Kitabı oku: «The Mayor of Casterbridge»
THE MAYOR
OF CASTERBRIDGE
Thomas Hardy
COPYRIGHT
Collins Classics
An imprint of HarperCollinsPublishers 77–85 Fulham Palace Road Hammersmith London W6 8JB
Thomas Hardy asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
Life & Times section © Gerard Cheshire Classic Literature: Words and Phrases adapted from Collins English Dictionary
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Source ISBN: 9780007902118
Ebook Edition © MAY 2012 ISBN: 9780007477395
Version: 2014-09-03
CONTENTS
Cover
Title Page
Copyright
General Preface to the Wessex Edition of 1912
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Keep Reading
Classic Literature: Words and Phrases Adapted from the Collins English Dictionary
About the Author
History of Collins
About the Publisher
GENERAL PREFACE TO THE WESSEX EDITION OF 1912
In accepting a proposal for a definite edition of these productions in prose and verse I have found an opportunity of classifying the novels under heads that show approximately the author’s aim, if not his achievement, in each book of the series at the date of its composition. Sometimes the aim was lower than at other times; sometimes, where the intention was primarily high, force of circumstances (among which the chief were the necessities of magazine publication) compelled a modification, great or slight, of the original plan. Of a few, however, of the longer novels, and of many of the shorter tales, it may be assumed that they stand today much as they would have stood if no accidents had obstructed the channel between the writer and the public. That many of them, if any, stand as they would stand if written now is not to be supposed.
In the classification of these fictitious chronicles – for which the name of ‘The Wessex Novels’ was adopted, and is still retained – the first group is called ‘Novels of Character and Environment’, and contains those which approach most nearly to uninfluenced works; also one or two which, whatever their quality in some few of their episodes, may claim a verisimilitude in general treatment and detail.
The second group is distinguished as ‘Romances and Fantasies’, a sufficiently descriptive definition. The third class – ‘Novels of Ingenuity’ – show a not infrequent disregard of the probable in the chain of events, and depend for their interest mainly on the incidents themselves. They might also be characterized as ‘Experiments’, and were written for the nonce simply; though despite the artificiality of their fable some of their scenes are not without fidelity to life.
It will not be supposed that these differences are distinctly perceptible in every page of every volume. It was inevitable that blendings and alternations should occur in all. Moreover, as it was not thought desirable in every instance to change the arrangement of the shorter stories to which readers have grown accustomed, certain of these may be found under headings to which an acute judgement might deny appropriateness.
It has sometimes been conceived of novels that evolve their action on a circumscribed scene – as do many (though not all) of these – that they cannot be so inclusive in their exhibition of human nature as novels wherein the scenes cover large extents of country, in which events figure amid towns and cities, even wander over the four quarters of the globe. I am not concerned to argue this point further than to suggest that the conception is an untrue one in respect of the elementary passions. But I would state that the geographical limits of the stage here trodden were not absolutely forced upon the writer by circumstances; he forced them upon himself from judgement. I considered that our magnificent heritage from the Greeks in dramatic literature found sufficient room for a large proportion of its action in an extent of their country not much larger than the half-dozen counties here reunited under the old name of Wessex, that the domestic emotions have throbbed in Wessex nooks with as much intensity as in the palaces of Europe, and that, anyhow, there was quite enough human nature in Wessex for one man’s literary purpose. So far was I possessed by this idea that I kept within the frontiers when it would have been easier to overlap them and give more cosmopolitan features to the narrative.
Thus, though the people in most of the novels (and in much of the shorter verse) are dwellers in a province bounded on the north by the Thames, on the south by the English Channel, on the east by a line running from Hayling Island to Windsor Forest, and on the west by the Cornish coast, they were meant to be typically and essentially those of any and every place where
Thought’s the slave of life, and life time’s fool
—beings in whose hearts and minds that which is apparently local should be really universal.
But whatever the success of this intention, and the value of these novels as delineations of humanity, they have at least a humble supplementary quality of which I may be justified in reminding the reader, though it is one that was quite unintentional and unforeseen. At the dates represented in the various narrations things were like that in Wessex: the inhabitants lived in certain ways, engaged in certain occupations, kept alive certain customs, just as they are shown doing in these pages. And in particularizing such I have often been reminded of Boswell’s remarks on the trouble to which he was put and the pilgrimages he was obliged to make to authenticate some detail, though the labour was one which would bring him no praise. Unlike his achievement, however, on which an error would as he says have brought discredit, if these country customs and vocations, obsolete and obsolescent, had been detailed wrongly, nobody would have discovered such errors to the end of Time. Yet I have instituted inquiries to correct tricks of memory, and striven against temptations to exaggerate, in order to preserve for my own satisfaction a fairly true record of a vanishing life.
It is advisable also to state here, in response to inquiries from readers interested in landscape, prehistoric antiquities, and especially old English architecture, that the description of these backgrounds has been done from the real—that is to say, has something real for its basis, however illusively treated. Many features of the first two kinds have been given under their existing names; for instance, the Vale of Blackmoor or Blakemore, Hambledon Hill, Bulbarrow, Nettlecombe Tout, Dogbury Hill, High-Stoy, Bubb-Down Hill, The Devil’s Kitchen, Cross-in-Hand, Long-Ash Lane, Benvill Lane, Giant’s Hill, Crimmer-crock Lane, and Stonehenge. The rivers Froom, or Frome, and Stour, are, of course, well known as such. And the further idea was that large towns and points tending to mark the outline of Wessex – such as Bath, Plymouth, The Start, Portland Bill, Southampton, etc. – should be named clearly. The scheme was not greatly elaborated, but, whatever its value, the names remain still.
In respect of places described under fictitious or ancient names in the novels – for reasons that seemed good at the time of writing them – and kept up in the poems – discerning people have affirmed in print that they clearly recognize the originals: such as Shaftesbury in ‘Shaston’, Sturminster Newton in ‘Stourcastle’, Dorchester in ‘Casterbridge’, Salisbury Plain in ‘The Great Plain’, Cranbourne Chase in ‘The Chase’, Beaminster in ‘Emminster’, Bere Regis in ‘Kingsbere’, Woodbury Hill in ‘Greenhil’, Wool Bridge in ‘Wellbridge’, Harfoot or Harput Lane in ‘Stagfoot Lane’, Hazelbury in ‘Nuttlebury’, Bridport in ‘Port Bredy’, Maiden Newton in ‘Chalk Newton’, a farm near Nettlecombe Tout in ‘Flintcomb Ash’, Sherborne in ‘Sherton Abbas’, Milton Abbey in ‘Middleton Abbey’, Cerne Abbas in ‘Abbot’s Cernel’, Evershot in ‘Evershed’, Taunton in ‘Toneborough’, Bournemouth in ‘Sandbourne’, Winchester in ‘Wintoncester’, Oxford in ‘Christminster’, Reading in ‘Aldbrickham’, Newbury in ‘Kennet-bridge’, Wantage in ‘Alfredston’, Basingstoke in ‘Stoke Bare-hills’, and so on. Subject to the qualifications above given, that no detail is guaranteed – that the portraiture of fictitiously named towns and villages was only suggested by certain real places, and wontonly wanders from inventorial descriptions of them – I do not contradict these keen hunters for the real; I am satisfied with their statements as at least an indication of their interest in the scenes.
Thus much for the novels. Turning now to the verse – to myself the more individual part of my literary fruitage – I would say that, unlike some of the fiction, nothing interfered with the writer’s freedom in respect of its form or content. Several of the poems – indeed many – were produced before novel-writing had been thought of as a pursuit; but few saw the light till all the novels had been published. The limited stage to which the majority of the latter confine their exhibitions has not been adhered to here in the same proportion, the dramatic part especially having a very broad theatre of action. It may thus relieve the circumscribed areas treated in the prose, if such relief be needed. To be sure, one might argue that by surveying Europe from a celestial point of vision – as in The Dynasts – that continent becomes virtually a province – a Wessex, an Attica, even a mere garden – and hence is made to conform to the principle of the novels, however far it outmeasures their region. But that may be as it will.
The few volumes filled by the verse cover a producing of some eighteen years first and last, while the seventeen or more volumes of novels represent correspondingly about four-and-twenty years. One is reminded by this disproportion in time and result how much more concise and quintessential expression becomes when given in rhythmic form than when shaped in the language of prose.
One word on what has been called the present writer’s philosophy of life, as exhibited more particularly in the metrical section of his compositions. Positive views on the Whence and the Wherefore of things have never been advanced by this pen as a consistent philosophy. Nor is it likely, indeed, that imaginative writings extending over more than forty years would exhibit a coherent scientific theory of the universe even if it had been attempted – of that universe concerning which Spencer owns to the ‘paralyzing thought’ that possibly there exists no comprehension of it anywhere. But such objectless consistency never has been attempted, and the sentiments in the following pages have been stated truly to be mere impressions of the moment, and not convictions or arguments.
That these impressions have been condemned as ‘pessimistic’ – as if that were a very wicked adjective – shows a curious muddle-mindedness. It must be obvious that there is a higher characteristic of philosophy than pessimism, or than meliorism, or even than the optimism of these critics – which is truth. Existence is either ordered in a certain way, or it is not so ordered, and conjectures which harmonize best with experience are removed above all comparison with other conjectures which do not so harmonize. So that to say one view is worse than other views, without proving it erroneous implies the possibility of a false view being better or more expedient than a true view; and no pragmatic proppings can make that idolum specus stand on its feet, for it postulates a prescience denied to humanity.
And there is another consideration. Differing natures find their tongue in the presence of differing spectacles. Some natures become vocal at tragedy, some are made vocal by comedy, and it seems to me that to whichever of these aspects of life a writer’s instinct for expression the more readily responds, to that he should allow it to respond. That before a contrasting side of things he remains undemonstrative need not be assumed to mean that he remains unperceiving.
It was my hope to add to these volumes of verse as many more as would make a fairly comprehensive cycle of the whole. I had wished that those in dramatic, ballad, and narrative form should include most of the cardinal situations which occur in social and public life, and those in lyric form a round of emotional experiences of some completeness. But
The petty done, the undone vast!
The more written the more seems to remain to be written; and the night cometh. I realize that these hopes and plans, except possibly to the extent of a volume or two, must remain unfulfilled.
October 1911 T.H.
CHAPTER 1
One evening of late summer, before the nineteenth century had reached one-third of its span, a young man and woman, the latter carrying a child, were approaching the large village of Weydon-Priors, in Upper Wessex, on foot. They were plainly but not ill clad, though the thick hoar of dust which had accumulated on their shoes and garments from an obviously long journey lent a disadvantageous shabbiness to their appearance just now.
The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along.
What was really peculiar, however, in this couple’s progress, and would have attracted the attention of any casual observer otherwise disposed to overlook them, was the perfect silence they preserved. They walked side by side in such a way as to suggest afar off the low, easy, confidential chat of people full of reciprocity; but on closer view it could be discerned that the man was reading, or pretending to read, a ballad sheet which he kept before his eyes with some difficulty by the hand that was passed through the basket strap. Whether this apparent cause were the real cause, or whether it were an assumed one to escape an intercourse that would have been irksome to him, nobody but himself could have said precisely; but his taciturnity was unbroken, and the woman enjoyed no society whatever from his presence. Virtually she walked the highway alone, save for the child she bore. Sometimes the man’s bent elbow almost touched her shoulder, for she kept as close to his side as was possible without actual contact; but she seemed to have no idea of taking his arm, nor he of offering it; and far from exhibiting surprise at his ignoring silence she appeared to receive it as a natural thing. If any word at all were uttered by the little group, it was an occasional whisper of the woman to the child—a tiny girl in short clothes and blue boots of knitted yarn—and the murmured babble of the child in reply.
The chief—almost the only—attraction of the young woman’s face was its mobility. When she looked down sideways to the girl she became pretty, and even handsome, particularly that in the action her features caught slantwise the rays of the strongly coloured sun, which made transparencies of her eyelids and nostrils and set fire on her lips. When she plodded on in the shade of the hedge, silently thinking, she had the hard, half-apathetic expression of one who deems anything possible at the hands of Time and Chance except, perhaps, fair play. The first phase was the work of Nature, the second probably of civilization.
That the man and woman were husband and wife, and the parents of the girl in arms, there could be little doubt. No other than such relationship would have accounted for the atmosphere of stale familiarity which the trio carried along with them like a nimbus as they moved down the road.
The wife mostly kept her eyes fixed ahead, though with little interest—the scene for that matter being one that might have been matched at almost any spot in any county in England at this time of the year; a road neither straight nor crooked, neither level nor hilly, bordered by hedges, trees, and other vegetation, which had entered the blackened-green stage of colour that the doomed leaves pass through on their way to dingy, and yellow, and red. The grassy margin of the bank, and the nearest hedgerow boughs, were powdered by the dust that had been stirred over them by hasty vehicles, the same dust as it lay on the road deadening their footfalls like a carpet; and this, with the aforesaid total absence of conversation, allowed every extraneous sound to be heard.
For a long time there was none, beyond the voice of a weak bird singing a trite old evening song that might doubtless have been heard on the hill at the same hour, and with the self-same trills, quavers, and breves, at any sunset of that season for centuries untold. But as they approached the village sundry distant shouts and rattles reached their ears from some elevated spot in that direction, as yet screened from view by foliage. When the outlying houses of Weydon-Priors could just be descried, the family group was met by a turnip-hoer with his hoe on his shoulder, and his dinner-bag suspended from it. The reader promptly glanced up.
‘Any trade doing here?’ he asked phlegmatically, designating the village in his van by a wave of the broadsheet. And thinking the labourer did not understand him, he added, ‘Anything in the hay-trussing line?’
The turnip-hoer had already begun shaking his head. ‘Why, save the man, what wisdom’s in him that ’a should come to Weydon for a job of that sort this time o’ year?’
‘Then is there any house to let—a little small new cottage just a-builded, or such like?’ asked the other.
The pessimist still maintained a negative. ‘Pulling down is more the nater of Weydon. There were five houses cleared away last year, and three this; and the volk nowhere to go—no, not so much as a thatched hurdler; that’s the way o’ Weydon-Priors.’
The hay-trusser, which he obviously was, nodded with some superciliousness. Looking towards the village, he continued, ‘There is something going on here, however, is there not?’
Ay. ’Tis Fair Day. Though what you hear now is little more than the clatter and scurry of getting away the money o’ children and fools, for the real business is done earlier than this. I’ve been working within sound o’t all day, but I didn’t go up—not I. ’Twas no business of mine.’
The trusser and his family proceeded on their way, and soon entered the Fair-field, which showed standing-places and pens where many hundreds of horses and sheep had been exhibited and sold in the forenoon, but were now in great part taken away. At present, as their informant had observed, but little real business remained on hand, the chief being the sale by auction of a few inferior animals, that could not otherwise be disposed of, and had been absolutely refused by the better class of traders, who came and went early. Yet the crowd was denser now than during the morning hours, the frivolous contingent of visitors, including journeymen out for a holiday, a stray soldier or two home on furlough, village shopkeepers, and the like, having latterly flocked in; persons whose activities found a congenial field among the peep-shows, toy-stands, waxworks, inspired monsters, disinterested medical men who travelled for the public good, thimble-riggers, nick-nack vendors, and readers of Fate.
Neither of our pedestrians had much heart for these things, and they looked around for a refreshment tent among the many which dotted the down. Two, which stood nearest to them in the ochreous haze of expiring sunlight, seemed almost equally inviting. One was formed of new milk-hued canvas, and bore red flags on its summit; it announced ‘Good Home-brewed Beer, Ale and Cyder’. The other was less new; a little iron stove-pipe came out of it at the back, and in front appeared the placard, ‘Good Furmity Sold Hear’. The man mentally weighed the two inscriptions, and inclined to the former tent.
‘No—no—the other one,’ said the woman, ‘I always like furmity; and so does Elizabeth-Jane; and so will you. It is nourishing after a long hard day.’
‘I’ve never tasted it,’ said the man. However, he gave way to her representations, and they entered the furmity booth forthwith.
A rather numerous company appeared within, seated at the long narrow tables that ran down the tent on each side. At the upper end stood a stove, containing a charcoal fire, over which hung a large three-legged crock, sufficiently polished round the rim to show that it was made of bell-metal. A haggish creature of about fifty presided, in a white apron, which, as it threw an air of respectability over her as far as it extended, was made so wide as to reach nearly round her waist. She slowly stirred the contents of the pot. The dull scrape of her large spoon was audible throughout the tent as she thus kept from burning the mixture of corn in the grain, flour, milk, raisins, currants, and what not, that composed the antiquated slop in which she dealt. Vessels holding the separate ingredients stood on a white-clothed table of boards and trestles close by.
The young man and woman ordered a basin each of the mixture, steaming hot, and sat down to consume it at leisure. This was very well so far, for furmity, as the woman had said, was nourishing, and as proper a food as could be obtained within the four seas; though, to those not accustomed to it, the grains of wheat swollen as large as lemon-pips, which floated on its surface, might have a deterrent effect at first.
But there was more in that tent than met the cursory glance; and the man, with the instinct of a perverse character, scented it quickly. After a mincing attack on his bowl, he watched the hag’s proceedings from the corner of his eye, and saw the game she played. He winked to her, and passed up his basin in reply to her nod; when she took a bottle from under the table, slily measured out a quantity of its contents, and tipped the same into the man’s furmity. The liquor poured in was rum. The man as slily sent back money in payment.
He found the concoction, thus strongly laced, much more to his satisfaction than it had been in its natural state. His wife had observed the proceeding with much uneasiness; but he persuaded her to have hers laced also, and she agreed to a milder allowance after some misgiving.
The man finished his basin, and called for another, the rum being signalled for in yet stronger proportion. The effect of it was soon apparent in his manner, and his wife but too sadly perceived that in strenuously steering off the rocks of the licensed liquor-tent she had only got into maelstrom depths here amongst the smugglers.
The child began to prattle impatiently, and the wife more than once said to her husband, ‘Michael, how about our lodging? You know we may have trouble in getting it if we don’t go soon.’
But he turned a deaf ear to those bird-like chirpings. He talked loud to the company. The child’s black eyes, after slow, round, ruminating gazes at the candles when they were lighted, fell together; then they opened, then shut again, and she slept.
At the end of the first basin the man had risen to serenity; at the second he was jovial; at the third, argumentative; at the fourth, the qualities signified by the shape of his face, the occasional clench of his mouth, and the fiery spark of his dark eye, began to tell in his conduct; he was overbearing—even brilliantly quarrelsome.
The conversation took a high turn, as it often does on such occasions. The ruin of good men by bad wives, and, more particularly, the frustration of many a promising youth’s high aims and hopes and the extinction of his energies by an early imprudent marriage, was the theme.
‘I did for myself that way thoroughly,’ said the trusser, with a contemplative bitterness that was well-nigh resentful. ‘I married at eighteen, like the fool that I was; and this is the consequence o’t.’ He pointed at himself and family with a wave of the hand intended to bring out the penuriousness of the exhibition.
The young woman his wife, who seemed accustomed to such remarks, acted as if she did not hear them, and continued her intermittent private words on tender trifles to the sleeping and waking child, who was just big enough to be placed for a moment on the bench beside her when she wished to ease her arms. The man continued—
‘I haven’t more than fifteen shillings in the world, and yet I am a good experienced hand in my line. I’d challenge England to beat me in the fodder business; and if I were a free man again I’d be worth a thousand pound before I’d done o’t. But a fellow never knows these little things till all chance of acting upon ’em is past.’ The auctioneer selling the old horses in the field outside could be heard saying, ‘Now this is the last lot—now who’ll take the last lot for a song? Shall I say forty shillings? ’Tis a very promising brood-mare, a trifle over five years old, and nothing the matter with the hoss at all, except that she’s a little holler in the back and had her left eye knocked out by the kick of another, her own sister, coming along the road.’
‘For my part I don’t see why men who have got wives and don’t want ’em shouldn’t get rid of ’em as these gipsy fellows do their old horses,’ said the man in the tent. ‘Why shouldn’t they put ’em up and sell ’em by auction to men who are in need of such articles? Hey? Why, begad, I’d sell mine this minute if anybody would buy her!’
‘There’s them that would do that,’ some of the guests replied, looking at the woman, who was by no means ill-favoured.
‘True,’ said a smoking gentleman, whose coat had the fine polish about the collar, elbows, seams, and shoulder-blades that long-continued friction with grimy surfaces will produce, and which is usually more desired on furniture than on clothes. From his appearance he had possibly been in former time groom or coachman to some neighbouring county family. ‘I’ve had my breedings in as good circles, I may say, as any man,’ he added, ‘and I know true cultivation, or nobody do; and I can declare she’s got it—in the bone, mind ye, I say—as much as any female in the fair—though it may want a little bringing out.’ Then, crossing his legs, he resumed his pipe with a nicely-adjusted gaze at a point in the air.
The fuddled young husband stared for a few seconds at this unexpected praise of his wife, half in doubt of the wisdom of his own attitude towards the possessor of such qualities. But he speedily lapsed into his former conviction, and said harshly—
‘Well, then, now is your chance; I am open to an offer for this gem o’ creation.’
She turned to her husband and murmured, ‘Michael, you have talked this nonsense in public places before. A joke is a joke, but you may make it once too often, mind!’
‘I know I’ve said it before; I meant it. All I want is a buyer.’
At the moment a swallow, one among the last of the season, which had by chance found its way through an opening into the upper part of the tent, flew to and fro in quick curves above their heads, causing all eyes to follow it absently. In watching the bird till it made its escape the assembled company neglected to respond to the workman’s offer, and the subject dropped.
