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To his eyes it is forever clear that this world wholly is miraculous. He sees what, as we said once before, all great thinkers, the rude Scandinavians themselves, in one way or other, have contrived to see: That this so solid-looking material world is, at bottom, in very deed, Nothing; is a visual and tactual Manifestation of God’s power and presence,—a shadow hung-out by Him on the bosom of the void Infinite; nothing more. The Mountains, he says, these great rock-mountains, they shall dissipate themselves ‘like clouds;’ melt into the Blue as clouds do, and not be! He figures the Earth, in the Arab fashion, Sale tells us, as an immense Plain or flat Plate of ground, the mountains are set on that to steady it. At the Last Day they shall disappear ‘like clouds;’ the whole Earth shall go spinning, whirl itself off into wreck, and as dust and vapour vanish in the Inane. Allah withdraws his hand from it, and it ceases to be. The universal empire of Allah, presence everywhere of an unspeakable Power, a Splendour, and a Terror not to be named, as the true force, essence and reality, in all things whatsoever, was continually clear to this man. What a modern talks-of by the name, Forces of Nature, Laws of Nature; and does not figure as a divine thing; not even as one thing at all, but as a set of things, undivine enough,—saleable, curious, good for propelling steamships! With our Sciences and Cyclopædias, we are apt to forget the divineness, in these laboratories of ours. We ought not to forget it! That once well forgotten, I know not what else were worth remembering. Most sciences, I think, were then a very dead thing; withered, contentious, empty;—a thistle in late autumn. The best science, without this, is but as the dead timber; it is not the growing tree and forest,—which gives ever-new timber, among other things! Man cannot know either, unless he can worship in some way. His knowledge is a pedantry, and dead thistle, otherwise.

Much has been said and written about the sensuality of Mahomet’s Religion; more than was just. The indulgences, criminal to us, which he permitted, were not of his appointment; he found them practised, unquestioned from immemorial time in Arabia; what he did was to curtail them, restrict them, not on one but on many sides. His Religion is not an easy one: with rigorous fasts, lavations, strict complex formulas, prayers five times a day, and abstinence from wine, it did not ‘succeed by being an easy religion.’ As if indeed any religion, or cause holding of religion, could succeed by that! It is a calumny on men to say that they are roused to heroic action by ease, hope of pleasure, recompense,—sugar-plums of any kind, in this world or the next! In the meanest mortal there lies something nobler. The poor swearing soldier, hired to be shot, has his ‘honour of a soldier,’ different from drill-regulations and the shilling a day. It is not to taste sweet things, but to do noble and true things, and vindicate himself under God’s Heaven as a god-made Man, that the poorest son of Adam dimly longs. Show him the way of doing that, the dullest daydrudge kindles into a hero. They wrong man greatly who say he is to be seduced by ease. Difficulty, abnegation, martyrdom, death are the allurements that act on the heart of man. Kindle the inner genial life of him, you have a flame that burns-up all lower considerations. Not happiness, but something higher: one sees this even in the frivolous classes, with their ‘point of honour’ and the like. Not by flattering our appetites; no, by awakening the Heroic that slumbers in every heart, can any Religion gain followers.

Mahomet himself, after all that can be said about him, was not a sensual man. We shall err widely if we consider this man as a common voluptuary, intent mainly on base enjoyments,—nay on enjoyments of any kind. His household was of the frugalest; his common diet barley-bread and water: sometimes for months there was not a fire once lighted on his hearth. They record with just pride that he would mend his own shoes, patch his own cloak. A poor, hard-toiling, ill-provided man; careless of what vulgar men toil for. Not a bad man, I should say; something better in him than hunger of any sort,—or these wild Arab men, fighting and jostling three-and-twenty years at his hand, in close contact with him always, would not have reverenced him so! They were wild men, bursting ever and anon into quarrel, into all kinds of fierce sincerity; without right worth and manhood, no man could have commanded them. They called him Prophet, you say? Why, he stood there face to face with them; bare, not enshrined in any mystery; visibly clouting his own cloak, cobbling his own shoes; fighting, counselling, ordering in the midst of them: they must have seen what kind of a man he was, let him be called what you like! No emperor with his tiaras was obeyed as this man in a cloak of his own clouting. During three-and-twenty years of rough actual trial. I find something of a veritable Hero necessary for that, of itself.

His last words are a prayer; broken ejaculations of a heart struggling-up, in trembling hope, towards its Maker. We cannot say that his religion made him worse; it made him better; good, not bad. Generous things are recorded of him: when he lost his Daughter, the thing he answers is, in his own dialect, everyway sincere, and yet equivalent to that of Christians, ‘The Lord giveth, and the Lord taketh away; blessed be the name of the Lord.’ He answered in like manner of Seid, his emancipated well-beloved Slave, the second of the believers. Seid had fallen in the War of Tabûc, the first of Mahomet’s fightings with the Greeks. Mahomet said, It was well; Seid had done his Master’s work, Seid had now gone to his Master: it was all well with Seid. Yet Seid’s daughter found him weeping over the body;—the old gray-haired man melting in tears! “What do I see?” said she.—“You see a friend weeping over his friend.”—He went out for the last time into the mosque, two days before his death; asked, If he had injured any man? Let his own back bear the stripes. If he owed any man? A voice answered, “Yes, me three drachms,” borrowed on such an occasion. Mahomet ordered them to be paid: “Better be in shame now,” said he, “than at the Day of Judgment.”—You remember Kadijah, and the “No, by Allah!” Traits of that kind show us the genuine man, the brother of us all, brought visible through twelve centuries,—the veritable Son of our common Mother.

Withal I like Mahomet for his total freedom from cant. He is a rough self-helping son of the wilderness; does not pretend to be what he is not. There is no ostentatious pride in him; but neither does he go much upon humility: he is there as he can be, in cloak and shoes of his own clouting; speaks plainly to all manner of Persian Kings, Greek Emperors, what it is they are bound to do; knows well enough, about himself, ‘the respect due unto thee.’ In a life-and-death war with Bedouins, cruel things could not fail; but neither are acts of mercy, of noble natural pity and generosity wanting. Mahomet makes no apology for the one, no boast of the other. They were each the free dictate of his heart; each called-for, there and then. Not a mealy-mouthed man! A candid ferocity, if the case call for it, is in him; he does not mince matters! The War of Tabûc is a thing he often speaks of: his men refused, many of them, to march on that occasion: pleaded the heat of the weather, the harvest, and so forth; he can never forget that. Your harvest? It lasts for a day. What will become of your harvest through all Eternity? Hot weather? Yes, it was hot; ‘but Hell will be hotter!’ Sometimes a rough sarcasm turns-up: He says to the unbelievers, Ye shall have the just measure of your deeds at that Great Day. They will be weighed-out to you; ye shall not have short weight!—Everywhere he fixes the matter in his eye; he sees it: his heart, now and then, is as if struck dumb by the greatness of it. ‘Assuredly,’ he says: that word, in the Koran, is written-down sometimes as a sentence by itself: ‘Assuredly.’

No Dilettantism in this Mahomet; it is a business of Reprobation and Salvation with him, of Time and Eternity: he is in deadly earnest about it! Dilettantism, hypothesis, speculation, a kind of amateur-search for Truth, toying and coquetting with Truth: this is the sorest sin. The root of all other imaginable sins. It consists in the heart and soul of the man never having been open to Truth;—‘living in a vain show.’ Such a man not only utters and produces falsehoods, but is himself a falsehood. The rational moral principle, spark of the Divinity, is sunk deep in him, in quiet paralysis of life-death. The very falsehoods of Mahomet are truer than the truths of such a man. He is the insincere man: smooth-polished, respectable in some times and places: inoffensive, says nothing harsh to anybody; most cleanly,—just as carbonic acid is, which is death and poison.

We will not praise Mahomet’s moral precepts as always of the superfinest sort; yet it can be said that there is always a tendency to good in them; that they are the true dictates of a heart aiming towards what is just and true. The sublime forgiveness of Christianity, turning of the other cheek when the one has been smitten, is not here: you are to revenge yourself, but it is to be in measure, not overmuch, or beyond justice. On the other hand, Islam, like any great Faith, and insight into the essence of man, is a perfect equaliser of men: the soul of one believer outweighs all earthly kingships; all men, according to Islam too, are equal. Mahomet insists not on the propriety of giving alms, but on the necessity of it; he marks-down by law how much you are to give, and it is at your peril if you neglect. The tenth part of a man’s annual income, whatever that may be, is the property of the poor, of those that are afflicted and need help. Good all this: the natural voice of humanity, of pity and equity dwelling in the heart of this wild Son of Nature speaks so.

Mahomet’s Paradise is sensual, his Hell sensual: true; in the one and the other there is enough that shocks all spiritual feeling in us. But we are to recollect that the Arabs already had it so; that Mahomet, in whatever he changed of it, softened and diminished all this. The worst sensualities, too, are the work of doctors, followers of his, not his work. In the Koran there is really very little said about the joys of Paradise; they are intimated rather than insisted on. Nor is it forgotten that the highest joys even there shall be spiritual; the pure Presence of the Highest, this shall infinitely transcend all other joys. He says, ‘Your salutation shall be, Peace.’ Salam, Have Peace!—the thing that all rational souls long for, and seek, vainly here below, as the one blessing. ‘Ye shall sit on seats, facing one another: all grudges shall be taken away out of your hearts.’ All grudges! Ye shall love one another freely; for each of you, in the eyes of his brothers, there will be Heaven enough!

In reference to this of the sensual Paradise and Mahomet’s sensuality, the sorest chapter of all for us, there were many things to be said; which it is not convenient to enter upon here. Two remarks only I shall make, and therewith leave it to your candour. The first is furnished me by Goethe; it is a casual hint of his which seems well worth taking note of. In one of his Delineations, in Meister’s Travels it is, the hero comes-upon a Society of men with very strange ways, one of which was this: “We require,” says the Master, “that each of our people shall restrict himself in one direction,” shall go right against his desire in one matter, and make himself do the thing he does not wish, “should we allow him the greater latitude on all other sides.” There seems to me a great justness in this. Enjoying things which are pleasant; that is not the evil: it is the reducing of our moral self to slavery by them that is. Let a man assert withal that he is king over his habitudes; that he could and would shake them off, on cause shown: this is an excellent law. The Month Ramadhan for the Moslem, much in Mahomet’s Religion, much in his own Life, bears in that direction; if not by forethought, or clear purpose of moral improvement on his part, then by a certain healthy manful instinct, which is as good.

But there is another thing to be said about the Mahometan Heaven and Hell. This namely, that, however gross and material they may be, they are an emblem of an everlasting truth, not always so well remembered elsewhere. That gross sensual Paradise of his; that horrible flaming Hell; the great enormous Day of Judgment he perpetually insists on: what is all this but a rude shadow, in the rude Bedouin imagination, of that grand spiritual Fact, and Beginning of Facts, which it is ill for us too if we do not all know and feel: the Infinite Nature of Duty? That man’s actions here are of infinite moment to him, and never die or end at all; that man, with his little life, reaches upwards high as Heaven, downwards low as Hell, and in his threescore years of Time holds an Eternity fearfully and wonderfully hidden: all this had burnt itself, as in flame-characters, into the wild Arab soul. As in flame and lightning, it stands written there; awful, unspeakable, ever present to him. With bursting earnestness, with a fierce savage sincerity, halt, articulating, not able to articulate, he strives to speak it, bodies it forth in that Heaven and that Hell. Bodied forth in what way you will, it is the first of all truths. It is venerable under all embodiments. What is the chief end of man here below? Mahomet has answered this question, in a way that might put some of us to shame! He does not, like a Bentham, a Paley, take Right and Wrong, and calculate the profit and loss, ultimate pleasure of the one and of the other; and summing all up by addition and subtraction into a net result, ask you, Whether on the whole the Right does not preponderate considerably? No, it is not better to do the one than the other; the one is to the other as life is to death,—as Heaven is to Hell. The one must in nowise be done, the other in nowise left undone. You shall not measure them; they are incommensurable: the one is death eternal to a man, the other is life eternal. Benthamee Utility, virtue by Profit and Loss; reducing this God’s-world to a dead brute Steam-engine, the infinite celestial Soul of Man to a kind of Hay-balance for weighing hay and thistles on, pleasures and pains on:—If you ask me which gives, Mahomet or they, the beggarlier and falser view of Man and his Destinies in this Universe, I will answer, It is not Mahomet!–

On the whole, we will repeat that this Religion of Mahomet’s is a kind of Christianity; has a genuine element of what is spiritually highest looking through it, not to be hidden by all its imperfections. The Scandinavian God Wish, the god of all rude men,—this has been enlarged into a Heaven by Mahomet; but a Heaven symbolical of sacred Duty, and to be earned by faith and welldoing, by valiant action, and a divine patience which is still more valiant. It is Scandinavian Paganism, and a truly celestial element superadded to that. Call it not false; look not at the falsehood of it, look at the truth of it. For these twelve centuries, it has been the religion and life-guidance of the fifth part of the whole kindred of Mankind. Above all things, it has been a religion heartily believed. These Arabs believe their religion, and try to live by it! No Christians, since the early ages, or only perhaps the English Puritans in modern times, have ever stood by their Faith as the Moslem do by theirs,—believing it wholly, fronting Time with it, and Eternity with it. This night the watchman on the streets of Cairo when he cries “Who goes?” will hear from the passenger, along with his answer, “There is no God but God.” Allah akbar, Islam, sounds through the souls, and whole daily existence, of these dusky millions. Zealous missionaries preach it abroad among Malays, black Papuans, brutal Idolaters;—displacing what is worse, nothing that is better or good.

To the Arab Nation it was as a birth from darkness into light; Arabia first became alive by means of it. A poor shepherd people, roaming unnoticed in its deserts since the creation of the world: a Hero-Prophet was sent down to them with a word they could believe: see, the unnoticed becomes world-notable, the small has grown world-great; within one century afterwards, Arabia is at Grenada on this hand, at Delhi on that;—glancing in valour and splendour and the light of genius, Arabia shines through long ages over a great section of the world. Belief is great, life-giving. The history of a Nation becomes fruitful, soul-elevating, great, so soon as it believes. These Arabs, the man Mahomet, and that one century,—is it not as if a spark had fallen, one spark, on a world of what seemed black unnoticeable sand; but lo, the sand proves explosive powder, blazes heaven-high from Delhi to Grenada! I said, the Great Man was always as lightning out of Heaven; the rest of men waited for him like fuel, and then they too would flame.

LECTURE III
THE HERO AS POET. DANTE; SHAKSPEARE

[Tuesday, 12th May 1840]

The Hero as Divinity, the Hero as Prophet, are productions of old ages; not to be repeated in the new. They presuppose a certain rudeness of conception, which the progress of mere scientific knowledge puts an end to. There needs to be, as it were, a world vacant, or almost vacant of scientific forms, if men in their loving wonder are to fancy their fellow-man either a god or one speaking with the voice of a god. Divinity and Prophet are past. We are now to see our Hero in the less ambitious, but also less questionable, character of Poet; a character which does not pass. The Poet is a heroic figure belonging to all ages; whom all ages possess, when once he is produced, whom the newest age as the oldest may produce;—and will produce, always when Nature pleases. Let Nature send a Hero-soul; in no age is it other than possible that he may be shaped into a Poet.

Hero, Prophet, Poet,—many different names, in different times and places, do we give to Great Men; according to varieties we note in them, according to the sphere in which they have displayed themselves! We might give many more names, on this same principle. I will remark again, however, as a fact not unimportant to be understood, that the different sphere constitutes the grand origin of such distinction; that the Hero can be Poet, Prophet, King, Priest or what you will, according to the kind of world he finds himself born into. I confess, I have no notion of a truly great man that could not be all sorts of men. The Poet who could merely sit on a chair, and compose stanzas, would never make a stanza worth much. He could not sing the Heroic warrior, unless he himself were at least a Heroic warrior too. I fancy there is in him the Politician, the Thinker, Legislator, Philosopher;—in one or the other degree, he could have been, he is all these. So too I cannot understand how a Mirabeau, with that great glowing heart, with the fire that was in it, with the bursting tears that were in it, could not have written verses, tragedies, poems, touched all hearts in that way, had his course of life and education led him thitherward. The grand fundamental character is that of Great Man; that the man be great. Napoleon has words in him which are like Austerlitz Battles. Louis Fourteenth’s Marshals are a kind of poetical men withal; the things Turenne says are full of sagacity and geniality, like sayings of Samuel Johnson. The great heart, the clear deep-seeing eye: there it lies; no man whatever, in what province soever, can prosper at all without these. Petrarch and Boccaccio did diplomatic messages, it seems, quite well: one can easily believe it; they had done things a little harder than these! Burns, a gifted song-writer, might have made a still better Mirabeau. Shakspeare,—one knows not what he could not have made, in the supreme degree.

True, there are aptitudes of Nature too. Nature does not make all great men, more than all other men, in the self-same mould. Varieties of aptitude doubtless; but infinitely more of circumstance; and far oftenest it is the latter only that are looked to. But it is as with common men in the learning of trades. You take any man, as yet a vague capability of a man, who could be any kind of craftsman; and make him into a smith, a carpenter, a mason: he is then and thenceforth that and nothing else. And if, as Addison complains, you sometimes see a street-porter staggering under his load on spindle-shanks, and near at hand a tailor with the frame of a Samson handling a bit of cloth and small Whitechapel needle,—it cannot be considered that aptitude of Nature alone has been consulted here either!—The Great Man also, to what shall he be bound apprentice? Given your Hero, is he to become Conqueror, King, Philosopher, Poet? It is an inexplicably complex controversial-calculation between the world and him! He will read the world and its laws; the world with its laws will be there to be read. What the world, on this matter, shall permit and bid is, as we said, the most important fact about the world.—

Poet and Prophet differ greatly in our loose modern notions of them. In some old languages, again, the titles are synonymous; Vates means both Prophet and Poet: and indeed at all times, Prophet and Poet, well understood, have much kindred of meaning. Fundamentally indeed they are still the same; in this most important respect especially, That they have penetrated both of them into the sacred mystery of the Universe; what Goethe calls ‘the open secret.’ “Which is the great secret?” asks one.—“The open secret,”—open to all, seen by almost none! That divine mystery, which lies everywhere in all Beings, ‘the Divine Idea of the World, that which lies at the bottom of Appearance,’ as Fichte styles it; of which all Appearance, from the starry sky to the grass of the field, but especially the Appearance of Man and his work, is but the vesture, the embodiment that renders it visible. This divine mystery is in all times and in all places; veritably is. In most times and places it is greatly overlooked; and the Universe, definable always in one or the other dialect, as the realised Thought of God, is considered a trivial, inert, commonplace matter,—as if, says the Satirist, it were a dead thing, which some upholsterer had put together! It could do no good at present, to speak much about this; but it is a pity for every one of us if we do not know it, live ever in the knowledge of it. Really a most mournful pity;—a failure to live at all, if we live otherwise!

But now, I say, whoever may forget this divine mystery, the Vates, whether Prophet or Poet, has penetrated into it; is a man sent hither to make it more impressively known to us. That always is his message; he is to reveal that to us,—that sacred mystery which he more than others lives ever present with. While others forget it, he knows it;—I might say, he has been driven to know it; without consent asked of him, he finds himself living in it, bound to live in it. Once more, here is no Hearsay, but a direct Insight and Belief; this man too could not help being a sincere man! Whosoever may live in the shows of things, it is for him a necessity of nature to live in the very fact of things. A man once more, in earnest with the Universe, though all others were but toying with it. He is a Vates, first of all, in virtue of being sincere. So far Poet and Prophet, participators in the ‘open secret,’ are one.

With respect to their distinction again: The Vates Prophet, we might say, has seized that sacred mystery rather on the moral side, as Good and Evil, Duty and Prohibition; the Vates Poet on what the Germans call the æsthetic side, as Beautiful, and the like. The one we may call a revealer of what we are to do, the other of what we are to love. But indeed these two provinces run into one another, and cannot be disjoined. The Prophet too has his eye on what we are to love: how else shall he know what it is we are to do? The highest Voice ever heard on this earth said withal, “Consider the lilies of the field; they toil not, neither do they spin: yet Solomon in all his glory was not arrayed like one of these.” A glance, that, into the deepest deep of Beauty. ‘The lilies of the field,’—dressed finer than earthly princes, springing-up there in the humble furrow-field; a beautiful eye looking-out on you, from the great inner Sea of Beauty! How could the rude Earth make these, if her Essence, rugged as she looks and is, were not inwardly Beauty? In this point of view, too, a saying of Goethe’s, which has staggered several, may have meaning: ‘The Beautiful,’ he intimates, ‘is higher than the Good: the Beautiful includes in it the Good.’ The true Beautiful; which however, I have said somewhere, ‘differs from the false as Heaven does from Vauxhall!’ So much for the distinction and identity of Poet and Prophet.—

In ancient and also in modern periods we find a few Poets who are accounted perfect; whom it were a kind of treason to find fault with. This is noteworthy; this is right: yet in strictness it is only an illusion. At bottom, clearly enough, there is no perfect Poet! A vein of Poetry exists in the hearts of all men; no man is made altogether of Poetry. We are all poets when we read a poem well. The ‘imagination that shudders at the Hell of Dante,’ is not that the same faculty, weaker in degree, as Dante’s own? No one but Shakspeare can embody, out of Saxo Grammaticus, the story of Hamlet as Shakspeare did: but every one models some kind of story out of it; every one embodies it better or worse. We need not spend time in defining. Where there is no specific difference, as between round and square, all definition must be more or less arbitrary. A man that has so much more of the poetic element developed in him as to have become noticeable, will be called Poet by his neighbours. World-Poets too, those whom we are to take for perfect Poets, are settled by critics in the same way. One who rises so far above the general level of Poets will, to such and such critics, seem a Universal Poet; as he ought to do. And yet it is, and must be, an arbitrary distinction. All Poets, all men, have some touches of the Universal; no man is wholly made of that. Most Poets are very soon forgotten: but not the noblest Shakspeare or Homer of them can be remembered forever;—a day comes when he too is not!

Nevertheless, you will say, there must be a difference between true Poetry and true Speech not poetical: what is the difference? On this point many things have been written, especially by late German Critics, some of which are not very intelligible at first. They say, for example, that the Poet has an infinitude in him; communicates an Unendlichkeit, a certain character of ‘infinitude,’ to whatsoever he delineates. This, though not very precise, yet on so vague a matter is worth remembering: if well meditated, some meaning will gradually be found in it. For my own part, I find considerable meaning in the old vulgar distinction of Poetry being metrical, having music in it, being a Song. Truly, if pressed to give a definition, one might say this as soon as anything else: If your delineation be authentically musical, musical, not in word only, but in heart and substance, in all the thoughts and utterances of it, in the whole conception of it, then it will be poetical; if not, not.—Musical: how much lies in that! A musical thought is one spoken by a mind that has penetrated into the inmost heart of the thing; detected the inmost mystery of it, namely the melody that lies hidden in it; the inward harmony of coherence which is its soul, whereby it exists, and has a right to be, here in this world. All inmost things, we may say, are melodious; naturally utter themselves in Song. The meaning of Song goes deep. Who is there that, in logical words, can express the effect music has on us? A kind of inarticulate unfathomable speech, which leads us to the edge of the Infinite, and lets us for moments gaze into that!

Nay all speech, even the commonest speech, has something of song in it: not a parish in the world but has its parish-accent;—the rhythm or tune to which the people there sing what they have to say! Accent is a kind of chanting; all men have accent of their own,—though they only notice that of others. Observe too how all passionate language does of itself become musical,—with a finer music than the mere accent; the speech of a man even in zealous anger becomes a chant, a song. All deep things are Song. It seems somehow the very central essence of us, Song; as if all the rest were but wrappages and hulls! The primal element of us; of us, and of all things. The Greeks fabled of Sphere-Harmonies; it was the feeling they had of the inner structure of Nature; that the soul of all her voices and utterances was perfect music. Poetry, therefore, we will call musical Thought. The Poet is he who thinks in that manner. At bottom, it turns still on power of intellect; it is a man’s sincerity and depth of vision that makes him a Poet. See deep enough, and you see musically; the heart of Nature being everywhere music, if you can only reach it.

The Vates Poet, with his melodious Apocalypse of Nature, seems to hold a poor rank among us, in comparison with the Vates Prophet; his function, and our esteem of him for his function, alike slight. The Hero taken as Divinity; the Hero taken as Prophet; then next the Hero taken only as Poet: does it not look as if our estimate of the Great Man, epoch after epoch, were continually diminishing? We take him first for a god, then for one god-inspired; and now in the next stage of it, his most miraculous word gains from us only the recognition that he is a Poet, beautiful verse-maker, man of genius, or suchlike!—It looks so; but I persuade myself that intrinsically it is not so. If we consider well, it will perhaps appear that in man still there is the same altogether peculiar admiration for the Heroic Gift, by what name soever called, that there at any time was.