointed look, as if this imbalance were my fault.
‘Well, I’m afraid your poor friend is beyond any disgrace now. So she did have a sweetheart?’
‘She had met someone,’ the girl confides. ‘Quite recently – for the last month she was all smiles and secrecy, and quite distracted. If Lady Seaton chastised her for not having her mind on her duties, she would blush and giggle and send me meaningful looks.’ A resentment has crept into Abigail’s tone.
‘But did she tell you who he was?’
‘No,’ she says, after a slight hesitation, and in the silence that follows her eyes dart away. ‘But in the Maids’ Chamber at bedtime, she would hint that he was someone very important – someone she evidently thought would impress us, anyway. He must have been rich, because he bought her beautiful presents. A gold ring, a locket, and the most exquisite tortoiseshell mirror. She was convinced he meant to marry her, but then she always was fanciful.’
‘So he was here at court?’ In my haste I inadvertently clutch at her sleeve, startling her; quickly I withdraw my hand and she takes a step back.
‘I assume so. He must have been a frequent visitor, anyway, because lately she would often go missing at odd times, and she would come back all flushed and hugging her secret, though she made sure we all knew. She begged me to tell Lady Seaton she was feeling unwell, but the old woman is no fool, as you saw – she was growing suspicious. Cecily would have been found out sooner or later – or ended up with a full belly.’
‘But someone found her first,’ I muse. ‘So she never mentioned his name? You’re certain? Or anything that would identify him?’
She shakes her head, firmer this time.
‘No name, I swear. Nothing except that he was unusually handsome, apparently.’
‘Well, that would narrow it down in the English court.’
She giggles then, finally looking me in the eye; at the same moment, the sound of footsteps echoes along the passageway outside and the laughter dies on her lips.
‘Have you told anyone else of this?’ I hiss. She shakes her head. ‘Good. Say nothing about the secret suitor – neither you nor any of the other girls who knew about it. And tell no one that you spoke to me. If you remember anything else, you can always get a message to me in secret at the French embassy. I have lodgings there.’
Her eyes grow wider in the gloom. ‘Am I in danger?’
‘Until they know who killed your friend and why, there is no knowing who might be in danger. It is as well to be on your guard.’
The treads – two people, by the sound of it – grow closer; just as they stop outside the doors to the gallery I motion to her to keep back in the shadows, out of sight. Then I open the door just as the guards are about to reach for the handle, affecting to jump out of my skin at the sight of them.
‘Scusi – I was looking for the office of my lord Burghley? I think I have become lost in all the corridors.’ I offer a little self-deprecating laugh; they glance at one another, but they lead me away without looking further into the room.
‘Lord Burghley, my arse. You’ll answer to the captain of the palace guard first, you Spanish dog,’ says one, as he drags me roughly towards the stairs. ‘How did you get in here?’
‘Lord Burghley let me in,’ I repeat, with a sigh; in six months in England I have learned to expect this. They regard all foreigners – especially those of us with dark eyes and beards – as Spanish papists come to murder them in their beds. I will find my way to Burghley eventually; what matters is that no one should know the maid Abigail has spoken to me. Cecily’s mystery inamorato may not know that she kept his identity a secret; there is every chance he may want to silence her friends too. Assuming – and I have learned to assume nothing without proof – that he is connected to this bizarre display of murder.
THREE
Salisbury Court, London
26th September, Year of Our Lord 1583
‘Cut off both her tits, the way I heard it.’ Archibald Douglas leans back in his chair and picks his teeth with a chicken bone, apparently satisfied that he has delivered the definitive version. Then he remembers another detail and sits forward in a hurry, his finger wagging at no one in particular. ‘Cut off both her tits and stuck a Spanish crucifix up her. Fucking brute.’ He slumps again and drains his glass.
‘Monsieur Douglas, s’il vous plait.’ Courcelles, the ambassador’s private secretary, raises his almost invisible eyebrows in a perfect mannerism of shock that, like all his gestures, appears learned and rehearsed. He passes a hand over his carefully coiffed hair and tuts, pursing his lips, as if his objection is principally to the Scotsman’s vulgar turn of phrase. ‘I was told by a friend at court she was strangled with a rosary. On the steps of the Chapel Royal, if you can believe it.’ He presses a hand to his breast bone with a great intake of breath. He should be in a playing company, I think; his every move is a performance.
Across the table, William Fowler catches my eye for the space of a blink before he glances away again.
‘These reports do have a tendency to grow in the telling,’ he says, evenly, looking at the ambassador. He too speaks with the Scottish accent, though to my foreign ears his conversation seems more comprehensible than the broad tones of Douglas. Fowler is a neat, self-contained man in his mid-twenties, clean-shaven with brown hair that hangs almost into his eyes; his voice is restrained, as if he is always imparting a confidence, so that you have to lean in to listen. ‘I have been a frequent visitor to the court on official business these past days, and I’m afraid the truth is less sensational.’ But he doesn’t elaborate. I have noticed that Fowler, my new contact whom I have met for the first time this evening and have not yet spoken to alone, has a talent for implying that he knows far more than he is prepared to say in company. Perhaps this is why the French ambassador is drawn to him.
Why Castelnau tolerates Douglas, on the other hand, is anyone’s guess. The older Scotsman is some kind of minor noble, about forty years of age, with prematurely greying reddish hair and a face hardened by drink and weather, who has attached himself to the embassy with the promise of supporting the Scottish queen’s claim to the English throne. Improbable as it seems, he is a senator in the Scottish College of Justice and said to be well connected among the Scottish lords, both Catholic and Protestant; he comes personally recommended by Queen Mary of Scotland. For the ambassador, these connections must be worth the price of feeding him. I have my doubts. Given that I too have been obliged to survive these past seven years by seeking the patronage of influential men, perhaps I should be more charitable to Archibald Douglas, but I like to think that I at least offer something to the households of my patrons in return for their hospitality, even if it is only some lively dinner-table conversation and the prestige of my books. Douglas brings nothing, as far as I can see, and I am not persuaded by his professed interest in Mary and her French supporters; he strikes me as one of those who will always agree with whoever happens to be pouring the wine. It irks me that Claude de Courcelles, the ambassador’s too-pretty secretary, tars me with the same brush as Douglas; Courcelles is responsible for making the embassy’s books balance, and he looks with undisguised resentment on those he views as leeches. I am often forced to remind him that I am a personal friend of his sovereign, whereas Douglas – well, Douglas claims to be a friend of many influential people, including the Queen of Scots herself, but I cannot help wondering: if he is so popular among the Scottish and English nobles, why does he not beg his dinner at one of their tables once in a while? Why, for that matter, is he never in Scotland at his own table?
The murder at court has been the chief topic of conversation at dinner this evening, eclipsing even the usual preoccupation with the Scottish queen and the ambitions of her Guise cousins. That night at Richmond Palace, I told Burghley and Walsingham of my conversation with Abigail; since then, the maids of honour have been given extra guards and the men at court are being questioned again but, naturally, when it comes to forbidden affairs, people are conditioned to lie. Walsingham grows increasingly anxious; the queen’s household at Richmond numbers upwards of six hundred souls. Though the hierarchies are strictly defined – each senior servant responsible for the duties of those below him or her – how can so many people be made to give true accounts of their movements on one evening? Queen Elizabeth, for her part, chooses to believe that a crazed intruder broke into the palace compound; her solution is to move the court earlier than usual to her central London palace at Whitehall, which is not so exposed to the open country and easier to defend. She will not admit the possibility that the killer might still be living among them. Walsingham had said he would send for me if he needed further assistance. Meanwhile, he said, I should return home and turn my attentions to the conversations behind closed doors at the French embassy.
In the wood-panelled dining room at Salisbury Court, the candles are burning low and the clock has already struck midnight, but the dishes with the remains of Castelnau’s grand dinner still litter the table, their sauces long cold and congealed. The servants will clear the board in the morning; after the meal is when the ambassador addresses himself to private business with his guests. Now that England’s most influential and restless Catholic lords gather so often around Castelnau’s table, it makes sense not to risk these discussions being overheard by servants; after all, says the ambassador, you can never be too careful. This means that we must all try to ignore Archibald Douglas toying with the carcass of a chicken, or wiping a finger through cold gravy and licking it while he delivers his half-formed opinions.
Michel de Castelnau, Seigneur de Mauvissiere, pushes his plate away from him and rests his elbows on the table, surveying his company of men. He is remarkably hale for a man of sixty winters; you have to look hard for the flecks of silver in his dark hair, and his dour face with its long bulbous nose is brightened by keen eyes that miss nothing. Castelnau is a cultured man, not without his vanities, who likes his supper table busy with men of wit and progressive ideas, those who are not afraid of controversy and enjoy a good argument in the pursuit of knowledge, whether in the sciences, theology, politics or poetry. I still do not see where a man like Douglas fits into this scheme, except that he has Mary Stuart’s personal blessing. In the low amber light, our shadows loom large behind us, wavering on the walls.
‘A virgin defiled in the very court of the Virgin Queen.’ The ambassador’s gaze travels steadily over each of us in turn. ‘My friends, this was done to slander the Catholics. Why else? Crucifix, rosary – it matters little. The details may differ in the reports but the intent is the same: to stir up fear and hatred – as if more were needed. The Catholics have done this, the English are saying in the street. The Catholics will stop at nothing, they mean to kill our Virgin Queen and make us all slaves to the pope again. This is what they are saying.’ He puts on a peevish, whining approximation of an English voice to simulate the common gossips. Courcelles laughs sycophantically. Douglas belches.
‘What I hear,’ says a new voice that cuts through the silence like a diamond on glass, ‘is that her body was marked all over in blood with symbols of black magic.’ He looks directly at me as he says this, the one who has spoken in that clipped, aristocratic tone, the one who sits half in shadow at the far end of the table. Everything about him is sharp; pointed face, pointed beard, brows like gothic arches, eyes hard as arrowheads. He has been unusually silent this evening, but I can feel the resentment emanating from him like the heat of a fire every time he turns those narrowed, unblinking eyes on me.
Castelnau casts a nervous glance my way; despite his secretary’s misgivings, the ambassador has never been other than a genial, even kindly, host to me since I arrived in April as his house guest, at his king’s request, but I know this part of my reputation troubles him. In Paris I taught the art of memory – a unique system I had developed from the Greeks and Romans – to King Henri himself, who called me his personal philosopher; naturally this elevated position drew envy from the learned doctors of the Sorbonne, who whispered into every ear that my memory techniques were a kind of sorcery, born of communion with devils. It was these rumours, together with the rising influence of the hardline Catholic faction at the French court, that led to my temporary exile in London. Castelnau is an honest Catholic; not an extremist like the Guise crowd, but devout enough to be worried when people joke to him about keeping a sorcerer in his house. He is another who warns me that my friendship with Doctor Dee will not do my reputation any favours. I suspect he says this because his close friend Henry Howard hates Dee, though the cause of this passionate hatred remains a mystery to me.
Lord Henry Howard continues to stare at me from under his arched brows as if his position demands that I account for myself. ‘Did you not hear any such reports, Bruno?’ he adds, in his smoothest voice. ‘It is your area of expertise, is it not?’
I smile pleasantly as I return his stare, unyielding. It would shock him to learn that I alone among the company saw the dead girl with my own eyes, but naturally no one at Salisbury Court knows I was there that night, any more than they know the truth about my work for Walsingham. Castelnau thinks that my acquaintance with Philip Sidney works to his own advantage; occasionally I feed him snippets of disinformation from the English court that support this illusion. Poor, trusting Castelnau; it gives me no pleasure to deceive him, but I must shift for myself in this world and I believe my future is safer with the powers of England, not France. I have no such qualms about informing on the likes of Henry Howard; a dangerous man, as Walsingham warned me. Since the execution for treason of his elder brother, the late Duke of Norfolk, this Henry Howard, at the age of forty-three, is now the senior member of the most powerful Catholic family in England. He is not to be underestimated; unlike many of the English nobles, he has an excellent mind and has even taught Rhetoric at the University of Cambridge. Sidney says the queen appointed him to her Privy Council because she knows the wisdom of keeping one’s enemies close, and because she likes to keep her more Puritanical ministers on their toes.
‘My lord is mistaken – I am only a humble writer,’ I reply, holding out my hands in a gesture of humility. ‘Like your lordship,’ I add, because I know the comparison will annoy him. It works; he glowers as if I have questioned the legitimacy of his birth.
‘Oh, yes – how does your book, Howard?’ Castelnau asks, perhaps grateful for the distraction.
Howard leans forward, an accusing finger raised to the ceiling.
‘This murder – this was precisely the point of my book. When the queen herself leans so openly on divination and on conjurors like John Dee, her subjects are encouraged to follow suit. Since she has led them all away from their proper obedience to the pope, is it any wonder they clutch at supposed prophecies and any old granddam’s tales of stars and planets? And where there is confusion, there the Devil rubs his hands with glee and sows his mischief. But people do not take heed.’
‘You are saying, if I understand you, my lord, that this murder occurred because people have not read your book thoroughly?’ I ask, all innocence. Castelnau flashes me a warning look.
‘I am saying, Bruno –’ Howard enunciates my name as if it set his teeth on edge – ‘that all these things are connected. A sovereign who turns her face from God’s anointed church, who claims all spiritual authority for herself but will not walk out of doors without consulting the constellations? Prophecies of the end of days, the coming of the antichrist, rumours of wars – the proper order is overturned, and now madmen are emboldened to slaughter the innocent in the name of the Devil. I’ll wager it will not be the last.’
Douglas snaps his head up at this, as if the conversation at last promises more of interest than his chicken carcass.
‘But if the reports are to be believed,’ I say, carefully, ‘it seems rather that this killer did his work in the name of the Catholic Church.’
‘Those who have slipped out from under the authority of Holy Mother Church will always be the first to blaspheme her,’ Howard counters, as quick as if we were fencing, a thin smile curving his lips. ‘As I suppose you would know, Master Bruno.’
‘Doctor Bruno, actually,’ I murmur. I would not usually insist, but I happen to know from Walsingham that, while he may have a family title, Henry Howard holds only the degree of Master. Among university men, these things matter. From his expression I can see that I have scored a hit.
‘Alors …’ Castelnau smiles uncertainly, holding out the wine bottle as a distraction, peering across our glasses to see who needs more drink. Douglas, the least needful of the company, thrusts his glass forward eagerly; as the ambassador passes the bottle down the table, we all jump like startled creatures at the soft click of the door, our nerves set on edge by the secretive nature of these meetings.
The company breathes with relief as the newcomers enter. Despite the late hour, it seems they have been expected, at least by our host. At first you might take them to be a couple, they step into the room so close and conspiratorial, until the young woman draws down her hood and moves immediately towards Castelnau with her arms outstretched; he stands and greets his young wife with a spaniel look in his eyes. When she moves into the light you see that she is not quite so young as you might at first think; her figure could be a girl’s but her face betrays that she is the wrong side of thirty. Even so, that makes her nearly three decades younger than her husband; perhaps this accounts for the spark in his eyes. She places a delicate hand on her husband’s shoulder, then raises her eyes briefly to look around the table. Marie de Castelnau is petite and slender, like a doll, the sort of woman men rush to protect, though she carries herself with the poise of a dancer, in a way that suggests she is well aware of her own allure. Her chestnut hair is bound up and caught in a tortoiseshell comb at the back of her neck, though loose strands tumble around her heart-shaped face; she brushes one away as she unlaces her cloak and takes in the assembled guests.
I catch her eye; she holds my gaze for a moment with something like curiosity, then demurely returns her attention to Castelnau, who pats her hand fondly. Walsingham was right: she is very beautiful. I try to smother that thought immediately.
‘You have found our dear Throckmorton, then,’ the ambassador says, beaming at the young man who came in after his wife and now hovers by the door, still wearing a travelling cloak. ‘Close that behind you and come, take some wine.’ He gestures broadly to an empty chair. Courcelles is dispatched in search of another bottle; the secretary is not too proud to take on a servant’s duties when secrecy is at stake. For my part, I am surprised that I have been allowed to stay for what is evidently a clandestine meeting; Henry Howard may dislike me, but it seems Castelnau’s faith in my loyalty to France, if not necessarily to Rome, is untarnished. My heartbeat quickens in anticipation.
‘He came in by the garden?’ Castelnau asks his wife anxiously.
‘I came by Water Lane, my lord,’ the young man called Throckmorton says, as he takes the seat that was offered. He means that he entered the house the back way, from the river, where he would not be seen. Salisbury Court is a long, sprawling building at least a hundred years old, which has its main door at the front on Fleet Street, by the church of St Bride’s, but its garden slopes down as far as the broad brown waters of the Thames; anyone wishing to visit the embassy in private can land a boat at Buckhurst Stairs after dark, pass up Water Lane and be admitted through a gate in the garden wall, without fear of being seen. This Throckmorton seems young; his beardless face is narrow and elfin, framed by fair hair long enough to curl over his collar; he has a pleasant, open smile but his pale eyes dart around nervously, as if he half-expected one of us to assault him while he was looking the other way. Seated, he unfastens his cloak; his eyes linger on me as an unfamiliar face, questioning, though not hostile.
