Kitabı oku: «Autobiographic Sketches», sayfa 12

CHAPTER VII.
THE NATION OF LONDON

It was a most heavenly day in May of the year (1800) when I first beheld and first entered this mighty wilderness, the city—no, not the city, but the nation—of London. Often since then, at distances of two and three hundred miles or more from this colossal emporium of men, wealth, arts, and intellectual power, have I felt the sublime expression of her enormous magnitude in one simple form of ordinary occurrence, viz., in the vast droves of cattle, suppose upon the great north roads, all with their heads directed to London, and expounding the size of the attracting body, together with the force of its attractive power, by the never-ending succession of these droves, and the remoteness from the capital of the lines upon which they were moving. A suction so powerful, felt along radii so vast, and a consciousness, at the same time, that upon other radii still more vast, both by land and by sea, the same suction is operating, night and day, summer and winter, and hurrying forever into one centre the infinite means needed for her infinite purposes, and the endless tributes to the skill or to the luxury of her endless population, crowds the imagination with a pomp to which there is nothing corresponding upon this planet, either amongst the things that have been or the things that are. Or, if any exception there is, it must be sought in ancient Rome. ⁶² We, upon this occasion, were in an open carriage, and, chiefly (as I imagine) to avoid the dust, we approached London by rural lanes, where any such could be found, or, at least, along by-roads, quiet and shady, collateral to the main roads. In that mode of approach we missed some features of the sublimity belonging to any of the common approaches upon a main road; we missed the whirl and the uproar, the tumult and the agitation, which continually thicken and thicken throughout the last dozen miles before you reach the suburbs. Already at three stages' distance, (say 40 miles from London,) upon some of the greatest roads, the dim presentment of some vast capital reaches you obscurely and like a misgiving. This blind sympathy with a mighty but unseen object, some vast magnetic range of Alps, in your neighborhood, continues to increase you know not now. Arrived at the last station for changing horses, Barnet, suppose, on one of the north roads, or Hounslow on the western, you no longer think (as in all other places) of naming the next stage; nobody says, on pulling up, "Horses on to London"—that would sound ludicrous; one mighty idea broods over all minds, making it impossible to suppose any other destination. Launched upon this final stage, you soon begin to feel yourself entering the stream as it were of a Norwegian maelstrom; and the stream at length becomes the rush of a cataract. What is meant by the Latin word trepidatio? Not any thing peculiarly connected with panic; it belongs as much to the hurrying to and fro of a coming battle as of a coming flight; to a marriage festival as much as to a massacre; agitation is the nearest English word. This trepidation increases both audibly and visibly at every half mile, pretty much as one may suppose the roar of Niagara and the thrilling of the ground to grow upon the senses in the last ten miles of approach, with the wind in its favor, until at length it would absorb and extinguish all other sounds whatsoever. Finally, for miles before you reach a suburb of London such as Islington, for instance, a last great sign and augury of the immensity which belongs to the coming metropolis forces itself upon the dullest observer, in the growing sense of his own utter insignificance. Every where else in England, you yourself, horses, carriage, attendants, (if you travel with any,) are regarded with attention, perhaps even curiosity; at all events, you are seen. But after passing the final posthouse on every avenue to London, for the latter ten or twelve miles, you become aware that you are no longer noticed: nobody sees you; nobody hears you; nobody regards you; you do not even regard yourself. In fact, how should you, at the moment of first ascertaining your own total unimportance in the sum of things?—a poor shivering unit in the aggregate of human life. Now, for the first time, whatever manner of man you were, or seemed to be, at starting, squire or "squireen," lord or lordling, and however related to that city, hamlet, or solitary house from which yesterday or to-day you slipped your cable, beyond disguise you find yourself but one wave in a total Atlantic, one plant (and a parasitical plant besides, needing alien props) in a forest of America.

These are feelings which do not belong by preference to thoughtful people—far less to people merely sentimental. No man ever was left to himself for the first time in the streets, as yet unknown, of London, but he must have been saddened and mortified, perhaps terrified, by the sense of desertion and utter loneliness which belong to his situation. No loneliness can be like that which weighs upon the heart in the centre of faces never ending, without voice or utterance for him; eyes innumerable, that have "no speculation" in their orbs which he can understand; and hurrying figures of men and women weaving to and fro, with no apparent purposes intelligible to a stranger, seeming like a mask of maniacs, or, oftentimes, like a pageant of phantoms. The great length of the streets in many quarters of London; the continual opening of transient glimpses into other vistas equally far stretching, going off at right angles to the one which you are traversing; and the murky atmosphere which, settling upon the remoter end of every long avenue, wraps its termination in gloom and uncertainty,—all these are circumstances aiding that sense of vastness and illimitable proportions which forever brood over the aspect of London in its interior. Much of the feeling which belongs to the outside of London, in its approaches for the last few miles, I had lost, in consequence of the stealthy route of by-roads, lying near Uxbridge and Watford, through which we crept into the suburbs. But for that reason, the more abrupt and startling had been the effect of emerging somewhere into the Edgeware Road, and soon afterwards into the very streets of London itself; through what streets, or even what quarter of London, is now totally obliterated from my mind, having perhaps never been comprehended. All that I remember is one monotonous awe and blind sense of mysterious grandeur and Babylonian confusion, which seemed to pursue and to invest the whole equipage of human life, as we moved for nearly two ⁶³ hours through streets; sometimes brought to anchor for ten minutes or more by what is technically called a "lock," that is, a line of carriages of every description inextricably massed, and obstructing each other, far as the eye could stretch; and then, as if under an enchanter's rod, the "lock" seemed to thaw; motion spread with the fluent race of light or sound through the whole ice-bound mass, until the subtile influence reached us also, who were again absorbed into the great rush of flying carriages; or, at times, we turned off into some less tumultuous street, but of the same mile-long character; and, finally, drawing up about noon, we alighted at some place, which is as little within my distinct remembrance as the route by which we reached it.

For what had we come? To see London. And what were the limits within which we proposed to crowd that little feat? At five o'clock we were to dine at Porters –, a seat of Lord Westport's grandfather; and, from the distance, it was necessary that we should leave London at half past three; so that a little more than three hours were all we had for London. Our charioteer, my friend's tutor, was summoned away from us on business until that hour; and we were left, therefore, entirely to ourselves and to our own skill in turning the time to the best account, for contriving (if such a thing were possible) to do something or other which, by any fiction of courtesy, or constructively, so as to satisfy a lawyer, or in a sense sufficient to win a wager, might be taken and received for having "seen London."

What could be done? We sat down, I remember, in a mood of despondency, to consider. The spectacles were too many by thousands; inopes nos copia fecit; our very wealth made us poor; and the choice was distracted. But which of them all could be thought general or representative enough to stand for the universe of London? We could not traverse the whole circumference of this mighty orb; that was clear; and, therefore, the next best thing was to place ourselves as much as possible in some relation to the spectacles of London, which might answer to the centre. Yet how? That sounded well and metaphysical; but what did it mean if acted upon? What was the centre of London for any purpose whatever, latitudinarian or longitudinarian, literary, social, or mercantile, geographical, astronomical, or (as Mrs. Malaprop kindly suggests) diabolical? Apparently that we should stay at our inn; for in that way we seemed best to distribute our presence equally amongst all, viz., by going to none in particular.

Three times in my life I have had my taste—that is, my sense of proportions—memorably outraged. Once was by a painting of Cape Horn, which seemed almost treasonably below its rank and office in this world, as the terminal abutment of our mightiest continent, and also the hinge, as it were, of our greatest circumnavigations—of all, in fact, which can be called classical circumnavigations. To have "doubled Cape Horn"—at one time, what a sound it had! yet how ashamed we should be if that cape were ever to be seen from the moon! A party of Englishmen, I have heard, went up Mount Aetna, during the night, to be ready for sunrise—a common practice with tourists both in Switzerland, Wales, Cumberland, &c.; but, as all must see who take the trouble to reflect, not likely to repay the trouble; seeing that every thing which offers a picture, when viewed from a station nearly horizontal, becomes a mere map to an eye placed at an elevation of 3000 feet above it; and so thought, in the sequel, the Aetna party. The sun, indeed, rose visibly, and not more apparelled in clouds than was desirable; yet so disappointed were they, and so disgusted with the sun in particular, that they unanimously hissed him; though, of course, it was useless to cry "Off! off!" Here, however, the fault was in their own erroneous expectations, and not in the sun, who, doubtless, did his best. For, generally, a sunrise and a sunset ought to be seen from the valley, or at most horizontally. ⁶⁴ But as to Cape Horn, that (by comparison with its position and its functions) was really a disgrace to the planet; it is not the spectator that is in fault here, but the object itself, the Birmingham cape. For, consider, it is not only the "specular mount," keeping watch and ward over a sort of trinity of oceans, and, by all tradition, the circumnavigator's gate of entrance to the Pacific, but also it is the temple of the god Terminus for all the Americas. So that, in relation to such dignities, it seemed to me, in the drawing, a makeshift, put up by a carpenter, until the true Cape Horn should be ready; or, perhaps, a drop scene from the opera house. This was one case of disproportion: the others were—the final and ceremonial valediction of Garrick, on retiring from his profession; and the Pall Mall inauguration of George IV. on the day of his accession ⁶⁵ to the throne. The utter _ir_relation, in both cases, of the audience to the scene, (audience I say, as say we must, for the sum of the spectators in the second instance, as well as of the auditors in the first,) threw upon each a ridicule not to be effaced. It is in any case impossible for an actor to say words of farewell to those for whom he really designs his farewell. He cannot bring his true object before himself. To whom is it that he would offer his last adieus? We are told by one—who, if he loved Garrick, certainly did not love Garrick's profession, nor would even, through him, have paid it any undue compliment—that the retirement of this great artist had "eclipsed the gayety of nations." To nations, then, to his own generation, it was that he owed his farewell; but, of a generation, what organ is there which can sue or be sued, that can thank or be thanked? Neither by fiction nor by delegation can you bring their bodies into court. A king's audience, on the other hand, might be had as an authorized representative body. But, when we consider the composition of a casual and chance auditory, whether in a street or a theatre,—secondly, the small size of a modern audience, even in Drury Lane, (4500 at the most,) not by one eightieth part the complement of the Circus Maximus,—most of all, when we consider the want of symmetry or commensurateness, to any extended duration of time, in the acts of such an audience, which acts lie in the vanishing expressions of its vanishing emotions,—acts so essentially fugitive, even when organized into an art and a tactical system of imbrices and bombi, (as they were at Alexandria, and afterwards at the Neapolitan and Roman theatres,) that they could not protect themselves from dying in the very moment of their birth,—laying together all these considerations, we see the incongruity of any audience, so constituted, to any purpose less evanescent than their own tenure of existence.

Just such in disproportion as these cases had severally been, was our present problem in relation to our time or other means for accomplishing it. In debating the matter, we lost half an hour; but at length we reduced the question to a choice between Westminster Abbey and St. Paul's Cathedral. I know not that we could have chosen better. The rival edifices, as we understood from the waiter, were about equidistant from our own station; but, being too remote from each other to allow of our seeing both, "we tossed up," to settle the question between the elder lady and the younger. "Heads" came up, which stood for the abbey. But, as neither of us was quite satisfied with this decision, we agreed to make another appeal to the wisdom of chance, second thoughts being best. This time the cathedral turned up; and so it came to pass that, with us, the having seen London meant having seen St. Paul's.

The first view of St. Paul's, it may be supposed, overwhelmed us with awe; and I did not at that time imagine that the sense of magnitude could be more deeply impressed. One thing interrupted our pleasure. The superb objects of curiosity within the cathedral were shown for separate fees. There were seven, I think; and any one could be seen independently of the rest for a few pence. The whole amount was a trifle; fourteen pence, I think; but we were followed by a sort of persecution—"Would we not see the bell?" "Would we not see the model?" "Surely we would not go away without visiting the whispering gallery?"—solicitations which troubled the silence and sanctity of the place, and must tease others as it then teased us, who wished to contemplate in quiet this great monument of the national grandeur, which was at that very time ⁶⁶ beginning to take a station also in the land, as a depository for the dust of her heroes. What struck us most in the whole interior of the pile was the view taken from the spot immediately under the dome, being, in fact, the very same which, five years afterwards, received the remains of Lord Nelson. In one of the aisles going off from this centre, we saw the flags of France, Spain, and Holland, the whole trophies of the war, swinging pompously, and expanding their massy draperies, slowly and heavily, in the upper gloom, as they were swept at intervals by currents of air. At this moment we were provoked by the showman at our elbow renewing his vile iteration of "Twopence, gentlemen; no more than twopence for each;" and so on, until we left the place. The same complaint has been often made as to Westminster Abbey. Where the wrong lies, or where it commences, I know not. Certainly I nor any man can have a right to expect that the poor men who attended us should give up their time for nothing, or even to be angry with them for a sort of persecution, on the degree of which possibly might depend the comfort of their own families. Thoughts of famishing children at home leave little room for nice regards of delicacy abroad. The individuals, therefore, might or might not be blamable. But in any case, the system is palpably wrong. The nation is entitled to a free enjoyment of its own public monuments; not free only in the sense of being gratuitous, but free also from the molestation of showmen, with their imperfect knowledge and their vulgar sentiment.

Yet, after all, what is this system of restriction and annoyance, compared with that which operates on the use of the national libraries? or that again, to the system of exclusion from some of these, where an absolute interdict lies upon any use at all of that which is confessedly national property? Books and manuscripts, which were originally collected and formally bequeathed to the public, under the generous and noble idea of giving to future generations advantages which the collector had himself not enjoyed, and liberating them from obstacles in the pursuit of knowledge which experience had bitterly imprinted upon his own mind, are at this day locked up as absolutely against me, you, or any body, as collections confessedly private. Nay, far more so; for most private collectors of eminence, as the late Mr. Heber, for instance, have been distinguished for liberality in lending the rarest of their books to those who knew how to use them with effect. But, in the cases I now contemplate, the whole funds for supporting the proper offices attached to a library, such as librarians, sub-librarians, &c., which of themselves (and without the express verbal evidence of the founder's will) presume a public in the daily use of the books, else they are superfluous, have been applied to the creation of lazy sinecures, in behalf of persons expressly charged with the care of shutting out the public. Therefore, it is true, they are not sinecures; for that one care, vigilantly to keep out the public, ⁶⁷ they do take upon themselves; and why? A man loving books, like myself, might suppose that their motive was the ungenerous one of keeping the books to themselves. Far from it. In several instances, they will as little use the books as suffer them to be used. And thus the whole plans and cares of the good (weighing his motives, I will say of the pious) founder have terminated in locking up and sequestering a large collection of books, some being great rarities, in situations where they are not accessible. Had he bequeathed them to the catacombs of Paris or of Naples, he could not have better provided for their virtual extinction. I ask, Does no action at common law lie against the promoters of such enormous abuses? O thou fervent reformer,—whose fatal tread he that puts his ear to the ground may hear at a distance coming onwards upon every road,—if too surely thou wilt work for me and others irreparable wrong and suffering, work also for us a little good; this way turn the great hurricanes and levanters of thy wrath; winnow me this chaff; and let us enter at last the garners of pure wheat laid up in elder days for our benefit, and which for two centuries have been closed against our use!

London we left in haste, to keep an engagement of some standing at the Earl Howe's, my friend's grandfather. This great admiral, who had filled so large a station in the public eye, being the earliest among the naval heroes of England in the first war of the revolution, and the only one of noble birth, I should have been delighted to see; St. Paul's, and its naval monuments to Captain Riou and Captain –, together with its floating pageantries of conquered flags, having awakened within me, in a form of peculiar solemnity, those patriotic remembrances of past glories, which all boys feel so much more vividly than men can do, in whom the sensibility to such impressions is blunted. Lord Howe, however, I was not destined to see; he had died about a year before. Another death there had been, and very recently, in the family, and under circumstances peculiarly startling; and the spirits of the whole house were painfully depressed by that event at the time of our visit. One of the daughters, a younger sister of my friend's mother, had been engaged for some time to a Scottish nobleman, the Earl of Morton, much esteemed by the royal family. The day was at length fixed for the marriage; and about a fortnight before that day arrived, some particular dress or ornament was brought to Porters, in which it was designed that the bride should appear at the altar. The fashion as to this point has often varied; but at that time, I believe the custom was for bridal parties to be in full dress. The lady, when the dress arrived, was, to all appearance, in good health; but, by one of those unaccountable misgivings which are on record in so many well-attested cases, (as that, for example, of Andrew Marveil's father,) she said, after gazing for a minute or two at the beautiful dress, firmly and pointedly, "So, then, that is my wedding dress; and it is expected that I shall wear it on the 17th; but I shall not; I shall never wear it. On Thursday, the 17th, I shall be dressed in a shroud!" All present were shocked at such a declaration, which the solemnity of the lady's manner made it impossible to receive as a jest. The countess, her mother, even reproved her with some severity for the words, as an expression of distrust in the goodness of God. The bride elect made no answer but by sighing heavily. Within a fortnight, all happened, to the letter, as she had predicted. She was taken suddenly ill; she died about three days before the marriage day, and was finally dressed in her shroud, according to the natural course of the funeral arrangements, on the morning that was to have been the wedding festival.

Lord Morton, the nobleman thus suddenly and remarkably bereaved of his bride, was the only gentleman who appeared at the dinner table. He took a particular interest in literature; and it was, in fact, through his kindness that, for the first time in my life, I found myself somewhat in the situation of a "lion." The occasion of Lord Morton's flattering notice was a particular copy of verses which had gained for me a public distinction; not, however, I must own, a very brilliant one; the prize awarded to me being not the first, nor even the second,—what on the continent is called the accessit,—it was simply the third; and that fact, stated nakedly, might have left it doubtful whether I were to be considered in the light of one honored or of one stigmatized. However, the judges in this case, with more honesty, or more self-distrust, than belongs to most adjudications of the kind, had printed the first three of the successful essays. Consequently, it was left open to each of the less successful candidates to benefit by any difference of taste amongst their several friends; and my friends in particular, with the single and singular exception of my mother, who always thought her own children inferior to other people's, had generally assigned the palm to myself. Lord Morton protested loudly that the case admitted of no doubt; that gross injustice had been done me; and, as the ladies of the family were much influenced by his opinion, I thus came, not only to wear the laurel in their estimation, but also with the advantageous addition of having suffered some injustice. I was not only a victor, but a victor in misfortune.

At this moment, looking back from a distance of fifty years upon those trifles, it may well be supposed that I do not attach so much importance to the subject of my fugitive honors as to have any very decided opinion one way or the other upon my own proportion of merit. I do not even recollect the major part of the verses: that which I do recollect, inclines me to think that, in the structure of the metre and in the choice of the expressions, I had some advantage over my competitors, though otherwise, perhaps, my verses were less finished; Lord Morton might, therefore, in a partial sense, have been just, as well as kind. But, little as that may seem likely, even then, and at the moment of reaping some advantage from my honors, which gave me a consideration with the family I was amongst such as I could not else have had, most unaffectedly I doubted in my own mind whether I were really entitled to the praises which I received. My own verses had not at all satisfied myself; and though I felt elated by the notice they had gained me, and gratified by the generosity of the earl in taking my part so warmly, I was so more in a spirit of sympathy with the kindness thus manifested in my behalf, and with the consequent kindness which it procured me from others, than from any incitement or support which it gave to my intellectual pride. In fact, whatever estimate I might make of those intellectual gifts which I believed or which I knew myself to possess, I was inclined, even in those days, to doubt whether my natural vocation lay towards poetry. Well, indeed, I knew, and I know that, had I chosen to enlist amongst the soi disant poets of the day,—amongst those, I mean, who, by mere force of talent and mimetic skill, contrive to sustain the part of poet in a scenical sense and with a scenical effect,—I also could have won such laurels as are won by such merit; I also could have taken and sustained a place taliter qualiter amongst the poets of the time. Why not then? Simply because I knew that me, as them, would await the certain destiny in reversion of resigning that place in the next generation to some younger candidate having equal or greater skill in appropriating the vague sentiments and old traditionary language of passion spread through books, but having also the advantage of novelty, and of a closer adaptation to the prevailing taste of the day. Even at that early age, I was keenly alive, if not so keenly as at this moment, to the fact, that by far the larger proportion of what is received in every age for poetry, and for a season usurps that consecrated name, is not the spontaneous overflow of real unaffected passion, deep, and at the same time original, and also forced into public manifestation of itself from the necessity which cleaves to all passion alike of seeking external sympathy: this it is not; but a counterfeit assumption of such passion, according to the more or less accurate skill of the writer in distinguishing the key of passion suited to the particular age; and a concurrent assumption of the language of passion, according to his more or less skill in separating the spurious from the native and legitimate diction of genuine emotion. Rarely, indeed, are the reputed poets of any age men who groan, like prophets, under the burden of a message which they have to deliver, and must deliver, of a mission which they must discharge. Generally, nay, with much fewer exceptions, perhaps, than would be readily believed, they are merely simulators of the part they sustain; speaking not out of the abundance of their own hearts, but by skill and artifice assuming or personating emotions at second hand; and the whole is a business of talent, (sometimes even of great talent,) but not of original power, of genius, ⁶⁸ or authentic inspiration.

From Porters, after a few days' visit, we returned to Eton. Her majesty about this time gave some splendid fêtes at Frogmore, to one or two of which she had directed that we should be invited. The invitation was, of course, on my friend's account; but her majesty had condescended to direct that I, as his visitor, should be specially included. Lord Westport, young as he was, had become tolerably indifferent about such things; but to me such a scene was a novelty; and, on that account, it was settled we should go as early as was permissible. We did go; and I was not sorry to have had the gratification of witnessing (if it were but for once or twice) the splendors of a royal party. But, after the first edge of expectation was taken off,—after the vague uncertainties of rustic ignorance had given place to absolute realities, and the eye had become a little familiar with the flashing of the jewelry,—I began to suffer under the constraints incident to a young person in such a situation—the situation, namely, of sedentary passiveness, where one is acted upon, but does not act. The music, in fact, was all that continued to delight me; and, but for that, I believe I should have had some difficulty in avoiding so monstrous an indecorum as yawning. I revise this faulty expression, however, on the spot; not the music only it was, but the music combined with the dancing, that so deeply impressed me. The ball room—a temporary erection, with something of the character of a pavilion about it—wore an elegant and festal air; the part allotted to the dancers being fenced off by a gilded lattice work, and ornamented beautifully from the upper part with drooping festoons of flowers. But all the luxury that spoke to the eye merely faded at once by the side of impassioned dancing, sustained by impassioned music. Of all the scenes which this world offers, none is to me so profoundly interesting, none (I say it deliberately) so affecting, as the spectacle of men and women floating through the mazes of a dance; under these conditions, however, that the music shall be rich, resonant, and festal, the execution of the dancers perfect, and the dance itself of a character to admit of free, fluent, and continuous motion. But this last condition will be sought vainly in the quadrilles, &c., which have for so many years banished the truly beautiful country dances native to England. Those whose taste and sensibility were so defective as to substitute for the beautiful in dancing the merely difficult, were sure, in the end, to transfer the depravations of this art from the opera house to the floors of private ball rooms. The tendencies even then were in that direction; but as yet they had not attained their final stage; and the English country dance ⁶⁹ was still in estimation at the courts of princes. Now, of all dances, this is the only one, as a class, of which you can truly describe the motion to be continuous, that is, not interrupted or fitful, but unfolding its fine mazes with the equability of light in its diffusion through free space. And wherever the music happens to be not of a light, trivial character, but charged with the spirit of festal pleasure, and the performers in the dance so far skilful as to betray no awkwardness verging on the ludicrous, I believe that many people feel as I feel in such circumstances, viz., derive from the spectacle the very grandest form of passionate sadness which can belong to any spectacle whatsoever. Sadness is not the exact word; nor is there any word in any language (because none in the finest languages) which exactly expresses the state; since it is not a depressing, but a most elevating state to which I allude. And, certainly, it is easy to understand, that many states of pleasure, and in particular the highest, are the most of all removed from merriment. The day on which a Roman triumphed was the most gladsome day of his existence; it was the crown and consummation of his prosperity; yet assuredly it was also to him the most solemn of his days. Festal music, of a rich and passionate character, is the most remote of any from vulgar hilarity. Its very gladness and pomp is impregnated with sadness, but sadness of a grand and aspiring order. Let, for instance, (since without individual illustrations there is the greatest risk of being misunderstood,) any person of musical sensibility listen to the exquisite music composed by Beethoven, as an opening for Burger's "Lenore," the running idea of which is the triumphal return of a crusading host, decorated with laurels and with palms, within the gates of their native city; and then say whether the presiding feeling, in the midst of this tumultuous festivity, be not, by infinite degrees, transcendent to any thing so vulgar as hilarity. In fact, laughter itself is of all things the most equivocal; as the organ of the ludicrous, laughter is allied to the trivial and the mean; as the organ of joy, it is allied to the passionate and the noble. From all which the reader may comprehend, if he should not happen experimentally to have felt, that a spectacle of young men and women, flowing through the mazes of an intricate dance under a full volume of music, taken with all the circumstantial adjuncts of such a scene in rich men's halls; the blaze of lights and jewels, the life, the motion, the sea-like undulation of heads, the interweaving of the figures, the anachuchlosis or self-revolving, both of the dance and the music, "never ending, still beginning," and the continual regeneration of order from a system of motions which forever touch the very brink of confusion; that such a spectacle, with such circumstances, may happen to be capable of exciting and sustaining the very grandest emotions of philosophic melancholy to which the human spirit is open. The reason is, in part, that such a scene presents a sort of mask of human life, with its whole equipage of pomps and glories, its luxury of sight and sound, its hours of golden youth, and the interminable revolution of ages hurrying after ages, and one generation treading upon the flying footsteps of another; whilst all the while the overruling music attempers the mind to the spectacle, the subject to the object, the beholder to the vision. And, although this is known to be but one phasis of life,—of life culminating and in ascent,—yet the other (and repulsive) phasis is concealed upon the hidden or averted side of the golden arras, known but not felt; or is seen but dimly in the rear, crowding into indistinct proportions. The effect of the music is, to place the mind in a state of elective attraction for every thing in harmony with its own prevailing key.