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Kitabı oku: «A Death in Belmont», sayfa 3

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FIVE

THE FIRST ONE was found dead in her small Boston apartment on the evening of June 14, 1962. Her name was Anna Slesers, and she’d been clubbed on the back of the head and then strangled with the belt from her blue taffeta housecoat. No one knew that her murder would be the first of many, so her story merited only a few paragraphs in the Boston Globe. “An attractive divorcee was found strangled in her third-floor apartment at 77 Gainsboro Street [sic],” the article began. “Her son found Mrs. Anna Slesers, 55, on the kitchen floor when he came to take her to church. A cord was tightly knotted around her neck.”

A dozen years earlier, Anna Slesers had fled with her two children to the United States from Latvia, where she had survived World War II in a camp for displaced people. She now lived on her own in a picturesque section of Boston known as Back Bay and worked as a factory seamstress for sixty dollars a week. She lived quietly and had virtually no social life; her primary interests were her children, her church, and classical music. On the evening of June 14 her son, Juris, had planned to take her to the Latvian Lutheran Church in Roxbury, where services were held every year to mourn the day that the Soviet Army overran their country. Juris had showed up at seven o’clock, as they’d agreed, knocked on the apartment door, waited, pounded on it, waited some more, and then walked down to the street to check her mailbox. The mailbox was full, and he pulled the letters out of it and walked back upstairs. Forty-five minutes after he arrived, Juris put his thin shoulder to the door and broke it down with a couple of strong shoves.

He found his mother on the floor near the kitchen, grotesquely presented to whoever walked in next. A bathtub full of water was waiting for her, and an opera record, Tristan und Isolde, was turning silently on the phonograph. The first police officers to arrive thought that the death was a suicide, which prompted Juris to call his sister in Maryland with the bad news. For a divorced Latvian exile, the country’s national day of mourning might be an appropriate day to decide you don’t want to continue living. One of the officers who showed up later, however, immediately saw murder in the position of the body. Detective Jim Mellon of Boston Homicide guessed that Mrs. Slesers had been attacked in the bathroom and then dragged into the hallway on a small rug. There she had been strangled and probably raped. (The medical examiner later determined that in fact she’d been sexually assaulted with an object.)

Whoever had killed her had also taken great pains to pull open all the drawers in her bedroom dresser, as if looking for valuables, but had pointedly ignored her jewelry, her small gold watch, and the few dollars she had in her purse. Officer Mellon was annoyed by the fact that Juris had not covered up his mother’s body before calling the police and decided that he was the one who had killed her. The theory did not advance very far. The police ultimately concluded that a burglar must have broken into the apartment, surprised Mrs. Slesers as she prepared to take a bath, and simply been overcome by “lust.” He sexually assaulted her and then killed her to prevent being identified. There was roughly a murder a week in Boston, and the explanation for Mrs. Slesers’s killing might have remained unquestioned if it hadn’t happened again.

The next one came two weeks later: Nina Nichols, a sixty-eight-year-old widow who had just retired from a high-level hospital job, was found dead in her small Boston apartment on the evening of June 30. Her pink housecoat and slip had been yanked up to her waist, and she had been garroted with her own stockings, which the killer had then tied in a decorative bow. Like Anna Slesers, she had been sexually assaulted with an object, and the apartment had been thoroughly ransacked, though nothing—including a three-hundred-dollar camera—seemed to have been taken. There were also no signs of forced entry, and Nina Nichols’s sister told the police that while they were speaking on the phone late that afternoon, her sister’s doorbell had rung and Nichols had hung up in order to answer it. She never called back.

Nichols had been killed late in the day, and police detectives theorized that the murderer had rung doorbells randomly and decided to attack Mrs. Nichols because she was alone in the apartment. The Boston Globe noted that the killing was similar to that of Anna Slesers two weeks earlier, and quoted Lt. John Donovan, head of Boston Homicide, as saying that there was a “possibility” the same man had committed both murders. First thing Monday morning, Boston police commissioner Ed McNamara called a meeting of all department heads to discuss the murders.

By evening the people of Boston had little reason to doubt that it would be a long, murder-filled summer. Sixty-five-year-old Helen Blake was found strangled by her own stockings in the working-class town of Lynn, and the manner of her death was by now sickeningly familiar, ANOTHER SILK STOCKING MURDER, THE Boston Globe headlines shrieked on Tuesday morning. “A Lynn nurse was found strangled in her apartment under circumstances almost identical with the slaying of a Brighton woman 48 hours earlier.” Helen Blake was a stout, modest woman who until recently had worked as a nurse at a local hospital. She was found facedown in her bed with two stockings and a bra wrapped tightly around her neck. The bra had been arranged in the cheerful bow that by now the police recognized as a signature of the killer. According to the autopsy, she was killed on the morning of June 30, the same day as Nina Nichols. Blake appeared to have been strangled in the kitchen and then carried to her bed and sexually assaulted with an object. She weighed 165 pounds, and police investigators concluded that only a powerful man could have picked her up and put her on the bed. The killer had also lugged a strongbox from under the bed to an armchair and tried pick the lock with a knife, but the tip of the blade had broken off in the keyhole.

The front door had a chain, a bolt, and a Yale lock, none of which had been tampered with, so Blake must have opened the door to her killer. Two bottles of fresh milk were found on top of her refrigerator, already gone sour in the summer heat. They had been delivered to her doorstep the morning of the murder, but if Blake had brought them in, she would have put them straight into the refrigerator. Could the killer have knocked on the door, presented her with the milk bottles, and then talked his way into the apartment? Would he have put them on top of the refrigerator before attacking her? Would he have then gone on to kill Nina Nichols in Boston later in the day, or was there another killer who had decided to imitate what he’d read in the papers about Anna Slesers?

“Since robbery is not the motive, we are dealing with a demented man,” Dr. Richard Ford, head of the Department of Legal Medicine at Harvard University declared to the press. Ford was also the Suffolk County medical examiner, and he had called various law enforcement agencies together to try to solve what was quickly becoming a law enforcement crisis in Boston. “There is nothing to tie these crimes together, no single proof,” he added. “The more such things happen, the more they are likely to happen because—and you can quote me—because the world is full of screwballs.”

After Helen Blake there was a pause in the killings, and then in late August, an elderly Boston woman named Ida Irga was found in her apartment by the thirteen-year-old son of the building superintendent. The boy had gone in to check on her and had opened the door to find Mrs. Irga obscenely propped open on the living room floor. The date was Sunday, August 19, which meant that three out of four women had been killed on weekends. Did that mean that the killer had a weekday job? Ida Irga had a pillowcase knotted tightly around her throat and a foot wedged between the rungs of two separate chairs. It was, as one journalist explained it, a “grotesque parody” of a gynecological exam.

The similarities between the murdered women were startling. They were all elderly and lived alone on modest incomes. Most were affiliated with local hospitals in some way and listened to classical music. Without exception they were described by friends as well-groomed and punctual and led quiet, unexciting lives that were beyond moral reproach. They were all killed in a similar way and seemed to have let their murderer into their apartments voluntarily. Whoever the killer was, police thought that he had to be relatively benign looking and a very smooth talker, STRANGLER OF TWO A MOTHER-HATER? the Boston Globe headlines asked readers after the Nichols murder. “A paranoid killer, obsessed with a mother-hate complex, was sought last night for the sex-crime strangulations of two women,” the article explained. “All division commanders were ordered to compile a list of men … released from mental hospitals in the past year.”

In the face of a horror that the police seemed unable to stop, a neat psychological explanation for why someone would want to rape and strangle old women must have reassured the public briefly. What many people did not realize, however, was that a diagnosis of the man’s problems wouldn’t be of much help if the suspect hadn’t already gone through the system, and it wouldn’t help at all if there were multiple killers whose violent impulses had finally been triggered by the Slesers murder. Then, just before the start of the Labor Day weekend, sixty-seven-year-old Jane Sullivan was found on her knees in a half-full bathtub, strangled with her own stockings.

The autopsy determined that Sullivan had been killed within twenty-four hours of Ida Irga, which meant that out of a total of five stranglings that summer, four had been committed within a day of one another. They came in pairs, in other words. Would several madmen, acting independently of one another, show any pattern to their killings? Probably not, unless they were reading about one another’s crimes in the paper and then going out to copy them. In that case, however, the murders would be grouped within days of one another, not hours. The police were reluctant to acknowledge it, but the killings had started to look like the work of a lone madman who could not be stopped.

BOSTON PASSED THE fall of 1962 with plenty of murders but no more stranglings, and the police started to wonder whether the killer had been arrested for something else or had left the area or had simply stopped. The mechanism that starts people killing is a mysterious one that even the killers themselves don’t fully understand, and it is capable of switching off as suddenly as it switches on. Maybe this particular person had killed enough women to satisfy whatever domination fantasy he’d been acting out. Maybe he’d hanged himself in his basement. Maybe he’d taken a break from his crimes in order to think up new, worse ones. There was no way to know.

Meanwhile the police were working furiously to follow up even the most outlandish leads. A special phone number was set up, DE 8-1212, to receive tips from the public. The unrelated strangling of a sixty-year-old white woman, found in a South Boston hotel room, further confused and terrified the public. (A man who had checked in to the room with her the night before was later convicted of the murder.) Within days of the murder of Helen Blake, every detective in Boston was ordered to work directly under the homicide bureau, and every robbery, vice, and narcotics inspector in the city was ordered to report to Lt. John Donovan. Known sex offenders were dragged into their local police station to be interrogated by three-man teams of detectives. Anyone discharged from a mental hospital in the past two years was similarly scrutinized. Police Commissioner Ed McNamara—brought in to straighten out a police department that had been thoroughly embarrassed by a CBS documentary called “Biography of a Bookie Joint”—issued advice to women who lived alone. He recommended that they double-lock their doors, lock their windows, and refuse entrance to anyone who did not identify himself on their doorstep. (The flaw in that advice, he soon realized, was that women would immediately open the door to anyone who identified himself as a police officer.) He also encouraged people in Boston to report any suspicious behavior to the Strangler hotline.

Police departments in Boston and outlying towns were predictably deluged with calls. A young woman reported that her boyfriend had tried to strangle her during a dispute, but a quick police investigation determined that the man couldn’t have committed any of the murders. An older woman called a suburban police department to say that she was frightened and wanted a police officer sent over to keep her company; the police declined. One woman reported that her phone rang, and when she picked it up, a voice said, “This is the Strangler, you’re next.” A neighbor of Nina Nichols, who was killed in late June, reported having seen a white man sitting in a car and looking up at Nichols’s apartment for three Saturdays in a row before the murder. Nothing came of it. A woman was raped by an ex-marine she met in a bar who told her, while raping her, that he liked to choke older women. A Brockton housewife opened her front door, expecting a friend, and was greeted by an unknown man. She fell dead of fright before he could explain that he was an encyclopedia salesman.

Police investigators went through every diary, notebook, and scrap of paper in the apartments of the dead women for names and phone numbers. Each one then had to be tracked down and investigated. Detectives took latent fingerprints from the crime scenes and then compared them to other crime scenes to see if anyone came up twice. They worked their way through routine checks of some six thousand people who knew the deceased or lived near the deceased or had simply attracted someone’s attention near one of the crime scenes. Much was made of the fact that all the women were in some way associated with hospitals, until it was pointed out that health care and nursing were among the few professions easily accessible to women, and moreover, that elderly people of both sexes would be likely to have links to hospitals.

The FBI was brought in to give a seminar on sexual perversion, and investigators gradually put together a psychological profile of the kind of person who might be driven to kill and sodomize elderly women. Since most of the murders happened around dusk or on weekends, it was thought that the killer might have a nine-to-five job in the Boston area, and that he killed when he wasn’t working, or on his way home at the end of the day. His job, one psychiatrist hypothesized, was a menial one, possibly at a hospital. Since several of the murders took place in or near the Back Bay—known for its concentration of artists and bohemians—some suggested that the killer might be homosexual. Or he might be a man dressed as a woman—which would explain his ability to get women to open their doors to him. Or maybe he was just a woman, period. A local psychiatrist consulted by the police decided that the murders “were palpably the work of a homosexual. They could have been done by a woman homosexual—one who through frustration or emotional upheaval develops a hatred of her sex. If a male homosexual was the killer, he probably had a hatred of his mother or some other older woman who dominated his childhood, and he now gets his satisfaction from the defiling of older women’s bodies.”

It didn’t require a degree in psychology to theorize that a man who molested and killed older women might harbor a grudge against his mother. Such was the level of terror in Boston, however, that even an insight as vague and obvious as that one could still make it to the front page of the papers. It was right around that time—the fall of 1962—that my mother had her first experience with the workman named Al.

SIX

ELLEN JUNGER, Belmont, Massachusetts:

“It was quite early. I heard the bulkhead door slam, and I heard him go downstairs, I was still in my nightgown and bathrobe, and I hadn’t gotten dressed yet. I heard him come in, and two or three minutes later I heard him call me. So I opened the door to the cellar, and I saw him down there at the foot of the stairs and he was looking at me. And he was looking in a way that is almost indescribable. He had this intense look in his eyes, a strange kind of burning in his eyes, as if he was almost trying to hypnotize me. As if by sheer force of will he could draw me down into that basement.”

My mother knew almost nothing about Al at this point; it was only two or three days into the job, and they had never even been alone together. She stood at the top of the stairs looking into Al’s eyes and wondering what to do. What is it, Al? she finally said.

There’s something the matter with your washing machine, he told her.

My mother thought about that. Al had been in the house only a couple of minutes and the washing machine wasn’t even on. Why was he worrying about it? He was supposed to be outside building a studio, not in our basement worrying about the appliances. It didn’t make sense. Clearly he wanted to get her down into the basement, and clearly if she did that things could go very wrong. My mother told him that she was busy, and then she closed the basement door and shot the bolt.

A few moments later she heard the bulkhead door bang shut and the sound of Al’s car starting up. He drove off and did not come back for the rest of the day. My mother didn’t tell my father about the incident because she was afraid he would overreact and cause a scene, but she decided that when she saw Russ Blomerth the next morning, she would tell him she didn’t want Al working on the property anymore. The next morning my father left for work and this time the whole crew showed up for work—Mr. Wiggins, Russ Blomerth, and Al. My mother got ready to confront Blomerth, but when she saw Al, he was so friendly and cheerful—“Hi, Mrs. Junger, good morning, how are you?”—that she hesitated. Was she overreacting? Did she really want to get a man fired for the look in his eyes?

Al had a wife and two children to support, and in the end my mother didn’t say anything. She decided to wait a few days and see how things went. The weather was already cold when the crew poured the foundation, and the first thing Blomerth did was erect a wood frame over the work site and cover it with heavy plastic tarpaulins. That way they could keep the cement warm with diesel heaters so that it would cure properly. Al dropped by every day to fill the heaters with diesel, and once the foundation was finished, all three men showed up to start framing out the walls and roof. Blomerth and Wiggins were the expert builders, and Al was the laborer of the crew, the heavy lifter. “He wasn’t much taller than I am, but he was absolutely the strongest man I ever saw,” my mother remembers. “I mean, he wasn’t muscle bound, he was just strong. I don’t think he was wildly intelligent but he was clever. No, ‘clever’ isn’t the right word. He knew his way around.”

The work on the studio stopped over the holidays, though Al came out every day to fuel the heaters. One bitter night he stopped by as usual, but this time he brought his four-year-old son, Michael, and his eight-year-old daughter, Judy. Al finished with the heaters and then came in to introduce his children to my father, who was sick in bed with the flu. My father was born in Germany and had an accent, and Al said that if he spoke to Judy in German, she would understand because her mother was German as well. My father said a few words to her, and then Al wished him well and took his children back out of the house and drove away. My father still didn’t know about the incident in the cellar, and it occurred to him that Al’s last name, which was DeSalvo, meant “safe” in Italian, and that it was a fitting last name for someone who seemed so solid and dependable.

That was the only time that Al was ever in the house, although occasionally my mother would go out to the studio and have lunch with him when he was there on his own. Al never gave her the sort of look he had in the cellar that day—a “bold male look,” as my mother described it to my father years later—but there was still something about him that made my mother uneasy. She gave private art lessons at home, and every week a teenager named Marie came by in the afternoon to learn to draw. One afternoon Marie arrived before my mother, and she let herself in to the newly finished studio to wait. It was a warm day, and she was dressed in a madras shift, and Al must have noticed her through the plate-glass windows because the next thing she knew, he was standing next to her. You must be the model, he said.

Marie was sixteen years old and easily embarrassed. Oh no, I’m just the student, she said. Al put his arm around her waist and pulled her close. But your waist is so small, you’ve got to be the model, he insisted. Marie struggled between feeling flattered that an older man was paying attention to her and terrified that it was a form of attention she couldn’t stop. Right at the point when she began worrying what was going to happen next, my mother walked in. There’s Ellen! she said and broke from Al’s weird hug. She ran over to my mother and told her what had happened, and my mother got her settled at her easel and then went outside and told Al that she didn’t like what she had heard.

Aw, she’s just a kid, she’s so cute, Al said. I just wanted to hug her.

My mother told him that she didn’t want anything like that to ever happen again. It was the last time she left Marie alone in the house with Al.

The studio was finished in mid-March, the day after Bessie Goldberg was murdered. There are photographs, however, of the studio with an open metal toolbox on the roof and an oak free fully leafed out in the background. That means that some sort of work went on into May, though my mother’s memory is that Al was not involved. My mother’s memory is that the day after Bessie Goldberg was killed, Russ Blomerth took the photograph of his crew and my mother and me in the finished studio, and then Al left the job for good. The studio had a flagstone entry and a lovely winter garden that took in sunlight from the southwest through floor-to-ceiling French doors. It had a tile floor and big triangular windows in the eaves and a domed Plexiglas skylight that brightened the room even in midwinter. Along the south wall my mother set up her big wooden easel, and along the east wall she had a worktable with a glass top on which she could mix her colors. Marie continued to come in the afternoons for lessons, and I have dim memories of her struggling with charcoal and paper while my mother simultaneously kept an eye on me and on her and got dinner going in the kitchen.

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Yaş sınırı:
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281 s. 2 illüstrasyon
ISBN:
9780007370573
Telif hakkı:
HarperCollins
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