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"Certainly," said the Viscount. "Not too soon, you know—say after a second glass of wine. I assure you it's absolutely nothing."

And it was just at that moment that a telegram was handed to the Duke from Mr. Lucullus Fyshe, praying him, as he was reported to be visiting the next day the City where the Mausoleum Club stands, to make acquaintance with him by dining at that institution.

And the Duke, being as I say a literal man, decided that just as soon as Mr. Fyshe should give him a second glass of wine, that second glass should cost Mr. Fyshe a hundred thousand pounds sterling.

And oddly enough, at about the same moment, Mr. Fyshe was calculating that provided he could make the Duke drink a second glass of the Mausoleum champagne, that glass would cost the Duke about five million dollars.

So the very morning after that the Duke had arrived on the New York express in the City; and being an ordinary, democratic, commercial sort of place, absorbed in its own affairs, it made no fuss over him whatever. The morning edition of the Plutopian Citizen simply said, "We understand that the Duke of Dulham arrives at the Grand Palaver this morning," after which it traced the Duke's pedigree back to Jock of Ealing in the twelfth century and let the matter go at that; and the noon edition of the People's Advocate merely wrote, "We learn that Duke Dulham is in town. He is a relation of Jack Ealing." But the Commercial Echo and Financial Undertone, appearing at four o'clock, printed in its stock-market columns the announcement: "We understand that the Duke of Dulham, who arrives in town today, is proposing to invest a large sum of money in American Industrials."

And, of course, that announcement reached every member of the Mausoleum Club within twenty minutes.

The Duke of Dulham entered the Mausoleum Club that evening at exactly seven of the clock. He was a short, thick man with a shaven face, red as a brick, and grizzled hair, and from the look of him he could have got a job at sight in any lumber camp in Wisconsin. He wore a dinner jacket, just like an ordinary person, but even without his Norfolk coat and his hobnailed boots there was something in the way in which he walked up the long main hall of the Mausoleum Club that every imported waiter in the place recognized in an instant.

The Duke cast his eye about the club and approved of it. It seemed to him a modest, quiet place, very different from the staring ostentation that one sees too often in a German hof or an Italian palazzo. He liked it.

Mr. Fyshe and Mr. Furlong were standing in a deep alcove or bay where there was a fire and india-rubber trees and pictures with shaded lights and a whiskey-and-soda table. There the Duke joined them. Mr. Fyshe he had met already that afternoon at the Palaver, and he called him "Fyshe" as if he had known him forever; and indeed, after a few minutes he called the rector of St. Asaph's simply "Furlong," for he had been familiar with the Anglican clergy in so many parts of the world that he knew that to attribute any peculiar godliness to them, socially, was the worst possible taste.

"By Jove," said the Duke, turning to tap the leaf of a rubber tree with his finger, "that fellow's a Nigerian, isn't he?"

"I hardly know," said Mr. Fyshe, "I imagine so"; and he added, "You've been in Nigeria, Duke?"

"Oh, some years ago," said the Duke, "after big game, you know—fine place for it."

"Did you get any?" asked Mr. Fyshe.

"Not much," said the Duke; "a hippo or two."

"Ah," said Mr. Fyshe.

"And, of course, now and then a giro," the Duke went on, and added, "My sister was luckier, though; she potted a rhino one day, straight out of a doolie; I call that rather good."

Mr. Fyshe called it that too.

"Ah, now here's a good thing," the Duke went on, looking at a picture. He carried in his waistcoat pocket an eyeglass that he used for pictures and for Tamworth hogs, and he put it to his eye with one hand, keeping the other in the left pocket of his jacket; "and this—this is a very good thing."

"I believe so," said Mr. Fyshe.

"You really have some awfully good things here," continued the Duke. He had seen far too many pictures in too many places ever to speak of "values" or "compositions" or anything of that sort. The Duke merely looked at a picture and said, "Now here's a good thing," or "Ah! here now is a very good thing," or, "I say, here's a really good thing."

No one could get past this sort of criticism. The Duke had long since found it bullet-proof.

"They showed me some rather good things in New York," he went on, "but really the things you have here seem to be awfully good things."

Indeed, the Duke was truly pleased with the pictures, for something in their composition, or else in the soft, expensive light that shone on them, enabled him to see in the distant background of each a hundred thousand sterling. And that is a very beautiful picture indeed.

"When you come to our side of the water, Fyshe," said the Duke, "I must show you my Botticelli."

Had Mr. Fyshe, who knew nothing of art, expressed his real thought, he would have said, "Show me your which?" But he only answered, "I shall be delighted to see it."

In any case there was no time to say more, for at this moment the portly figure and the great face of Dr. Boomer, president of Plutoria University, loomed upon them. And with him came a great burst of conversation that blew all previous topics into fragments. He was introduced to the Duke, and shook hands with Mr. Furlong, and talked to both of them, and named the kind of cocktail that he wanted, all in one breath, and in the very next he was asking the Duke about the Babylonian hieroglyphic bricks that his grandfather, the thirteenth Duke, had brought home from the Euphrates, and which every archaeologist knew were preserved in the Duke's library at Dulham Towers. And though the Duke hadn't known about the bricks himself, he assured Dr. Boomer that his grandfather had collected some really good things, quite remarkable.

And the Duke, having met a man who knew about his grandfather, felt in his own element. In fact, he was so delighted with Dr. Boomer and the Nigerian rubber tree and the shaded pictures and the charm of the whole place and the certainty that half a million dollars was easily findable in it, that he put his eyeglass back in his pocket and said.

"A charming club you have here, really most charming."

"Yes," said Mr. Fyshe, in a casual tone, "a comfortable place, we like to think."

But if he could have seen what was happening below in the kitchens of the Mausoleum Club, Mr. Fyshe would have realized that just then it was turning into a most uncomfortable place.

For the walking delegate with his hat on sideways, who had haunted it all day, was busy now among the assembled Chinese philosophers, writing down names and distributing strikers' cards of the International Union and assuring them that the "boys" of the Grand Palaver had all walked out at seven, and that all the "boys" of the Commercial and the Union and of every restaurant in town were out an hour ago.

And the philosophers were taking their cards and hanging up their waiters' coats and putting on shabby jackets and bowler hats, worn sideways, and changing themselves by a wonderful transformation from respectable Chinese to slouching loafers of the lowest type.

But Mr. Fyshe, being in an alcove and not in the kitchens, saw nothing of these things. Not even when the head waiter, shaking with apprehension, appeared with cocktails made by himself, in glasses that he himself had had to wipe, did Mr. Fyshe, absorbed in the easy urbanity of the Duke, notice that anything was amiss.

Neither did his guests. For Dr. Boomer, having discovered that the Duke had visited Nigeria, was asking him his opinion of the famous Bimbaweh remains of the lower Niger. The Duke confessed that he really hadn't noticed them, and the Doctor assured him that Strabo had indubitably mentioned them (he would show the Duke the very passage), and that they apparently lay, if his memory served him, about halfway between Oohat and Ohat; whether above Oohat and below Ohat or above Ohat and below Oohat he would not care to say for a certainty; for that the Duke must wait till the president had time to consult his library.

And the Duke was fascinated forthwith with the president's knowledge of Nigerian geography, and explained that he had once actually descended from below Timbuctoo to Oohat in a doolie manned only by four swats.

So presently, having drunk the cocktails, the party moved solemnly in a body from the alcove towards the private dining-room upstairs, still busily talking of the Bimbaweh remains, and the swats, and whether the doolie was, or was not, the original goatskin boat of the book of Genesis.

And when they entered the private dining-room with its snow-white table and cut glass and flowers (as arranged by a retreating philosopher now heading towards the Gaiety Theatre with his hat over his eyes), the Duke again exclaimed,

"Really, you have a most comfortable club—delightful."

So they sat down to dinner, over which Mr. Furlong offered up a grace as short as any that are known even to the Anglican clergy. And the head waiter, now in deep distress—for he had been sending out telephone messages in vain to the Grand Palaver and the Continental, like the captain of a sinking ship—served oysters that he had opened himself and poured Rhine wine with a trembling hand. For he knew that unless by magic a new chef and a waiter or two could be got from the Palaver, all hope was lost.

But the guests still knew nothing of his fears. Dr. Boomer was eating his oysters as a Nigerian hippo might eat up the crew of a doolie, in great mouthfuls, and commenting as he did so upon the luxuriousness of modern life.

And in the pause that followed the oysters he illustrated for the Duke with two pieces of bread the essential difference in structure between the Mexican pueblo and the tribal house of the Navajos, and lest the Duke should confound either or both of them with the adobe hut of the Bimbaweh tribes he showed the difference at once with a couple of olives.

By this time, of course, the delay in the service was getting noticeable. Mr. Fyshe was directing angry glances towards the door, looking for the reappearance of the waiter, and growling an apology to his guests. But the president waved the apology aside.

"In my college days," he said, "I should have considered a plate of oysters an ample meal. I should have asked for nothing more. We eat," he said, "too much."

This, of course, started Mr. Fyshe on his favourite topic. "Luxury!" he exclaimed, "I should think so! It is the curse of the age. The appalling growth of luxury, the piling up of money, the ease with which huge fortunes are made" (Good! thought the Duke, here we are coming to it), "these are the things that are going to ruin us. Mark my words, the whole thing is bound to end in a tremendous crash. I don't mind telling you, Duke—my friends here, I am sure, know it already—that I am more or less a revolutionary socialist. I am absolutely convinced, sir, that our modern civilization will end in a great social catastrophe. Mark what I say"—and here Mr. Fyshe became exceedingly impressive—"a great social catastrophe. Some of us may not live to see it, perhaps; but you, for instance, Furlong, are a younger man; you certainly will."

But here Mr. Fyshe was understating the case. They were all going to live to see it, right on the spot.

For it was just at this moment, when Mr. Fyshe was talking of the social catastrophe and explaining with flashing eyes that it was bound to come, that it came; and when it came it lit, of all places in the world, right there in the private dining-room of the Mausoleum Club.

For the gloomy head waiter re-entered and leaned over the back of Mr. Fyshe's chair and whispered to him.

"Eh? what?" said Mr. Fyshe.

The head waiter, his features stricken with inward agony, whispered again.

"The infernal, damn scoundrels!" said Mr. Fyshe, starting back in his chair. "On strike: in this club! It's an outrage!"

"I'm very sorry sir. I didn't like to tell you, sir. I'd hoped I might have got help from the outside, but it seems, sir, the hotels are all the same way."

"Do you mean to say," said Mr. Fyshe, speaking very slowly, "that there is no dinner?"

"I'm sorry, sir," moaned the waiter. "It appears the chef hadn't even cooked it. Beyond what's on the table, sir, there's nothing."

The social catastrophe had come.

Mr. Fyshe sat silent with his fist clenched. Dr. Boomer, with his great face transfixed, stared at the empty oyster-shells, thinking perhaps of his college days. The Duke, with his hundred thousand dashed from his lips in the second cup of champagne that was never served, thought of his politeness first and murmured something about taking them to his hotel.

But there is no need to follow the unhappy details of the unended dinner. Mr. Fyshe's one idea was to be gone: he was too true an artist to think that finance could be carried on over the table-cloth of a second-rate restaurant, or on an empty stomach in a deserted club. The thing must be done over again; he must wait his time and begin anew.

And so it came about that the little dinner party of Mr. Lucullus Fyshe dissolved itself into its constituent elements, like broken pieces of society in the great cataclysm portrayed by Mr. Fyshe himself.

The Duke was bowled home in a snorting motor to the brilliant rotunda of the Grand Palaver, itself waiterless and supperless.

The rector of St. Asaph's wandered off home to his rectory, musing upon the contents of its pantry.

And Mr. Fyshe and the gigantic Doctor walked side by side homewards along Plutoria Avenue, beneath the elm trees. Nor had they gone any great distance before Dr. Boomer fell to talking of the Duke.

"A charming man," he said, "delightful. I feel extremely sorry for him."

"No worse off, I presume, than any of the rest of us," growled Mr. Fyshe, who was feeling in the sourest of democratic moods; "a man doesn't need to be a duke to have a stomach."

"Oh, pooh, pooh!" said the president, waving the topic aside with his hand in the air; "I don't refer to that. Oh, not at all. I was thinking of his financial position—an ancient family like the Dulhams; it seems too bad altogether."

For, of course, to an archaeologist like Dr. Boomer an intimate acquaintance with the pedigree and fortunes of the greater ducal families from Jock of Ealing downwards was nothing. It went without saying. As beside the Neanderthal skull and the Bimbaweh ruins it didn't count.

Mr. Fyshe stopped absolutely still in his tracks. "His financial position?" he questioned, quick as a lynx.

"Certainly," said Dr. Boomer; "I had taken it for granted that you knew. The Dulham family are practically ruined. The Duke, I imagine, is under the necessity of mortgaging his estates; indeed, I should suppose he is here in America to raise money."

Mr. Fyshe was a man of lightning action. Any man accustomed to the Stock Exchange learns to think quickly.

"One moment!" he cried; "I see we are right at your door. May I just run in and use your telephone? I want to call up Boulder for a moment."

Two minutes later Mr. Fyshe was saying into the telephone, "Oh, is that you, Boulder? I was looking for you in vain today—wanted you to meet the Duke of Dulham, who came in quite unexpectedly from New York; felt sure you'd like to meet him. Wanted you at the club for dinner, and now it turns out that the club's all upset—waiters' strike or some such rascality—and the Palaver, so I hear, is in the same fix. Could you possibly—"

Here Mr. Fyshe paused, listening a moment, and then went on, "Yes, yes; an excellent idea—most kind of you. Pray do send your motor to the hotel and give the Duke a bite of dinner. No, I wouldn't join you, thanks. Most kind. Good night—"

And within a few minutes more the motor of Mr. Boulder was rolling down from Plutoria Avenue to the Grand Palaver Hotel.

What passed between Mr. Boulder and the Duke that evening is not known. That they must have proved congenial company to one another there is no doubt. In fact, it would seem that, dissimilar as they were in many ways, they found a common bond of interest in sport. And it is quite likely that Mr. Boulder may have mentioned that he had a hunting-lodge—what the Duke would call a shooting-box—in Wisconsin woods, and that it was made of logs, rough cedar logs not squared, and that the timber wolves and others which surrounded it were of a ferocity without parallel.

Those who know the Duke best could measure the effect of that upon his temperament.

At any rate, it is certain that Mr. Lucullus Fyshe at his breakfast-table next morning chuckled with suppressed joy to read in the Plutopian Citizen the item:

"We learn that the Duke of Dulham, who has been paying a brief visit to the City, leaves this morning with Mr. Asmodeus Boulder for the Wisconsin woods. We understand that Mr. Boulder intends to show his guest, who is an ardent sportsman, something of the American wolf."

And so the Duke went whirling westwards and northwards with Mr. Boulder in the drawing-room end of a Pullman car, that was all littered up with double-barrelled express rifles and leather game bags and lynx catchers and wolf traps and Heaven knows what. And the Duke had on his very roughest sporting-suit, made, apparently, of alligator hide; and as he sat there with a rifle across his knees, while the train swept onwards through open fields and broken woods, the real country at last, towards the Wisconsin forest, there was such a light of genial happiness in his face that had not been seen there since he had been marooned in the mud jungles of Upper Burmah.

And opposite, Mr. Boulder looked at him with fixed silent eyes, and murmured from time to time some renewed information of the ferocity of the timber-wolf.

But of wolves other than the timber-wolf, and fiercer still into whose hands the Duke might fall in America, he spoke never a word.

Nor is it known in the record what happened in Wisconsin, and to the Mausoleum Club the Duke and his visit remained only as a passing and a pleasant memory.

CHAPTER TWO: The Wizard of Finance

Down in the City itself, just below the residential street where the Mausoleum Club is situated, there stands overlooking Central Square the Grand Palaver Hotel. It is, in truth, at no great distance from the club, not half a minute in one's motor. In fact, one could almost walk it.

But in Central Square the quiet of Plutoria Avenue is exchanged for another atmosphere. There are fountains that splash unendingly and mingle their music with the sound of the motor-horns and the clatter of the cabs. There are real trees and little green benches, with people reading yesterday's newspaper, and grass cut into plots among the asphalt. There is at one end a statue of the first governor of the state, life-size, cut in stone; and at the other a statue of the last, ever so much larger than life, cast in bronze. And all the people who pass by pause and look at this statue and point at it with walking-sticks, because it is of extraordinary interest; in fact, it is an example of the new electro-chemical process of casting by which you can cast a state governor any size you like, no matter what you start from. Those who know about such things explain what an interesting contrast the two statues are; for in the case of the governor of a hundred years ago one had to start from plain, rough material and work patiently for years to get the effect, whereas now the material doesn't matter at all, and with any sort of scrap, treated in the gas furnace under tremendous pressure, one may make a figure of colossal size like the one in Central Square.

So naturally Central Square with its trees and its fountains and its statues is one of the places of chief interest in the City. But especially because there stands along one side of it the vast pile of the Grand Palaver Hotel. It rises fifteen stories high and fills all one side of the square. It has, overlooking the trees in the square, twelve hundred rooms with three thousand windows, and it would have held all George Washington's army. Even people in other cities who have never seen it know it well from its advertising; "the most homelike hotel in America," so it is labelled in all the magazines, the expensive ones, on the continent. In fact, the aim of the company that owns the Grand Palaver—and they do not attempt to conceal it—is to make the place as much a home as possible. Therein lies its charm. It is a home. You realize that when you look up at the Grand Palaver from the square at night when the twelve hundred guests have turned on the lights of the three thousand windows. You realize it at theatre time when the great string of motors come sweeping to the doors of the Palaver, to carry the twelve hundred guests to twelve hundred seats in the theatres at four dollars a seat. But most of all do you appreciate the character of the Grand Palaver when you step into its rotunda. Aladdin's enchanted palace was nothing to it. It has a vast ceiling with a hundred glittering lights, and within it night and day is a surging crowd that is never still and a babel of voices that is never hushed, and over all there hangs an enchanted cloud of thin blue tobacco smoke such as might enshroud the conjured vision of a magician of Baghdad or Damascus.

In and through the rotunda there are palm trees to rest the eye and rubber trees in boxes to soothe the mind, and there are great leather lounges and deep armchairs, and here and there huge brass ash-bowls as big as Etruscan tear-jugs. Along one side is a counter with grated wickets like a bank, and behind it are five clerks with flattened hair and tall collars, dressed in long black frock-coats all day like members of a legislature. They have great books in front of them in which they study unceasingly, and at their lightest thought they strike a bell with the open palm of their hand, and at the sound of it a page boy in a monkey suit, with G.P. stamped all over him in brass, bounds to the desk and off again, shouting a call into the unheeding crowd vociferously. The sound of it fills for a moment the great space of the rotunda; it echoes down the corridors to the side; it floats, softly melodious, through the palm trees of the ladies' palm room; it is heard, fainter and fainter, in the distant grill; and in the depths of the barber shop below the level of the street the barber arrests a moment the drowsy hum of his shampoo brushes to catch the sound—as might a miner in the sunken galleries of a coastal mine cease in his toil a moment to hear the distant murmur of the sea.

And the clerks call for the pages, the pages call for the guests, and the guests call for the porters, the bells clang, the elevators rattle, till home itself was never half so homelike.

"A call for Mr. Tomlinson! A call for Mr. Tomlinson!"

So went the sound, echoing through the rotunda.

And as the page boy found him and handed him on a salver a telegram to read, the eyes of the crowd about him turned for a moment to look upon the figure of Tomlinson, the Wizard of Finance.

There he stood in his wide-awake hat and his long black coat, his shoulders slightly bent with his fifty-eight years. Anyone who had known him in the olden days on his bush farm beside Tomlinson's Creek in the country of the Great Lakes would have recognized him in a moment. There was still on his face that strange, puzzled look that it habitually wore, only now, of course, the financial papers were calling it "unfathomable." There was a certain way in which his eye roved to and fro inquiringly that might have looked like perplexity, were it not that the Financial Undertone had recognized it as the "searching look of a captain of industry." One might have thought that for all the goodness in it there was something simple in his face, were it not that the Commercial and Pictorial Review had called the face "inscrutable," and had proved it so with an illustration that left no doubt of the matter. Indeed, the face of Tomlinson of Tomlinson's Creek, now Tomlinson the Wizard of Finance, was not commonly spoken of as a face by the paragraphers of the Saturday magazine sections, but was more usually referred to as a mask; and it would appear that Napoleon the First had had one also. The Saturday editors were never tired of describing the strange, impressive personality of Tomlinson, the great dominating character of the newest and highest finance. From the moment when the interim prospectus of the Erie Auriferous Consolidated had broken like a tidal wave over Stock Exchange circles, the picture of Tomlinson, the sleeping shareholder of uncomputed millions, had filled the imagination of every dreamer in a nation of poets.

They all described him. And when each had finished he began again.

"The face," so wrote the editor of the "Our Own Men" section of Ourselves Monthly, "is that of a typical American captain of finance, hard, yet with a certain softness, broad but with a certain length, ductile but not without its own firmness."

"The mouth," so wrote the editor of the "Success" column of Brains, "is strong but pliable, the jaw firm and yet movable, while there is something in the set of the ear that suggests the swift, eager mind of the born leader of men."

So from state to state ran the portrait of Tomlinson of Tomlinson's Creek, drawn by people who had never seen him; so did it reach out and cross the ocean, till the French journals inserted a picture which they used for such occasions, and called it Monsieur Tomlinson, nouveau capitaine de la haute finance en Amerique; and the German weeklies, inserting also a suitable picture from their stock, marked it Herr Tomlinson, Amerikanischer Industrie und Finanzcapitan. Thus did Tomlinson float from Tomlinson's Creek beside Lake Erie to the very banks of the Danube and the Drave.

Some writers grew lyric about him. What visions, they asked, could one but read them, must lie behind the quiet, dreaming eyes of that inscrutable face?

They might have read them easily enough, had they but had the key. Anyone who looked upon Tomlinson as he stood there in the roar and clatter of the great rotunda of the Grand Palaver with the telegram in his hand, fumbling at the wrong end to open it, might have read the visions of the master-mind had he but known their nature. They were simple enough. For the visions in the mind of Tomlinson, Wizard of Finance, were for the most part those of a wind-swept hillside farm beside Lake Erie, where Tomlinson's Creek runs down to the low edge of the lake, and where the off-shore wind ripples the rushes of the shallow water: that, and the vision of a frame house, and the snake fences of the fourth concession road where it falls to the lakeside. And if the eyes of the man are dreamy and abstracted, it is because there lies over the vision of this vanished farm an infinite regret, greater in its compass than all the shares the Erie Auriferous Consolidated has ever thrown upon the market.

When Tomlinson had opened the telegram he stood with it for a moment in his hand, looking the boy full in the face. His look had in it that peculiar far-away quality that the newspapers were calling "Napoleonic abstraction." In reality he was wondering whether to give the boy twenty-five cents or fifty.

The message that he had just read was worded, "Morning quotations show preferred A. G. falling rapidly recommend instant sale no confidence send instructions."

The Wizard of Finance took from his pocket a pencil (it was a carpenter's pencil) and wrote across the face of the message: "Buy me quite a bit more of the same yours truly."

This he gave to the boy. "Take it over to him," he said, pointing to the telegraph corner of the rotunda. Then after another pause he mumbled, "Here, sonny," and gave the boy a dollar.

With that he turned to walk towards the elevator, and all the people about him who had watched the signing of the message knew that some big financial deal was going through—a coup, in fact, they called it.

The elevator took the Wizard to the second floor. As he went up he felt in his pocket and gripped a quarter, then changed his mind and felt for a fifty-cent piece, and finally gave them both to the elevator boy, after which he walked along the corridor till he reached the corner suite of rooms, a palace in itself, for which he was paying a thousand dollars a month ever since the Erie Auriferous Consolidated Company had begun tearing up the bed of Tomlinson's Creek in Cahoga County with its hydraulic dredges.

"Well, mother," he said as he entered.

There was a woman seated near the window, a woman with a plain, homely face such as they wear in the farm kitchens of Cahoga County, and a set of fashionable clothes upon her such as they sell to the ladies of Plutoria Avenue.

This was "mother," the wife of the Wizard of Finance and eight years younger than himself. And she, too, was in the papers and the public eye; and whatsoever the shops had fresh from Paris, at fabulous prices, that they sold to mother. They had put a Balkan hat upon her with an upright feather, and they had hung gold chains on her, and everything that was most expensive they had hung and tied on mother. You might see her emerging any morning from the Grand Palaver in her beetle-back jacket and her Balkan hat, a figure of infinite pathos. And whatever she wore, the lady editors of Spring Notes and Causerie du Boudoir wrote it out in French, and one paper had called her a belle chatelaine, and another had spoken of her as a grande dame, which the Tomlinsons thought must be a misprint.

But in any case, for Tomlinson, the Wizard of Finance, it was a great relief to have as his wife a woman like mother, because he knew that she had taught school in Cahoga County and could hold her own in the city with any of them.

So mother spent her time sitting in her beetle jacket in the thousand-dollar suite, reading new novels in brilliant paper covers. And the Wizard on his trips up and down to the rotunda brought her the very best, the ones that cost a dollar fifty, because he knew that out home she had only been able to read books like Nathaniel Hawthorne and Walter Scott, that were only worth ten cents.

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07 mayıs 2019
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