Kitabı oku: «Main Street», sayfa 3

She told herself how good he was, how dependable and understanding. She touched his ear, smoothed the plane of his solid jaw, and, turning away again, concentrated upon liking his town. It wouldn't be like these barren settlements. It couldn't be! Why, it had three thousand population. That was a great many people. There would be six hundred houses or more. And——The lakes near it would be so lovely. She'd seen them in the photographs. They had looked charming . . . hadn't they?

As the train left Wahkeenyan she began nervously to watch for the lakes—the entrance to all her future life. But when she discovered them, to the left of the track, her only impression of them was that they resembled the photographs.

A mile from Gopher Prairie the track mounts a curving low ridge, and she could see the town as a whole. With a passionate jerk she pushed up the window, looked out, the arched fingers of her left hand trembling on the sill, her right hand at her breast.

And she saw that Gopher Prairie was merely an enlargement of all the hamlets which they had been passing. Only to the eyes of a Kennicott was it exceptional. The huddled low wooden houses broke the plains scarcely more than would a hazel thicket. The fields swept up to it, past it. It was unprotected and unprotecting; there was no dignity in it nor any hope of greatness. Only the tall red grain-elevator and a few tinny church-steeples rose from the mass. It was a frontier camp. It was not a place to live in, not possibly, not conceivably.

The people—they'd be as drab as their houses, as flat as their fields. She couldn't stay here. She would have to wrench loose from this man, and flee.

She peeped at him. She was at once helpless before his mature fixity, and touched by his excitement as he sent his magazine skittering along the aisle, stooped for their bags, came up with flushed face, and gloated, "Here we are!"

She smiled loyally, and looked away. The train was entering town. The houses on the outskirts were dusky old red mansions with wooden frills, or gaunt frame shelters like grocery boxes, or new bungalows with concrete foundations imitating stone.

Now the train was passing the elevator, the grim storage-tanks for oil, a creamery, a lumber-yard, a stock-yard muddy and trampled and stinking. Now they were stopping at a squat red frame station, the platform crowded with unshaven farmers and with loafers—unadventurous people with dead eyes. She was here. She could not go on. It was the end—the end of the world. She sat with closed eyes, longing to push past Kennicott, hide somewhere in the train, flee on toward the Pacific.

Something large arose in her soul and commanded, "Stop it! Stop being a whining baby!" She stood up quickly; she said, "Isn't it wonderful to be here at last!"

He trusted her so. She would make herself like the place. And she was going to do tremendous things——

She followed Kennicott and the bobbing ends of the two bags which he carried. They were held back by the slow line of disembarking passengers. She reminded herself that she was actually at the dramatic moment of the bride's home-coming. She ought to feel exalted. She felt nothing at all except irritation at their slow progress toward the door.

Kennicott stooped to peer through the windows. He shyly exulted:

"Look! Look! There's a bunch come down to welcome us! Sam Clark and the missus and Dave Dyer and Jack Elder, and, yes sir, Harry Haydock and Juanita, and a whole crowd! I guess they see us now. Yuh, yuh sure, they see us! See 'em waving!"

She obediently bent her head to look out at them. She had hold of herself. She was ready to love them. But she was embarrassed by the heartiness of the cheering group. From the vestibule she waved to them, but she clung a second to the sleeve of the brakeman who helped her down before she had the courage to dive into the cataract of hand-shaking people, people whom she could not tell apart. She had the impression that all the men had coarse voices, large damp hands, tooth-brush mustaches, bald spots, and Masonic watch-charms.

She knew that they were welcoming her. Their hands, their smiles, their shouts, their affectionate eyes overcame her. She stammered, "Thank you, oh, thank you!"

One of the men was clamoring at Kennicott, "I brought my machine down to take you home, doc."

"Fine business, Sam!" cried Kennicott; and, to Carol, "Let's jump in. That big Paige over there. Some boat, too, believe me! Sam can show speed to any of these Marmons from Minneapolis!"

Only when she was in the motor car did she distinguish the three people who were to accompany them. The owner, now at the wheel, was the essence of decent self-satisfaction; a baldish, largish, level-eyed man, rugged of neck but sleek and round of face—face like the back of a spoon bowl. He was chuckling at her, "Have you got us all straight yet?"

"Course she has! Trust Carrie to get things straight and get 'em darn quick! I bet she could tell you every date in history!" boasted her husband.

But the man looked at her reassuringly and with a certainty that he was a person whom she could trust she confessed, "As a matter of fact I haven't got anybody straight."

"Course you haven't, child. Well, I'm Sam Clark, dealer in hardware, sporting goods, cream separators, and almost any kind of heavy junk you can think of. You can call me Sam—anyway, I'm going to call you Carrie, seein' 's you've been and gone and married this poor fish of a bum medic that we keep round here." Carol smiled lavishly, and wished that she called people by their given names more easily. "The fat cranky lady back there beside you, who is pretending that she can't hear me giving her away, is Mrs. Sam'l Clark; and this hungry-looking squirt up here beside me is Dave Dyer, who keeps his drug store running by not filling your hubby's prescriptions right—fact you might say he's the guy that put the 'shun' in 'prescription.' So! Well, leave us take the bonny bride home. Say, doc, I'll sell you the Candersen place for three thousand plunks. Better be thinking about building a new home for Carrie. Prettiest Frau in G. P., if you asks me!"

Contentedly Sam Clark drove off, in the heavy traffic of three Fords and the Minniemashie House Free 'Bus.

"I shall like Mr. Clark . . . I CAN'T call him 'Sam'! They're all so friendly." She glanced at the houses; tried not to see what she saw; gave way in: "Why do these stories lie so? They always make the bride's home-coming a bower of roses. Complete trust in noble spouse. Lies about marriage. I'm NOT changed. And this town—O my God! I can't go through with it. This junk-heap!"

Her husband bent over her. "You look like you were in a brown study. Scared? I don't expect you to think Gopher Prairie is a paradise, after St. Paul. I don't expect you to be crazy about it, at first. But you'll come to like it so much—life's so free here and best people on earth."

She whispered to him (while Mrs. Clark considerately turned away), "I love you for understanding. I'm just—I'm beastly over-sensitive. Too many books. It's my lack of shoulder-muscles and sense. Give me time, dear."

"You bet! All the time you want!"

She laid the back of his hand against her cheek, snuggled near him. She was ready for her new home.

Kennicott had told her that, with his widowed mother as housekeeper, he had occupied an old house, "but nice and roomy, and well-heated, best furnace I could find on the market." His mother had left Carol her love, and gone back to Lac-qui-Meurt.

It would be wonderful, she exulted, not to have to live in Other People's Houses, but to make her own shrine. She held his hand tightly and stared ahead as the car swung round a corner and stopped in the street before a prosaic frame house in a small parched lawn.

IV

A concrete sidewalk with a "parking" of grass and mud. A square smug brown house, rather damp. A narrow concrete walk up to it. Sickly yellow leaves in a windrow with dried wings of box-elder seeds and snags of wool from the cotton-woods. A screened porch with pillars of thin painted pine surmounted by scrolls and brackets and bumps of jigsawed wood. No shrubbery to shut off the public gaze. A lugubrious bay-window to the right of the porch. Window curtains of starched cheap lace revealing a pink marble table with a conch shell and a Family Bible.

"You'll find it old-fashioned—what do you call it?—Mid-Victorian. I left it as is, so you could make any changes you felt were necessary." Kennicott sounded doubtful for the first time since he had come back to his own.

"It's a real home!" She was moved by his humility. She gaily motioned good-by to the Clarks. He unlocked the door—he was leaving the choice of a maid to her, and there was no one in the house. She jiggled while he turned the key, and scampered in. . . . It was next day before either of them remembered that in their honeymoon camp they had planned that he should carry her over the sill.

In hallway and front parlor she was conscious of dinginess and lugubriousness and airlessness, but she insisted, "I'll make it all jolly." As she followed Kennicott and the bags up to their bedroom she quavered to herself the song of the fat little-gods of the hearth:

She was close in her husband's arms; she clung to him; whatever of strangeness and slowness and insularity she might find in him, none of that mattered so long as she could slip her hands beneath his coat, run her fingers over the warm smoothness of the satin back of his waistcoat, seem almost to creep into his body, find in him strength, find in the courage and kindness of her man a shelter from the perplexing world.

"Sweet, so sweet," she whispered.

CHAPTER IV
I

"THE Clarks have invited some folks to their house to meet us, tonight," said Kennicott, as he unpacked his suit-case.

"Oh, that is nice of them!"

"You bet. I told you you'd like 'em. Squarest people on earth. Uh, Carrie——Would you mind if I sneaked down to the office for an hour, just to see how things are?"

"Why, no. Of course not. I know you're keen to get back to work."

"Sure you don't mind?"

"Not a bit. Out of my way. Let me unpack."

But the advocate of freedom in marriage was as much disappointed as a drooping bride at the alacrity with which he took that freedom and escaped to the world of men's affairs. She gazed about their bedroom, and its full dismalness crawled over her: the awkward knuckly L-shape of it; the black walnut bed with apples and spotty pears carved on the headboard; the imitation maple bureau, with pink-daubed scent-bottles and a petticoated pin-cushion on a marble slab uncomfortably like a gravestone; the plain pine washstand and the garlanded water-pitcher and bowl. The scent was of horsehair and plush and Florida Water.

"How could people ever live with things like this?" she shuddered. She saw the furniture as a circle of elderly judges, condemning her to death by smothering. The tottering brocade chair squeaked, "Choke her—choke her—smother her." The old linen smelled of the tomb. She was alone in this house, this strange still house, among the shadows of dead thoughts and haunting repressions. "I hate it! I hate it!" she panted. "Why did I ever——"

She remembered that Kennicott's mother had brought these family relics from the old home in Lac-qui-Meurt. "Stop it! They're perfectly comfortable things. They're—comfortable. Besides——Oh, they're horrible! We'll change them, right away."

Then, "But of course he HAS to see how things are at the office——"

She made a pretense of busying herself with unpacking. The chintz-lined, silver-fitted bag which had seemed so desirable a luxury in St. Paul was an extravagant vanity here. The daring black chemise of frail chiffon and lace was a hussy at which the deep-bosomed bed stiffened in disgust, and she hurled it into a bureau drawer, hid it beneath a sensible linen blouse.

She gave up unpacking. She went to the window, with a purely literary thought of village charm—hollyhocks and lanes and apple-cheeked cottagers. What she saw was the side of the Seventh-Day Adventist Church—a plain clapboard wall of a sour liver color; the ash-pile back of the church; an unpainted stable; and an alley in which a Ford delivery-wagon had been stranded. This was the terraced garden below her boudoir; this was to be her scenery for——

"I mustn't! I mustn't! I'm nervous this afternoon. Am I sick? . . . Good Lord, I hope it isn't that! Not now! How people lie! How these stories lie! They say the bride is always so blushing and proud and happy when she finds that out, but—I'd hate it! I'd be scared to death! Some day but——Please, dear nebulous Lord, not now! Bearded sniffy old men sitting and demanding that we bear children. If THEY had to bear them——! I wish they did have to! Not now! Not till I've got hold of this job of liking the ash-pile out there! . . . I must shut up. I'm mildly insane. I'm going out for a walk. I'll see the town by myself. My first view of the empire I'm going to conquer!"

She fled from the house.

She stared with seriousness at every concrete crossing, every hitching-post, every rake for leaves; and to each house she devoted all her speculation. What would they come to mean? How would they look six months from now? In which of them would she be dining? Which of these people whom she passed, now mere arrangements of hair and clothes, would turn into intimates, loved or dreaded, different from all the other people in the world?

As she came into the small business-section she inspected a broad-beamed grocer in an alpaca coat who was bending over the apples and celery on a slanted platform in front of his store. Would she ever talk to him? What would he say if she stopped and stated, "I am Mrs. Dr. Kennicott. Some day I hope to confide that a heap of extremely dubious pumpkins as a window-display doesn't exhilarate me much."

(The grocer was Mr. Frederick F. Ludelmeyer, whose market is at the corner of Main Street and Lincoln Avenue. In supposing that only she was observant Carol was ignorant, misled by the indifference of cities. She fancied that she was slipping through the streets invisible; but when she had passed, Mr. Ludelmeyer puffed into the store and coughed at his clerk, "I seen a young woman, she come along the side street. I bet she iss Doc Kennicott's new bride, good-looker, nice legs, but she wore a hell of a plain suit, no style, I wonder will she pay cash, I bet she goes to Howland & Gould's more as she does here, what you done with the poster for Fluffed Oats?")

II

When Carol had walked for thirty-two minutes she had completely covered the town, east and west, north and south; and she stood at the corner of Main Street and Washington Avenue and despaired.

Main Street with its two-story brick shops, its story-and-a-half wooden residences, its muddy expanse from concrete walk to walk, its huddle of Fords and lumber-wagons, was too small to absorb her. The broad, straight, unenticing gashes of the streets let in the grasping prairie on every side. She realized the vastness and the emptiness of the land. The skeleton iron windmill on the farm a few blocks away, at the north end of Main Street, was like the ribs of a dead cow. She thought of the coming of the Northern winter, when the unprotected houses would crouch together in terror of storms galloping out of that wild waste. They were so small and weak, the little brown houses. They were shelters for sparrows, not homes for warm laughing people.

She told herself that down the street the leaves were a splendor. The maples were orange; the oaks a solid tint of raspberry. And the lawns had been nursed with love. But the thought would not hold. At best the trees resembled a thinned woodlot. There was no park to rest the eyes. And since not Gopher Prairie but Wakamin was the county-seat, there was no court-house with its grounds.

She glanced through the fly-specked windows of the most pretentious building in sight, the one place which welcomed strangers and determined their opinion of the charm and luxury of Gopher Prairie—the Minniemashie House. It was a tall lean shabby structure, three stories of yellow-streaked wood, the corners covered with sanded pine slabs purporting to symbolize stone. In the hotel office she could see a stretch of bare unclean floor, a line of rickety chairs with brass cuspidors between, a writing-desk with advertisements in mother-of-pearl letters upon the glass-covered back. The dining-room beyond was a jungle of stained table-cloths and catsup bottles.

She looked no more at the Minniemashie House.

A man in cuffless shirt-sleeves with pink arm-garters, wearing a linen collar but no tie, yawned his way from Dyer's Drug Store across to the hotel. He leaned against the wall, scratched a while, sighed, and in a bored way gossiped with a man tilted back in a chair. A lumber-wagon, its long green box filled with large spools of barbed-wire fencing, creaked down the block. A Ford, in reverse, sounded as though it were shaking to pieces, then recovered and rattled away. In the Greek candy-store was the whine of a peanut-roaster, and the oily smell of nuts.

There was no other sound nor sign of life.

She wanted to run, fleeing from the encroaching prairie, demanding the security of a great city. Her dreams of creating a beautiful town were ludicrous. Oozing out from every drab wall, she felt a forbidding spirit which she could never conquer.

She trailed down the street on one side, back on the other, glancing into the cross streets. It was a private Seeing Main Street tour. She was within ten minutes beholding not only the heart of a place called Gopher Prairie, but ten thousand towns from Albany to San Diego:

Dyer's Drug Store, a corner building of regular and unreal blocks of artificial stone. Inside the store, a greasy marble soda-fountain with an electric lamp of red and green and curdled-yellow mosaic shade. Pawed-over heaps of tooth-brushes and combs and packages of shaving-soap. Shelves of soap-cartons, teething-rings, garden-seeds, and patent medicines in yellow "packages-nostrums" for consumption, for "women's diseases"—notorious mixtures of opium and alcohol, in the very shop to which her husband sent patients for the filling of prescriptions.

From a second-story window the sign "W. P. Kennicott, Phys. & Surgeon," gilt on black sand.

A small wooden motion-picture theater called "The Rosebud Movie Palace." Lithographs announcing a film called "Fatty in Love."

Howland & Gould's Grocery. In the display window, black, overripe bananas and lettuce on which a cat was sleeping. Shelves lined with red crepe paper which was now faded and torn and concentrically spotted. Flat against the wall of the second story the signs of lodges—the Knights of Pythias, the Maccabees, the Woodmen, the Masons.

Dahl & Oleson's Meat Market—a reek of blood.

A jewelry shop with tinny-looking wrist-watches for women. In front of it, at the curb, a huge wooden clock which did not go.

A fly-buzzing saloon with a brilliant gold and enamel whisky sign across the front. Other saloons down the block. From them a stink of stale beer, and thick voices bellowing pidgin German or trolling out dirty songs—vice gone feeble and unenterprising and dull—the delicacy of a mining-camp minus its vigor. In front of the saloons, farmwives sitting on the seats of wagons, waiting for their husbands to become drunk and ready to start home.

A tobacco shop called "The Smoke House," filled with young men shaking dice for cigarettes. Racks of magazines, and pictures of coy fat prostitutes in striped bathing-suits.

A clothing store with a display of "ox-blood-shade Oxfords with bull-dog toes." Suits which looked worn and glossless while they were still new, flabbily draped on dummies like corpses with painted cheeks.

The Bon Ton Store—Haydock & Simons'—the largest shop in town. The first-story front of clear glass, the plates cleverly bound at the edges with brass. The second story of pleasant tapestry brick. One window of excellent clothes for men, interspersed with collars of floral pique which showed mauve daisies on a saffron ground. Newness and an obvious notion of neatness and service. Haydock & Simons. Haydock. She had met a Haydock at the station; Harry Haydock; an active person of thirty-five. He seemed great to her, now, and very like a saint. His shop was clean!

Axel Egge's General Store, frequented by Scandinavian farmers. In the shallow dark window-space heaps of sleazy sateens, badly woven galateas, canvas shoes designed for women with bulging ankles, steel and red glass buttons upon cards with broken edges, a cottony blanket, a granite-ware frying-pan reposing on a sun-faded crepe blouse.

Sam Clark's Hardware Store. An air of frankly metallic enterprise. Guns and churns and barrels of nails and beautiful shiny butcher knives.

Chester Dashaway's House Furnishing Emporium. A vista of heavy oak rockers with leather seats, asleep in a dismal row.

Billy's Lunch. Thick handleless cups on the wet oilcloth-covered counter. An odor of onions and the smoke of hot lard. In the doorway a young man audibly sucking a toothpick.

The warehouse of the buyer of cream and potatoes. The sour smell of a dairy.

The Ford Garage and the Buick Garage, competent one-story brick and cement buildings opposite each other. Old and new cars on grease-blackened concrete floors. Tire advertisements. The roaring of a tested motor; a racket which beat at the nerves. Surly young men in khaki union-overalls. The most energetic and vital places in town.

A large warehouse for agricultural implements. An impressive barricade of green and gold wheels, of shafts and sulky seats, belonging to machinery of which Carol knew nothing—potato-planters, manure-spreaders, silage-cutters, disk-harrows, breaking-plows.

A feed store, its windows opaque with the dust of bran, a patent medicine advertisement painted on its roof.

Ye Art Shoppe, Prop. Mrs. Mary Ellen Wilks, Christian Science Library open daily free. A touching fumble at beauty. A one-room shanty of boards recently covered with rough stucco. A show-window delicately rich in error: vases starting out to imitate tree-trunks but running off into blobs of gilt—an aluminum ash-tray labeled "Greetings from Gopher Prairie"—a Christian Science magazine—a stamped sofa-cushion portraying a large ribbon tied to a small poppy, the correct skeins of embroidery-silk lying on the pillow. Inside the shop, a glimpse of bad carbon prints of bad and famous pictures, shelves of phonograph records and camera films, wooden toys, and in the midst an anxious small woman sitting in a padded rocking chair.

A barber shop and pool room. A man in shirt sleeves, presumably Del Snafflin the proprietor, shaving a man who had a large Adam's apple.

Nat Hicks's Tailor Shop, on a side street off Main. A one-story building. A fashion-plate showing human pitchforks in garments which looked as hard as steel plate.

On another side street a raw red-brick Catholic Church with a varnished yellow door.

The post-office—merely a partition of glass and brass shutting off the rear of a mildewed room which must once have been a shop. A tilted writing-shelf against a wall rubbed black and scattered with official notices and army recruiting-posters.

The damp, yellow-brick schoolbuilding in its cindery grounds.

The State Bank, stucco masking wood.

The Farmers' National Bank. An Ionic temple of marble. Pure, exquisite, solitary. A brass plate with "Ezra Stowbody, Pres't."

A score of similar shops and establishments.

Behind them and mixed with them, the houses, meek cottages or large, comfortable, soundly uninteresting symbols of prosperity.

In all the town not one building save the Ionic bank which gave pleasure to Carol's eyes; not a dozen buildings which suggested that, in the fifty years of Gopher Prairie's existence, the citizens had realized that it was either desirable or possible to make this, their common home, amusing or attractive.

It was not only the unsparing unapologetic ugliness and the rigid straightness which overwhelmed her. It was the planlessness, the flimsy temporariness of the buildings, their faded unpleasant colors. The street was cluttered with electric-light poles, telephone poles, gasoline pumps for motor cars, boxes of goods. Each man had built with the most valiant disregard of all the others. Between a large new "block" of two-story brick shops on one side, and the fire-brick Overland garage on the other side, was a one-story cottage turned into a millinery shop. The white temple of the Farmers' Bank was elbowed back by a grocery of glaring yellow brick. One store-building had a patchy galvanized iron cornice; the building beside it was crowned with battlements and pyramids of brick capped with blocks of red sandstone.

She escaped from Main Street, fled home.

She wouldn't have cared, she insisted, if the people had been comely. She had noted a young man loafing before a shop, one unwashed hand holding the cord of an awning; a middle-aged man who had a way of staring at women as though he had been married too long and too prosaically; an old farmer, solid, wholesome, but not clean—his face like a potato fresh from the earth. None of them had shaved for three days.

"If they can't build shrines, out here on the prairie, surely there's nothing to prevent their buying safety-razors!" she raged.

She fought herself: "I must be wrong. People do live here. It CAN'T be as ugly as—as I know it is! I must be wrong. But I can't do it. I can't go through with it."

She came home too seriously worried for hysteria; and when she found Kennicott waiting for her, and exulting, "Have a walk? Well, like the town? Great lawns and trees, eh?" she was able to say, with a self-protective maturity new to her, "It's very interesting."

III

The train which brought Carol to Gopher Prairie also brought Miss Bea Sorenson.

Miss Bea was a stalwart, corn-colored, laughing young woman, and she was bored by farm-work. She desired the excitements of city-life, and the way to enjoy city-life was, she had decided, to "go get a yob as hired girl in Gopher Prairie." She contentedly lugged her pasteboard telescope from the station to her cousin, Tina Malmquist, maid of all work in the residence of Mrs. Luke Dawson.

"Vell, so you come to town," said Tina.

"Ya. Ay get a yob," said Bea.

"Vell. . . . You got a fella now?"

"Ya. Yim Yacobson."

"Vell. I'm glat to see you. How much you vant a veek?"

"Sex dollar."

"There ain't nobody pay dat. Vait! Dr. Kennicott, I t'ink he marry a girl from de Cities. Maybe she pay dat. Vell. You go take a valk."

"Ya," said Bea.

So it chanced that Carol Kennicott and Bea Sorenson were viewing Main Street at the same time.

Bea had never before been in a town larger than Scandia Crossing, which has sixty-seven inhabitants.

As she marched up the street she was meditating that it didn't hardly seem like it was possible there could be so many folks all in one place at the same time. My! It would take years to get acquainted with them all. And swell people, too! A fine big gentleman in a new pink shirt with a diamond, and not no washed-out blue denim working-shirt. A lovely lady in a longery dress (but it must be an awful hard dress to wash). And the stores!

Not just three of them, like there were at Scandia Crossing, but more than four whole blocks!

The Bon Ton Store—big as four barns—my! it would simply scare a person to go in there, with seven or eight clerks all looking at you. And the men's suits, on figures just like human. And Axel Egge's, like home, lots of Swedes and Norskes in there, and a card of dandy buttons, like rubies.

A drug store with a soda fountain that was just huge, awful long, and all lovely marble; and on it there was a great big lamp with the biggest shade you ever saw—all different kinds colored glass stuck together; and the soda spouts, they were silver, and they came right out of the bottom of the lamp-stand! Behind the fountain there were glass shelves, and bottles of new kinds of soft drinks, that nobody ever heard of. Suppose a fella took you THERE!

A hotel, awful high, higher than Oscar Tollefson's new red barn; three stories, one right on top of another; you had to stick your head back to look clear up to the top. There was a swell traveling man in there—probably been to Chicago, lots of times.

Oh, the dandiest people to know here! There was a lady going by, you wouldn't hardly say she was any older than Bea herself; she wore a dandy new gray suit and black pumps. She almost looked like she was looking over the town, too. But you couldn't tell what she thought. Bea would like to be that way—kind of quiet, so nobody would get fresh. Kind of—oh, elegant.

A Lutheran Church. Here in the city there'd be lovely sermons, and church twice on Sunday, EVERY Sunday!

And a movie show!

A regular theater, just for movies. With the sign "Change of bill every evening." Pictures every evening!

There were movies in Scandia Crossing, but only once every two weeks, and it took the Sorensons an hour to drive in—papa was such a tightwad he wouldn't get a Ford. But here she could put on her hat any evening, and in three minutes' walk be to the movies, and see lovely fellows in dress-suits and Bill Hart and everything!