Kitabı oku: «Lives of the English Poets : Waller, Milton, Cowley», sayfa 4

Yazı tipi:

MILTON

The life of Milton has been already written in so many forms, and with such minute inquiry, that I might perhaps more properly have contented myself with the addition of a few notes on Mr. Fenton’s elegant abridgment, but that a new narrative was thought necessary to the uniformity of this edition.

John Milton was by birth a gentleman, descended from the proprietors of Milton, near Thame, in Oxfordshire, one of whom forfeited his estate in the times of York and Lancaster.  Which side he took I know not; his descendant inherited no veneration for the White Rose.

His grandfather, John, was keeper of the forest of Shotover, a zealous Papist, who disinherited his son because he had forsaken the religion of his ancestors.

His father, John, who was the son disinherited, had recourse for his support to the profession of a scrivener.  He was a man eminent for his skill in music, many of his compositions being still to be found; and his reputation in his profession was such, that he grew rich, and retired to an estate.  He had probably more than common literature, as his son addresses him in one of his most elaborate Latin poems.  He married a gentlewoman of the name of Caston, a Welsh family, by whom he had two sons, John, the poet, and Christopher, who studied the law and adhered, as the law taught him, to the king’s party, for which he was a while persecuted; but having by his brother’s interest obtained permission to live in quiet, he supported himself so honourably by chamber-practice, that, soon after the accession of King James, he was knighted and made a judge; but, his constitution being too weak for business, he retired before any disreputable compliances became necessary.

He had likewise a daughter Anne, whom he married with a considerable fortune to Edward Philips, who came from Shrewsbury, and rose in the Crown-office to be secondary: by him she had two sons, John and Edward, who were educated by the poet, and from whom is derived the only authentic account of his domestic manners.

John the poet, was born in his father’s house, at the Spread Eagle, in Bread Street, Dec. 9, 1608, between six and seven in the morning.  His father appears to have been very solicitous about his education; for he was instructed at first by private tuition under the care of Thomas Young, who was afterwards chaplain to the English merchants at Hamburgh, and of whom we have reason to think well, since his scholar considered him as worthy of an epistolary elegy.

He was then sent to St. Paul’s school, under the care of Mr. Gill; and removed, in the beginning of his sixteenth year, to Christ’s College, in Cambridge, where he entered a sizar, Feb. 12, 1624.

He was at this time eminently skilled in the Latin tongue; and he himself, by annexing the dates to his first compositions, a boast of which the learned Politian has given him an example, seems to commend the earliness of his own proficiency to the notice of posterity.

But the products of his vernal fertility have been surpassed by many, and particularly by his contemporary Cowley.  Of the powers of the mind it is difficult to form an estimate: many have excelled Milton in their first essays, who never rose to works like “Paradise Lost.”

At fifteen, a date which he uses till he is sixteen, he translated or versified two Psalms, 114 and 136, which he thought worthy of the public eye; but they raise no great expectations: they would in any numerous school have obtained praise, but not excited wonder.

Many of his elegies appear to have been written in his eighteenth year, by which it appears that he had then read the Roman authors with very nice discernment.  I once heard Mr. Hampton, the translator of Polybius, remark, what I think is true, that Milton was the first Englishman who, after the revival of letters, wrote Latin verses with classic elegance.  If any exceptions can be made, they are very few: Haddon and Ascham, the pride of Elizabeth’s reign, however they may have succeeded in prose, no sooner attempt verse than they provoke derision.  If we produced anything worthy of notice before the elegies of Milton, it was perhaps Alabaster’s “Roxana.”

Of these exercises, which the rules of the University required, some were published by him in his maturer years.  They had been undoubtedly applauded; for they were such as few can form: yet there is reason to suspect that he was regarded in his college with no great fondness.  That he obtained no fellowship is certain; but the unkindness with which he was treated was not merely negative.  I am ashamed to relate what I fear is true, that Milton was one of the last students in either University that suffered the public indignity of corporal correction.

It was, in the violence of controversial hostility, objected to him, that he was expelled: this he steadily denies, and it was apparently not true; but it seems plain, from his own verses to “Diodati”, that he had incurred “rustication,” a temporary dismission into the country, with perhaps the loss of a term.

 
Me tenet urbs refluâ quam Thamesis alluit undâ,
   Meque nec invitum patria dulcis habet.
Jam nec arundiferum mihi cura revisere Camum
   Nec dudum vetiti me laris angit amor.—
Nec duri libet usque minas preferre magistri,
   Cæteraque ingenio non subeunda meo.
Si sit hoc exilium patrias adiisse penates,
   Et vacuum curis otia greta sequi,
Non ego vel profugi nomen sortemve recuso,
   Lætus et exilii conditione fruor.
 

I cannot find any meaning but this, which even kindness and reverence can give to the term, “vetiti laris,” “a habitation from which he is excluded;” or how “exile” can be otherwise interpreted.  He declares yet more, that he is weary of enduring “the threats of a rigorous master, and something else which a temper like his cannot undergo.”  What was more than threat was probably punishment.  This poem, which mentions his “exile,” proves likewise that it was not perpetual; for it concludes with a resolution of returning some time to Cambridge.  And it may be conjectured, from the willingness with which he has perpetuated the memory of his exile, that its cause was such as gave him no shame.

He took both the usual degrees: that of bachelor in 1628, and that of master in 1632; but he left the University with no kindness for its institution, alienated either by the injudicious severity of his governors, or his own captious perverseness.  The cause cannot now be known, but the effect appears in his writings.  His scheme of education, inscribed to Hartlib, supersedes all academical instruction, being intended to comprise the whole time which men usually spend in literature, from their entrance upon grammar, till they proceed, as it is called Masters of Art.  And in his discourse “on the likeliest Way to remove Hirelings out of the Church,” he ingeniously proposes that the profits of the lands forfeited by the act for superstitious uses should be applied to such academies all over the land where languages and arts may be taught together that youth may be at once brought up to a competency of learning and an honest trade, by which means such of them as had the gift, being enabled to support themselves (without tithes) by the latter, may, by the help of the former, become worthy preachers.

One of his objections to academical education, as it was then conducted, is, that men designed for orders in the church were permitted to act plays, writhing and unboning their clergy limbs to all the antic and dishonest gestures of Trincalos, buffoons, and bawds, prostituting the shame of that ministry which they had, or were near having, to the eyes of courtiers and court-ladies, their grooms and mademoiselles.

This is sufficiently peevish in a man, who, when he mentions his exile from the college, relates, with great luxuriance, the compensation which the pleasures of the theatre afford him.  Plays were therefore only criminal when they were acted by academics.

He went to the university with a design of entering into the church, but in time altered his mind; for he declared, that whoever became a clergyman, must “subscribe slave, and take an oath withal, which, unless he took with a conscience that could retch, he must straight perjure himself.  He thought it better to prefer a blameless silence before the office of speaking, bought and begun with servitude and forswearing.”

These expressions are, I find, applied to the subscription of the Articles; but it seems more probable that they relate to canonical obedience.  I know not any of the Articles which seem to thwart his opinions: but the thoughts of obedience, whether canonical or civil, raise his indignation.

His unwillingness to engage in the ministry, perhaps not yet advanced to a settled resolution of declining it, appears in a letter to one of his friends, who had reproved his suspended and dilatory life, which he seems to have imputed to an insatiable curiosity, and fantastic luxury of various knowledge.  To this he writes a cool and plausible answer, in which he endeavours to persuade him, that the delay proceeds not from the delights of desultory study, but from the desire of obtaining more fitness for his task; and that he goes on, “not taking thought of being late, so it gives advantage to be more fit.”

When he left the University, he returned to his father, then residing at Horton, in Buckinghamshire, with whom he lived five years, in which time he is said to have read all the Greek and Latin writers.  With what limitations this universality is to be understood, who shall inform us?

It might be supposed, that he who read so much should have done nothing else; but Milton found time to write the “Masque of Comus,” which was presented at Ludlow, then the residence of the Lord President of Wales, in 1634; and had the honour of being acted by the Earl of Bridgewater’s sons and daughter.  The fiction is derived from Homer’s “Circe;” but we never can refuse to any modern the liberty of borrowing from Homer:

 
   —a quo ceu fonte perenni
Vatum Pieriis ora rigantur aquis.
 

His next production was Lycidas, an elegy, written in 1637, on the death of Mr. King, the son of Sir John King, Secretary for Ireland in the time of Elizabeth, James, and Charles.  King was much a favourite at Cambridge, and many of the wits joined to do honour to his memory.  Milton’s acquaintance with the Italian writers may be discovered by a mixture of longer and shorter verses, according to the rules of Tuscan poetry, and his malignity to the church by some lines which are interpreted as threatening its extermination.

He is supposed about this time to have written his Arcades; for while he lived at Horton he used sometimes to steal from his studies a few days, which he spent at Harefield, the house of the Countess Dowager of Derby, where the Arcades made part of a dramatic entertainment.

He began now to grow weary of the country, and had some purpose of taking chambers in the Inns of Court, when the death of his mother set him at liberty to travel, for which he obtained his father’s consent, and Sir Henry Wotton’s directions; with the celebrated precept of prudence, i pensieri stretti, ed il viso sciolto; “thoughts close, and looks loose.”

In 1638 he left England, and went first to Paris; where, by the favour of Lord Scudamore, he had the opportunity of visiting Grotius, then residing at the French court as ambassador from Christina of Sweden.  From Paris he hasted into Italy, of which he had with particular diligence studied the language and literature; and, though he seems to have intended a very quick perambulation of the country, stayed two months at Florence; where he found his way into the academies, and produced his compositions with such applause as appears to have exalted him in his own opinion, and confirmed him in the hope, that, “by labour and intense study, which,” says he, “I take to be my portion in this life, joined with a strong propensity of nature,” he might “leave something so written to after-times, as they should not willingly let it die.”

It appears, in all his writings, that he had the usual concomitant of great abilities, a lofty and steady confidence in himself, perhaps not without some contempt of others, for scarcely any man ever wrote so much, and praised so few.  Of his praise he was very frugal; as he set its value high, and considered his mention of a name as a security against the waste of time, and a certain preservative from oblivion.

At Florence he could not indeed complain that his merit wanted distinction.  Carlo Dati presented him with an encomiastic inscription, in the tumid lapidary style; and Francini wrote him an ode, of which the first stanza is only empty noise; the rest are perhaps too diffuse on common topics: but the last is natural and beautiful.

From Florence he went to Sienna, and from Sienna to Rome, where he was again received with kindness by the learned and the great.  Holstenius, the keeper of the Vatican library, who had resided three years at Oxford, introduced him to Cardinal Barberini: and he, at a musical entertainment, waited for him at the door, and led him by the hand into the assembly.  Here Selvaggi praised him in a distich, and Salsilli in a tetrastich: neither of them of much value.  The Italians were gainers by this literary commerce; for the encomiums with which Milton repaid Salsilli, though not secure against a stern grammarian, turn the balance indisputably in Milton’s favour.

Of these Italian testimonies, poor as they are, he was proud enough to publish them before his poems; though he says, he cannot be suspected but to have known that they were said non tam de se, quam supra se.

At Rome, as at Florence, he stayed only two months: a time indeed sufficient, if he desired only to ramble with an explainer of its antiquities, or to view palaces and count pictures; but certainly too short for the contemplation of learning, policy, or manners.

From Rome he passed on to Naples, in company of a hermit, a companion from whom little could be expected; yet to him Milton owed his introduction to Manso, Marquis of Villa, who had been before the patron of Tasso.  Manso was enough delighted with his accomplishments to honour him with a sorry distich, in which he commends him for everything but his religion: and Milton, in return, addressed him in a Latin poem, which must have raised a high opinion of English elegance and literature.

His purpose was now to have visited Sicily and Greece; but hearing of the differences between the king and parliament, he thought it proper to hasten home, rather than pass his life in foreign amusements while his countrymen were contending for their rights.  He therefore came back to Rome, though the merchants informed him of plots laid against him by the Jesuits, for the liberty of his conversations on religion.  He had sense enough to judge that there was no danger, and therefore kept on his way, and acted as before, neither obtruding nor shunning controversy.  He had perhaps given some offence by visiting Galileo, then a prisoner in the Inquisition for philosophical heresy; and at Naples he was told by Manse, that, by his declarations on religious questions, he had excluded himself from some distinctions which he should otherwise have paid him.  But such conduct, though it did not please, was yet sufficiently safe; and Milton stayed two months more at Rome, and went on to Florence without molestation.

From Florence he visited Lucca.  He afterwards went to Venice; and, having sent away a collection of music and other books, travelled to Geneva, which he probably considered as the metropolis of orthodoxy.

Here he reposed as in a congenial element, and became acquainted with John Diodati and Frederick Spanheim, two learned professors of divinity.  From Geneva he passed through France; and came home, after an absence of a year and three months.

At his return he heard of the death of his friend, Charles Diodati; a man whom it is reasonable to suppose of great merit, since he was thought by Milton worthy of a poem, entitled “Epitaphium Damonis,” written with the common but childish imitation of pastoral life.

He now hired a lodging at the house of one Russel a tailor in St. Bride’s Churchyard, and undertook the education of John and Edward Philips, his sister’s sons.  Finding his rooms too little, he took a house and garden in Aldersgate Street, which was not then so much out of the world as it is now; and chose his dwelling at the upper end of a passage, that he might avoid the noise of the street.  Here he received more boys, to be boarded and instructed.

Let not our veneration for Milton forbid us to look with some degree of merriment on great promises and small performance, on the man who hastens home, because his countrymen are contending for their liberty, and, when he reaches the scene of action, vapours away his patriotism in a private boarding-school.  This is the period of his life from which all his biographers seem inclined to shrink.  They are unwilling that Milton should be degraded to a schoolmaster; but since it cannot be denied that he taught boys, one finds out that he taught for nothing, and another that his motive was only zeal for the propagation of learning and virtue; and all tell what they do not know to be true, only to excuse an act which no wise man will consider as in itself disgraceful.  His father was alive; his allowance was not ample; and he supplied its deficiencies by an honest and useful employment.

It is told, that in the art of education he performed wonders; and a formidable list is given of the authors, Greek and Latin, that were read in Aldersgate Street by youth between ten and fifteen or sixteen years of age.  Those who tell or receive these stories should consider, that nobody can be taught faster than he can learn.  The speed of the horseman must be limited by the power of his horse.  Every man that has ever undertaken to instruct others can tell what slow advances he has been able to make, and how much patience it requires to recall vagrant inattention, to stimulate sluggish indifference, and to rectify absurd misapprehension.

The purpose of Milton, as it seems, was to teach something more solid than the common literature of schools, by reading those authors that treat of physical subjects, such as the Georgic, and astronomical treatises of the ancients.  This was a scheme of improvement which seems to have busied many literary projectors of that age.  Cowley, who had more means than Milton of knowing what was wanting to the embellishments of life, formed the same plan of education in his imaginary college.

But the truth is, that the knowledge of external nature, and the sciences which that knowledge requires or includes, are not the great or the frequent business of the human mind.  Whether we provide for action or conversation, whether we wish to be useful or pleasing, the first requisite is the religious and moral knowledge of right and wrong; the next is an acquaintance with the history of mankind, and with those examples which may be said to embody truth, and prove by events the reasonableness of opinions.  Prudence and justice are virtues and excellences of all times and of all places; we are perpetually moralists, but we are geometricians only by chance.  Our intercourse with intellectual nature is necessary; our speculations upon matter are voluntary, and at leisure.  Physiological learning is of such rare emergence, that one may know another half his life without being able to estimate his skill in hydrostatics or astronomy; but his moral and prudential character immediately appears.

Those authors, therefore, are to be read at schools that supply most axioms of prudence, most principles of moral truth, and most materials for conversation; and these purposes are best served by poets, orators, and historians.

Let me not be censured for this digression as pedantic or paradoxical; for, if I have Milton against me, I have Socrates on my side.  It was his labour to turn philosophy from the study of Nature to speculations upon life; but the innovators whom I oppose are turning off attention from life to nature.  They seem to think that we are placed here to watch the growth of plants, or the motions of the stars.  Socrates was rather of opinion that what we had to learn was how to do good and avoid evil.

 
Οτι ποι ὲν μεγάροισι κακόντ’ άγαθόντε τέτυκται
 

Of institutions we may judge by their effects.  From this wonder-working academy I do not know that there ever proceeded any man very eminent for knowledge: its only genuine product, I believe, is a small History of Poetry, written in Latin by his nephew Philips, of which perhaps none of my readers has ever heard.

That in his school, as in everything else which he undertook, he laboured with great diligence, there is no reason for doubting.  One part of his method deserves general imitation.  He was careful to instruct his scholars in religion.  Every Sunday was spent upon theology, of which he dictated a short system, gathered from the writers that were then fashionable in the Dutch universities.

He set his pupils an example of hard study and spare diet; only now and then he allowed himself to pass a day of festivity and indulgence with some gay gentlemen of Gray’s Inn.

He now began to engage in the controversies of the times, and lent his breath to blow the flames of contention.  In 1641 he published a treatise of Reformation in two books, against the Established Church, being willing to help the Puritans, who were, he says, “inferior to the Prelates in learning.”

Hall, Bishop of Norwich, had published an Humble Remonstrance, in defence of Episcopacy; to which, in 1641, five ministers, of whose names the first letters made the celebrated word Smectymnuus, gave their answer.  Of this answer a confutation was attempted by the learned Usher; and to the confutation Milton published a reply, entitled, “Of Prelatical Episcopacy, and whether it may be deduced from the Apostolical Times, by virtue of those Testimonies which are alleged to that purpose in some late Treatises, one whereof goes under the Name of James, Lord Bishop of Armagh.”

I have transcribed this title to show, by his contemptuous mention of Usher, that he had now adopted the Puritanical savageness of manners.  His next work was, “The Reason of Church Government urged against Prelacy,” by Mr. John Milton, 1642.  In this book he discovers, not with ostentatious exultation, but with calm confidence, his high opinion of his own powers, and promises to undertake something, he yet knows not what, that may be of use and honour to his country.  “This,” says he, “is not to be obtained but by devout prayer to that Eternal Spirit that can enrich with all utterance and knowledge, and sends out His seraphim, with the hallowed fire of His altar, to touch and purify the lips of whom He pleases.  To this must be added, industrious and select reading, steady observation, and insight into all seemly and generous arts and affairs till which in some measure be compassed, I refuse not to sustain this expectation.”  From a promise like this, at once fervid, pious, and rational, might be expected the “Paradise Lost.”

He published the same year two more pamphlets, upon the same question.  To one of his antagonists, who affirms that he was “vomited out of the university,” he answers in general terms: “The fellows of the college wherein I spent some years, at my parting, after I had taken two degrees, as the manner is, signified many times how much better it would content them that I should stay.—As for the common approbation or dislike of that place, as now it is, that I should esteem or disesteem myself the more for that, too simple is the answerer, if he think to obtain with me.  Of small practice were the physician who could not judge by what she and her sister have of long time vomited, that the worser stuff she strongly keeps in her stomach, but the better she is ever kecking at, and is queasy; she vomits now out of sickness; but before it will be well with her, she must vomit with strong physic.  The university, in the time of her better health, and my younger judgment, I never greatly admired, but now much less.”

This is surely the language of a man who thinks that he has been injured.  He proceeds to describe the course of his conduct, and the train of his thoughts; and, because he has been suspected of incontinence, gives an account of his own purity: “That if I be justly charged,” says he, “with this crime, it may come upon me with tenfold shame.”

The style of his piece is rough, and such perhaps was that of his antagonist.  This roughness he justifies by great examples, in a long digression.  Sometimes he tries to be humorous: “Lest I should take him for some chaplain in hand, some squire of the body to his prelate, one who serves not at the altar only, but at the court-cupboard, he will bestow on us a pretty model of himself; and sets me out half-a-dozen phthisical mottoes, wherever he had them, hopping short in the measure of convulsion fits; in which labour the agony of his wit having escaped narrowly, instead of well-sized periods, he greets us with a quantity of thumb-ring posies.—And thus ends this section, or rather dissection, of himself.”  Such is the controversial merriment of Milton; his gloomy seriousness is yet more offensive.  Such is his malignity, “that hell grows darker at his frown.”

His father, after Reading was taken by Essex, came to reside in his house, and his school increased.  At Whitsuntide, in his thirty-fifth year, he married Mary, the daughter of Mr. Powel, a justice of the peace in Oxfordshire.  He brought her to town with him, and expected all the advantages of a conjugal life.  The lady, however, seems not much to have delighted in the pleasures of spare diet and hard study; for, as Philips relates, “having for a month led a philosophic life, after having been used at home to a great house, and much company and joviality, her friends, possibly by her own desire, made earnest suit to have her company the remaining part of the summer, which was granted, upon a promise of her return at Michaelmas.”

Milton was too busy to much miss his wife; he pursued his studies, and now and then visited the Lady Margaret Leigh, whom he has mentioned in one of his sonnets.  At last Michaelmas arrived; but the lady had no inclination to return to the sullen gloom of her husband’s habitation, and therefore very willingly forgot her promise.  He sent her a letter, but had no answer; he sent more with the same success.  It could be alleged that letters miscarry; he therefore despatched a messenger, being by this time too angry to go himself.  His messenger was sent back with some contempt.  The family of the lady were Cavaliers.

In a man whose opinion of his own merit was like Milton’s, less provocation than this might have raised violent resentment.  Milton soon determined to repudiate her for disobedience; and, being one of those who could easily find arguments to justify inclination, published (in 1644) “The Doctrine and Discipline of Divorce,” which was followed by the “Judgment of Martin Bucer concerning Divorce,” and the next year his “Tetrachordon, Expositions upon the four chief Places of Scripture which treat of Marriage.”

This innovation was opposed, as might be expected, by the clergy, who, then holding their famous assembly at Westminster, procured that the author should be called before the Lords; “but that house,” says Wood, “whether approving the doctrine, or not favouring his accusers, did soon dismiss him.”

There seems not to have been much written against him, nor anything by any writer of eminence.  The antagonist that appeared is styled by him, “A Serving Man turned Solicitor.”  Howel, in his Letters, mentions the new doctrine with contempt; and it was, I suppose, thought more worthy of derision than of confutation.  He complains of this neglect in two sonnets, of which the first is contemptible, and the second not excellent.

From this time it is observed that he became an enemy to the Presbyterians, whom he had favoured before.  He that changes his party by his humour is not more virtuous than he that changes it by his interest; he loves himself rather than truth.

His wife and her relations now found that Milton was not an unresisting sufferer of injuries; and perceiving that he had begun to put his doctrine in practice, by courting a young woman of great accomplishments, the daughter of one Doctor Davis, who was, however, not ready to comply, they resolved to endeavour a reunion.  He went sometimes to the house of one Blackborough, his relation, in the lane of St. Martin’s-le-Grand, and at one of his usual visits was surprised to see his wife come from another room, and implore forgiveness on her knees.  He resisted her entreaties for a while; “but partly,” says Philips, “his own generous nature, more inclinable to reconciliation than to perseverance in anger or revenge, and partly the strong intercession of friends on both sides, soon brought him to an act of oblivion and a fair league of peace.”  It were injurious to omit that Milton afterwards received her father and her brothers in his own house, when they were distressed, with other Royalists.

He published about the same time his “Areopagitica, a speech of Mr. John Milton for the liberty of unlicensed Printing.”  The danger of such unbounded liberty, and the danger of bounding it, have produced a problem in the science of government, which human understanding seems hitherto unable to solve.  If nothing may be published but what civil authority shall have previously approved, power must always be the standard of truth; if every dreamer of innovations may propagate his prospects, there can be no settlement; if every murmurer at government may diffuse discontent, there can be no peace; and if every sceptic in theology may teach his follies, there can be no religion.  The remedy against these evils is to punish the authors; for it is yet allowed that every society may punish, though not prevent, the publication of opinions which that society shall think pernicious; but this punishment, though it may crush the author, promotes the book; and it seems not more reasonable to leave the right of printing unrestrained because writers may be afterwards censured, than it would be to sleep with doors unbolted, because by our laws we can hang a thief.

Yaş sınırı:
0+
Litres'teki yayın tarihi:
21 mayıs 2019
Hacim:
211 s. 2 illüstrasyon
Telif hakkı:
Public Domain
İndirme biçimi:
Metin
Ortalama puan 0, 0 oylamaya göre
Metin
Ortalama puan 0, 0 oylamaya göre
Metin
Ortalama puan 0, 0 oylamaya göre
Metin
Ortalama puan 0, 0 oylamaya göre
Metin
Ortalama puan 0, 0 oylamaya göre
Metin
Ortalama puan 0, 0 oylamaya göre
Metin
Ortalama puan 0, 0 oylamaya göre
Metin
Ortalama puan 0, 0 oylamaya göre