Kitabı oku: «Critical and Historical Essays. Volume 2», sayfa 17

SOUTHEY’S COLLOQUIES

(Jan, 1830) Sir Thomas More; or, colloquies on the Progress and Prospects of Society. By ROBERT SOUTHEY Esq., LL.D., Poet Laureate. 2 vols. 8vo. London: 1829.

IT would be scarcely possible for a man of Mr. Southey’s talents and acquirements to write two volumes so large as those before us, which should be wholly destitute of information and amusement. Yet we do not remember to have read with so little satisfaction any equal quantity of matter, written by any man of real abilities. We have, for some time past, observed with great regret the strange infatuation which leads the Poet Laureate to abandon those departments of literature in which he might excel, and to lecture the public on sciences of which he has still the very alphabet to learn. He has now, we think, done his worst. The subject which he has at last undertaken to treat, is one which demands all the highest intellectual and moral qualities of a philosophical statesman, an understanding at once comprehensive and acute, a heart at once upright and charitable. Mr. Southey brings to the task two faculties which were never, we believe, vouchsafed in measure so copious to any human being, the faculty of believing without a reason, and the faculty of hating without a provocation.

It is, indeed, most extraordinary, that a mind like Mr. Southey’s, a mind richly endowed in many respects by nature, and highly cultivated by study, a mind which has exercised considerable influence on the most enlightened generation of the most enlightened people that ever existed, should be utterly destitute of the power of discerning truth from falsehood. Yet such is the fact. Government is to Mr. Southey one of the fine arts. He judges of a theory, of a public measure, of a religion or a political party, of a peace or a war, as men judge of a picture or a statue, by the effect produced on his imagination. A chain of associations is to him what a chain of reasoning is to other men; and what he calls his opinions are in fact merely his tastes.

Some of this description might perhaps apply to a much greater man, Mr. Burke. But Mr. Burke assuredly possessed an understanding admirably fitted for the investigation of truth, an understanding stronger than that of any statesman, active or speculative, of the eighteenth century, stronger than everything, except his own fierce and ungovernable sensibility. Hence he generally chose his side like a fanatic, and defended it like a philosopher. His conduct on the most important occasions of his life, at the time of the impeachment of Hastings for example, and at the time of the French Revolution, seems to have been prompted by those feelings and motives which Mr. Coleridge has so happily described,

 
“Stormy pity, and the cherish’d lure
Of pomp, and proud precipitance of soul.”
 

Hindostan, with its vast cities, its gorgeous pagodas, its infinite swarms of dusky population, its long-descended dynasties, its stately etiquette, excited in a mind so capacious, so imaginative, and so susceptible, the most intense interest. The peculiarities of the costume, of the manners, and of the laws, the very mystery which hung over the language and origin of the people, seized his imagination. To plead under the ancient arches of Westminster Hall, in the name of the English people, at the bar of the English nobles for great nations and kings separated from him by half the world, seemed to him the height of human glory. Again, it is not difficult to perceive that his hostility to the French Revolution principally arose from the vexation which he felt at having all his old political associations disturbed, at seeing the well-known landmarks of states obliterated, and the names and distinctions with which the history of Europe had been filled for ages at once swept away. He felt like an antiquary whose shield had been scoured, or a connoisseur who found his Titian retouched. But, however he came by an opinion, he had no sooner got it than he did his best to make out a legitimate title to it. His reason, like a spirit in the service of an enchanter, though spell-bound, was still mighty. It did whatever work his passions and his imagination might impose. But it did that work, however arduous, with marvellous dexterity and vigour. His course was not determined by argument; but he could defend the wildest course by arguments more plausible than those by which common men support opinions which they have adopted after the fullest deliberation. Reason has scarcely ever displayed, even in those well-constituted minds of which she occupies the throne, so much power and energy as in the lowest offices of that imperial servitude.

Now in the mind of Mr. Southey reason has no place at all, as either leader or follower, as either sovereign or slave. He does not seem to know what an argument is. He never uses arguments himself. He never troubles himself to answer the arguments of his opponents. It has never occurred to him, that a man ought to be able to give some better account of the way in which he has arrived at his opinions than merely that it is his will and pleasure to hold them. It has never occurred to him that there is a difference between assertion and demonstration, that a rumour does not always prove a fact, that a single fact, when proved, is hardly foundation enough for a theory, that two contradictory propositions cannot be undeniable truths, that to beg the question is not the way to settle it, or that when an objection is raised, it ought to be met with something more convincing than “scoundrel” and “blockhead.”

It would be absurd to read the works of such a writer for political instruction. The utmost that can be expected from any system promulgated by him is that it may be splendid and affecting, that it may suggest sublime and pleasing images. His scheme of philosophy is a mere day-dream, a poetical creation, like the Doindaniel cavern, the Swerga, or Padalon; and indeed it bears no inconsiderable resemblance to those gorgeous visions. Like them, it has something, of invention, grandeur, and brilliancy. But, like them, it is grotesque and extravagant, and perpetually violates even that conventional probability which is essential to the effect of works of art.

The warmest admirers of Mr. Southey will scarcely, we think, deny that his success has almost always borne an inverse proportion to the degree in which his undertakings have required a logical head. His poems, taken in the mass, stand far higher than his prose works. His official Odes indeed, among which the Vision of Judgement must be classed, are, for the most part, worse than Pye’s and as bad as Cibber’s; nor do we think him generally happy in short pieces. But his longer poems, though full of faults, are nevertheless very extraordinary productions. We doubt greatly whether they will be read fifty years hence; but that, if they are read, they will be admired, we have no doubt whatever.

But, though in general we prefer Mr. Southey’s poetry to his prose, we must make one exception. The Life of Nelson is, beyond all doubt, the most perfect and the most delightful of his works. The fact is, as his poems most abundantly prove, that he is by no means so skilful in designing as in filling up. It was therefore an advantage to him to be furnished with an outline of characters and events, and to have no other task to perform than that of touching the cold sketch into life. No writer, perhaps, ever lived, whose talents so precisely qualified him to write the history of the great naval warrior. There were no fine riddles of the human heart to read, no theories to propound, no hidden causes to develop, no remote consequences to predict. The character of the hero lay on the surface. The exploits were brilliant and picturesque. The necessity of adhering to the real course of events saved Mr. Southey from those faults which deform the original plan of almost every one of his poems, and which even his innumerable beauties of detail scarcely redeem. The subject did not require the exercise of those reasoning powers the want of which is the blemish of his prose. It would not be easy to find, in all literary history, an instance of a more exact hit between wind and water. John Wesley and the Peninsular War were subjects of a very different kind, subjects which required all the qualities of a philosophic historian. In Mr. Southey’s works on these subjects, he has, on the whole, failed. Yet there are charming specimens of the art of narration in both of them. The Life of Wesley will probably live. Defective as it is, it contains the only popular account of a most remarkable moral revolution, and of a man whose eloquence and logical acuteness might have made him eminent in literature, whose genius for government was not inferior to that of Richelieu, and who, whatever his errors may have been, devoted all his powers, in defiance of obloquy and derision, to what he sincerely considered as the highest good of his species. The History of the Peninsular War is already dead; indeed, the second volume was dead-born. The glory of producing an imperishable record of that great conflict seems to be reserved for Colonel Napier.

The Book of the Church contains some stories very prettily told. The rest is mere rubbish. The adventure was manifestly one which could be achieved only by a profound thinker, and one in which even a profound thinker might have failed, unless his passions had been kept under strict control. But in all those works in which Mr. Southey has completely abandoned narration, and has undertaken to argue moral and political questions, his failure has been complete and ignominious. On such occasions his writings are rescued from utter contempt and derision solely by the beauty and purity of the English. We find, we confess, so great a charm in Mr. Southey’s style, that, even when he writes nonsense, we generally read it with pleasure except indeed when he tries to be droll. A more insufferable jester never existed. He very often attempts to be humorous, and yet we do not remember a single occasion on which he has succeeded further than to be quaintly and flippantly dull. In one of his works he tells us that Bishop Sprat was very properly so called, inasmuch as he was a very small poet. And in the book now before us he cannot quote Francis Bugg, the renegade Quaker, without a remark on his unsavoury name. A wise man might talk folly like this by his own fireside; but that any human being, after having made such a joke, should write it down, and copy it out, and transmit it to the printer, and correct the proof-sheets, and send it forth into the world, is enough to make us ashamed of our species.

The extraordinary bitterness of spirit which Mr. Southey manifests towards his opponents is, no doubt, in a great measure to be attributed to the manner in which he forms his opinions. Differences of taste, it has often been remarked, produce greater exasperation than differences on points of science. But this is not all. A peculiar austerity marks almost all Mr. Southey’s judgments of men and actions. We are far from blaming him for fixing on a high standard of morals, and for applying that standard to every case. But rigour ought to be accompanied by discernment; and of discernment Mr. Southey seems to be utterly destitute. His mode of judging is monkish. It is exactly what we should expect from a stern old Benedictine, who had been preserved from many ordinary frailties by the restraints of his situation. No man out of a cloister ever wrote about love, for example, so coldly and at the same time me so grossly. His descriptions of it are just what we should hear from a recluse who knew the passion only from the details of the confessional. Almost all his heroes make love either like Seraphim or like cattle. He seems to have no notion of anything between the Platonic passion of the Glendoveer who gazes with rapture on his mistress’s leprosy, and the brutal appetite of Arvalan and Roderick. In Roderick, indeed, the two characters are united. He is first all clay, and then all spirit. He goes forth a Tarquin, and comes back too ethereal to be married. The only love scene, as far as we can recollect, in Madoc, consists of the delicate attentions which a savage, who has drunk too much of the Prince’s excellent metheglin, offers to Goervyl. It would be the labour of a week to find, in all the vast mass of Mr. Southey’s poetry, a single passage indicating any sympathy with those feelings which have consecrated the shades of Vaucluse and the rocks of Meillerie.

Indeed, if we except some very pleasing images of paternal tenderness and filial duty, there is scarcely anything soft or humane in Mr. Southey’s poetry. What theologians call the spiritual sins are his cardinal virtues, hatred, pride, and the insatiable thirst of vengeance. These passions he disguises under the name of duties; he purifies them from the alloy of vulgar interests; he ennobles them by uniting them with energy, fortitude, and a severe sanctity of manners; and he then holds them up to the admiration of mankind. This is the spirit of Thalaba, of Ladurlad, of Adosinda, of Roderick after his conversion. It is the spirit which, in all his writings, Mr. Southey appears to affect. “I do well to be angry,” seems to be the predominant feeling of his mind. Almost the only mark of charity which he vouchsafes to his opponents is to pray for their reformation; and this he does in terms not unlike those in which we can imagine a Portuguese priest interceding with Heaven for a Jew, delivered over to the secular arm after a relapse.

We have always heard, and fully believe, that Mr. Southey is a very amiable and humane man; nor do we intend to apply to him personally any of the remarks which we have made on the spirit of his writings. Such are the caprices of human nature. Even Uncle Toby troubled himself very little about the French grenadiers who fell on the glacis of Namur. And Mr. Southey, when he takes up his pen, changes his nature as much as Captain Shandy when he girt on his sword. The only opponents to whom the Laureate gives quarter are those in whom he finds something of his own character reflected. He seems to have an instinctive antipathy for calm, moderate men, for men who shun extremes, and who render reasons. He has treated Mr. Owen of Lanark, for example, with infinitely more respect than he has shown to Mr. Hallam or to Dr. Lingard; and this for no reason that we can discover, except that Mr. Owen is more unreasonably and hopelessly in the wrong than any speculator of our time.

Mr. Southey’s political system is just what we might expect from a man who regards politics, not as matter of science, but as matter of taste and feeling. All his schemes of government have been inconsistent with themselves. In his youth he was a republican; yet, as he tells us in his preface to these Colloquies, he was even then opposed to the Catholic Claims. He is now a violent Ultra-Tory. Yet, while he maintains, with vehemence approaching to ferocity, all the sterner and harsher parts of the Ultra-Tory theory of government, the baser and dirtier part of that theory disgusts him. Exclusion, persecution, severe punishments for libellers and demagogues, proscriptions, massacres, civil war, if necessary, rather than any concession to a discontented people; these are the measures which he seems inclined to recommend. A severe and gloomy tyranny, crushing opposition, silencing remonstrance, drilling the minds of the people into unreasoning obedience, has in it something of grandeur which delights his imagination. But there is nothing fine in the shabby tricks and jobs of office; and Mr. Southey, accordingly, has no toleration for them. When a Jacobin, he did not perceive that his system led logically, and would have led practically, to the removal of religious distinctions. He now commits a similar error. He renounces the abject and paltry part of the creed of his party, without perceiving that it is also an essential part of that creed. He would have tyranny and purity together; though the most superficial observation might have shown him that there can be no tyranny without corruption.

It is high time, however, that we should proceed to the consideration of the work which is our more immediate subject, and which, indeed, illustrates in almost every page our general remarks on Mr. Southey’s writings. In the preface, we are informed that the author, notwithstanding some statements to the contrary, was always opposed to the Catholic Claims. We fully believe this; both because we are sure that Mr. Southey is incapable of publishing a deliberate falsehood, and because his assertion is in itself probable. We should have expected that, even in his wildest paroxysms of democratic enthusiasm, Mr. Southey would have felt no wish to see a simple remedy applied to a great practical evil. We should have expected that the only measure which all the great statesmen of two generations have agreed with each other in supporting would be the only measure which Mr. Southey would have agreed with himself in opposing. He has passed from one extreme of political opinion to another, as Satan in Milton went round the globe, contriving constantly to “ride with darkness.” Wherever the thickest shadow of the night may at any moment chance to fall, there is Mr. Southey. It is not everybody who could have so dexterously avoided blundering on the daylight in the course of a journey to the antipodes.

Mr. Southey has not been fortunate in the plan of any of his fictitious narratives. But he has never failed so conspicuously as in the work before us; except, indeed, in the wretched Vision of Judgement. In November 1817, it seems the Laureate was sitting over his newspaper, and meditating about the death of the Princess Charlotte. An elderly person of very dignified aspect makes his appearance, announces himself as a stranger from a distant country, and apologises very politely for not having provided himself with letters of introduction. Mr. Southey supposes his visitor to be some American gentleman who has come to see the lakes and the lake-poets, and accordingly proceeds to perform, with that grace, which only long practice can give, all the duties which authors owe to starers. He assures his guest that some of the most agreeable visits which he has received have been from Americans, and that he knows men among them whose talents and virtues would do honour to any country. In passing we may observe, to the honour of Mr. Southey, that, though he evidently has no liking for the American institutions, he never speaks of the people of the United States with that pitiful affectation of contempt by which some members of his party have done more than wars or tariffs can do to excite mutual enmity between two communities formed for mutual fellowship. Great as the faults of his mind are, paltry spite like this has no place in it. Indeed it is scarcely conceivable that a man of his sensibility and his imagination should look without pleasure and national pride on the vigorous and splendid youth of a great people, whose veins are filled with our blood, whose minds are nourished with our literature, and on whom is entailed the rich inheritance of our civilisation, our freedom, and our glory.

But we must return to Mr. Southey’s study at Keswick. The visitor informs the hospitable poet that he is not an American but a spirit. Mr. Southey, with more frankness than civility, tells him that he is a very queer one. The stranger holds out his hand. It has neither weight nor substance. Mr. Southey upon this becomes more serious; his hair stands on end; and he adjures the spectre to tell him what he is, and why he comes. The ghost turns out to be Sir Thomas More. The traces of martyrdom, it seems, are worn in the other world, as stars and ribands are worn in this. Sir Thomas shows the poet a red streak round his neck, brighter than a ruby, and informs him that Cranmer wears a suit of flames in Paradise, the right hand glove, we suppose, of peculiar brilliancy.

Sir Thomas pays but a short visit on this occasion, but promises to cultivate the new acquaintance which he has formed, and, after begging that his visit may be kept secret from Mrs. Southey, vanishes into air.

The rest of the book consists of conversations between Mr. Southey and the spirit about trade, currency, Catholic emancipation, periodical literature, female nunneries, butchers, snuff, bookstalls, and a hundred other subjects. Mr. Southey very hospitably takes an opportunity to escort the ghost round the lakes, and directs his attention to the most beautiful points of view. Why a spirit was to be evoked for the purpose of talking over such matters and seeing such sights, why the vicar of the parish, a blue-stocking from London, or an American, such as Mr. Southey at first supposed the aerial visitor to be, might not have done as well, we are unable to conceive. Sir Thomas tells Mr. Southey nothing about future events, and indeed absolutely disclaims the gifts of prescience. He has learned to talk modern English. He has read all the new publications, and loves a jest as well as when he jested with the executioner, though we cannot say that the quality of his wit has materially improved in Paradise. His powers of reasoning, too, are by no means in as great vigour as when he sate on the woolsack; and though he boasts that he is “divested of all those passions which cloud the intellects and warp the understandings of men,” we think him, we must confess, far less stoical than formerly. As to revelations, he tells Mr. Southey at the outset to expect none from him. The Laureate expresses some doubts, which assuredly will not raise him in the opinion of our modern millennarians, as to the divine authority of the Apocalypse. But the ghost preserves an impenetrable silence. As far as we remember, only one hint about the employment of disembodied spirits escapes him. He encourages Mr. Southey to hope that there is a Paradise Press, at which all the valuable publications of Mr. Murray and Mr. Colburn are reprinted as regularly as at Philadelphia; and delicately insinuates that Thalaba and the Curse of Kehama are among the number. What a contrast does this absurd fiction present to those charming narratives which Plato and Cicero prefixed to their dialogues! What cost in machinery, yet what poverty of effect! A ghost brought in to say what any man might have said! The glorified spirit of a great statesman and philosopher dawdling, like a bilious old nabob at a watering-place, over quarterly reviews and novels, dropping in to pay long calls, making excursions in search of the picturesque! The scene of St. George and St. Dennis in the Pucelle is hardly more ridiculous. We know what Voltaire meant. Nobody, however, can suppose that Mr. Southey means to make game of the mysteries of a higher state of existence. The fact is that, in the work before us, in the Vision of Judgement, and in some of his other pieces, his mode of treating the most solemn subjects differs from that of open scoffers only as the extravagant representations of sacred persons and things in some grotesque Italian paintings differ from the caricatures which Carlile exposes in the front of his shop. We interpret the particular act by the general character. What in the window of a convicted blasphemer we call blasphemous, we call only absurd and ill-judged in an altar-piece.

We now come to the conversations which pass between Mr. Southey and Sir Thomas More, or rather between two Southeys, equally eloquent, equally angry, equally unreasonable, and equally given to talking about what they do not understand. [A passage in which some expressions used by Mr. Southey were misrepresented, certainly without any unfair intention, has been here omitted.] Perhaps we could not select a better instance of the spirit which pervades the whole book than the passages in which Mr. Southey gives his opinion of the manufacturing system. There is nothing which he hates so bitterly. It is, according to him, a system more tyrannical than that of the feudal ages, a system of actual servitude, a system which destroys the bodies and degrades the minds of those who are engaged in it. He expresses a hope that the competition of other nations may drive us out of the field; that our foreign trade may decline; and that we may thus enjoy a restoration of national sanity and strength. But he seems to think that the extermination of the whole manufacturing population would be a blessing, if the evil could be removed in no other way.

Mr. Southey does not bring forward a single fact in support of these views; and, as it seems to us, there are facts which lead to a very different conclusion. In the first place, the poor-rate is very decidedly lower in the manufacturing than in the agricultural districts. If Mr. Southey will look over the Parliamentary returns on this subject, he will find that the amount of parochial relief required by the labourers in the different counties of England is almost exactly in inverse proportion to the degree in which the manufacturing system has been introduced into those counties. The returns for the years ending in March 1825, and in March 1828, are now before us. In the former year we find the poor-rate highest in Sussex, about twenty shillings to every inhabitant. Then come Buckinghamshire, Essex, Suffolk, Bedfordshire, Huntingdonshire, Kent, and Norfolk. In all these the rate is above fifteen shillings a head. We will not go through the whole. Even in Westmoreland and the North Riding of Yorkshire, the rate is at more than eight shillings. In Cumberland and Monmouthshire, the most fortunate of all the agricultural districts, it is at six shillings. But in the West Riding of Yorkshire, it is as low as five shillings; and when we come to Lancashire, we find it at four shillings, one-fifth of what it is in Sussex. The returns of the year ending in March 1828 are a little, and but a little, more unfavourable to the manufacturing districts. Lancashire, even in that season of distress, required a smaller poor-rate than any other district, and little more than one-fourth of the poor-rate raised in Sussex. Cumberland alone, of the agricultural districts, was as well off as the West Riding of Yorkshire. These facts seem to indicate that the manufacturer is both in a more comfortable and in a less dependent situation than the agricultural labourer.

As to the effect of the manufacturing system on the bodily health, we must beg leave to estimate it by a standard far too low and vulgar for a mind so imaginative as that of Mr. Southey, the proportion of births and deaths. We know that, during the growth of this atrocious system, this new misery, to use the phrases of Mr. Southey, this new enormity, this birth of a portentous age, this pest which no man can approve whose heart is not scared or whose understanding has not been darkened, there has been a great diminution of mortality, and that this diminution has been greater in the manufacturing towns than anywhere else. The mortality still is, as it always was, greater in towns than in the country. But the difference has diminished in an extraordinary degree. There is the best reason to believe that the annual mortality of Manchester, about the middle of the last century, was one in twenty-eight. It is now reckoned at one in forty-five. In Glasgow and Leeds a similar improvement has taken place. Nay, the rate of mortality in those three great capitals of the manufacturing districts is now considerably less than it was, fifty years ago, over England and Wales, taken together, open country and all. We might with some plausibility maintain that the people live longer because they are better fed, better lodged, better clothed, and better attended in sickness, and that these improvements are owing to that increase of national wealth which the manufacturing system has produced.

Much more might be said on this subject. But to what end? It is not from bills of mortality and statistical tables that Mr. Southey has learned his political creed. He cannot stoop to study the history of the system which he abuses, to strike the balance between the good and evil which it has produced, to compare district with district, or generation with generation. We will give his own reason for his opinion, the only reason which he gives for it, in his own words:—

“We remained a while in silence looking upon the assemblage of dwellings below. Here, and in the adjoining hamlet of Millbeck, the effects of manufactures and of agriculture may be seen and compared. The old cottages are such as the poet and the painter equally delight in beholding. Substantially built of the native stone without mortar, dirtied with no white lime, and their long low roofs covered with slate, if they had been raised by the magic of some indigenous Amphion’s music, the materials could not have adjusted themselves more beautifully in accord with the surrounding scene; and time has still further harmonized them with weather stains, lichens, and moss, short grasses, and short fern, and stone-plants of various kinds. The ornamented chimneys, round or square, less adorned than those which, like little turrets, crest the houses of the Portuguese peasantry; and yet not less happily suited to their place, the hedge of clipt box beneath the windows, the rose-bushes beside the door, the little patch of flower-ground, with its tall hollyhocks in front; the garden beside, the bee-hives, and the orchard with its bank of daffodils and snow-drops, the earliest and the profusest in these parts, indicate in the owners some portion of ease and leisure, some regard to neatness and comfort, some sense of natural, and innocent, and healthful enjoyment. The new cottages of the manufacturers are upon the manufacturing pattern—naked, and in a row.

“‘How is it,’ said I, ‘that everything which is connected with manufactures presents such features of unqualified deformity? From the largest of Mammon’s temples down to the poorest hovel in which his helotry are stalled, these edifices have all one character. Time will not mellow them; nature will neither clothe nor conceal them; and they will remain always as offensive to the eye as to the mind.’”