Kitabı oku: «The Hand of Ethelberta: A Comedy in Chapters», sayfa 4

5. AT THE WINDOW – THE ROAD HOME

The dancing was over at last, and the radiant company had left the room. A long and weary night it had been for the two players, though a stimulated interest had hindered physical exhaustion in one of them for a while. With tingling fingers and aching arms they came out of the alcove into the long and deserted apartment, now pervaded by a dry haze. The lights had burnt low, and Faith and her brother were waiting by request till the wagonette was ready to take them home, a breakfast being in course of preparation for them meanwhile.

Christopher had crossed the room to relieve his cramped limbs, and now, peeping through a crevice in the window curtains, he said suddenly, ‘Who’s for a transformation scene? Faith, look here!’

He touched the blind, up it flew, and a gorgeous scene presented itself to her eyes. A huge inflamed sun was breasting the horizon of a wide sheet of sea which, to her surprise and delight, the mansion overlooked. The brilliant disc fired all the waves that lay between it and the shore at the bottom of the grounds, where the water tossed the ruddy light from one undulation to another in glares as large and clear as mirrors, incessantly altering them, destroying them, and creating them again; while further off they multiplied, thickened, and ran into one another like struggling armies, till they met the fiery source of them all.

‘O, how wonderful it is!’ said Faith, putting her hand on Christopher’s arm. ‘Who knew that whilst we were all shut in here with our puny illumination such an exhibition as this was going on outside! How sorry and mean the grand and stately room looks now!’

Christopher turned his back upon the window, and there were the hitherto beaming candle-flames shining no more radiantly than tarnished javelin-heads, while the snow-white lengths of wax showed themselves clammy and cadaverous as the fingers of a corpse. The leaves and flowers which had appeared so very green and blooming by the artificial light were now seen to be faded and dusty. Only the gilding of the room in some degree brought itself into keeping with the splendours outside, stray darts of light seizing upon it and lengthening themselves out along fillet, quirk, arris, and moulding, till wasted away.

‘It seems,’ said Faith, ‘as if all the people who were lately so merry here had died: we ourselves look no more than ghosts.’ She turned up her weary face to her brother’s, which the incoming rays smote aslant, making little furrows of every wrinkle thereon, and shady ravines of every little furrow.

‘You are very tired, Faith,’ he said. ‘Such a heavy night’s work has been almost too much for you.’

‘O, I don’t mind that,’ said Faith. ‘But I could not have played so long by myself.’

‘We filled up one another’s gaps; and there were plenty of them towards the morning; but, luckily, people don’t notice those things when the small hours draw on.’

‘What troubles me most,’ said Faith, ‘is not that I have worked, but that you should be so situated as to need such miserable assistance as mine. We are poor, are we not, Kit?’

‘Yes, we know a little about poverty,’ he replied.

While thus lingering

 
‘In shadowy thoroughfares of thought,’
 

Faith interrupted with, ‘I believe there is one of the dancers now! – why, I should have thought they had all gone to bed, and wouldn’t get up again for days.’ She indicated to him a figure on the lawn towards the left, looking upon the same flashing scene as that they themselves beheld.

‘It is your own particular one,’ continued Faith. ‘Yes, I see the blue flowers under the edge of her cloak.’

‘And I see her squirrel-coloured hair,’ said Christopher.

Both stood looking at this apparition, who once, and only once, thought fit to turn her head towards the front of the house they were gazing from. Faith was one in whom the meditative somewhat overpowered the active faculties; she went on, with no abundance of love, to theorize upon this gratuitously charming woman, who, striking freakishly into her brother’s path, seemed likely to do him no good in her sisterly estimation. Ethelberta’s bright and shapely form stood before her critic now, smartened by the motes of sunlight from head to heel: what Faith would have given to see her so clearly within!

‘Without doubt she is already a lady of many romantic experiences,’ she said dubiously.

‘And on the way to many more,’ said Christopher. The tone was just of the kind which may be imagined of a sombre man who had been up all night piping that others might dance.

Faith parted her lips as if in consternation at possibilities. Ethelberta, having already become an influence in Christopher’s system, might soon become more – an indestructible fascination – to drag him about, turn his soul inside out, harrow him, twist him, and otherwise torment him, according to the stereotyped form of such processes.

They were interrupted by the opening of a door. A servant entered and came up to them.

‘This is for you, I believe, sir,’ he said. ‘Two guineas;’ and he placed the money in Christopher’s hand. ‘Some breakfast will be ready for you in a moment if you like to have it. Would you wish it brought in here; or will you come to the steward’s room?’

‘Yes, we will come.’ And the man then began to extinguish the lights one by one. Christopher dropped the two pounds and two shillings singly into his pocket, and looking listlessly at the footman said, ‘Can you tell me the address of that lady on the lawn? Ah, she has disappeared!’

‘She wore a dress with blue flowers,’ said Faith.

‘And remarkable bright in her manner? O, that’s the young widow, Mrs – what’s that name – I forget for the moment.’

‘Widow?’ said Christopher, the eyes of his understanding getting wonderfully clear, and Faith uttering a private ejaculation of thanks that after all no commandments were likely to be broken in this matter. ‘The lady I mean is quite a girlish sort of woman.’

‘Yes, yes, so she is – that’s the one. Coachman says she must have been born a widow, for there is not time for her ever to have been made one. However, she’s not quite such a chicken as all that. Mrs. Petherwin, that’s the party’s name.’

‘Does she live here?’

‘No, she is staying in the house visiting for a few days with her mother-in-law. They are a London family, I don’t know her address.’

‘Is she a poetess?’

‘That I cannot say. She is very clever at verses; but she don’t lean over gates to see the sun, and goes to church as regular as you or I, so I should hardly be inclined to say that she’s the complete thing. When she’s up in one of her vagaries she’ll sit with the ladies and make up pretty things out of her head as fast as sticks a-breaking. They will run off her tongue like cotton from a reel, and if she can ever be got in the mind of telling a story she will bring it out that serious and awful that it makes your flesh creep upon your bones; if she’s only got to say that she walked out of one door into another, she’ll tell it so that there seems something wonderful in it. ’Tis a bother to start her, so our people say behind her back, but, once set going, the house is all alive with her. However, it will soon be dull enough; she and Lady Petherwin are off to-morrow for Rookington, where I believe they are going to stay over New Year’s Day.’

‘Where do you say they are going?’ inquired Christopher, as they followed the footman.

‘Rookington Park – about three miles out of Sandbourne, in the opposite direction to this.’

‘A widow,’ Christopher murmured.

Faith overheard him. ‘That makes no difference to us, does it?’ she said wistfully.

Forty minutes later they were driving along an open road over a ridge which commanded a view of a small inlet below them, the sands of this nook being sheltered by crumbling cliffs. Here at once they saw, in the full light of the sun, two women standing side by side, their faces directed over the sea.

‘There she is again!’ said Faith. ‘She has walked along the shore from the lawn where we saw her before.’

‘Yes,’ said the coachman, ‘she’s a curious woman seemingly. She’ll talk to any poor body she meets. You see she had been out for a morning walk instead of going to bed, and that is some queer mortal or other she has picked up with on her way.’

‘I wonder she does not prefer some rest,’ Faith observed.

The road then dropped into a hollow, and the women by the sea were no longer within view from the carriage, which rapidly neared Sandbourne with the two musicians.

6. THE SHORE BY WYNDWAY

The east gleamed upon Ethelberta’s squirrel-coloured hair as she said to her companion, ‘I have come, Picotee; but not, as you imagine, from a night’s sleep. We have actually been dancing till daylight at Wyndway.’

‘Then you should not have troubled to come! I could have borne the disappointment under such circumstances,’ said the pupil-teacher, who, wearing a dress not so familiar to Christopher’s eyes as had been the little white jacket, had not been recognized by him from the hill. ‘You look so tired, Berta. I could not stay up all night for the world!’

‘One gets used to these things,’ said Ethelberta quietly. ‘I should have been in bed certainly, had I not particularly wished to use this opportunity of meeting you before you go home to-morrow. I could not have come to Sandbourne to-day, because we are leaving to return again to Rookington. This is all that I wish you to take to mother – only a few little things which may be useful to her; but you will see what it contains when you open it.’ She handed to Picotee a small parcel. ‘This is for yourself,’ she went on, giving a small packet besides. ‘It will pay your fare home and back, and leave you something to spare.’

‘Thank you,’ said Picotee docilely.

‘Now, Picotee,’ continued the elder, ‘let us talk for a few minutes before I go back: we may not meet again for some time.’ She put her arm round the waist of Picotee, who did the same by Ethelberta; and thus interlaced they walked backwards and forwards upon the firm flat sand with the motion of one body animated by one will.

‘Well, what did you think of my poems?’

‘I liked them; but naturally, I did not understand all the experience you describe. It is so different from mine. Yet that made them more interesting to me. I thought I should so much like to mix in the same scenes; but that of course is impossible.’

‘I am afraid it is. And you posted the book as I said?’

‘Yes.’ She added hurriedly, as if to change the subject, ‘I have told nobody that we are sisters, or that you are known in any way to me or to mother or to any of us. I thought that would be best, from what you said.’

‘Yes, perhaps it is best for the present.’

‘The box of clothes came safely, and I find very little alteration will be necessary to make the dress do beautifully for me on Sundays. It is quite new-fashioned to me, though I suppose it was old-fashioned to you. O, and Berta, will the title of Lady Petherwin descend to you when your mother-in-law dies?’

‘No, of course not. She is only a knight’s widow, and that’s nothing.’

‘The lady of a knight looks as good on paper as the lady of a lord.’

‘Yes. And in other places too sometimes. However, about your journey home. Be very careful; and don’t make any inquiries at the stations of anybody but officials. If any man wants to be friendly with you, try to find out if it is from a genuine wish to assist you, or from admiration of your fresh face.’

‘How shall I know which?’ said Picotee.

Ethelberta laughed. ‘If Heaven does not tell you at the moment I cannot,’ she said. ‘But humanity looks with a different eye from love, and upon the whole it is most to be prized by all of us. I believe it ends oftener in marriage than do a lover’s flying smiles. So that for this and other reasons love from a stranger is mostly worthless as a speculation; and it is certainly dangerous as a game. Well, Picotee, has any one paid you real attentions yet?’

‘No – that is – ’

‘There is something going on.’

‘Only a wee bit.’

‘I thought so. There was a dishonesty about your dear eyes which has never been there before, and love-making and dishonesty are inseparable as coupled hounds. Up comes man, and away goes innocence. Are you going to tell me anything about him?’

‘I would rather not, Ethelberta; because it is hardly anything.’

‘Well, be careful. And mind this, never tell him what you feel.’

‘But then he will never know it.’

‘Nor must he. He must think it only. The difference between his thinking and knowing is often the difference between your winning and losing. But general advice is not of much use, and I cannot give more unless you tell more. What is his name?’

Picotee did not reply.

‘Never mind: keep your secret. However, listen to this: not a kiss – not so much as the shadow, hint, or merest seedling of a kiss!’

‘There is no fear of it,’ murmured Picotee; ‘though not because of me!’

‘You see, my dear Picotee, a lover is not a relative; and he isn’t quite a stranger; but he may end in being either, and the way to reduce him to whichever of the two you wish him to be is to treat him like the other. Men who come courting are just like bad cooks: if you are kind to them, instead of ascribing it to an exceptional courtesy on your part, they instantly set it down to their own marvellous worth.’

‘But I ought to favour him just a little, poor thing? Just the smallest glimmer of a gleam!’

‘Only a very little indeed – so that it comes as a relief to his misery, not as adding to his happiness.’

‘It is being too clever, all this; and we ought to be harmless as doves.’

‘Ah, Picotee! to continue harmless as a dove you must be wise as a serpent, you’ll find – ay, ten serpents, for that matter.’

‘But if I cannot get at him, how can I manage him in these ways you speak of?’

‘Get at him? I suppose he gets at you in some way, does he not? – tries to see you, or to be near you?’

‘No – that’s just the point – he doesn’t do any such thing, and there’s the worry of it!’

‘Well, what a silly girl! Then he is not your lover at all?’

‘Perhaps he’s not. But I am his, at any rate – twice over.’

‘That’s no use. Supply the love for both sides? Why, it’s worse than furnishing money for both. You don’t suppose a man will give his heart in exchange for a woman’s when he has already got hers for nothing? That’s not the way old Adam does business at all.’

Picotee sighed. ‘Have you got a young man, too, Berta?’

‘A young man?’

‘A lover I mean – that’s what we call ’em down here.’

‘It is difficult to explain,’ said Ethelberta evasively. ‘I knew one many years ago, and I have seen him again, and – that is all.’

‘According to my idea you have one, but according to your own you have not; he does not love you, but you love him – is that how it is?’

‘I have not quite considered how it is.’

‘Do you love him?’

‘I have never seen a man I hate less.’

‘A great deal lies covered up there, I expect!’

‘He was in that carriage which drove over the hill at the moment we met here.’

‘Ah-ah – some great lord or another who has his day by candlelight, and so on. I guess the style. Somebody who no more knows how much bread is a loaf than I do the price of diamonds and pearls.’

‘I am afraid he’s only a commoner as yet, and not a very great one either. But surely you guess, Picotee? But I’ll set you an example of frankness by telling his name. My friend, Mr. Julian, to whom you posted the book. Such changes as he has seen! – from affluence to poverty. He and his sister have been playing dances all night at Wyndway – What is the matter?’

‘Only a pain!’

‘My dear Picotee – ’

‘I think I’ll sit down for a moment, Berta.’

‘What – have you over-walked yourself, dear?’

‘Yes – and I got up very early, you see.’

‘I hope you are not going to be ill, child. You look as if you ought not to be here.’

‘O, it is quite trifling. Does not getting up in a hurry cause a sense of faintness sometimes?’

‘Yes, in people who are not strong.’

‘If we don’t talk about being faint it will go off. Faintness is such a queer thing that to think of it is to have it. Let us talk as we were talking before – about your young man and other indifferent matters, so as to divert my thoughts from fainting, dear Berta. I have always thought the book was to be forwarded to that gentleman because he was a connection of yours by marriage, and he had asked for it. And so you have met this – this Mr. Julian, and gone for walks with him in evenings, I suppose, just as young men and women do who are courting?’

‘No, indeed – what an absurd child you are!’ said Ethelberta. ‘I knew him once, and he is interesting; a few little things like that make it all up.’

‘The love is all on one side, as with me.’

‘O no, no: there is nothing like that. I am not attached to any one, strictly speaking – though, more strictly speaking, I am not unattached.’

‘’Tis a delightful middle mind to be in. I know it, for I was like it once; but I had scarcely been so long enough to know where I was before I was gone past.’

‘You should have commanded yourself, or drawn back entirely; for let me tell you that at the beginning of caring for a man – just when you are suspended between thinking and feeling – there is a hair’s-breadth of time at which the question of getting into love or not getting in is a matter of will – quite a thing of choice. At the same time, drawing back is a tame dance, and the best of all is to stay balanced awhile.’

‘You do that well, I’ll warrant.’

‘Well, no; for what between continually wanting to love, to escape the blank lives of those who do not, and wanting not to love, to keep out of the miseries of those who do, I get foolishly warm and foolishly cold by turns.’

‘Yes – and I am like you as far as the “foolishly” goes. I wish we poor girls could contrive to bring a little wisdom into our love by way of a change!’

‘That’s the very thing that leading minds in town have begun to do, but there are difficulties. It is easy to love wisely, but the rich man may not marry you; and it is not very hard to reject wisely, but the poor man doesn’t care. Altogether it is a precious problem. But shall we clamber out upon those shining blocks of rock, and find some of the little yellow shells that are in the crevices? I have ten minutes longer, and then I must go.’

7. THE DINING-ROOM OF A TOWN HOUSE – THE BUTLER’S PANTRY

A few weeks later there was a friendly dinner-party at the house of a gentleman called Doncastle, who lived in a moderately fashionable square of west London. All the friends and relatives present were nice people, who exhibited becoming signs of pleasure and gaiety at being there; but as regards the vigour with which these emotions were expressed, it may be stated that a slight laugh from far down the throat and a slight narrowing of the eye were equivalent as indices of the degree of mirth felt to a Ha-ha-ha! and a shaking of the shoulders among the minor traders of the kingdom; and to a Ho-ho-ho! contorted features, purple face, and stamping foot among the gentlemen in corduroy and fustian who adorn the remoter provinces.

The conversation was chiefly about a volume of musical, tender, and humorous rhapsodies lately issued to the world in the guise of verse, which had been reviewed and talked about everywhere. This topic, beginning as a private dialogue between a young painter named Ladywell and the lady on his right hand, had enlarged its ground by degrees, as a subject will extend on those rare occasions when it happens to be one about which each person has thought something beforehand, instead of, as in the natural order of things, one to which the oblivious listener replies mechanically, with earnest features, but with thoughts far away. And so the whole table made the matter a thing to inquire or reply upon at once, and isolated rills of other chat died out like a river in the sands.

‘Witty things, and occasionally Anacreontic: and they have the originality which such a style must naturally possess when carried out by a feminine hand,’ said Ladywell.

‘If it is a feminine hand,’ said a man near.

Ladywell looked as if he sometimes knew secrets, though he did not wish to boast.

‘Written, I presume you mean, in the Anacreontic measure of three feet and a half – spondees and iambics?’ said a gentleman in spectacles, glancing round, and giving emphasis to his inquiry by causing bland glares of a circular shape to proceed from his glasses towards the person interrogated.

The company appeared willing to give consideration to the words of a man who knew such things as that, and hung forward to listen. But Ladywell stopped the whole current of affairs in that direction by saying —

‘O no; I was speaking rather of the matter and tone. In fact, the Seven Days’ Review said they were Anacreontic, you know; and so they are – any one may feel they are.’

The general look then implied a false encouragement, and the man in spectacles looked down again, being a nervous person, who never had time to show his merits because he was so much occupied in hiding his faults.

‘Do you know the authoress, Mr. Neigh?’ continued Ladywell.

‘Can’t say that I do,’ he replied.

Neigh was a man who never disturbed the flesh upon his face except when he was obliged to do so, and paused ten seconds where other people only paused one; as he moved his chin in speaking, motes of light from under the candle-shade caught, lost, and caught again the outlying threads of his burnished beard.

‘She will be famous some day; and you ought at any rate to read her book.’

‘Yes, I ought, I know. In fact, some years ago I should have done it immediately, because I had a reason for pushing on that way just then.’

‘Ah, what was that?’

‘Well, I thought of going in for Westminster Abbey myself at that time; but a fellow has so much to do, and – ’

‘What a pity that you didn’t follow it up. A man of your powers, Mr. Neigh – ’

‘Afterwards I found I was too steady for it, and had too much of the respectable householder in me. Besides, so many other men are on the same tack; and then I didn’t care about it, somehow.’

‘I don’t understand high art, and am utterly in the dark on what are the true laws of criticism,’ a plain married lady, who wore archaeological jewellery, was saying at this time. ‘But I know that I have derived an unusual amount of amusement from those verses, and I am heartily thankful to “E.” for them.’

‘I am afraid,’ said a gentleman who was suffering from a bad shirt-front, ‘that an estimate which depends upon feeling in that way is not to be trusted as permanent opinion.’

The subject now flitted to the other end.

‘Somebody has it that when the heart flies out before the understanding, it saves the judgment a world of pains,’ came from a voice in that quarter.

‘I, for my part, like something merry,’ said an elderly woman, whose face was bisected by the edge of a shadow, which toned her forehead and eyelids to a livid neutral tint, and left her cheeks and mouth like metal at a white heat in the uninterrupted light. ‘I think the liveliness of those ballads as great a recommendation as any. After all, enough misery is known to us by our experiences and those of our friends, and what we see in the newspapers, for all purposes of chastening, without having gratuitous grief inflicted upon us.’

‘But you would not have wished that “Romeo and Juliet” should have ended happily, or that Othello should have discovered the perfidy of his Ancient in time to prevent all fatal consequences?’

‘I am not afraid to go so far as that,’ said the old lady. ‘Shakespeare is not everybody, and I am sure that thousands of people who have seen those plays would have driven home more cheerfully afterwards if by some contrivance the characters could all have been joined together respectively. I uphold our anonymous author on the general ground of her levity.’

‘Well, it is an old and worn argument – that about the inexpedience of tragedy – and much may be said on both sides. It is not to be denied that the anonymous Sappho’s verses – for it seems that she is really a woman – are clever.’

‘Clever!’ said Ladywell – the young man who had been one of the shooting-party at Sandbourne – ‘they are marvellously brilliant.’

‘She is rather warm in her assumed character.’

‘That’s a sign of her actual coldness; she lets off her feeling in theoretic grooves, and there is sure to be none left for practical ones. Whatever seems to be the most prominent vice, or the most prominent virtue in anybody’s writing is the one thing you are safest from in personal dealings with the writer.’

‘O, I don’t mean to call her warmth of feeling a vice or virtue exactly – ’

‘I agree with you,’ said Neigh to the last speaker but one, in tones as emphatic as they possibly could be without losing their proper character of indifference to the whole matter. ‘Warm sentiment of any sort, whenever we have it, disturbs us too much to leave us repose enough for writing it down.’

‘I am sure, when I was at the ardent age,’ said the mistress of the house, in a tone of pleasantly agreeing with every one, particularly those who were diametrically opposed to each other, ‘I could no more have printed such emotions and made them public than I – could have helped privately feeling them.’

‘I wonder if she has gone through half she says? If so, what an experience!’

‘O no – not at all likely,’ said Mr. Neigh. ‘It is as risky to calculate people’s ways of living from their writings as their incomes from their way of living.’

‘She is as true to nature as fashion is false,’ said the painter, in his warmth becoming scarcely complimentary, as sometimes happens with young persons. ‘I don’t think that she has written a word more than what every woman would deny feeling in a society where no woman says what she means or does what she says. And can any praise be greater than that?’

‘Ha-ha! Capital!’

‘All her verses seem to me,’ said a rather stupid person, ‘to be simply —

 
“Tral’-la-la-lal’-la-la-la’,
Tral’-la-la-lal’-la-la-lu’,
Tral’-la-la-lal’-la-la-lalla’,
Tral’-la-la-lu’.”
 

When you take away the music there is nothing left. Yet she is plainly a woman of great culture.’

‘Have you seen what the London Light says about them – one of the finest things I have ever read in the way of admiration?’ continued Ladywell, paying no attention to the previous speaker. He lingered for a reply, and then impulsively quoted several lines from the periodical he had named, without aid or hesitation. ‘Good, is it not?’ added Ladywell.

They assented, but in such an unqualified manner that half as much readiness would have meant more. But Ladywell, though not experienced enough to be quite free from enthusiasm, was too experienced to mind indifference for more than a minute or two. When the ladies had withdrawn, the young man went on —

‘Colonel Staff said a funny thing to me yesterday about these very poems. He asked me if I knew her, and – ’

‘Her? Why, he knows that it is a lady all the time, and we were only just now doubting whether the sex of the writer could be really what it seems. Shame, Ladywell!’ said his friend Neigh.

‘Ah, Mr. Ladywell,’ said another, ‘now we have found you out. You know her!’

‘Now – I say – ha-ha!’ continued the painter, with a face expressing that he had not at all tried to be found out as the man possessing incomparably superior knowledge of the poetess. ‘I beg pardon really, but don’t press me on the matter. Upon my word the secret is not my own. As I was saying, the Colonel said, “Do you know her?” – but you don’t care to hear?’

‘We shall be delighted!’

‘So the Colonel said, “Do you know her?” adding, in a most comic way, “Between U. and E., Ladywell, I believe there is a close affinity” – meaning me, you know, by U. Just like the Colonel – ha-ha-ha!’

The older men did not oblige Ladywell a second time with any attempt at appreciation; but a weird silence ensued, during which the smile upon Ladywell’s face became frozen to painful permanence.

‘Meaning by E., you know, the “E” of the poems – heh-heh!’ he added.

‘It was a very humorous incident certainly,’ said his friend Neigh, at which there was a laugh – not from anything connected with what he said, but simply because it was the right thing to laugh when Neigh meant you to do so.

‘Now don’t, Neigh – you are too hard upon me. But, seriously, two or three fellows were there when I said it, and they all began laughing – but, then, the Colonel said it in such a queer way, you know. But you were asking me about her? Well, the fact is, between ourselves, I do know that she is a lady; and I don’t mind telling a word – ’

‘But we would not for the world be the means of making you betray her confidence – would we, Jones?’

‘No, indeed; we would not.’

‘No, no; it is not that at all – this is really too bad! – you must listen just for a moment – ’

‘Ladywell, don’t betray anybody on our account.’

‘Whoever the illustrious young lady may be she has seen a great deal of the world,’ said Mr. Doncastle blandly, ‘and puts her experience of the comedy of its emotions, and of its method of showing them, in a very vivid light.’

‘I heard a man say that the novelty with which the ideas are presented is more noticeable than the originality of the ideas themselves,’ observed Neigh. ‘The woman has made a great talk about herself; and I am quite weary of people asking of her condition, place of abode, has she a father, has she a mother, or dearer one yet than all other.’

‘I would have burlesque quotation put down by Act of Parliament, and all who dabble in it placed with him who can cite Scripture for his purposes,’ said Ladywell, in retaliation.

After a pause Neigh remarked half-privately to their host, who was his uncle: ‘Your butler Chickerel is a very intelligent man, as I have heard.’

‘Yes, he does very well,’ said Mr. Doncastle.

‘But is he not a – very extraordinary man?’

‘Not to my knowledge,’ said Doncastle, looking up surprised. ‘Why do you think that, Alfred?’

‘Well, perhaps it was not a matter to mention. He reads a great deal, I dare say?’

‘I don’t think so.’

‘I noticed how wonderfully his face kindled when we began talking about the poems during dinner. Perhaps he is a poet himself in disguise. Did you observe it?’