Kitabı oku: «Marching Men», sayfa 9
CHAPTER V
The trial of Andrew Brown was both an opportunity and a test for McGregor. For a number of years he had lived a lonely life in Chicago. He had made no friends and his mind had not been confused by the endless babble of small talk on which most of us subsist. Evening after evening he had walked alone through the streets and had stood at the door of the State Street restaurant a solitary figure aloof from life. Now he was to be drawn into the maelstrom. In the past he had been let alone by life. The great blessing of isolation had been his and in his isolation he had dreamed a big dream. Now the quality of the dream and the strength of its hold upon him was to be tested.
McGregor was not to escape the influence of the life of his day. Deep human passion lay asleep in his big body. Before the time of his Marching Men he had yet to stand the most confusing of all the modern tests of men, the beauty of meaningless women and the noisy clamour of success that is equally meaningless.
On the day of his conversation with Andrew Brown in the old Cook County jail on Chicago’s North Side we are therefore to think of McGregor as facing these tests. After the talk with Brown he walked along the street and came to the bridge that led over the river into the loop district. In his heart he knew that he was facing a fight and the thought thrilled him. With a new lift to his shoulders he walked over the bridge. He looked at the people and again let his heart be filled with contempt for them.
He wished that the fight for Brown were a fight with fists. Boarding a west side car he sat looking out through the car window at the passing crowd and imagined himself among them, striking right and left, gripping throats, demanding the truth that would save Brown and set himself up before the eyes of men.
When McGregor got to the Monroe Street millinery store it was evening and Edith was preparing to go out to the evening meal. He stood looking at her. In his voice rang a note of triumph. Out of his contempt for the men and women of the underworld came boastfulness. “They have given me a job they think I can’t do,” he said. “I’m to be Brown’s counsel in the big murder case.” He put his hands on her frail shoulders and pulled her to the light. “I’m going to knock them over and show them,” he boasted. “They think they’re going to hang Brown—the oily snakes. Well they didn’t count on me. Brown doesn’t count on me. I’m going to show them.” He laughed noisily in the empty shop.
At a little restaurant McGregor and Edith talked of the test he was to go through. As he talked she sat in silence and looked at his red hair.
“Find out if your man Brown has a sweetheart,” she said, thinking of herself.
America is the land of murders. Day after day in cities and towns and on lonely country roads violent death creeps upon men. Undisciplined and disorderly in their way of life the citizens can do nothing. After each murder they cry out for new laws which, when they are written into the books of laws, the very lawmaker himself breaks. Harried through life by clamouring demands, their days leave them no time for the quietude in which thoughts grow. After days of meaningless hurry in the city they jump upon trains or street cars and hurry through their favourite paper to the ball game, the comic pictures and the market reports.
And then something happens. The moment arrives. A murder that might have got a single column on an inner page of yesterday’s paper today spreads its terrible details over everything.
Through the streets hurry the restless scurrying newsboys, stirring the crowds with their cries. The men who have passed impatiently the tales of a city’s shame snatch the papers and read eagerly and exhaustively the story of a crime.
And into the midst of such a maelstrom of rumours, hideous impossible stories and well-laid plans to defeat the truth, McGregor hurled himself. Day after day he wandered through the vice district south of Van Buren Street. Prostitutes, pimps, thieves and saloon hangers-on looked at him and smiled knowingly. As the days passed and he made no progress he became desperate. One day an idea came to him. “I’ll go to the good looking woman at the settlement house,” he told himself. “She won’t know who killed the boy but she can find out. I’ll make her find out.”
In Margaret Ormsby McGregor was to know what was to him a new kind of womanhood, something sure, reliant, hedged about and prepared as a good soldier is prepared, to have the best of it in the struggle for existence. Something he had not known was yet to make its cry to the man.
Margaret Ormsby like McGregor himself had not been defeated by life. She was the daughter of David Ormsby, head of the great plough trust with headquarters in Chicago, a man who because of a certain fine assurance in his attitude toward life had been called “Ormsby the Prince” by his associates. Her mother Laura Ormsby was small nervous and intense.
With a self-conscious abandonment, lacking just a shade of utter security, Margaret Ormsby, beautiful in body and beautifully clad, went here and there among the outcasts of the First Ward. She like all women was waiting for an opportunity of which she did not talk even to herself. She was something for the single-minded and primitive McGregor to approach with caution.
Hurrying along a narrow street lined with cheap saloons McGregor went in at the door of the settlement house and sat in a chair at a desk facing Margaret Ormsby. He knew something of her work in the First Ward and that she was beautiful and self-possessed. He was determined that she should help him. Sitting in the chair and looking at her across the flat-top desk he choked back into her throat the terse sentences with which she was wont to greet visitors.
“It is all very well for you to sit there dressed up and telling me what women in your position can do and can’t do,” he said, “but I’ve come here to tell you what you will do if you are of the kind that want to be useful.”
The speech of McGregor was a challenge which Margaret, the modern daughter of one of our modern great men, could not well let pass. Had she not brazened out her timidity to go calmly among prostitutes and sordid muttering drunkards, serene in her consciousness of business-like purpose? “What is it you want?” she asked sharply.
“You have just two things that will help me,” said McGregor; “your beauty and your virginity. These things are a kind of magnet, drawing the women of the street to you. I know. I’ve heard them talk.
“There are women who come in here who know who it was killed that boy in the passageway and why it was done,” McGregor went on. “You’re a fetish with these women. They are children and they come in here to look at you as children peep around curtains at guests sitting in the parlour of their houses.
“Well I want you to call these children into the room and let them tell you family secrets. The whole ward here knows the story of that killing. The air is filled with it. The men and women keep trying to tell me, but they’re afraid. The police have them scared and they half-tell me and then run away like frightened animals.
“I want them to tell you. You don’t count with the police down here. They think you’re too beautiful and too good to touch the real life of these people. None of them—the bosses or the police—are watching you. I’ll keep kicking up dust and you get the information I want. You can do the job if you’re any good.”
After McGregor’s speech the woman sat in silence and looked at him. For the first time she had met a man who overwhelmed her and was in no way diverted by her beauty nor her self—possession. A hot wave, half anger, half admiration, swept over her.
McGregor stared at the woman and waited. “I’ve got to have facts,” he said. “Give me the story and the names of those who know the story and I’ll make them tell. I have some facts now—got them by bullying a girl and by choking a bartender in an alley. Now I want you in your way to put me in the way of getting more facts. You make the women talk and tell you and then you tell me.”
When McGregor had gone Margaret Ormsby got up from her desk in the settlement house and walked across the city toward her father’s office. She was startled and frightened. In a moment and by the speech and manner of this brutal young lawyer she had been made to realise that she was but a child in the hands of the forces that played about her in the First Ward. Her self—possession was shaken. “If they are children—these women of the town—then I am a child, a child swimming with them in a sea of hate and ugliness.”
A new thought came into her mind. “But he is no child—that McGregor. He is a child of nothing. He stands on a rock unshaken.”
She tried to become indignant because of the blunt frankness of the man’s speech. “He talked to me as he would have talked to a woman of the streets,” she thought. “He was not afraid to assume that at bottom we are alike, just playthings in the hands of the man who dares.”
In the street she stopped and looked about. Her body trembled and she realised that the forces about her had become living things ready to pounce upon her. “Anyway, I will do what I can. I will help him. I will have to do that,” she whispered to herself.
CHAPTER VI
The clearing of Andrew Brown made a sensation in Chicago. At the trial McGregor was able to introduce one of those breath-taking dramatic climaxes that catch the attention of the mob. At the tense dramatic moment of the trial a frightened hush fell upon the court room and that evening in their houses men turned instinctively from the reading of the papers to look at their beloved sitting about them. A chill of fear ran over the bodies of women. For a moment Beaut McGregor had given them a peep under the crust of civilisation that awoke an age-old trembling in their hearts. In his fervour and impatience McGregor had cried out, not against the incidental enemies of Brown but against all modern society and its formlessness. To the listeners it seemed that he shook mankind by the throat and that by the power and purposefulness of his own solitary figure he revealed the pitiful weakness of his fellows.
In the court room McGregor had sat, grim and silent, letting the State build up its case. In his face was a challenge. His eyes looked out from beneath swollen eyelids. For weeks he had been as tireless as a bloodhound running through the First Ward and building his case. Policemen had seen him emerge from alleyways at three in the morning, the soft spoken boss hearing of his activities had eagerly questioned Henry Hunt, a bartender in a dive on Polk Street had felt the grip of a hand at his throat and a trembling girl of the town had knelt before him in a little dark room begging protection from his wrath. In the court room he sat waiting and watching.
When the special counsel for the State, a man of great name in the courts, had finished his insistent persistent cry for the blood of the silent unemotional Brown, McGregor acted. Springing to his feet he shouted hoarsely across the silent court room to a large woman sitting among the witnesses. “They have tricked you Mary,” he roared. “The tale about the pardon after the excitement dies is a lie. They’re stringing you. They’re going to hang Andy Brown. Get up there and tell the naked truth or his blood be on your hands.”
A furor arose in the crowded court room. Lawyers sprang to their feet, objecting, protesting. Above the noise arose a hoarse accusing voice. “Keep Polk Street Mary and every woman from her place in here,” he shouted. “They know who killed your man. Put them back there on the stand. They’ll tell. Look at them. The truth is coming out of them.”
The clamour in the room subsided. The silent red-haired attorney, the joke of the case, had scored. Walking in the streets at night the words of Edith Carson had come back into his brain, and with the help of Margaret Ormsby he had been able to follow a clue given by her suggestion.
“Find out if your man Brown has a sweetheart.”
In a moment he saw the message the women of the underworld, patrons of O’Toole’s, had been trying to convey to him. Polk Street Mary was the sweetheart of Andy Brown. Now in the silent court room the voice of a woman arose broken with sobs. To the listening crowd in the packed little room came the story of the tragedy in the darkened house before which stood the policeman idly swinging his night stick—the story of a girl from an Illinois village procured and sold to the broker’s son—of the desperate struggle in the little room between the eager lustful man and the frightened brave-hearted girl—of the blow with the chair in the hands of the girl that brought death to the man—of the women of the house trembling on the stairs and the body hastily pitched into the passageway.
“They told me they would get Andy off when this blew over,” wailed the woman.
McGregor went out of the court room into the street. The glow of victory was on him and he strode along with his heart beating high. His way led over a bridge into the North Side and in his wanderings he passed the apple warehouse where he had made his start in the city and where he had fought with the German. When night came he walked in North Clark Street and heard the newsboys shouting of his victory. Before him danced a new vision, a vision of himself as a big figure in the city. Within himself he felt the power to stand forth among men, to outwit them and outfight them, to get for himself power and place in the world.
The miner’s son was half drunk with the new sense of achievement that swept in on him. Out of Clark Street he went and walked east along a residence street to the lake. By the lake he saw a street of great houses surrounded by gardens and the thought came that at some time he might have such a house of his own. The disorderly clatter of modern life seemed very far away. When he came to the lake he stood in the darkness thinking of the useless rowdy of the mining town suddenly become a great lawyer in the city and the blood ran swiftly through his body. “I am to be one of the victors, one of the few who emerge,” he whispered to himself and with a jump of the heart thought also of Margaret Ormsby looking at him with her fine questioning eyes as he stood before the men in the court room and by the force of his personality pushed his way through a fog of lies to victory and truth.
BOOK V
CHAPTER I
Margaret Ormsby was a natural product of her age and of American social life in our times. As an individual she was lovely. Although her father David Ormsby the plough king had come up to his position and his wealth out of obscurity and poverty and had known during his early life what it was to stand face to face with defeat, he had made it his business to see that his daughter had no such experience. The girl had been sent to Vassar, she had been taught to catch the fine distinction between clothes that are quietly and beautifully expensive and clothes that merely look expensive, she knew how to enter a room and how to leave a room and had also a strong well trained body and an active mind. Added to these things she had, without the least knowledge of life, a vigorous and rather high handed confidence in her ability to meet life.
During the years spent in the eastern college Margaret had made up her mind that whatever happened she was not going to let her life be dull or uninteresting. Once when a girl friend from Chicago came to the college to visit her the two went for a day out of doors and sat down upon a hillside to talk things over. “We women have been fools,” Margaret had declared. “If Father and Mother think that I am going to come home and marry some stick of a man they are mistaken. I have learned to smoke cigarettes and have had my share of a bottle of wine. That may not mean anything to you. I do not think it amounts to much either but it expresses something. It fairly makes me ill when I think of how men have always patronised women. They want to keep evil things away from us—Bah! I am sick of that idea and a lot of the other girls here feel the same way. What right have they? I suppose some day some little whiffit of a business man will set himself up to take care of me. He had better not. I tell you there is a new kind of women growing up and I am going to be one of them. I am going to adventure, to taste life strongly and deeply. Father and Mother might as well make up their minds to that.”
The excited girl had walked up and down before her companion, a mild looking young woman with blue eyes, and had raised her hands above her head as though to strike a blow. Her body was like the body of a fine young animal standing alert to meet an enemy and her eyes reflected the intoxication of her mood. “I want all of life,” she cried; “I want the lust and the strength and the evil of it. I want to be one of the new women, the saviours of our sex.”
Between David Ormsby and his daughter there was an unusual bond. Six foot three, blue eyed, broad shouldered, his presence had a strength and dignity which marked him out among men and the daughter sensed his strength. She was right in that. In his way the man was inspired. Under his eye the trivialities of plough-making had become the details of a fine art. In the factory he never lost the air of command which inspires confidence. Foremen running into the office filled with excitement because of a break in the machinery or an accident to a workman returned to do his bidding quietly and efficiently. Salesmen going from village to village to sell ploughs became under his influence filled with the zeal of missionaries carrying the gospel to the unenlightened. Stockholders of the plough company rushing to him with rumours of coming business disaster stayed to write checks for new assessments on their stock. He was a man who gave men back their faith in business and their faith in men.
To David plough-making was an end in life. Like other men of his type he had other interests but they were secondary. In secret he thought of himself as capable of a broader culture than most of his daily associates and without letting it interfere with his efficiency tried to keep in touch with the thoughts and movements of the world by reading. After the longest and hardest day in the office he sometimes spent half the night over a book in his room.
As Margaret Ormsby grew into womanhood she was a constant source of anxiety to her father. To him it seemed that she had passed from an awkward and rather jolly girlhood into a peculiarly determined new kind of womanhood over night. Her adventurous spirit worried him. One day he had sat in his office reading a letter announcing her homecoming. The letter seemed no more than a characteristic outburst from an impulsive girl who had but yesterday fallen asleep at evening in his arms. It confused him to think that an honest ploughmaker should have a letter from his little girl talking of the kind of living that he believed could only lead a woman to destruction.
And then the next day there sat beside him at his table a new and commanding figure demanding his attention. David got up from the table and hurried away to his room. He wanted to readjust his thoughts. On his desk was a photograph brought home by the daughter from school. He had the common experience of being told by the photograph what he had been trying to grasp. Instead of a wife and child there were two women in the house with him.
Margaret had come out of college a thing of beauty in face and figure. Her tall straight well-trained body, her coal-black hair, her soft brown eyes, the air she had of being prepared for life’s challenge caught and held the attention of men. There was in the girl something of her father’s bigness and not a little of the secret blind desires of her mother. To an attentive household on the night of her arrival she announced her intention of living her life fully and vividly. “I am going to know things I can not get from books,” she said. “I am going to touch life at many corners, getting the taste of things in my mouth. You thought me a child when I wrote home saying that I wouldn’t be cooped up in the house and married to a tenor in the church choir or to an empty-headed young business man but now you are going to see. I am going to pay the price if necessary, but I am going to live.”
In Chicago Margaret set about the business of living as though nothing were needed but strength and energy. In a characteristic American way she tried to hustle life. When the men in her own set looked confused and shocked by the opinions she expressed she got out of her set and made the common mistake of supposing that those who do not work and who talk rather glibly of art and of freedom are by that token free men and artists.
Still she loved and respected her father. The strength in him made an appeal to the native strong-thing in her. To a young socialist writer who lived in the settlement house where she presently went to live and who sought her out to sit by her desk berating men of wealth and position she showed the quality of her ideals by pointing to David Ormsby. “My father, the leader of an industrial trust, is a better man than all of the noisy reformers that ever lived,” she declared. “He makes ploughs anyway—makes them well—millions of them. He does not spend his time talking and running his ringers through his hair. He works and his work has lightened the labours of millions while the talkers sit thinking noisy thoughts and getting round-shouldered.”
In truth Margaret Ormsby was puzzled. Had she been allowed by a common fellowship in living to be a real sister to all other women and to know their common heritage of defeat, had she like her father when he was a boy but known what it was to walk utterly broken and beaten in the face of men and then to rise again and again to battle with life she would have been splendid.
She did not know. To her mind any kind of defeat had in it a touch of something like immorality. When she saw all about her only a vast mob of defeated and confused human beings trying to make headway in the midst of a confused social organisation she was beside herself with impatience.
The distraught girl turned to her father and tried to get hold of the keynote of his life; “I want you to tell me things,” she said, but the father not understanding only shook his head. It did not occur to him to talk to her as to a fine man friend and a kind of bantering half serious companionship sprang up between them. The ploughmaker was happy in the thought that the jolly girl he had known before his daughter went to college had come back to live with him.
After Margaret went to the settlement house she lunched with her father almost every day. The hour together in the midst of the din that filled their lives became for them both a treasured privilege. Day after day they sat for an hour in a fashionable down-town eating place renewing and strengthening their comradeship, laughing and talking amid the crowds, delightful in their intimacy. With each other they playfully took on the air of the two men of affairs, each in turn treating the work of the other as something to be passed over lightly. Secretly neither believed as he talked.
In her effort to get hold of and move the sordid human wrecks floating in and out of the door of the settlement house Margaret thought of her father at his desk directing the making of ploughs. “It is clean and important work,” she thought. “He is a big and effective man.”
At his desk in the office of the plough trust David thought of his daughter in the settlement house at the edge of the First Ward. “She is a white shining thing amid dirt and ugliness,” he thought “Her whole life is like the life of her mother during the hours when she once lay bravely facing death for the sake of a new life.”
On the day of her meeting with McGregor, father and daughter sat as usual in the restaurant. Men and women passed up and down the long carpeted aisles and looked at them admiringly. A waiter stood at Ormsby’s shoulder anxious for the generous tip. Into the air that hung over them, the little secret atmosphere of comradeship they cherished so carefully, was thrust the sense of a new personality. Floating in Margaret’s mind beside the quiet noble face of her father, with its stamp of ability and kindliness, was another face—the face of the man who had talked to her in the settlement house, not as Margaret Ormsby daughter of David Ormsby of the plough trust but as a woman who could serve his ends and whom he meant should serve. The vision in her mind haunted her and she listened indifferently to the talk of her father. She felt that the stern face of the young lawyer with its strong mouth and its air of command was as something impending and tried to get back the feeling of dislike she had felt when first he thrust himself in at the settlement house door. She succeeded only in recalling certain firm lines of purpose that offset and tempered the brutality of his face.
Sitting there in the restaurant opposite her father, where day after day they had tried so hard to build a real partnership in existence, Margaret suddenly burst into tears.
“I have met a man who has compelled me to do what I did not want to do,” she explained to the astonished man and then smiled at him through the tears that glistened in her eyes.
