Kitabı oku: «Mare Nostrum (Our Sea)»

CHAPTER I
CAPTAIN ULYSSES FERRAGUT

His first gallantries were with an empress. He was ten years old, and the empress six hundred.

His father, Don Esteban Ferragut—third quota of the College of Notaries—had always had a great admiration for the things of the past. He lived near the cathedral, and on Sundays and holy days, instead of following the faithful to witness the pompous ceremonials presided over by the cardinal-archbishop, used to betake himself with his wife and son to hear mass in San Juan del Hospital,—a little church sparsely attended the rest of the week.

The notary, who had read Walter Scott in his youth, used to gaze on the old and turreted walls surrounding the church, and feel something of the bard's thrills about his own, his native land. The Middle Ages was the period in which he would have liked to have lived. And as he trod the flagging of the Hospitolarios, good Don Esteban, little, chubby, and near-sighted, used to feel within him the soul of a hero born too late. The other churches, huge and rich, appeared to him with their blaze of gleaming gold, their alabaster convolutions and their jasper columns, mere monuments of insipid vulgarity. This one had been erected by the Knights of Saint John, who, united with the Templars, had aided King James in the conquest of Valencia.

Upon crossing the covered passageway leading from the street to the inner court, he was accustomed to salute the Virgin of the Conquest, an image of rough stone in faded colors and dull gold, seated on a bench, brought thither by the knights of the military order. Some sour orange trees spread their branching verdure over the walls of the church,—a blackened, rough stone edifice perforated with long, narrow, window-like niches now closed with mud plaster. From the salient buttresses of its reinforcements jutted forth, in the highest parts, great fabled monsters of weather-beaten, crumbling stone.

In its only nave was now left very little of this romantic exterior. The baroque taste of the seventeenth century had hidden the Gothic arch under another semi-circular one, besides covering the walls with a coat of whitewash. But the medieval reredos, the nobiliary coats of arms, and the tombs of the Knights of Saint John with their Gothic inscriptions still survived the profane restoration, and that in itself was enough to keep up the notary's enthusiasm.

Moreover the quality of the faithful who attended its services had to be taken into consideration. They were few but select, always the same. Some of them would drop into their places, gouty and relaxed, supported by an old servant wearing a shabby lace mantilla as though she were the housekeeper. Others would remain standing during the service holding up proudly their emaciated heads that presented the profile of a fighting cock, and crossing upon the breast their gloved hands,—always in black wool in the winter and in thread in the summer time. Ferragut knew all their names, having read them in the Trovas of Mosen Febrer, a metrical composition in Provençal, about the warriors that came to the neighborhood of Valencia from Aragon, Catalunia, the South of France, England and remote Germany.

At the conclusion of the mass, the imposing personages would nod their heads, saluting the faithful nearest them. "Good day!" To these, it was as if the sun had just arisen: the hours before did not count. And the notary with meek voice would enlarge his response: "Good day, Señor Marquis!" "Good day, Señor Baron!" Although his relations never went beyond this salutation, Ferragut used to feel toward these noble personages the sympathy that the customers have for an establishment, looking upon them with affectionate eyes for many years without presuming to exchange more than a greeting with them.

His son Ulysses was exceedingly bored as he followed the monotonous incidents of the chanted mass in the darkened, almost deserted, church. The rays of the sun, oblique beams of gold that filtered in from above, illuminating the spirals of dust, flies and moths, made him think in a homesick way of the lush green of the orchard, the white spots of the hamlets, the black smoke columns of the harbor filled with steamships, and the triple file of bluish convexities crowned with froth that were discharging their contents with a sonorous surge upon the bronze-colored beach.

When the embroidered mantles of the three priests ceased to gleam before the high altar, and another priest in black and white appeared in the pulpit, Ulysses would turn his glance toward a side chapel. The sermon always represented for him a half hour of somnolence, peopled with his own lively imaginings. The first thing that his eyes used to see in the chapel of Santa Barbara was a chest nailed to the wall high above him, a sepulcher of painted wood with no other adornment than the inscription: "Aqui yace Doña Constansa Augusta, Emperatriz de Grecia,"—Here lies Constance Augusta, Empress of Greece.

The name of Greece always had the power of exciting the little fellow's imagination. His godfather, the lawyer Labarta, poet-laureate, could not repeat this name without a lively thrill passing across his grizzled beard and a new light in his eyes. Sometimes the mysterious power of such a name evoked a new mystery and a more intense interest,—Byzantium. How could that august lady, sovereign of remote countries of magnificence and vision, have come to leave her remains in a murky chapel of Valencia within a great chest like those that treasured the remnants of old trumpery in the garrets of the notary?…

One day after mass Don Esteban had rapidly recounted her history to his little son. She was the daughter of Frederick the Second of Suabia, a Hohenstaufen, an emperor of Germany who esteemed still more his crown of Sicily. In the palaces of Palermo,—veritable enchanted bowers of Oriental gardens,—he had led the life both of pagan and savant, surrounded by poets and men of science (Jews, Mahometans and Christians), by Oriental dancers, alchemists, and ferocious Saracen Guards. He legislated as did the jurisconsults of ancient Rome, at the same time writing the first verses in Italian. His life was one continual combat with the Popes who hurled upon him excommunication upon excommunication. For the sake of peace he had become a crusader and set forth upon the conquest of Jerusalem. But Saladin, another philosopher of the same class, had soon come to an agreement with his Christian colleague. The position of a little city surrounded with untilled land and an empty sepulcher was really not worth the trouble of decapitating mankind through the centuries. The Saracen monarch, therefore, graciously delivered Jerusalem over to him, and the Pope again excommunicated Frederick for having conquered the Holy Land without bloodshed.

"He was a great man," Don Esteban used to murmur. "It must be admitted that he was a great man…."

He would say this timidly, regretting that his enthusiasm for that remote epoch should oblige him to make this concession to an enemy of the Church. He shuddered to think of those sacrilegious books that nobody had seen, but whose paternity Rome was accustomed to attribute to this Sicilian Emperor—especially Los Tres Impostores (The Three Imposters), in which Frederick measured Moses, Jesus and Mahomet, by the same standard. This royal author was, moreover, the most ancient journalist of history, the first that in the full thirteenth century had dared to appeal to the judgment of public opinion in his manifestoes against Rome.

His daughter had married an Emperor of Byzantium, Juan Dukas Vatatzés, the famous "Vatacio," when he was fifty and she fourteen. She was a natural daughter soon legitimized like almost all his progeny,—a product of his free harem, in which were mingled Saracen beauties and Italian marchionesses. And the poor young girl married to "Vatacio the heretic," by a father in need of political alliances had lived long years in the Orient as a basilisa or empress, arrayed in garments of stiff embroidery representing scenes from the holy books, shod with buskins laced with purple which bore on their soles eagles of gold,—the highest symbol of the majesty of Rome.

At first she had reigned in Nicaea, refuge of the Greek Emperors while Constantinople was in the power of the Crusaders, founders of a Latin dynasty; then, when Vatacio died, the audacious Miguel Paleólogo reconquered Constantinople, and the imperial widow found herself courted by this victorious adventurer. For many years she resisted his pretensions, finally maneuvering that her brother Manfred should return her to her own country, where she arrived just in time to receive news of her brother's death in battle, and to follow the flight of her sister-in-law and nephews. They all took refuge in a castle defended by Saracens in the service of Frederick, the only ones faithful to his memory.

The castle fell into the power of the warriors of the Church, and Manfred's wife was conducted to a prison where her life was shortly after extinguished. Obscurity swallowed up the last remnants of the family accursed by Rome. Death was always hovering around the basilisa. They all perished—her brother Manfred, her half-brother, the poetic and lamented Encio, hero of so many songs, and her nephew, the knightly Coradino, who was to die later on under the axe of the executioner upon attempting the defense of his rights. As the Oriental empress did not represent any danger for the dynasty of Anjou, the conqueror let her follow out her destiny, as lonely and forsaken as a Shakespearian Princess.

As the widow of the late Emperor she was supposed to have a rental of three thousand besantes of fine gold. But this remote rental never arrived, and almost as a pauper she embarked with her niece, Constanza, in a ship going toward the perfumed shores of the Gulf of Valencia, where she entered the convent of Santa Barbara. In the poverty of this recently founded convent, the poor Empress lived until the following century, recalling the adventures of her melancholy destiny and seeing in imagination the palace of golden mosaics on Lake Nicaea, the gardens where "Vatacio" had wished to die under a purple tent, the gigantic walls of Constantinople, and the arches of Saint Sophia, with its hieratic galaxies of saints and crowned monarchs.

From all her journeys and glittering fortunes she had preserved but one thing—a stone—the sole baggage that accompanied her upon disembarking on the shore of Valencia. It was a fragment from Nicodemia that had miraculously sent forth water for the baptism of Santa Barbara.

The notary used to point out this rough, sacred stone inlaid in a baptismal font of Holy Water. Without ceasing to admire these historic bits of knowledge, Ulysses, nevertheless, used to receive them with a certain ingratitude.

"My godfather could explain things to me in a better way…. My godfather knows more."

When surveying the chapel of Santa Barbara during the Mass, he used always to turn his eyes away from the funeral chest. The thought of those bones turned to dust filled him with repugnance. That Doña Constanza did not exist for him. The one who was interesting to him was the other one, a little further on who was painted in a small picture. Doña Constanza had had leprosy—an infirmity that in those days was not permitted to Empresses—so Santa Barbara had miraculously cured her devotee. In order to perpetuate this event, Santa Barbara was depicted on the canvas as a lady dressed in a full skirt and slashed sleeves, and at her feet was the basilisa in the dress of a Valencian peasant arrayed in great jewels. In vain Don Esteban affirmed that this picture had been painted centuries after the death of the Empress. The child's imagination vaulted disdainfully over such difficulties. Just as she appeared on the canvas, Doña Constanza must have been—flaxen-haired, with great black eyes, exceedingly handsome and a little inclined to stoutness, perhaps, as was becoming to a woman accustomed to trailing robes of state and who had consented to disguise herself as a country-woman, merely because of her piety.

The image of the Empress obsessed his childish thoughts. At night when he felt afraid in bed, impressed by the enormousness of the room that served as his sleeping chamber, it was enough for him to recall the sovereign of Byzantium to make him forget immediately his disquietude and the thousand queer noises in the old building. "Doña Constanza!"… And he would go off to sleep cuddling the pillow, as though it were the head of the basilisa, his closed eyes continuing to see the black eyes of the regal Señora, maternal and affectionate.

All womankind, on coming near him, took on something of that other one who had been sleeping for the past six centuries in the upper part of the chapel wall. When his mother, sweet and pallid Doña Cristina, would stop her fancy work for an instant to give him a kiss, he always saw in her smile something of the Empress. When Visenteta, a maid from the country—a brunette, with eyes like blackberries, rosy-cheeked and soft-skinned—would help him to undress, or awaken him to take him to school, Ulysses would always throw his arms around her as though enchanted by the perfume of her vigorous and chaste vitality. "Visenteta!… Oh, Visenteta!…" And he was thinking of Doña Constanza; Empresses must be just that fragrant…. Just like that must be the texture of their skin!… And mysterious and incomprehensible thrills would pass over his body like light exhalations, bubbling up from the slime that is sleeping in the depths of all infancy and coming to the surface during adolescence.

His father guessed in part this imaginary life upon seeing his pet plays and readings.

"Ah, comedian!… Ah, play-actor!… You are like your godfather."

He used to say this with an ambiguous smile in which were equally mingled his contempt for useless idealism and his respect for the artist—a respect similar to the veneration that the Arabs feel for the demented, believing their insanity to be a gift from God.

Doña Cristina was very anxious that this only son, as spoiled and coddled as though he were a Crown Prince, should become a priest. To see him intone his first Mass!… Then a canon; then a prelate! Who knew if perhaps when she was no longer living, other women might not admire him when preceded by a cross of gold, trailing the red state robe of a cardinal-archbishop, and surrounded by a robed staff—envying the mother who had given birth to this ecclesiastical magnate!…

In order to guide the inclinations of her son she had installed a chapel in one of the empty rooms of the great old house. Ulysses' school companions on free afternoons would hasten thither, doubly attracted by the enchantment, of "playing priest" and by the generous refreshment that Doña Cristina used to prepare for all the parish clergy.

This solemnity would begin with the furious pealing of some bells hanging over the parlor door, causing the notary's clients, seated in the vestibule waiting for the papers that the clerks were just scribbling off at full speed, to raise their heads in astonishment. The metallic uproar rocked the edifice whose corners had seemed so full of silence, and even disturbed the calm of the street through which a carriage only occasionally passed.

While some of his chums were lighting the candles on the shrines and unfolding the sacred altar cloths of beautiful lace work made by Doña Cristina, the son and his more intimate friends were arraying themselves before the faithful, covering themselves with surplices and gold-worked vestments and putting wonderful caps on their heads. The mother, who was peeping from behind one of the doors, had to make a great effort not to rush in and devour Ulysses with kisses. With what grace he was imitating the mannerisms and genuflections of the chief priest!…

Up to this point all went perfectly. The three officiating near the pyramid of lights were singing at the top of their lungs, and the chorus of the faithful were responding from the end of the room with tremors of impatience. Suddenly surged forth Protest, Schism and Heresy. Those at the altar had already done more than enough. They must now give up their chasubles to those who were looking on in order that they, in their turn, might exercise the sacred ministry. That was what they had agreed upon. But the clergy resisted with the haughtiness and majesty of acquired right, and impious hands began pulling off the garb of the saints, profaning them and even tearing them. Yells, kicks, images and wax candles on the floor!… Scandal and abominations as though the Anti-Christ were already born!… The prudence of Ulysses put an end to the struggle: "What if we should go up in the pòrche to play?…"

The pòrche was the immense garret of the great old house, so all accepted the plan with enthusiasm. Church was over! And like a flock of birds they went flying up the stairs over the landings of multi-colored tiles with their chipped glaze, disclosing the red brick underneath. The Valencian potters of the eighteenth century had adorned these tiles with Berber and Christian galleys, birds from nearby Albufera, white-wigged hunters offering flowers to a peasant girl, fruits of all kinds, and spirited horsemen on steeds that were half the size of their bodies parading before houses and trees that scarcely reached to the knees of their prancing coursers.

The noisy group spread themselves over the upper floor as in the most terrible invasions of history. Cats and mice fled together to the far-away corners. The terrified birds sped like arrows through the skylights of the roof.

The poor notary!… He had never returned empty-handed when called outside of the city by the confidence of the rich farmers, incapable of believing in any other legal science than his. That was the time when the antique dealers had not yet discovered rich Valencia, where the common people dressed in silks for centuries, and furniture, clothing and pottery seemed always to be impregnated with the light of steady sunshine and with the blue of an always clear atmosphere.

Don Esteban, who believed himself obliged to be an antiquarian by virtue of his membership in various local societies, was continually filling up his house with mementoes of the past picked up in the villages, or that his clients freely gave him. He was not able to find wall space enough for the pictures, nor room in his salons for the furniture. Therefore, the latest acquisitions were provisionally taking their way to the pòrche to await definite installation. Years afterward, when he should retire from his profession, he might be able to construct a medieval castle—the most medieval possible on the coasts of the Marina; near to the village where he had been born, he would put each object in a place appropriate to its importance.

Whatever the notary deposited in the rooms of the first floor would soon make its appearance in the garret as mysteriously as though it had acquired feet; for Doña Cristina and her servants, obliged to live in a continual struggle with the dust and cobwebs of an edifice that was slowly dropping to pieces, were beginning to feel a ferocious hatred of everything old.

Up here on the top floor, discords and battles because of lack of things to dress up in, were not possible among the boys. They had only to sink their hands into any one of the great old chests, pulsing with the dull gnawing of the wood-borers, whose iron fretwork, pierced like lace, was dropping away from its supports. Some of the youngsters, brandishing short, small swords with hilts of mother-of-pearl, or long blades such as the Cid carried, would then wrap themselves in mantles of crimson silk darkened by ages. Others would throw over their shoulders damask counterpanes of priceless old brocade, peasant skirts with great flowers of gold, farthingales of richly woven texture that crackled like paper.

When they grew tired of imitating comedians with noisy clashing of spades and death-blows, Ulysses and the other active lads would propose the game of "Bandits and Bailiffs." But thieves could not go clad in such rich cloths; their attire ought to be inconspicuous. And so they overturned some mountains of dull-colored stuffs that appeared like mere sacking in whose dull woven designs could be dimly discerned legs, arms, heads, and branching sprays of metallic green.

Don Esteban had found these fragments already torn by the farmers into covers for their large earthen jars of oil or into blankets for the work-mules. They were bits of tapestry copied from cartoons of Titian and Rubens which the notary was keeping only out of historic respect. Tapestry then, like all things that are plentiful, had no special merit. The old-clothes dealers of Valencia had in their storehouses dozens of the same kind of remnants and when the festival of Corpus Christi approached they used them to cover the natural barricades formed by the ground, instead of building new ones in the street followed by the processions.

At other times, Ulysses repeated the same game under the name of "Indians and Conquerors." He had found in the mountains of books stored away by his father, a volume that related in double columns, with abundant wood cuts, the navigations of Columbus, the wars of Hernando Cortez, and the exploits of Pizarro.

This book cast a glamor over the rest of his existence. Many times afterwards, when a man, he found this image latent in the background of his likes and desires. He really had read few of its paragraphs, but what interested him most were the engravings—in his estimation more worthy of admiration than all the pictures in the garret.

With the point of his long sword he would trace on the ground, just as Pizarro had done before his discouraged companions, ready on the Island of Gallo to desist from the conquest: "Let every good Castilian pass this line…." And the good Castilians—a dozen little scamps with long capes and ancient swords whose hilts reached up to their mouths—would hasten to group themselves around their chief, who was imitating the heroic gestures of the conqueror. Then was heard the war-cry: "At them! Down with the Indians!"

It was agreed that the Indians should flee and on that account they were modestly clad in scraps of tapestry and cock feathers on their head. But they fled treacherously, and upon finding themselves upon vargueños, tables and pyramids of chairs, they began to shy books at their persecutors. Venerable leather volumes decorated with dull gold, and folios of white parchment fell face downward on the floor, their fastenings breaking apart and spreading abroad a rain of printed or manuscript pages and yellowing engravings—as though tired of living, they were letting their life-blood flow from their bodies.

The uproar of these wars of conquest brought Doña Cristina to the rescue. She no longer cared to harbor little imps who preferred the adventurous whoops of the garret to the mystic delights of the abandoned chapel. The Indians were most worthy of execration. In order to make splendor of attire counterbalance the humility of their role, they had slashed their sinful scissors into entire tapestries, mutilating vestments so as to arrange upon their breasts the head of a hero or goddess.

Finding himself without playfellows, Ulysses discovered a new enchantment in the garret life. The silence haunted by the creaking of wood and the scampering of invisible animals, the inexplicable fall of a picture or of some piled-up books, used to make him thrill with a sensation of fear and nocturnal mystery, despite the rays of sunlight that came filtering in through the skylights; but he began to enjoy this solitude when he found that he could people it to his fancy. Real beings soon annoyed him like the inopportune sounds that sometimes awoke him from beautiful dreams. The garret was a world several centuries old that now belonged entirely to him and adjusted itself to all his fancies.

Seated in a trunk without a lid, he made it balance itself, imitating with his mouth the roarings of the tempest. It was a caravel, a galleon, a ship such as he had seen in the old books, its sails painted with lions and crucifixes, a castle on the poop and a figure-head carved on the prow that dipped down into the waves, only to reappear dripping with foam.

The trunk, by dint of vigorous pushing, could be made to reach the rugged coast at the corner of the old chest, the triangular gulf made of two chests of drawers, and the smooth beach formed by some bundles of clothes. And the navigator, followed by a crew as numerous as it was imaginary, would leap ashore, sword in hand, scaling some mountains of books that were the Andes, and piercing various volumes with the tip of an old lance in order to plant his standard there. Oh, why had he not been one of the conquerors?…

Fragments of a conversation between his godfather and his father, who believed everything was already known regarding the surface of the earth, left him unconvinced. Something must still be left for him to discover! He was the meeting point of two families of sailors. His mother's brothers had ships on the coast of Catalunia. His father's ancestors had been valorous and obscure navigators, and there in the Marina was his uncle, the doctor, a genuine man of the sea.

When he grew tired of these imaginative orgies, he used to examine the portraits of different epochs stowed away in the garret. He preferred those of the women—noble dames with short-cropped, curled hair bound by a knot of ribbon on the temple, like those that Velazquez loved to paint, and long faces of the century following, with cherry-colored mouth, two patches on the cheeks, and a tower of white hair. The memory of the Grecian basilisa appeared to emanate from these paintings. All the high-born dames seemed to have something in common with her.

Among the portraits of the men there was one of a bishop that irritated him by its absurd childishness. He appeared almost his own age, an adolescent bishop, with imperious and aggressive eyes. These eyes used to inspire the sensitive lad with a certain terror, and he therefore decided to have done with them. "Take that!" and he ran his sword through the old chipped picture, making two gashes replace the challenging eyes. Then he added a few gashes more for good measure…. That same evening, his godfather having been invited to supper, the notary spoke of a certain portrait acquired a few months before in the neighborhood of Játiva, a city that he had always regarded with interest on account of the Borgias having been born in one of its suburbs. The two men were of the same opinion. That almost infantile prelate could have been no other than Caesar Borgia, made Archbishop of Valencia when sixteen years old by his father, the Pope. On their first free day they would examine the portrait with particular attention…. And Ulysses, hanging his head, felt every mouthful sticking in his throat.

For the fanciful lad, a pleasure even more intense and substantial than his lonely games in the garret was a visit to his godfather's home; to his childish eyes, this godparent, the lawyer, Don Carmelo Labarta, was the personification of the ideal life, of glory, of poesy. The notary was wont to speak of him with enthusiasm, yet pitying him at the same time.

"That poor Don Carmelo!… The leading authority of the age in civilian matters! By applying himself he might earn some money, but verses attracted him more than lawsuits."

Ulysses used to enter his office with keen emotion. Above rows of multicolored and gilded books that covered the walls, he saw some great plaster heads with towering foreheads and vacant eyes that seemed always to be contemplating an immense nothingness.

The child could repeat their names like a fragment from a choir book, from Homer to Victor Hugo. Then his glance would seek another head equally glorious although less white, with blonde and grizzled beard, rubicund nose and bilious cheeks that in certain moments scattered bits of scale. The sweet eyes of his godfather—yellowish eyes spotted with black dots—used to receive Ulysses with the doting affection of an aging, old bachelor who needs to invent a family. He it was who had given him at the baptismal font the name which had awakened so much admiration and ridicule among his school companions; with the patience of an old grand-sire narrating saintly stories to his descendants, he would tell Ulysses over and over the adventures of the navigating King of Ithaca for whom he had been named.

With no less devotion did the lad regard all the souvenirs of glory that adorned his house—wreaths of golden leaves, silver cups, nude marble statuettes, placques of different metals upon plush backgrounds on which glistened imperishably the name of the poet Labarta. All this booty the tireless Knight of Letters had conquered by means of his verse.

When the Floral Games were announced, the competitors used to tremble lest it might occur to the great Don Carmelo to hanker after some of the premiums. With astonishing facility he used to carry off the natural flower awarded for the heroic ode, the cup of gold for the amorous romance, the pair of statues dedicated to the most complete historical study, the marble bust for the best legend in prose, and even the "art bronze" reward of philological study. The other aspirants might try for the left-overs.

Fortunately he had confined himself to local literature, and his inspiration would not admit any other drapery than that of Valencian verse. Next to Valencia and its past glories, Greece claimed his admiration. Once a year Ulysses beheld him arrayed in his frock coat, his chest starred with decorations and in his lapel the golden cicada, badge of the poets of Provence.

He it was who was going to be celebrated in the fiesta of Provençal literature, in which he always played the principal role; he was the prize bard, lecturer, or simple idol to whom other poets were dedicating their eulogies—clerics given to rhyming, personifiers of religious images, silk-weavers who felt the vulgarity of their existence perturbed by the itchings of inspiration—all the brotherhood of popular bards of the ingenuous and domestic brand who recalled the Meistersingers of the old German cities.

His godson always imagined him with a crown of laurel on his brows just like those mysterious blind poets whose portraits and busts ornamented the library. In real life he saw perfectly well that his head had no such adornment, but reality lost its value before the firmness of his conceptions. His godfather certainly must wear a wreath when he was not present. Undoubtedly he was accustomed to wear it as a house cap when by himself.

Another thing which he greatly admired about the grand man was his extensive travels. He had lived in distant Madrid—the scene of almost all the novels read by Ulysses—and once upon a time he had crossed the frontier, going courageously into a remote country called the south of France, in order to visit another poet whom he was accustomed to call "My friend, Mistral." And the lad's imagination, hasty and illogical in its decisions, used to envelop his godfather in a halo of historic interest, similar to that of the conquerors.

At the stroke of the twelve o'clock chimes Labarta, who never permitted any informality in table matters, would become very impatient, cutting short the account of his journeys and triumphs.

"Doña Pepa!… We have a guest here."

Doña Pepa was the housekeeper, the great man's companion who for the past fifteen years had been chained to the chariot of his glory. The portières would part and through them would advance a huge bosom protruding above an abdomen cruelly corseted. Afterwards, long afterwards, would appear a white and radiant countenance, a face like a full moon, and while her smile like a night star was greeting the little Ulysses, the dorsal complement of her body kept on coming in—forty carnal years, fresh, exuberant, tremendous.

The notary and his wife always spoke of Doña Pepa as of a familiar person, but the child never had seen her in their home. Doña Cristina used to eulogize her care of the poet—but distantly and with no desire to make her acquaintance—while Don Esteban would make excuses for the great man.

"What can you expect!… He is an artist, and artists are not able to live as God commands. All of them, however dignified they may appear, are rather carnal at heart. What a pity! such an eminent lawyer!… The money that he could make…!"

His father's lamentations opened up new horizons to the little fellow's suspicions. Suddenly he grasped the prime motive force of our existence, hitherto only conjectured and enveloped in mystery. His godfather had relations with a woman; he was enamored like the heroes of the novels! And the boy recalled many of his Valencian poems, all rhapsodizing a lady—sometimes singing of her great beauty with the rapture and noble lassitude of a recent possession; at others complaining of her coldness, begging of her that disposition of her soul without which the gift of the body is as naught.

Ulysses imagined to himself a grand señora as beautiful as Doña Constanza. At the very least, she must be a Marchioness. His godfather certainly deserved that much! And he also imagined to himself that their rendezvous must be in the morning, in one of the strawberry gardens near the city, where his parents were accustomed to take him for his breakfast chocolate after hearing the first dawn service on the Sundays of April and May.

Much later, when seated at his godfather's table, he surprised the poet exchanging glances over his head with the housekeeper, and began to suspect that possibly Doña Pepa might be the inspiration of so much lachrymose and enthusiastic verse. But his great loyalty rebelled before such a supposition. No, no, it could not be possible; assuredly there must be another!

The notary, who for long years had been friendly with Labarta, kept trying to direct him with his practical spirit, like the boy who guides a blind man. A modest income inherited from his parents was enough for the poet to live upon. In vain his friend brought him cases that represented enormous fees. The voluminous documents would become covered with dust on his table and Don Esteban would have to saddle himself with the dates in order that the end of the legal procedures should not slip by.

His son, Ulysses would be a very different sort of man, thought the notary. In his mind's eye he could see the lad as a great civilian jurist like his godfather, but with a positive activity inherited from his father. Fortune would enter through his doors on waves of stamped paper.

Furthermore, he would also possess the notarial studio—the dusty office with its ancient furniture and great wardrobes, with its screen doors and green curtains, behind which reposed the volumes of the protocol, covered with yellowing calfskin with initials and numbers on their backs. Don Esteban realized fully all that his study represented.

"There is no orange grove," he would say in his expansive moments; "there are no rice plantations that can produce what this estate does. Here there are no frosts, nor strong sea winds, nor inundations."

The clientele was certain—people from the church, who had the devotees back of them and considered Don Esteban as one of their class, and farmers, many rich farmers. The families of the country folk, whenever they heard any talk about smart men, always thought immediately of the notary from Valencia. With religious veneration they saw him adjust his spectacles in order to read as an expert the bill of sale or dowry contract that his amanuenses had just drawn up. It was written in Castilian and for the better understanding of his listeners he would read it, without the slightest hesitation, in Valencian. What a man!…

Afterwards, while the contracting parties were signing it, the notary raising the little glass window at the front, would entertain the assembly with some local legends, always decent, without any illusions to the sins of the flesh, but always those in which the digestive organs figured with every degree of license. The clients would roar with laughter, captivated by this funny eschatalogy, and would haggle less in the matter of fees. Famous Don Esteban!… Just for the pleasure of hearing his yarns they would have liked a legal paper drawn up every month.

The future destiny of the notarial crown prince was the object of many after-dinner conversations on the special days when the poet was an invited guest.

"What do you want to be?" Labarta asked his godson.

His mother's supplicating glance seemed desperately to implore the little fellow: "Say Archbishop, my king." For the good señora, her son could not make his début in any other way than in a church career. The notary always used to speak very positively from his own viewpoint, without consulting the interested party. He would be an eminent jurisconsult; thousands of dollars were going to roll toward him as though they were pennies; he was going to figure in university solemnities in a cloak of crimson satin and an academic cap announcing from its multiple sides the tasseled glory of the doctorate. The students in his lecture-room would listen to him most respectfully. Who knew what the government of his country might not have in store for him!…

Ulysses interrupted these images of future grandeur:

"I want to be a captain."

The poet approved. He felt the unreflective enthusiasm which all pacific and sedentary beings have for the plume and the sword. At the mere sight of a uniform his soul always thrilled with the amorous tenderness of a child's nurse when she finds herself courted by a soldier.

"Fine!" said Labarta. "Captain of what?… Of artillery?… Of the staff?…"

A pause.

"No; captain of a ship."

Don Esteban looked up at the roof, raising his hands in horror. He well knew who was guilty of this ridiculous idea, the one who had put such absurd longings in his son's head!

And he was thinking of his brother, the retired doctor, who was living in the paternal home over there in the Marina:—an excellent man, but a little crazy, whom the people on the coast called the Dotor, and the poet Labarta had nicknamed the Triton.

CHAPTER II
MATER AMPHITRITE

When the Triton occasionally appeared in Valencia, thrifty Doña Cristina was obliged to modify the dietary of her family. This man ate nothing but fish, and her soul of an economical housewife worried greatly at the thought of the extraordinarily high price that fish brings in a port of exportation.

Life in that house, where everything always jogged along so uniformly, was greatly upset by the presence of the doctor. A little after daybreak, just when its inhabitants were usually enjoying the dessert of their night's sleep, hearing drowsily the rumble of the early morning carts and the bell-ringing of the first Masses, the house would reëcho to the rude banging of doors and heavy footsteps making the stairway creak. It was the Triton rushing out on the street, incapable of remaining between four walls after the first streak of light. Following the currents of the early morning life, he would reach the market, stopping before the flower stands where were the most numerous gatherings of women.

The eyes of the women turned toward him instinctively with an expression of interest and fear. Some blushed as he passed by, imagining against their will what an embrace from this hideous and restless Colossus must be.

"He is capable of crushing a flea on his arm," the sailors of his village used to boast when trying to emphasize the hardness of his biceps. His body lacked fat, and under his swarthy skin bulged great, rigid and protruding muscles—an Herculean texture from which had been eliminated every element incapable of producing strength. Labarta found in him a great resemblance to the marine divinities. He was Neptune before his head had silvered, or Poseidon as the primitive Greek poets had seen him with hair black and curly, features tanned by the salt air, and with a ringleted beard whose two spiral ends seemed formed by the dripping of the water of the sea. The nose somewhat flattened by a blow received in his youth, and the little eyes, oblique and tenacious, gave to his countenance an expression of Asiatic ferocity, but this impression melted away when his mouth parted in a smile, showing his even, glistening teeth, the teeth of a man of the sea accustomed to live upon salt food.

During the first few days of his visit he would wander through the streets wavering and bewildered. He was afraid of the carriages; the patter of the passers-by on the pavements annoyed him; he, who had seen the most important ports of both hemispheres, complained of the bustle in the capital of a province. Finally he would instinctively take the road from the harbor in search of the sea, his eternal friend, the first to salute him every morning upon opening the door of his own home down there on the Marina.

On these excursions he would oftentimes be accompanied by his little nephew. The bustle on the docks,—(the creaking of the cranes, the dull rumble of the carts, the deafening cries of the freighters),—always had for him a certain music reminiscent of his youth when he was traveling as a doctor on a transatlantic steamer.

His eyes also received a caress from the past upon taking in the panorama of the port—steamers smoking, sailboats with their canvas spread out in the sunlight, bulwarks of orange crates, pyramids of onions, walls of sacks of rice and compact rows of wine casks paunch to paunch. And coming to meet the outgoing cargo were long lines of unloaded goods being lined up as they arrived—hills of coal coming from England, sacks of cereal from the Black Sea, dried codfish from Newfoundland sounding like parchment skins as they thudded down on the dock, impregnating the atmosphere with their salty dust, and yellow lumber from Norway that still held a perfume of the pine woods.

Oranges and onions fallen from the crates were rotting in the sun, scattering their sweet and acrid juices. The sparrows were hopping around the mountains of wheat, flitting timidly away when hearing approaching footsteps. Over the blue surface of the harbor waters the sea gulls of the Mediterranean, small, fine and white as doves, twined in and out in their interminable contra-dances.

The Triton went on enumerating to his nephew the class and specialty of every kind of vessel; and upon discovering that Ulysses was capable of confusing a brigantine with a frigate, he would roar in scandalized amazement.

"Heavens! Then what in the devil do they teach your in school?…"

Upon passing near the citizens of Valencia seated on the wharves, fishing rod in hand, he would shoot a glance of commiseration toward their empty baskets. Over there by his house on the coast, before the sun would be up, he would already have covered the bottom of his boat with enough to eat for a week. The misery of the cities!

Standing on the last points of the rocky ledge, his glance would sweep the immense plain, describing to his nephew the mysteries hidden beyond the horizon. At their left, beyond the blue mountains of Oropesa, which bound the Valencian gulf, he could see in imagination Barcelona, where he had numerous friends, Marseilles, that prolongation of the Orient fastened on the European coast, and Genoa with its terraced palaces on hills covered with gardens. Then his vision would lose itself on the horizon stretching out in front of him. That was the road of his happy youth.

Straight ahead in a direct line was Naples with its smoking mountain, its music and its swarthy dancing girls with hoop earrings; further on, the Isles of Greece; at the foot of an Aquatic Street, Constantinople; and still beyond, bordering the great liquid court of the Black Sea, a series of ports where the Argonauts—sunk in a seething mass of races, fondled by the felinism of slaves, the voluptuosity of the Orientals, and the avarice of the Jews—were fast forgetting their origin.

At their right was Africa; the Egyptian ports with their traditional corruption that at sunset was beginning to tremble and steam like a fetid morass; Alexandria in whose low coffee houses were imitation Oriental dancers with no more clothes than a pocket handkerchief, every woman of a different nation and shrieking in chorus all the languages of the earth….

The doctor withdrew his eyes from the sea in order to observe his flattened nose. He was recalling a night of Egyptian heat increased by the fumes of whiskey; the familiarity of the half-clad public women, the scuffle with some ruddy Northern sailors, the encounter in the dark which obliged him to flee with bleeding face to the ship that, fortunately, was weighing anchor at dawn. Like all Mediterranean men, he never went ashore without wearing a dagger hidden on his person, and he had to "sting" with it in order to make way for himself.

"What times those were!" said the Triton with more regret and homesickness than remorse; and then he would add by way of excuse, "Ay, but then I was only twenty-four years old!"

These memories made him turn his eyes toward a huge bluish bulk extending out into the sea and looking to the casual spectator like a great barren island. It was the promontory crowned by the Mongó, the great Ferrarian promontory of the ancient geographers, the furthest-reaching point of the peninsula in the lower Mediterranean that closes the Gulf of Valencia on the south.

It had the form of a hand whose digits were mountains, but lacked the thumb. The other four fingers extended out into the waves, forming the capes of San Antonio, San Martin, La Nao and Almoraira. In one of their coves was the Triton's native village, and the home of the Ferraguts—hunters of black pirates in other days, contrabandists at times in modern days, sailors in all ages, appearing originally, perhaps, from those first wooden horses that came leaping over the foam seething around the promontory.

In that home in the Marina he wished to live and die, with no further desire of seeing more lands, with that sudden immovability that attacks the vagabonds of the waves and makes them fix themselves upon a ledge of the coast like a mollusk or bunch of seaweed.

Soon the Triton grew tired of these strolls to the harbor. The sea of Valencia was not a real sea for him. The waters of the river and of the irrigation canals disturbed him. When it rained in the mountains of Aragon, an earthy liquid always discharged itself into the Gulf, tinting the waves with flesh color and the foam with yellow. Besides, it was impossible to indulge in his daily sport of swimming. One winter morning, when he began to undress himself on the beach, the crowd gathered around him as though attracted by a phenomenon. Even the fish of the Gulf had to him an insufferable slimy taste.

"I'm going back home," he would finally say to the notary and his wife.

"I can't understand how in the world you are able to live here!"

In one of these retreats to the Marina he insisted upon taking Ulysses home with him. The summer season was beginning, the boy would be free from school for three months, and the notary, who was not able to go far away from the city, was going to pass the summer with his family on the beach at Cabañal checkered by bad-smelling irrigation canals near a forlorn sea. The little fellow was looking very pale and weak on account of his studies and hectoring. His uncle would make him as strong and agile as a dolphin. And in spite of some very lively disputes, he succeeded in snatching the child away from Doña Cristina.

The first things that Ulysses admired upon entering the doctor's home were the three frigates adorning the ceiling of the dining-room—three marvelous vessels in which there was not lacking a single sail nor pulley rope, nor anchor, and which might be made to sail over the sea at a moment's notice.

They were the work of his grandfather Ferragut. Wishing to release his two sons from the marine service which had weighed upon the family for many centuries, he had sent them to the University of Valencia in order that they might become inland gentlemen. The older, Esteban, had scarcely terminated his career before he obtained a notaryship in Catalunia. The younger one, Antonio, became a doctor so as not to thwart the old man's wishes, but as soon as he acquired his degree he offered his services to a transatlantic steamer. His father had closed the door of the sea against him and he had entered by the window.

And so, as Ferragut Senior began to grow old, he lived completely alone. He used to look after his property—a few vineyards scattered along the coast in sight of his home—and was in frequent correspondence with his son, the notary. From time to time there came a letter from the younger one, his favorite, posted in remote countries that the old Mediterranean seaman knew only by hearsay. And during his long, dull hours in the shade of his arbor facing the blue and luminous sea, he used to entertain himself constructing these little models of boats. They were all frigates of great tonnage and fearless sail. Thus the old skipper would console himself for having commanded during his lifetime only heavy and clumsy merchant vessels like the ships of other centuries, in which he used to carry wine from Cette or cargo prohibited in Gibraltar and the coast of Africa.

Ulysses was not long in recognizing the rare popularity enjoyed by his uncle, the doctor—a popularity composed of the most antagonistic elements. The people used to smile in speaking of him as though he were a little touched, yet they dared to indulge in these smiles only when at a safe distance, for he inspired a certain terror in all of them. At the same time they used to admire him as a local celebrity, for he had traversed all seas, and possessed, besides, a violent and tempestuous strength which was the terror and pride of his neighbors. The husky youths when testing the vigor of their fists, boxing with crews of the English vessels that came there for cargoes of raisins, used to evoke the doctor's name as a consolation in case of defeat. "If only the Dotor could have been here!… Half a dozen Englishmen are nothing to him!"

There was no vigorous undertaking, however absurd it might be, that they would not believe him capable of. He used to inspire the faith of the miracle-working saints and audacious highway captains. On calm, sunshiny winter mornings the people would often go running down to the beach, looking anxiously over the lonely sea. The veterans who were toasting themselves in the sun near the overturned boats, on scanning the broad horizon, would finally discern an almost imperceptible point, a grain of sand dancing capriciously on the waves.

They would all break into shouts and conjectures. It was a buoy, a piece of masthead, the drift from a distant shipwreck. For the women it was somebody drowned, so bloated that it was floating like a leather bottle, after having been many days in the water.

Suddenly the same supposition would arise in every perplexed mind. "I wonder if it could be the Dotor!" A long silence…. The bit of wood was taking the form of a head; the corpse was moving. Many could now perceive the bubble of foam around his chest that was advancing like the prow of a ship, and the vigorous strokes of his arms…. "Yes, it surely was the Dotor!"… The old sea dogs loaned their telescopes to one another in order to recognize his beard sunk in the water and his face, contracted by his efforts or expanded by his snortings.

And the Dotor was soon treading the dry beach, naked and as serenely unashamed as a god, giving his hand to the men, while the women shrieked, lifting their aprons in front of one eye—terrified, yet admiring the dripping vision.

All the capes of the promontory challenged him to double them, swimming like a dolphin; he felt impelled to measure all the bays and coves with his arms, like a proprietor who distrusts another's measurements and rectifies them in order to affirm his right of possession. He was a human bark who, with the keel of his breast, cut the foam, whirling through the sunken rocks and the pacific waters in whose depths sparkled fishes among mother-of-pearl twigs and stars moving like flowers.

He used to seat himself to rest on the black rocks with overskirts of seaweed that raised or lowered their fringe at the caprice of the wave, awaiting the night and the chance vessel that might come to dash against them like a piece of bark. Like a marine reptile he had even penetrated certain caves of the coast, drowsy and glacial lakes illuminated by mysterious openings where the atmosphere is black and the water transparent, where the swimmer has a bust of ebony and legs of crystal. In the course of these swimming expeditions he ate all the living beings he encountered fastened to the rocks by antennas and arms. The friction of the great, terrified fish that fled, bumping against him with the violence of a projectile, used to make him laugh.

In the night hours passed before his grandfather's little ships, Ulysses used to hear the Triton speak of the Peje Nicolao, a man-fish of the Straits of Messina mentioned by Cervantes and other authors, who lived in the water maintaining himself by the donations from the ships. His uncle must be some relative of this Peje Nicolao. At other times this uncle would mention a certain Greek who in order to see his lady-love swam the Hellespont every night. And he, who used to know the Dardanelles, was longing to return there as a simple passenger merely that a poet named Lord Byron might not be the only one to imitate the legendary crossing.

The books that he kept in his home, the nautical charts fastened to the walls, the flasks and jars filled with the animal and vegetable life of the sea, and more than all this, his tastes which were so at variance with the customs of his neighbors, had given the Triton the reputation of a mysterious sage, the fame of a wizard.

All those who were well and strong considered him crazy, but the moment that there was the slightest break in their health they would share the same faith as the poor women who oftentimes passed long hours in the home of the Dotor, seeing his bark afar off and patiently awaiting his return from the sea, in order to show him the sick children they carried in their arms. He had an advantage over all other doctors, as he made no charge for his services; better still, many sick people came away from his house with money in their hands.

The Dotor was rich—the richest man in the countryside; a man who really did not know what to do with his money. His maid-servant—an old woman who had known his father and served his mother—used daily to receive from his hands the fish provided for the two with a regal generosity. The Triton, who had hoisted sail at daybreak, used to disembark before eleven, and soon the purpling lobster was crackling on the red coals, sending forth delicious odors; the stew pot was bubbling away, thickening its broth with the succulent fat of the sea-scorpion; the oil in the frying pan was singing, browning the flame-colored skin of the salmonettes; and the sea urchins and the mussels opened hissing under his knife, were emptying their still living pulp into the boiling stew pan. Furthermore, a cow with full udders was mooing in the yard, and dozens of chickens with innumerable broods were cackling incessantly.

The flour kneaded and baked by his servant, and the coffee thick as mud, was all that the Triton purchased with his money. If he hunted for a bottle of brandy on his return from a swim, it was only to use it in rubbing himself down.

Money entered through his doors once a year, when the girls of the vintage lined up among the trellises of his vineyards, cutting the bunches of little, close fruit and spreading them out to dry in some small sheds called riurraus. Thus was produced the small raisin preferred by the English for the making of their puddings. The sale was a sure thing, the boats always coming from the north to get the fruit. And the Triton, upon finding five or six thousand pesetas in his hand, would be greatly perplexed, inwardly asking himself what a man was ever going to do with so much money.

"All this is yours," he said, showing the house to his nephew.

His also the boat, the books and the antique furniture in whose drawers the money was so openly hid that it invited attention.

In spite of seeing himself lord of all that surrounded him, a rough and affectionate despotism, kept nevertheless, weighing the child down. He was very far from his mother, that good lady who was always closing the windows near him and never letting him go out without tying his neckscarf around him with an accompaniment of kisses.

Just when he was sleeping soundest, believing that the night would still be many hours longer, he would feel himself awakened by a violent tugging at his leg. His uncle could not touch him in any other way. "Get up, cabin boy!" In vain he would protest with the profound sleepiness of youth…. Was he, or was he not the "ship's cat" of the bark of which his uncle was the captain and only crew?…

His uncle's paws bared him to the blasts of salt air that were entering through the windows. The sea was dark and veiled by a light fog. The last stars were sparkling with twinkles of surprise, ready to flee. A crack began to appear on the leaden horizon, growing redder and redder every minute, like a wound through which the blood is flowing. The ship's cat was loaded up with various empty baskets, the skipper marching before him like a warrior of the waves, carrying the oars on his shoulders, his feet rapidly making hollows on the sand. Behind him the village was beginning to awaken and, over the dark waters, the sails of the fishermen, fleeing the inner sea, were slipping past like ghostly shrouds.

Two vigorous strokes of the oar sent their boat out from the little wharf of stones, and soon he was untying the sails from the gunwales and preparing the ropes. The unfurled canvas whistled and swelled in bellying whiteness. "There we are! Now for a run!"

The water was beginning to sing, slipping past both sides of the prow. Between it and the edge of the sail could be seen a bit of black sea, and coming little by little over its line, a great red streak. The streak soon became a helmet, then a hemisphere, then an Arabian arch confined at the bottom, until finally it shot up out of the liquid mass as though it were a bomb sending forth flashes of flame. The ash-colored clouds became stained with blood and the large rocks of the coast began to sparkle like copper mirrors. As the last stars were extinguished, a swarm of fire-colored fishes came trailing along before the prow, forming a triangle with its point in the horizon. The mist on the mountain tops was taking on a rose color as though its whiteness were reflecting a submarine eruption. "Bon dia!" called the doctor to Ulysses, who was occupied in warming his hands stiffened by the wind.

And, moved with childlike joy by the dawn of a new day, the Triton sent his bass voice booming across the maritime silence, several times intoning sentimental melodies that in his youth he had heard sung by a vaudeville prima donna dressed as a ship's boy, at other times caroling in Valencian the chanteys of the coast—fishermen's songs invented as they drew in their nets, in which most shameless words were flung together on the chance of making them rhyme. In certain windings of the coast the sail would be lowered, leaving the boat with no other motion than a gentle rocking around its anchor rope.

Upon seeing the space which had been obscured by the shadow of the boat's hulk, Ulysses found the bottom of the sea so near that he almost believed that he could touch it with the point of his oar. The rocks were like glass. In their interstices and hollows the plants were moving like living creatures, and the little animals had the immovability of vegetables and stones. The boat appeared to be floating in the air and athwart the liquid atmosphere that wraps this abysmal world, the fish hooks were dangling, and a swarm of fishes was swimming and wriggling toward its encounter with death.

Ulysses kept hoping in vain that sometimes they would allude to the Nereids and other poetic beings that the Triton had conjured around his promontory. The Blanes had never seen these extraordinary creatures. Their seas contained fish only. They were cold, economical men of few words, friends of order and social preferment. Their nephew suspected that they had the courage of men of the sea but without boasting or aggressiveness; their heroism was that of traders capable of suffering all kinds of adventures provided their stock ran no risks, but becoming wild beasts if any one attacked their riches.

The members of the Athenaeum were all old, the only masculine beings in the village. Besides them there were only the carbineers installed in the barracks and various calkers making their mallets resound on the hull of a schooner ordered by the Blanes brothers.

All the active men were on the sea. Some were sailing to America as crew of the brigs and barks of the Catalunian coast. The more timid and unfortunate ones were always fishing. Others, more valiant and anxious for ready money, had become smugglers on the French coast whose shores began on the other side of the promontory.

In the village there were only women, women of all kinds:—women seated before their doors, making lace on great cylindrical pillows on their knees, along whose length their bobbins wove strips of beautiful openwork, or grouped on the street corners in front of the lonely sea where their men were, or speaking with an electric nervousness that oftentimes would break out suddenly in noisy tempests.

Only the parish priest, whose fishing recreations and official existence were embittered by their constant quarrels, understood the feminine irritability which embroiled the village. Alone and having to live incessantly in such close contact, the women had come to hate each other as do passengers isolated on a boat for many months. Besides, their husbands had accustomed them to the use of coffee, the seaman's drink, and they tried to beguile their tedium with strong cups of the thick liquid.

A common interest, nevertheless, united these women miraculously when living alone. When the carbineers inspected the houses in search of contraband goods smuggled in by the men, the Amazons worked off their nervous energy in hiding the illegal merchandise, making it pass from one place of concealment to another with the cunning of savages.

Whenever the government officers began to suspect that certain packages had gone to hide themselves in the cemetery, they would find there only some empty graves, and in the bottom of them a few cigars between skulls that were mockingly stuck up in the ground. The chief of the barracks did not dare to inspect the church, but he looked contemptuously upon Mosen Jòrdi, the priest, as a simpleton quite capable of permitting tobacco to be hidden behind the altars in exchange for the privilege of fishing in peace.

The rich people lived with their backs turned on the village, contemplating the blue expanse upon which were erected the wooden houses that represented all their fortune. In the summer-time the sight of the smooth and brilliant Mediterranean made them recall the dangers of the winter. They spoke with religious terror of the land breeze, the wind from the Pyrenees, the Tramontana that oftentimes snatched edifices from their bases and had overturned entire trains in the nearby station. Furthermore, on the other side of the promontory began the terrible Gulf of Lyons. Upon its surface, not more than ninety yards in extent, the waters driven by the strong sea winds often became so rough, and raised up waves so high and so solid that upon clashing together and finding no intermediate space upon which to fall, they piled one upon another, forming regular towers.

This gulf was the most terrible of the Mediterranean. The transatlantic liners returning from a good voyage to the other hemisphere used here to tremble with a pre-monition of danger and sometimes even turned back. The captains who had just crossed the great Atlantic would here furrow their brows with uneasiness.

From the door of the Athenaeum the experts used to point out the Latin sailboats that were about to double the promontory. They were merchant vessels such as that elder Ferragut had commanded, embarkations from Valencia that were bringing wine to Cette and fruits to Marseilles. Upon seeing the blue surface of the Gulf on the other side of the Cape with no other roughness than that of a long and infinitely heavy swell, the Valencians would exclaim happily:

"Let us cross quickly, while the lion sleeps."

Ulysses had one friend, the secretary of the city-hall, and the only inhabitant that had any books in his house. Treated by the rich with a certain contempt, the official used to seek the boy's company because he was the only creature who would listen to him attentively.

He adored the mare nostrum as much as Doctor Ferragut, but his enthusiasm was not concerned with the Phoenician and Egyptian ships whose keels had first plowed these waves. He was equally indifferent to Grecian and Carthaginian Triremes, Roman warships, and the monstrous galleys of the Sicilian tyrants,—palaces moved by oars, with statues, fountains and gardens. That which most interested him was the Mediterranean of the Middle Ages, that of the kings of Aragon, the Catalunian Sea. And the poor secretary would give long daily dissertations about them in order to pique the local pride of his juvenile listener.

One day after dilating at length on Roger de Lauria and the Catalan navy, he wound up his tedious history by telling the little fellow how Alfonso V, his brother the King of Navarre, and all his cortege of magnates, had remained prisoners of the Republic of Genoa, which, terrified by the importance of its royal prey, had entrusted the captives to the guard of the Duke of Milan…. But the monarchs easily came to an understanding in order to deceive the democratic governments, and the Milanese sovereign released the King of Aragon with all his suite. Thereupon he immediately blockaded Genoa with an enormous fleet. The Provençal navy came promptly to the relief of its neighbors, and the Aragonese King forced the port of Marseilles, bearing away as trophy the chains that closed its entrance.

Ulysses nodded affirmatively. The sailor king had deposited these chains in the cathedral of Valencia. His godfather, the poet, had pointed them out to him in a Gothic chapel, forming a garland of iron over the black hewn stones.

The Catalan navy still continued to dominate the Mediterranean commercially, adding to its ancient vessels great galleons, lighter galleys, caravels, cattle boats, and other ships of the period.

"But Christopher Columbus," concluded the Catalan sadly, "discovered the Indies, thereby giving a death blow to the maritime riches of the Mediterranean. Besides, Aragon and Castile became united and their life and power were then concentrated in the center of the Peninsula, far from the sea."

Had Barcelona been the capital of Spain, Catalunia would have preserved the Mediterranean domination. Had Lisbon been the capital, the Spanish colonial realm would have developed into something organic and solid with a robust life. But what could you expect of a nation which had stuck its head into a pillow of yellow interior steppes, the furthest possible from the world's highways, showing only its feet to the waves!…

The Catalan would always end by speaking sadly of the decadence of the Mediterranean marine. Everything that was pleasing to his tastes made him hark back to the good old time of the domination of the Mediterranean by the Catalan marine. One day he offered Ulysses a sweet and perfumed wine.

"It is Malvasian, the first stock the Almogavars brought here from Greece."

Then he said in order to flatter the boy:

"It was a citizen of Valencia, Ramon Muntaner, who wrote of the expeditions of the Catalans and Aragonese against Constantinople."

The mere recollection of this novel-like adventure, the most unheard-of in history, used to fill him with enthusiasm, and, in passing, he paid highest tribute to the Almogavar chronicler, a rude Homer in song, Ulysses and Nestor in council, and Achilles in hard action.

Doña Cristina's impatience to rejoin her husband and to return to the comforts of her well-regulated household finally carried Ulysses away from this life by the coast.

For many years thereafter he saw no other sea than the Gulf of Valencia. The notary, under various pretexts, contrived to prevent the doctor's again carrying off his nephew; and the Triton made his trips to Valencia less frequently, rebelling against all the inconveniences and dangers of these terrestrial adventures.

And Labarta, when occupied with the future of Ulysses, used to take on a certain air of a good-natured regent charged with the guardianship of a little prince. The boy appeared to belong to them more than to his own father; his studies and his future destiny filled completely their after-dinner conversations when the doctor was in town.

Don Esteban felt a certain satisfaction in annoying his brother by eulogizing the sedentary and prosperous life.

Over there on the coasts of Catalunia lived his brothers-in-law, the Blanes, genuine wolves of the sea. The doctor would not be able to contradict that. Very well, then,—their sons were in Barcelona, some as business clerks, others making a name for themselves in the office of their rich uncle. They were all sailors' sons and yet they had completely freed themselves from the sea. Their business was entirely on terra firma. Only crazyheads could think of ships and adventures.

The Triton used to smile humbly before such pointed allusions, and exchange glances with his nephew.

A secret existed between the two. Ulysses, who was finishing his studies for a bachelor's degree, was at the same time taking the courses of pilotage at the institute. Two years would be sufficient for the completion of these latter studies. The uncle had provided the matriculation fees and the books, besides recommending the boy to a former sailor comrade.

CHAPTER III
PATER OCEANUS

When Don Esteban died very suddenly, his eighteen-year-old son was still studying in the university.

In his latter days the notary had begun to suspect that Ulysses was not going to be the celebrated jurist that he had dreamed. He had a way of cutting classes in order to pass the morning in the harbor, exercising with the oars. If he entered the university, the beadles were on their guard fearing his long-reaching hands: for he already fancied himself a sailor and liked to imitate the men of the sea who, accustomed to contend with the elements, considered a quarrel with a man as a very slight affair. Alternating violently between study and laziness, he was laboriously approaching the end of his course when neuralgia of the heart carried off the notary.

Upon coming out from the stupefaction of her grief, Doña Cristina looked around her with aversion. Why should she linger on in Valencia? Since she could no longer be with the man who had brought her to this country, she wanted to return to her own people. The poet Labarta would look after her properties that were not so valuable nor numerous as the income of the notary had led them to suppose. Don Esteban had suffered great losses in extravagant business speculations good-naturedly accepted, but there was still left a fortune sufficient to enable his wife to live as an independent widow among her relatives in Barcelona.

In arranging her new existence, the poor lady encountered no opposition except the rebelliousness of Ulysses. He refused to continue his college course and he wished to go to sea, saying that for that reason he had studied to become a pilot. In vain Doña Cristina entreated the aid of relatives and friends, excluding the Triton, whose response she could easily guess. The rich brother from Barcelona was brief and affirmative, "But wouldn't that bring him in the money?"… The Blanes of the coast showed a gloomy fatalism. It would be useless to oppose the lad if he felt that to be his vocation. The sea had a tight clutch upon those who followed it, and there was no power on earth that could dissuade him. On that account they who were already old were not listening to their sons who were trying to tempt them with the convenience of life in the capital. They needed to live near the coast in agreeable contact with the dark and ponderous monster which had rocked them so maternally when it might just as easily have dashed them to pieces.

The only one who protested was Labarta. A sailor?… that might be a very good thing, but a warlike sailor, an official of the Royal Armada. And in his mind's eye the poet could see his godson clad in all the splendors of naval elegance,—a blue jacket with gold buttons for every day, and for holiday attire a coat trimmed with galloon and red trappings, a pointed hat, a sword….

Ulysses shrugged his shoulders before such grandeur. He was too old now to enter the naval school. Besides he wanted to sail over all oceans, and the officers of the navy only had occasion to cruise from one port to another like the people of the coast trade, or even passed years seated in the cabinet of the naval executive. If he had to grow old in an office, he would rather take up his father's profession of notary.

After seeing Doña Cristina well established in Barcelona, surrounded with a cortège of nephews fawning upon the rich aunt from Valencia, her son embarked as apprentice on a transatlantic boat which was making regular trips to Cuba and the United States. Thus began the seafaring life of Ulysses Ferragut, which terminated only with his death.

The pride of the family placed him on a luxurious steamer, a mail-packet full of passengers, a floating hotel on which the officials were something like the managers of the Palace Hotel, while the real responsibility devolved upon the engineers, who were always going below, and upon returning to the light, invariably remained modestly in a second place, according to a hieratical law anterior to the progress of mechanics.

He crossed the ocean several times, as do those making a land journey at the full speed of an express train. The august calm of the sea was lost in the throb of the screws and in the deafening roar of the machinery. However blue the sky might be, it was always darkened by the floating crepe band from the smokestacks. He envied the leisurely sailboats that the liner was always leaving behind. They were like reflective wayfarers who saturate themselves with the country atmosphere and commune deeply with its soul. The people of the steamer lived like terrestrial travelers who sleepily survey from the car-windows a succession of indefinite and dizzying views streaked by telegraph wires.

When his novitiate was ended he became second mate on a sailing vessel bound for Argentina for a cargo of wheat. The slow day's run with little wind and the long equatorial calms permitted him to penetrate a little into the mysteries of the oceanic immensity, severe and dark, that for ancient peoples had been "the night of the abyss," "the sea of utter darkness," "the blue dragon that daily swallows the sun."

He no longer regarded Father Ocean as the capricious and tyrannical god of the poets. Everything in his depths was working with a vital regularity, subject to the general laws of existence. Even the tempests roared within prescribed and charted quadrangles.

The fresh trade-winds pushed the bark toward the Southeast, maintaining a heavenly serenity in sky and sea. Before the prow hissed the silken wings of flying fish, spreading out in swarms, like little squadrons of diminutive aeroplanes.

Over the masts and yards covered with canvas, the albatross, eagles of the Atlantic desert, traced their long, sweeping circles, flashing across the purest blue their great, sail-like wings. From time to time the boat would meet floating prairies, great fields of seaweed dislodged from the Sargasso Sea. Enormous tortoises drowsed in the midst of these clumps of gulf-weed, serving as islands of repose to the seagulls perched on their shells. Some of the seaweeds were green, nourished by the luminous water of the surface; others had the reddish color of the deep where enters only the deadly chill of the last rays of the sun. Like fruits of the oceanic prairies, there floated past close bunches of dark grapes, leathery capsules filled with brackish water.

As they approached the equator, the breeze kept falling and falling, and the atmosphere became suffocating in the extreme. It was the zone of calms, the ocean of dark, oily waters, in which boats remained for entire weeks with sails limp, without the slightest breath rippling the atmosphere.

Clouds the color of pit coal reflected the ship's slow progress over the sea; showers of rain like whipcord occasionally lashed the deck, followed by a flaming sun that was soon blotted out by a new downpour. These clouds, pregnant with cataracts, this night descending upon the full daylight of the Atlantic, had been the terror of the ancients, and yet, thanks to just such phenomena, the sailors could pass from one hemisphere to another without the light wounding them to death, or the sea scorching them like a burning glass. The heat of the equator, raising up the water in steam, had formed a band of shade around the earth. From other worlds it must appear like a girdle of clouds almost similar to the sidereal rings.

In this gloomy, hot sea was the heart of the ocean, the center of the circulatory life of the planet. The sky was a regulator that, absorbing and returning, restored the evaporation to equilibrium. From this place were sent forth the rains and dews to all the rest of the earth, modifying its temperatures favorably for the development of animal and vegetable life. There were exchanged the exhalations of the two worlds; and, converted into clouds, the water of the southern hemisphere—the hemisphere of the great seas with no other points of relief than the triangular extremities of Africa and America, and the humps of the oceanic archipelagoes—was always reinforcing the rills and rivers of the northern hemisphere with its inhabited lands.

From this equatorial zone, the heart of the globe, come forth two rivers of tepid water that heat the coasts of the north. They are the two currents that issue from the Gulf of Mexico and the Java Sea. Their enormous liquid masses, fleeing ceaselessly from the equator, govern a vast assemblage of water from the poles that comes to occupy their space, and these chilled and fresher currents are constantly precipitating themselves on the electric hearth of the equator that warms and salts them anew, renewing with its systole and diastole the life of the world. The ocean struggles vainly to condense these two warm currents without ever succeeding in mingling itself with them. They are torrents of a deep blue, almost black, that flow across the cold and green waters.

The Atlantic current, upon reaching Newfoundland, divides its arms, sending one of them to the North Pole. With the other, weak and exhausted by its long journey, it modifies the temperature of the British Isles, tempering refreshingly the coasts of Norway. The Indian current that the Japanese call, because of its color, "the black river," circulates between the islands, maintaining for a longer time than the other its prodigious powers of creation and agitation which enable it to trail over the planet an enormous tail of life.

Its center is the apogee of terrestrial energy in the vegetable and animal creations, in monsters and in fish. One of its arms, escaping toward the south, goes on forming the mysterious world of the coral sea. In a space as large as four continents, the polyps, strengthened by the lukewarm water, are building up thousands of atolls, ring-shaped islands, reefs and submarine pillars that, when united together by the work of a thousand years, are going to create a new land, an exchange continent in case the human species should lose its present base in some cataclysm of Nature.

The pulse of the blue god is the tides. The earth turns towards the moon and the stars with a sympathetic rotation like that of the flowers that turn towards the sun. Its most movable part—the fluid mass of the atmosphere—dilates twice daily, swelling its cavities; and this atmospheric suction, the work of universal attraction, is reflected in the tidal waters. Closed seas, like the Mediterranean, scarcely feel its effects, the tides stopping at their door. But on the oceanic coast the marine pulsation vexes the army of the waves, hurrying them daily to their assault of the steep cliffs, making them roar with fury among the islands, promontories and straits, and impelling them to swallow up extensive lands which they return hours afterward.

This salty sea, like our body, that has a heart, a pulse and a circulation of two different bloods incessantly renewed and transformed, becomes as furious as an organic creature when the horizontal currents of its interior come to unite themselves with the vertical currents descending from the atmosphere. The violent passage of the winds, the crises of evaporation, and the obscure electrical forces produce the tempests.

These are no more than cutaneous shudderings. The storms, so deadly for mankind, merely contract the marine epidermis while the profound mass of its waters remains in murky calm, fulfilling its great function of nourishing and renewing life. Father Ocean completely ignores the existence of the human insects that dare to slip across his surface in microscopic cockle-shells. He does not inform himself as to the incidents that may be taking place upon the roof of his dwelling. His life continues on,—balanced, calm, infinite, engendering millions upon millions of beings in the thousandth part of a second.

The majesty of the Atlantic on tropical nights made Ulysses forget the wrathful storms of its black days. In the moonlight it was an immense plane of vivid silver streaked with serpentine shadows. Its soft doughlike undulations, replete with microscopic life, illuminated the nights. The infusoria, a-tremble with love, glowed with a bluish phosphorescence. The sea was like luminous milk. The foam breaking against the prow sparkled like broken fragments of electric globes.

When it was absolutely tranquil and the ship remained immovable with drooping sail, the stars passing slowly from one side of the mast to the other, the delicate medusae, that the slightest wave was able to crush, would come to the surface floating on the waters, around the island of wood. There were thousands of these umbrellas filing slowly by, green, blue, rose, with a vague coloring similar to oil-lights,—a Japanese procession seen from above, that on one side was lost in the mystery of the black waters and incessantly reappeared on the other side.

The young pilot loved navigation in a sailing ship,—the struggle with the wind, the solitude of its calms. He was far nearer the ocean here than on the bridge of a transatlantic liner. The bark did not beat the sea into such rabid foam. It slipped discreetly along as in the maritime silence of the first millennium of the new-born earth. The oceanic inhabitants approached it confidently upon seeing it rolling like a mute and inoffensive whale.

In six years Ulysses changed his boat many times. He had learned English, the universal language of the blue dominions, and was refreshing himself with a study of Maury's charts—the sailors' Bible—the patient work of an obscure genius who first snatched from ocean and atmosphere the secret of their laws.

Desirous of exploring new seas and new lands, he did not stop in the usual travel zones or ports, and the British, Norwegian, and North American captains received cordially this good-mannered official so little exacting as to salary. So Ulysses wandered over the oceans as had the king of Ithaca over the Mediterranean, guided by a fatality which impelled him with a rude push far from his country every time that he proposed to return to it. The sight of a boat anchored near by and ready to set sail for some distant port was a temptation that invariably made him forget to return to Spain.

He traveled in filthy, old, happy-go-lucky sea-tramps, in which the crews used to spread all the sails to the tempest, get drunk and fall asleep, confident that the devil, friend of the brave, would awaken them on the following morning. He lived in white boats as silent and scrupulously clean as a Dutch home, whose captains were taking wife and children with them, and where white-aproned stewardesses took care of the galley and the cleaning of the floating hearthside, sharing the dangers of the ruddy and tranquil sailors exempt from the temptation that contact with women provokes. On Sundays, under the tropic sun or in the ash-colored light of the northern heavens, the boatswain would read the Bible. The men would listen thoughtfully with uncovered heads. The women had dressed themselves in black with lace headdress and mittened hands.

He went to Newfoundland to load codfish. There is where the warm current from the Gulf of Mexico meets that from the Poles. In the meeting of these two marine rivers the infinitesimal little beings that the gulf stream drags thither die, suddenly frozen to death, and a rain of minute corpses descends across the waters. The cod gather there to gorge themselves on this manna which is so abundant that a great part of it, freed from their greedy jaws, drops to the bottom like a snowstorm of lime.

In Iceland (the Ultima Thule of the ancients), they showed Ulysses bits of wood that the equatorial current had brought thither from the Antilles. On the coasts of Norway, as he watched the herring during the spawning season, he marveled at the formidable fertility of the sea.

From their refuge in the shadowy depths, these fish mount to the surface moved by the message of the spring, desirous of taking their part in the joy of the world. They swim one against another, close, compact, forming strata that subdivide and float out to sea. They look like an island just coming to the surface, or a continent beginning to sink. In the narrow passages the shoals are so numerous that the waters become solidified, making almost impossible the advance of a row boat. Their number is beyond the possibilities of calculation, like the sands and the stars.

Men and carnivorous fish fall upon them, opening great furrows of destruction in their midst: but the breaches are closed instantly and the living bank continues on its way, growing denser every moment, as though defying death. The more their enemies destroy them, the more numerous they become. The thick and close columns ceaselessly reproduce themselves en route. At sunrise the waves are greasy and viscous,—replete with life that is fermenting rapidly. For a space of hundreds of leagues the salt ocean around them is like milk.

The fecundity of these fishy masses was placing the world in danger. Each individual could produce up to seventy thousand eggs. In a few generations there would be enough to fill the ocean, to make it solid, to make it rot, extinguishing other beings, depopulating the globe…. But death was charged with saving universal life. The cetaceans bore down upon this living density and with their insatiable mouths devoured the nourishment by ton loads. Infinitely little fish seconded the efforts of the marine giants, stuffing themselves with the eggs of the herring. The most gluttonous fish, the cod and the hake, pursued these prairies of meat, pushing them, toward the coasts and finally dispersing them.

The cod increases its species most prodigiously, surfeiting itself upon hake, until the world is again menaced. The ocean might be converted into a mass of cod, for each one can produce as many as nine million eggs…. Mankind might be overwhelmed under the onslaught of the more fertile fishes, and the cod might maintain immense fleets, creating, besides, colonies and cities. Human generations might become exhausted without succeeding in conquering this monstrous reproduction. The great marine devourers, therefore, are those that reëstablish equilibrium and order. The sturgeon, insatiable stomach, intervenes in the oceanic banquet, relishing in the cod the concentrated substance of armies of herring. But this oviparous devourer of such great reproductive power would, in turn, continue the world danger were it not that another monster as avid in appetite as it is weak in procreation, intervenes and cuts down with one blow the ever-increasing fecundity of the ocean.

The superior glutton is the shark,—that mouth with fins, that natatory intestine which swallows with equal indifference the dead and the living, flesh and wood, cleanses the waters of life and leaves a desert behind its wriggling tail; but this destroyer brings forth only one shark that is born armed and ferocious ready from the very first moment to continue the paternal exploits, like a feudal heir.

Ferragut's wandering life as a pilot abounded in dramatic adventures,—a few always standing out clearly from his many confused recollections of exotic lands and interminable seas.

In Glasgow he embarked as second mate on an old sailing tramp that was bound for Chile, to unload coal in Valparaiso and take on saltpeter in Iquique. The crossing of the Atlantic was good, but upon leaving the Malvina Islands the boat had to go out in the teeth of a torrid, furious blast that closed the passage to the Pacific. The Straits of Magellan are for ships that are able to avail themselves at will of a propelling force. The sailboat needs a wide sea and a favorable wind in order to double Cape Horn,—the utmost point of the earth, the place of interminable and gigantic tempests.

While summer was burning in the other hemisphere, the terrible southern winter came to meet the navigators. The boat had to turn its course to the west, just as the winds were blowing from the west, barring its route.

Upon his return from a trip to the Black Sea, Doña Cristina announced to her son: "Your uncle has died."

The pious señora lamented as a Christian the departure of her brother-in-law, dedicating a part of her prayers to him; but she insisted with a certain cruelty in giving an account of his sad end, for she had never been able to pardon his fatal intervention in the destiny of Ulysses. He had died as he had lived,—in the sea, a victim, of his own rashness, without confession, just like any pagan.

Another legacy thus fell to Ferragut…. His uncle had gone out swimming one sunny, winter morning and had never come back. The old folks on the shore had their way of explaining how the accident had happened,—a fainting spell probably, a clash against the rocks. The Dotor was still vigorous, but the years do not pass without leaving their footprints. Some believed that he must have had a struggle with a shark or some other of the carnivorous fish that abound in the Mediterranean waters. In vain the fishermen guided their skiffs through all the twisting entrances and exits of the waters around the promontory, exploring the gloomy caves and the lower depths of crystalline transparency. No one was ever able to find the Triton's body.

Ferragut recalled the cortege of Aphrodite which the doctor had so often described to him on summer evenings, by the light of the far-away gleam of the lighthouse. Perhaps he had come upon that gay retinue of nereids, joining it forever!

This absurd supposition that Ulysses mentally formulated with a sad and incredulous smile, frequently recurred in the simple thoughts of many of the people of the Marina.

They refused to believe in his death. A wizard is never drowned. He must have found down below something very interesting and when he got tired of living in the green depths, he would probably some day come swimming back home.

No: the Dotor had not died.

And for many years afterwards the women who were going along the coast at nightfall would quicken their steps, crossing themselves upon distinguishing on the dark waters a bit of wood or a bunch of sea weed. They feared that suddenly would spring forth the Triton, bearded, dripping, spouting, returning from his excursion into the mysterious depths of the sea.

CHAPTER IV
FREYA

The name of Ulysses Ferragut began to be famous among the captains of the Spanish ports, although the nautical adventures of his early days contributed very little to this popularity. The most of them had encountered greater dangers, but they appreciated him because of the instinctive respect that energetic and simple men have for an intelligence which they consider superior to their own. Reading nothing except what pertained to their career, they used to speak with consternation of the numerous books that filled Ferragut's stateroom, many of them upon matters which appeared to them most mysterious. Some even made inexact statements in order to enlarge the prestige of their comrade.

"He knows much…. He is a lawyer as well as a sailor."

Consideration of his fortune also contributed to the general appreciation. He was an important share-holder of the company by which he was employed. His companions loved to calculate with proud exaggeration the riches of his mother, piling it up into millions.

He met friends on every ship carrying the Spanish flag, whatever might be its home port or the nationality of its crews.

They all liked him:—the Basque captains, economical in words, rude and sparing in affectionate discourse; the Asturian and Galician captains, self-confident and spendthrift in strange contrast to their sobriety and avaricious character when ashore; the Andalusian captains, reflecting in their witty talk white Cadiz and its luminous wines; the Valencian captains who talk of politics on the bridge, imagining that they are going to become the navy of a future republic; and the captains from Catalunia and Mallorca as thoroughly acquainted with business affairs as are their ship-owners. Whenever necessity obliged them to defend their rights, they immediately thought of Ulysses. Nobody could write as he could.

The old mates who had worked their way up from the lower ranks, men of the sea who had begun their career on coasting vessels and could only with great difficulty adjust their practical knowledge to the handling of books, used to speak of Ferragut with pride.

"They say that men of the sea are an uncultivated people…. Here they have Don Luis who is one of us. They may ask him whatever they wish…. A real sage!"

The name of Ulysses always made them stammer. They believed it a nickname, and not wishing to show any lack of respect, they had finally transformed it into "Don Luis." For some of them, Ferragut's only defect was his good luck. So far not a single boat of which he had had command had been lost. And every sailor constantly on the sea ought to have at least one of these misfortunes in his history in order to be a real captain. Only landlubbers never lose their boats.

When his mother died, Ulysses was very undecided about the future, not knowing whether to continue his sea life, or undertake something entirely different. His relatives at Barcelona, merchants quick to understand and appraise a fortune, added up what the notary and his wife had left him and put with that what Labarta and the doctor had contributed, until it amounted to a million pesetas…. And was a man with as much money as that to go on living like a poor captain dependent upon wages to maintain his family!…

His cousin, Joaquin Blanes, proprietor of a factory for knit goods, urged him repeatedly to follow his example. He ought to remain on shore and invest his capital in Catalan industry. Ulysses belonged to this country both on his mother's side and because he was born in the neighboring land of Valencia. There was great need of men of fortune and energy to take part in the government. Blanes was entering local politics with the enthusiasm of a middle-class man for novel adventure.

Cinta never said a word to influence her husband. She was the daughter of a sailor and had accepted the life of a sailor's wife. Furthermore, she looked upon matrimony in the light of the old familiar traditions:—the woman absolute mistress of the interior of the home, but trusting outside affairs to the will of the lord, the warrior, the head of the hearth, without permitting herself opinions or objections to their acts.

It was Ulysses, therefore, who decided to abandon the seafaring life. Worked upon by the suggestions of his cousins, it needed only a little dispute with one of the directors of the shipping firm to make him hand in his resignation, and refuse to reconsider it, although urged by the protests and entreaties of the other stockholders.

In the first months of his existence ashore, he was amazed at the desperate immovability of everything. The world was made up of revolting rigidity and solidity. He felt almost nauseated at seeing all his possessions remain just where he left them, without the slightest fluctuation, or the least bit of casual caprice.

In the mornings upon opening his eyes, he at first experienced the sweet sensation of irresponsible liberty. Nothing affected the fate of that house. The lives of those that were sleeping on the other floors above and below him had not been entrusted to his vigilance…. But in a few days he began to feel that there was something lacking, something which had been one of the greatest satisfactions of his existence,—the sensation of power, the enjoyment of command.

Two maids were now always hastening to him with a frightened air at the sound of his voice, or the ringing of his bell. That was all that was left to him who had commanded dozens of men of such ugliness of temper that they struck terror to all beholders when they went ashore in the ports. Nobody consulted him now, while on the sea everybody was seeking his counsel and many times had to interrupt his sleep. The house could go on without his making the rounds daily from the cellars to the roof, overseeing even the slightest spigot. The women who cleaned it in the mornings with their brooms were always obliging him to flee from his office. He was not permitted to make any comment nor could he extend a gold-striped arm as when he used to scold the barefooted, bare-breasted deck-swabbers, insisting that the deck should be as clean as the saloon. He felt himself belittled, laid to one side. He thought of Hercules dressed as a woman and spinning wool. His love of family life had made him renounce that of a powerful man.

Only the considerate treatment of his wife, who surrounded him with assiduous care as though wishing to compensate for their long separations, made the situation bearable. Furthermore, his conscience was enjoying a certain satisfaction in being a land-father, taking much interest in the life of his son who was beginning to prepare to enter the institute, looking over his books, and aiding him in understanding the notes.

But even these pleasures were not of long duration. The family gatherings in his home or at his relatives' bored him unspeakably; so did the conversations with his cousins and nephews about profits and business deals, or about the defects of centralized tyranny. According to them, all the calamities of heaven and earth were coming from Madrid. The governor of the province was the "Consul of Spain."

These merchants interrupted their criticisms only to listen in religious silence to Wagner's music banged out on the piano by the girls of the family. A friend with a tenor voice used to sing Lohengrin in Catalan. Enthusiasm made the most excitable roar, "the hymn … the hymn!" It was not possible to misunderstand. For them there was only one hymn in existence, and in a trilling undertone they would accompany the liturgic music of Los Segadores (The Reapers). [The revolutionary song of Catalunia, originated by a band of reapers in the seventeenth century.]

Ulysses used to recall with homesickness his life as commander of a transatlantic liner,—a wide, universal life of incessant and varied horizons, and cosmopolitan crowds. He could see himself detained on deck by groups of elegant maidens who would beg him for new dances in the coming week. His footsteps were surrounded with white fluttering skirts, veils that waved like colored clouds, laughter and trills, Spanish chatter that appeared set to music:—all the frolicsome jargon of a cage of tropical birds.

Ex-presidents of the South American republics,—generals or doctors who were going to Europe to rest,—used to relate to him on the bridge, with Napoleonic gravity, the principal events in their history. The business men starting out for America confided to him their stupendous plans:—rivers turned from their courses, railroads built across the virgin forests, monstrous electric forces extracted from huge waterfalls varying in breadth, cities vomited from the desert in a few weeks, all the marvels of an adolescent world that desires to realize whatever its youthful imagination may conceive. He was the demi-urge of this little floating world: he disposed of joy and love as the spirit moved him.

In the scorching evenings around the equator, it was enough for him to give an order to rouse things and beings from their brutish drowsiness. "Let the music begin, and refreshments be served." And in a few moments dancers would be revolving the whole length of the deck, and smiling lips and eyes would become brilliantly alight with illusion and desire. Behind him, his praises were always being sounded. The matrons found him very distinguished. "It is plain to be seen that he is an exceptional person." Stewards and crew circulated exaggerated accounts of his riches and his studies. Some young girls sailing for Europe with imaginations seething with romance were very much aghast to learn that the hero was married and had a son. The solitary ladies stretched out on a chaise-longue, book in hand, upon seeing him would arrange the corolla of their petticoats, hiding their legs with so much precipitation that it always left them more uncovered; then fixing upon him a languishing glance, they would begin a dialogue always in the same way.

"How is it that any one so young as you has already become a captain?…"

Ah, the misery of it!… He who had gallantly passed many years cruising from one extreme of the Atlantic to the other with a rich, gay, perfumed world, at times resisting feminine caprice through mere prudence, yielding at others with the secrecy of a discreet sailor, now found himself with no other admirers than the mediocre tribe of the Blanes, with no other hallucinations than those which his cousin the manufacturer might suggest, when waxing enthusiastic because the great apostles of politics were taking a certain interest in the captain.

Every morning, on awaking, his taste now received a rude shock. The first thing that he contemplated was a room "without personality," a dwelling that was not characteristic of him in any way, arranged by the maids with excessive cleanliness and a lack of logic that was constantly changing the situation of his things.

He recalled with longing his compact and well-ordered stateroom where there was not a piece of furniture that could escape his glance nor a drawer whose contents he did not know down to the slightest detail. His body was accustomed to slip without embarrassment through the spaces of his cabin furnishings. He had adapted himself to all incoming and outgoing angles just as the body of the mollusk adapts itself to the winding curves of its shells. The cabin seemed formed by the secretions of his being. It was a covering, a sheath, that went with him from one extreme of the ocean to the other, heating itself with the high temperature of the tropics, or becoming as cosy as an Esquimo hut on approaching the polar seas.

His love for it was somewhat like that which the friar has for his cell; but this cell was a secular one, and entering it after a tempestuous night on the bridge, or a trip ashore in most curious and foreign ports, he found it always the same, with his papers and books untouched on the table, his clothes hanging from their hooks, his photographs fixed on the walls. The daily spectacle of seas and lands was always changing—the temperature, the course of the stars, and the people that one week were bundled up in winter greatcoats, and were clad in white the week after, hunting the heavens for the new stars of another hemisphere…. Yet his cozy little stateroom was always the same, as though it were the corner of a planet apart, unaffected by the variations of this world.

Upon awaking in it, he found himself every morning enwrapped in a greenish and bland atmosphere as though he might have been sleeping in the bottom of an enchanted lake. The sun traced over the whiteness of his ceiling and sheets a restless network of gold whose meshes constantly succeeded each other. This was the reflection of the invisible water. When his ship was immovable in the ports, there always came in through his window the whirling noise of the cranes, the cries of the stevedores and the voices of those who were in the neighboring vessels. On the high sea the cool and murmuring silence of immensity used to fill his sleeping room. A wind of infinite purity that came perhaps from the other side of the planet—slipping past thousands of leagues, over the salty deserts without touching a single bit of corruption—would come stealing into Ferragut's throat like an effervescent wine. His chest always expanded to the impulses of this life-giving draught as his eyes roved over the sparkling, luminous blue of the horizon.

Here in his home, the first thing that he saw through the window upon awaking was a Catalunian edifice, rich and monstrous, like the palaces that the hypnotist evolves in his dreams,—an amalgamation of Persian flowers, Gothic columns, trunks of trees, with quadrupeds, reptiles and snails among the cement foliage. The paving wafted up to him through its drains the fetidity of sewers dry for lack of water; the balconies shed the dust of shaken rugs; the absurd palace appropriated, with the insolence of the new-rich, all the heaven and sun that used to belong to Ferragut.

One night he surprised his relatives by informing them that he was about to return to the sea. Cinta assented to this resolution in painful silence, as though she had foreseen it long before. It was something inevitable and fatal that she must accept. The manufacturer, Blanes, stammered with astonishment. Return to his life of adventures, when the great gentlemen of the district were becoming interested in his personality!… Perhaps in the next elections they might have made him a member of the municipal council!

Ferragut laughed at his cousin's simplicity. He wanted to command a vessel again, but one of his own, without being obliged to consider the restrictions of the ship owners. He could permit himself this luxury. It would be like an enormous yacht, ready to set forth according to his tastes and convenience, yet at the same time bringing him in untold profits. Perhaps his son might in time become director of a maritime company, this first ship laying the foundation of an enormous fleet in the years to come.

He knew every port in the world, every highway of traffic, and he would be able to find the places where, lacking transportation facilities, they paid the highest freight rates. Until now he had been a salaried man, brave and care-free. He was going to begin an absolutely independent life as a speculator of the sea.

Two months afterwards he wrote from England saying that he had bought the Fingal, a mail packet of three thousand tons that had made trips twice a week between London and a port of Scotland.

Ulysses appeared highly delighted with the cheapness of his acquisition. The Fingal had been the property of a Scotch captain who, in spite of his long illness, had never wished to give up command, dying aboard his vessel. His heirs, inland men tired by their long wait, were anxious to get rid of it at any price.

When the new proprietor entered the aft saloon surrounded with staterooms,—the only habitable place in the ship,—memories of the dead came forth to meet him. On the wall-panels were painted the heroes of the Scotch Iliad,—the bard Ossian with his harp, Malvina with the round arms and waving golden tresses, the undaunted warriors with their winged helmets and protruding biceps, exchanging gashes on their shields while awaking the echoes of the green lochs.

A deep and spongy arm chair opened its arms before a stove. There the owner of the ship had passed his last years, sick at heart and with swollen legs, directing from his seat a course that was repeated every week across the foggy winter waves tossing bits of ice snatched from the icebergs. Near the stove was a piano and upon its top an orderly collection of musical scores yellowed by time,—La Sonnambula, Lucia, Romances of Tosti, Neapolitan songs, breezy and graceful melodies that the old chords of the instrument sent forth with the fragile and crystalline tinkling of an old music box. The poor old captain with sick heart and legs of stone had always turned to the sea of light for distraction. It was music that made appear in the foggy heavens the peaks of Sorrento covered with orange and lemon trees, and the coast of Sicily, perfumed by its flaming flora.

Ferragut manned his boat with friendly people. His first mate was a pilot who had begun his career in a fishing smack. He came from the same village as Ulysses' ancestors, and he remembered the Dotor with respect and admiration. He had known this new captain when he was a little fellow and used to go fishing with his uncle. In those days Toni was already a sailor on a coast-trading vessel, and his superiority in years had then justified his using the familiar thee and thou when talking with the lad Ulysses.

Finding himself now under his orders, he wished to change his mode of address, but the captain would not permit it. Perhaps he and Toni were distant relatives,—all those living in that village of the Marina had become related through long centuries of isolated existence and common danger. The entire crew, from the first engineer to the lowest seaman, showed an equal familiarity in this respect. Some were from the same land as the captain, others had been sailing a long time under his orders.

As shipowner, Ulysses now underwent numberless experiences whose existence he had never before suspected. He went through the anguishing transformation of the actor who becomes a theatrical manager, of the author who branches out into publishing, of the engineer with a hobby for odd inventions who becomes the proprietor of a factory. His romantic love for the sea and its adventures was now overshadowed by the price and consumption of coal, by the maddening competition that lowered freight rates, and by the search for new ports with fast and remunerative freight.

The Fingal which had been rebaptized by its new proprietor with the name of Mare Nostrum, in memory of his uncle, turned out to be a dubious purchase in spite of its low price. As a navigator Ulysses had been most enthusiastic upon beholding its high and sharp prow disposed to confront the worst seas, the slenderness of the swift craft, its machinery, excessively powerful for a freight steamer,—all the conditions that had made it a mail packet for so many years. It consumed too much fuel to be a profitable investment as a transport of merchandise. The captain during his navigation could now think only of the ravenous appetite of the boilers. It always seemed to him that the Mare Nostrum was speeding along with excess steam.

"Half speed!" he would shout down the tube to his first engineer.

But in spite of this and many other precautions, the expense for fuel was enormously disproportioned to the tonnage of the vessel. The boat was eating up all the profits. Its speed was insignificant compared with that of a transatlantic steamer, though absurd compared with that of the merchant vessels of great hulls and little machinery that were going around soliciting cargo at any price, from all points.

A slave of the superiority of his vessel and in continual struggle with it, Ferragut had to make great efforts in order to continue sailing without actual heavy loss. All the waters of the planet now saw the Mare Nostrum specializing in the rarest kind of transportation. Thanks to this expedient, the Spanish flag waved in ports that had never seen it before.

Under this banner, he made trips through the solitary seas of Syria and Asia Minor, skirting coasts where the novelty of a ship with a smoke stack made the people of the Arabian villages run together in crowds. He disembarked in Phoenician and Greek ports choked up with sand that had left only a few huts at the foot of mountains of ruins, and where columns of marble were still sticking up like trunks of lopped-off palm trees. He anchored near to the terrible breakers of the western coast of Africa under a sun which scorched the deck, in order to take on board india-rubber, ostrich feathers, and elephants' tusks, brought out in long pirogues by negro oarsmen, from a river filled with crocodiles and hippopotamuses, and bordered by groups of huts with straw cones for roofs.

When there were no more of these extraordinary voyages, the Mare Nostrum turned its course towards South America, resigning itself to competition in rates with the English and Scandinavians who are the muleteers of the ocean. His tonnage and draught permitted him to sail up the great rivers of North America, even reaching the cities of the remote interior where rows of factory chimneys smoked on the border of a fresh-water lake converted into a port.

He sailed up the ruddy Paraná to Rosario and Colastiné, in order to load Argentine wheat; he anchored in the amber waters of Uruguay opposite Paysandú and Fray Ventos, taking on board hides destined to Europe and salt for the Antilles. From the Pacific he sailed up the Guayas bordered with an equatorial vegetation, in search of cocoa from Guayaquil. His prow cut the infinite sheet of the Amazon,—dislodging gigantic tree-trunks dragged down by the inundations of the virgin forest—in order to anchor opposite Pará or Manaos, taking on cargoes of tobacco and coffee. He even carried from Germany implements of war for the revolutionists of a little republic.

These trips that in other times would have awakened Ferragut's enthusiasm now resulted disastrously. After having paid all expenses and lived with maddening economy, there was scarcely anything left for the owner. Each time the freight boats were more numerous and the transportation rates cheaper. Ulysses with his elegant Mare Nostrum could not compete with the southern captains, drunken and taciturn, eager to accept freight at any price in order to fill their miserable transports crawling across the ocean at the speed of a tortoise.

"I can do no more," he said sadly to his mate. "I shall simply ruin my son. If anybody will buy the Mare Nostrum, I'm going to sell it."

On one of his fruitless expeditions, just when he was most discouraged, some unexpected news changed the situation for him. They had just arrived at Teneriffe with maize and bales of dry alfalfa from Argentina.

When Toni returned aboard after having cleared the vessel, he shouted in Valencian, the language of intimacy, "War, Che!"

Ulysses, who was pacing the bridge, received the news with indifference. "War?… What war is that?…" But upon learning that Germany and Austria had begun hostilities with France and Russia, and that England was just intervening in behalf of Belgium, the captain began quickly to calculate the political consequences of this conflagration. He could see nothing else.

Toni, less disinterested, spoke of the future of the vessel…. Their misery was at last at an end! Freightage at thirteen shillings a ton was going to be henceforth but a disgraceful memory. They would no longer have to plead for freight from port to port as though begging alms. Now they were on the point of achieving importance, and were going to find themselves solicited by consignors and disdainful merchants. The Mare Nostrum was going to be worth its weight in gold.

Such predictions, though Ferragut refused to accept them, began to be fulfilled in a very short time. Ships on the ocean routes suddenly became very scarce. Some of them were taking refuge in the nearest neutral ports, fearing the enemy's cruisers. The greater part were mobilized by their governments for the enormous transportation of material that modern war exacts. The German corsairs, craftily taking advantage of the situation, were increasing with their captures the panic of the merchant marine.

The price of freight leaped from thirteen shillings a ton to fifty, then to seventy, and a few days later to a hundred. It couldn't climb any further, according to Captain Ferragut.

"It will climb higher yet," affirmed the first officer with cruel joy. "We shall see tonnage at a hundred and fifty, at two hundred…. We are going to become rich!…"

And Toni always used the plural in speaking of the future riches without its ever occurring to him to ask his captain a penny more than the forty-five dollars that he was receiving each month. Ferragut's fortune and that of the ship, he invariably looked upon as his own, considering himself lucky if he was not out of tobacco, and could send his entire wages home to his wife and children living down there in the Marina.

His ambition was that of all modest sailors—to buy a plot of land and become an agriculturist in his old age. The Basque pilots used to dream of prairies and apple orchards, a little cottage on a peak and many cows. He pictured to himself a vineyard on the coast, a little white dwelling with an arbor under whose shade he could smoke his pipe while all his family, children and grandchildren, were spreading out the harvest of raisins on the frame-hurdles.

A familiar admiration like that of an ancient squire for his paladin, or of an old subaltern for a superior officer, bound him to Ferragut. The books that filled the captain's stateroom recalled his agonies upon being examined in Cartagena for his license as a pilot. The grave gentlemen of the tribunal had made him turn pale and stutter like a child before the logarithms and formulas of trigonometry. But just let them consult him on practical matters and his skill as master of a bark habituated to all the dangers of the sea, and he would reply with the self-possession of a sage!

In the most difficult perils,—days of storm and sinister shoals in the neighborhood of the treacherous coasts, Ferragut could decide to rest only when Toni replaced him on the bridge. With him, he had no fear that, through carelessness, a wave would sweep across the deck and stop the machinery, or that an invisible ledge would drive its stony point into the vitals of the vessel. He held the helm to the course indicated. Silent and immovable he stood, as though sleeping on his feet; but at the right moment he always uttered the brief word of command.

He was very skinny, with the dried up leanness of the bronzed Mediterranean. The salt wind more than his years had tanned his face, wrinkling it with deep crevices. A capricious coloring had darkened the depths of these cracks while the part exposed to the sun appeared washed several shades lighter. His short stiff beard extended over all the furrows and crests of his skin. Furthermore, he had hair in his ears, hair in the nasal passages, coarse and vibrating growths, ready to tremble in moments of wrath or admiration…. But this ugliness disappeared under the light of his little eyes with pupils between green and olive color,—mild eyes with a canine expression of resignation, when the captain made fun of his beliefs.

Toni was a "man of ideas." Ferragut only knew of his having four or five, but they were hard, crystallized, tenacious, like the mollusks that stick to the rocks and eventually become a part of the stony excrescence. He had acquired them in twenty-five years of Mediterranean coast service by reading all the periodicals of lyric radicalism that were thrust upon him on entering the harbors. Furthermore, at the end of every journey was Marseilles; and in one of its little side alleys was a red room adorned with symbolic columns where sailors of all races and tongues met together, fraternally understanding each other by means of mysterious signs and ritual words.

CHAPTER V
THE AQUARIUM OF NAPLES

In spite of her promise, Freya made no effort to meet the sailor. "We shall see each other…. I shall hunt you up." But it was Ferragut who did the hunting, stationing himself around the hotel.

"How crazy I was the other morning!… I wonder what you could have thought of me!" she said the first time that she spoke to him again.

Not every day did Ulysses have the pleasure of a conversation which invariably developed from the Via Partenope to Virgil's monument. The most of the mornings he used to wait in vain opposite the oyster stands, listening to the musicians who were bombarding the closed windows of the hotel with their sentimental romances and mandolins. Freya would not appear.

His impatience usually dragged Ulysses back to the hotel in order to beg information of the porter. Animated by the hope of a new bill, the flunkey would go to the telephone and inquire of the servants on the upper floor. And then with a sad and obsequious smile, as though lamenting his own words: "The signora is not in. The signora has passed the night outside of the albergo." And Ferragut would go away furious.

Sometimes he would go to see how the repairs were getting on in his boat,—an excellent pretext for venting his wrath on somebody. On other mornings he would go to the garden of the beach of Chiaja,—to the very same places through which he had strolled with Freya. He was always looking for her to appear from one moment to another. Everything 'round about suggested some reminder of her. Trees and benches, pavements and electric lights knew her perfectly because of having formed a part of her regular walk.

Becoming convinced that he was waiting in vain, a last hope made him glance toward the white building of the Aquarium. Freya had frequently mentioned it. She was accustomed to amuse herself, oftentimes passing entire hours there, contemplating the life of the inhabitants of the sea. And Ferragut blinked involuntarily as he passed rapidly from the garden boiling under the sun into the shadow of the damp galleries with no other illumination than that of the daylight which penetrated to the interior of the Aquarium,—a light that, seen through the water and the glass, took on a mysterious tone, the green and diffused tint of the subsea depths.

This visit enabled him to kill time more placidly. There came to his mind old readings confirmed now by direct vision. He was not the kind of sailor that sails along regardless of what exists under his keel. He wanted to know the mysteries of the immense blue palace over whose roof he was usually navigating, devoting himself to the study of oceanography, the most recent of sciences.

Upon taking his first steps in the Aquarium, he immediately pictured the marine depths which exploration had divided and charted so unequally. Near the shores, in the zone called "the littoral" where the rivers empty, the materials of nourishment were accumulated by the impulse of the tides and currents, and there flourished sub-aquatic vegetation. This was the zone of the great fish and reached down to within two hundred fathoms of the bottom,—a depth to which the sun's rays never penetrate. Beyond that there was no light; plant life disappeared and with it the herbivorous animals.

The submarine grade, a gentle one down to this point, now becomes very steep, descending rapidly to the oceanic abysses,—that immense mass of water (almost the entire ocean), without light, without waves, without tides, without currents, without oscillations of temperature, which is called the "abyssal" zone.

In the littoral, the waters, healthfully agitated, vary in saltiness according to the proximity of the rivers. The rocks and deeps are covered with a vegetation which is green near the surface, becoming darker and darker, even turning to a dark red and brassy yellow as it gets further from the light. In this oceanic paradise of nutritive and luminous waters charged with bacteria and microscopic nourishment, life is developed in exuberance. In spite of the continual traps of the fishermen, the marine herds keep themselves intact because of their infinite powers of reproduction.

The fauna of the abyssal depths where the lack of light makes all vegetation impossible, is largely carnivorous, the weak inhabitants usually devouring the residuum and dead animals that come down from the surface. The strong ones, in their turn, nourish themselves on the concentrated sustenance of the little cannibals.

The bottom of the ocean, a monotonous desert of mud and sand, the accumulated sediment of hundreds of centuries, has occasional oases of strange vegetation. These grove-like growths spring up like spots of light just where the meeting of the surface currents rain down a manna of diminutive dead bodies. The twisted limestone plants, hard as stone, are really not plants at all, but animals. Their leaves are simply inert and treacherous tentacles which contract very suddenly, and their flowers, avid mouths, which bend over their prey, and suck it in through their gluttonous openings.

A fantastic light streaks this world of darkness with multicolored shafts, animal light produced by living organisms. In the lowest abysses sightless creatures are very scarce, contrary to the common opinion, which imagines that almost all of them lack eyes because of their distance from the sun. The filaments of the carnivorous trees are garlands of lamps; the eyes of the hunting animals, electric globes; the insignificant bacteria, light-producing little glands all of which open or close with phosphorescent switches according to the necessity of the moment,—sometimes in order to persecute and devour, and at others in order to keep themselves hidden in the shadows.

The animal-plants, motionless as stars, surround their ferocious mouths with a circle of flashing lights, and immediately their diminutive prey feel themselves as irresistibly drawn toward them as do the moths that fly toward the lamp, and the birds of the sea that beat against the lighthouse.

None of the lights of the earth can compare with those of this abyssal world. All artificial fires pale before the varieties of its organic brilliance.

The living branches of polyps, the eyes of the animals, even the mud sown with brilliant points, emit phosphoric shafts like sparks whose splendors incessantly vanish and reappear. And these lights pass through many gradations of colors:—violet, purple, orange, blue, and especially green. On perceiving a victim nearby, the gigantic cuttle-fishes become illuminated like livid suns, moving their arms with death-dealing strokes.

All the abyssal beings have their organs of sight enormously developed in order to catch even the weakest rays of light. Many have enormous, protruding eyes. Others have them detached from the body at the end of two cylindrical tentacles like telescopes.

Those that are blind and do not throw out any radiance are compensated for this inferiority by the development of the tactile organs. Their antennae and swimming organs are immeasurably prolonged in the darkness. The filaments of their body, long hairs rich in nerve terminals, can distinguish instantaneously the appetizing prey, or the enemy lying in wait.

The abyssal deeps have two floors or roofs. In the highest, is the so-called neritic zone,—the oceanic surface, diaphanous and luminous, far from any coast. Next is seen the pelagic zone, much deeper, in which reside the fishes of incessant motion, capable of living without reposing on the bottom.

The corpses of the neritic animals and of those that swim between the two waters are the direct or indirect sustenance of the abyssal fauna. These beings with weak dental equipment and sluggish speed, badly armed for the conquest of living prey, nourish themselves with the dropping of this rain of alimentary material. The great swimmers, supplied with formidable mandibles and immense and elastic stomachs, prefer the fortunes of war, the pursuit of living prey, and devour,—as the carnivorous devour the herbivorous on land,—all the little feeders on débris and plancton. This word of recent scientific invention presented to Captain Ferragut's mind the most humble and interesting of the oceanic inhabitants. The plancton is the life that floats in loose clusters or forming cloud-like groups across the neritic surface, even descending to the abyssal depths.

Wherever the plancton goes, there is living animation, grouping itself in closely packed colonies. The purest and most translucent salt water shows under certain luminous rays a multitude of little bodies as restless as the dust motes that dance in shafts of sunlight. These transparent beings mingled with microscopic algae and embryonic mucosities are the plancton. In its dense mass, scarcely visible to the human eye, float the siphonoforas, garlands of entities united by a transparent thread as fragile, delicate and luminous as Bohemian crystal. Other equally subtle organisms have the form of little glass torpedoes. The sum of all the albuminous materials floating on the sea are condensed in these nutrient clouds to which are added the secretions of living animals, the remnants of cadavers, the bodies brought down by the rivers, and the nourishing fragments from the meadows of algae.

When the plancton, either by chance or following some mysterious attraction, accumulates on some determined point of the shore, the waters boil with fishes of an astonishing fertility. The seaside towns increase in number, the sea is filled with sails, the tables are more opulent, industries are established, factories are opened and money circulates along the coast, attracted thither from the interior by the commerce in fresh and dried fish.

If the plancton capriciously withdraws itself, floating toward another shore, the marine herds emigrate behind these living meadows, and the blue plain remains as empty as a desert accursed. The fleets of fishing boats are placed high and dry on the beach, the shops are closed, the stewpot is no longer steaming, the horses of the gendarmerie charge against protesting and famine stricken crowds, the Opposition howls in the Chambers, and the newspapers make the Government responsible for everything.

This animal and vegetable dust nourishes the most numerous species which, in their turn, serve as pasture for the great swimmers armed with teeth.

The whales, most bulky of all the oceanic inhabitants, close this destructive cycle, since they devour each other in order to live. The Pacific giant, without teeth, supplies his organism with plancton alone, absorbing it by the ton; that imperceptible and crystalline manna nourishes his body (looking like an overturned belfry), and makes purple, fatty rivers of warm blood circulate under its oily skin.

The transparency of the beings in the plancton recalled to Ferragut's memory the marvelous colorings of the inhabitants of the sea, adjusted exactly to their needs of preservation. The species that live on the surface have, as a general rule, a blue back and silver belly. In this way it is possible for them to escape the sight of their enemies; seen from the shadows of the depths, they are confounded with the white and luminous color of the surface. The sardines that swim in shoals are able to pass unnoticed, thanks to their backs blue as the water, thus escaping the fish and the birds which are hunting them.

Living in the abysses where the light never penetrates, the pelagic animals are not obliged to be transparent or blue like the neritic beings on the surface. Some are opaque and colorless, others, bronzed and black; most of them are clad in somber hues, whose splendor is the despair of the artist's brush, incapable of imitating them. A magnificent red seems to be the base of this color scheme, fading gradually to pale pink, violet, amber, even losing itself in the milky iris of the pearls and in the opalescence of the mother-of-pearl of the mollusks. The eyes of certain fish placed at the end of jaw bones separated from the body, sparkle like diamonds in the ends of a double pin. The protruding glands, the warts, the curving backs, take on the colorings of jewelry.

But the precious stones of earth are dead minerals that need rays of light in order to emit the slightest flash. The animated gems of the ocean—fishes and corals—sparkle with their own colors that are a reflex of their vitality. Their green, their rose color, their intense yellow, their metallic iridescence, all their liquid tints are eternally glazed by a moist varnish which cannot exist in the atmospheric world.

Some of these beings are capable of a marvelous power of mimicry that makes them identify themselves with inanimate objects, or in a few moments run through every gamut of color. Some of great nervous activity, make themselves absolutely immovable and contract, filling themselves with wrinkles, taking on the dark tone of the rocks. Others in moments of irritation or amorous fever, cover themselves with streaks of light and tremulous spots, different colored clouds passing over their epidermis with every thrill. The cuttlefish and ink fish, upon perceiving that they are pursued, enwrap themselves in a cloud of invisibility, just as did the enchanters of old in the books of chivalry, darkening the water with the ink stored in their glands.

Ferragut continued to pass slowly along the Aquarium between the two rows of vertical tanks,—stone cases with thick glass that permitted full view of the interior. The clear and shining walls that received the fire of the sun through their upper part, spread a green reflection over the shadows of the corridors. As they made the rounds, the visitors took on a livid paleness, as though they were marching through a submarine defile.

The tranquil water within the tanks was scarcely visible. Behind the thick glass there appeared to exist only a marvelous atmosphere, an air of dreamland in which drifted up and down various floating beings of many colors. The bubbles of their respiration was the only thing that announced the presence of the liquid. In the upper part of these aquatic cages, the luminous atmosphere vibrated under a continual spray of transparent dust,—the sea water with air injected into it that was renewing the conditions of existence for these guests of the Aquarium.

Seeing these revivifying streams, the captain admired the nourishing force of the blue water upon which he had passed almost all his life.

Earth lost its pride when compared with the aquatic immensity. In the ocean had appeared the first manifestations of life, continuing then its evolutionary cycle over the mountains which had also come up from its depths. If the earth was the mother of man, the sea was his grandmother.

The number of terrestrial animals is most insignificant compared with the maritime ones. Upon the earth's surface (much smaller than the ocean) the beings occupy only the surface of the soil, and an atmospheric canopy of a certain number of meters. The birds and insects seldom go beyond this in their flights. In the sea, the animals are dispersed over all its levels, through many miles of depth multiplied by thousands and thousands of longitudinal leagues. Infinite quantities of creatures, whose number it is impossible to calculate, swim incessantly in all the strata of its waters. Land is a surface, a plane; the sea is a volume.

The immense aquatic mass, three times more salty than at the beginning of the planet, because of a millennarian evaporation that has diminished the liquid without absorbing its components, retains mixed with its chlorides, copper, nickel, iron, zinc, lead, and even gold, from the metallic veins that planetary upheaval deposits upon the oceanic bottom; compared with this mass, the veins of mountains with their golden sands deposited by the rivers are but insignificant tentacles.

Silver also is dissolved in its waters. Ferragut knew by certain calculations that with the silver floating in the ocean could be erected pyramids more enormous than those in Egypt.

The men who once had thought of exploiting these mineral riches had given up the visionary idea because the minerals were too diluted and it would be impossible to make use of them. The oceanic beings know better how to recognize their presence, letting them filter through their bodies for the renovation and coloration of their organs. The copper accumulates in their blood; the gold and silver are discovered in the texture of the animal-plants; the phosphorus is absorbed by the sponges; the lead and the zinc by species of algae.

Every oceanic creature is able to extract from the water the residuum from certain metals dissolved into particles so incalculably tiny that no chemical process could ever capture them. The carbonates of lime deposited by the rivers or dragged from the coast serve innumerable species for the construction of their coverings, skeletons, and spiral shells. The corals, filtering the water across their flabby and mucous bodies, solidify their hard skeletons so that they may finally be converted into habitable islands.

The beings of disconcerting diversity that were floating, diving, or wiggling around Ferragut were no more than oceanic water. The fish were water made into flesh; the slimy, mucilaginous animals were water in a gelatinous state; the crustaceans and the polypi were water turned to stone.

In one of the tanks he saw a landscape which appeared like that of another planet, grandiose yet at the same time reduced, like a woods seen in a diorama. It was a palm grove, surging up between the rocks, but the rocks were only pebbles, and the palm trees,—annelides of the sea,—were simply worms holding themselves in upright immovability.

They kept their ringed bodies within a leathern tube that formed their protective case, and from this rectilinear, marble-colored trunk sent forth, like a spout of branches, the constantly moving tentacles which served them as organs for breathing and eating.

Endowed with rare sensitiveness, it was enough for a cloud to pass before the sun to make them shrink quickly within these tubes, deprived of their showy capitals, like beheaded palm trees. Then, slowly and prudently the animated pincers would come protruding again through the opening of their cylindrical scabbards, floating in the water with anxious hope. All these trees and flower-animals developed a mechanical voracity whenever a microscopic victim fell under the power of their tentacles; then the soft clusters of branches would contract, close, drawing in their prey, and the worm, withdrawing into the lowest part of the slender tower secreted by himself, would digest his conquest.

The other tanks then attracted the attention of the sailor.

Slipping over the stones, introducing themselves into their caverns, drowsing, half buried in the sand,—all the varied and tumultuous species of crustaceans were moving their cutting and tentacular grinders and making their Japanese armor gleam: some of their frames were red—almost black—as though guarding the dry blood of a remote combat; others were of a scarlet freshness as though reflecting the first fires of the flaming dawn.

The largest of the lobsters (the homard, the sovereign of the tables of the rich) was resting upon the scissors of its front claws, as powerful as an arm, or a double battle-axe. The spiny lobster was leaping with agility over the peaks, by means of the hooks on its claws, its weapons of war and nutrition. Its nearest relative, the cricket of the sea, a dull and heavy animal, was sulking in the corners covered with mire and with sea weed, in an immovability that made it easily confounded with the stones. Around these giants, like a democracy accustomed to endure from time to time the attack of the strong, crayfish and shrimps were swimming in shoals. Their movements were free and graceful, and their sensitiveness so acute that the slightest agitation made them start, taking tremendous springs.

Ulysses kept thinking of the slavery that Nature had imposed upon these animals, giving them their beautiful, defensive envelopment.

They were born armored and their development obliged them repeatedly to change their form of arms. They sloughed their skins like reptiles, but on account of their cylindrical shape were able to perform this operation with the facility of a leg that abandons its stocking. When it begins to crack, the crustaceans have to withdraw from out their cuirass the multiple mechanism of their members and appendages,—claws, antennae and the great pincers,—a slow and dangerous operation in which many perish, lacerated by their own efforts. Then, naked and disarmed, they have to wait until a new skin forms that in time is also converted into a coat of mail,—all this in the midst of a hostile environment, surrounded with greedy beasts, large and small, attracted by their rich flesh,—and with no other defense than that of keeping themselves in hiding.

Among the swarm of small crustaceans moving around on the sandy bottom, hunting, eating, or fighting with a ferocious entanglement of claws, the onlookers always search for a bizarre and extravagant little creature, the paguro, nicknamed "Bernard, the Hermit." It is a snail that advances upright as a tower, upon crab claws, yet having as a crown the long hair of a sea-anemone.

This comical apparition is composed of three distinct animals one upon the other—or, rather, of two living beings carrying a bier between them. The paguro crab is born with the lower part of his case unprotected,—a most excellent tid-bit, tender and savory for hungry fishes. The necessity for defending himself makes him seek a snail shell in order to protect the weak part of his organism. If he encounters an empty dwelling of this class, he appropriates it. If not, he eats the inhabitant, introducing his posterior armed with two hooked claws into its mother-of-pearl refuge.

But these defensive precautions are not sufficient for the weak paguro. In order to live he needs rather to put himself on the offensive, to inspire respect in devouring monsters, especially in the octopi that are seeking as prey his trunk and hairy claws, exposed to locomotion outside his tower.

In course of time a sea-anemone comes along and attaches itself to the calcareous peak, the number often amounting to five or six, although there is no bodily relation between the paguro and the organisms on top. They are simply partners with a reciprocal interest. The animal-plants sting like nettles; all the monsters without a shell flee from the poison of their tingling organs, and the fragments of their hair burn like pins of fire. In this manner the humble paguro, carrying upon his back his tower crowned with formidable batteries, inspires terror in the gigantic beasts of the deep. The anemones on their part are grateful to him for being thus able to pass incessantly from one side to the other, coming in contact with every class of animals. In this way, they can eat with greater facility than their sisters fixed on the rocks; for they do not have to wait, as the others must, until food drifts casually to their tentacles. Besides this, there is always floating on top some of the remains of the booty that the crafty crab in his wandering impunity has gathered below.

Ferragut, on passing from one tank to the other, mentally established the gradation of the fauna from the primitive protoplast to the perfect organism.

The sponges of the Mediterranean swam as soon as they were born, when they were like pin-heads, with vibratory movements. Then they remained immovable, the water filtering through the cracks and crannies of their texture, protecting their delicate flesh with a bristling of spikes,—sharp limestone needles with which they pierced the passing fishes and rendered them immovable, availing themselves of the nourishment of their putrefying remains.

The nettles of the sea spread out their stinging threads by the thousands, discharging a venom that stupefies the victim and makes him fall into their corolla. With unlimited voracity, and fastened to the rocks, they overpower fish much larger than they, and at the first hint of danger shrink together in such a way that it is very difficult to see them. The sea-plumes lie flabby and dark as dead animals, until absorbing water, they suddenly rear themselves up, transparent and full of leaves. Thus they go from one side to the other, with the lightness of a feather, or, burrowing in the sand, send forth a phosphoric glow. The belles of the sea, the elegant Medusae, open out the floating circle of their fragile beauty. They are transparent fungi, open umbrellas of glass that advance by means of their contractions. From the inner center of their dome hangs a tube equally transparent and gelatinous,—the mouth of the animal. Long filaments depend from the edges of their circular forms, sensitive tentacles that at the same time maintain their floating equilibrium.

These fragile beings, that appear to belong to an enchanted fauna, white as rock crystal with soft borders of rose color or violet, sting like nettles and defend themselves by their fiery touch. Some subtle and colorless parasols were living here in the tank under the protection of a second enclosure of crystal, and their mucous mistiness scarcely showed itself within this bell-shaped glass except as a pale line of blue vapor.

Below these transparent and ethereal forms that burn whatever they touch, venturing to capture prey much larger than themselves, were grouped as in gardens the so-called "flower of blood," the red coral, and especially the star-fish, forming with their corolla an orange-colored ring.

The captain had seen these stony vegetations, like submerged groves, in the depths of the Dead Sea and also in the southern seas. He had sailed over them under the illusion that through the bluish depths of the ocean were circulating broad rivers of blood.

The oseznos (bear-cubs) and the star-fish were slowly waving the forms that had given rise to their names, secreting poisons in order to paralyze their victims, contracting themselves until they formed a ball of lances that grasped their prey in a deadly embrace or cut it with the bony knives of their radiating body. The iris of the sea balanced themselves on end, moving their members as though they were petals.

Upon the fine sandy depths or attached to the rocks, the mollusks lived in the protection of their shells.

The necessity of giving themselves up to sleep with relative security, without fear of the general rapacity which is the oceanic law, is a matter of concern to all of these marine beings, making them constructive and inventive. The crustaceans live within their shells or take advantage of ready-made refuges of limestone, expelling their former owners; the animal-plants exhale toxins; the planctonic beings, transparent and gelatinous, burn like a crystal exposed to fire; some organisms apparently weak and flabby, have in their tails the force of a carpenter's bit, perforating the rock sufficiently to create a cavern of refuge in its hard interior…. And the timid mollusks, trembling and succulent pulp, have fabricated for their protection the strong shields of their valves,—two concave walls that on opening form their door, and on closing, their house.

A bit of flesh protrudes outside these shells, like a white tongue. In some it takes the form of a sole, and serves as a foot, the mollusk marching with his dwelling upon the back of this unique support. In others it is a swimmer, and the shell, opening and shutting its valves like a propelling mouth, ascends in a straight line to the surface, falling afterwards with the two shields closed.

These herbivorous fresh-water animals live by drinking in the light,—feeling the necessity of the surface waters or the shallow depths with their limpid glades—and this light, spreading over the white interior of their dwelling, decorates it with all the fleeting colors of the iris, giving to the limestone the mysterious shimmer of mother-of-pearl.

Ulysses admired the odd forms of their winding passageways. They were like the palaces of the Orient, dark and forbidding on the outside, glistening within like a lake of pearl. Some received their terrestrial names because of the special form of their shell—the rabbit, the helmet, triton's horn, the cask, the Mediterranean parasol.

They were grazing with bucolic tranquillity on the maritime pasture lands, contemplated from afar by the mussels, the oysters, and other bi-valves, attached to the rocks by a hard and horny hank of silk that enwrapped their enclosures. Some of these shells, called hams,—clams of great size, with valves in the form of a club,—had fixed themselves upright in the mire, giving the appearance of a submerged Celtic camp, with a succession of obelisks swallowed up by the depths of the sea.

The one called the date-shell can, assisted by its liquid acid, pierce the hardest stone with its cylindrical gimlet. The columns of Hellenic temples, submerged in the Gulf of Naples and brought to light by an earthquake, are bored from one end to the other by this diminutive perforator.

Cries of surprise and nervous laughter suddenly reached Ferragut. They came from that part of the Aquarium where the fish tanks were. In the corridor was a little trough of water and at the bottom a kind of rag, flabby and gray, with black rings on the back. This animal always attracted the immediate curiosity of the visitors. Everybody would ask for it.

Groups of countrymen, city families preceded by their offspring, pairs of soldiers, all might be seen consulting before it and experimenting, advancing their hands over the trough with a certain hesitation. Finally they would touch the living rag at the bottom,—the gelatinous flesh of the fish-torpedo,—receiving a series of electric shocks which quickly made them loosen their prey, laughing and raising the other hand to their jerking arms.

As though the pulps had understood her complaints, they had fallen on the sandy bottom, flaccid, inert, breathing through their funnels.

A little crab began to descend at the end of a thread desperately moving its claws.

Freya pressed still closer to Ulysses, excited at the thought of the approaching spectacle. One of the bags, transformed into a star, suddenly leaped forward. Its arms writhed like serpents seeking the recent arrival. In vain the guard pulled the thread up, wishing to prolong the chase. The tentacles clamped their irresistible openings upon the body of the victim, pulling upon the line with such force that it broke, the octopus falling on the bottom with his prey.

Freya clapped her hands in applause.

"Bravo!…" She was exceedingly pale, though a feverish heat was coursing through her body.

She leaned toward the crystal in order to see better the devouring activity of that pyramidal stomach which had on its sharp point a diminutive parrot head with two ferocious eyes and around its base the twisted skeins of its arms full of projecting disks. With these it pressed the crab against its mouth, injecting under its shell the venomous output of its salivary glands, paralyzing thus every movement of existence. Then it swallowed its prey slowly with the deglutition of a boa constrictor.

"How beautiful it is!" she said.

The other beasts also seized their live victims, paralyzed and devoured them, moving their flabby bodies in order to permit the passage of their swelling nutritive waves and clouds of various colors.

Then the guard tossed in a crab, but one without any string whatever.

Freya screamed with enthusiasm.

This was the kind of hunt that takes place in the ferocious mystery of the sea, a race with death, a destruction preceded with emotional agony and hazards. The poor crustacean, divining its danger, was swimming towards the rocks hoping to take refuge in the nearest crevice. A polypus came up behind it, whilst the others continued their digestion.

"It's escaping!… It's escaping!" cried Freya, palpitating with interest.

The crab scrambled through the stones, sheltering itself in their windings. The polypus was no longer swimming; it was running like a terrestrial animal, climbing over the rocks by its armed extremities, which were now serving as apparatus of locomotion. It was the struggle of a tiger with a mouse. When the crab had half of its body already hidden within the green lichens of a hole, one of the heavy serpents fell upon its back clutching it with the irresistible suction of his air-holes, and causing it to disappear within his skein of tentacles.

"Ah!" sighed Freya, throwing herself back as though she were going to faint on Ulysses' breast.

He shuddered, feeling that a serpentine band of tremulous pressure had encircled his body. The acts of that unbalanced creature were fraying his nerves.

He felt as though a monster of the same class as those in the tank but much larger—a gigantic octopus from the oceanic depths—must have slipped treacherously behind him and was clutching him in one of its tentacles. He could feel the pressure of its feelers around his waist, growing closer and more ferocious.

Freya was holding him captive with one of her arms. She had wound herself tightly around him and was clasping his waist with all her force, as though trying to break his vigorous body in two.

Then he saw the head of this woman approaching him with an aggressive swiftness as if she were going to bite him…. Her enlarged eyes, tearful and misty, appeared to be far off, very far off. Perhaps she was not even looking at him…. Her trembling mouth, bluish with emotion, a round and protruding mouth like an absorbing duct, was seeking the sailor's mouth, taking possession of it and devouring it with her lips.

It was the kiss of a cupping-glass, long, dominating, painful. Ulysses realized that he had never before been kissed in this way. The water from that mouth surging across her row of teeth, discharged itself in his like swift poison. A shudder unfamiliar until then ran the entire length of his back, making him close his eyes.

He felt as if all his interior had turned to liquid. He had a presentiment that his life was going to date from this kiss, that with it was going to begin a new existence, that he never would be able to free himself from these deadly and caressing lips with their faint savor of cinnamon, of incense, of Asiatic forests haunted with sensuousness and intrigue.

And he let himself be dragged down by the caress of this wild beast, with thought lost and body inert and resigned, like a castaway who descends and descends the infinite strata of the abyss without ever reaching bottom.

CHAPTER VI
THE WILES OF CIRCE

After that kiss, the lover believed that all his desires were about to be immediately realized. The most difficult part of the road was already passed. But with Freya one always had to expect something absurd and inconceivable.

The midday gun aroused them from a rapture that had lasted but a few seconds as long as years. The steps of the guard, growing nearer all the time, finally separated the two and unlocked their arms.

Freya was the first to calm herself. Only a slight haze flitted across her pupils now, like the vapor from a recently extinguished fire.

"Good-by…. They are waiting for me."

And she went out from the Aquarium followed by Ferragut, still stammering and tremulous. The questions and petitions with which he pursued her while crossing the promenade were of no avail.

"So far and no further," she said at one of the cross streets of Chiaja. "We shall see one another…. I formally promise you that….

Now leave me."

And she disappeared with the firm step of a handsome huntress, as serene of countenance as though not recalling the slightest recollection of her primitive, passional paroxysm.

This time she fulfilled her promise. Ferragut saw her every day.

They met in the mornings near the hotel, and sometimes she came down into the dining-room, exchanging smiles and glances with the sailor, who fortunately was sitting at a distant table. Then they took strolls and chatted together, Freya laughing good-naturedly at the amorous vows of the captain…. And that was all.

With a woman's skillfulness in sounding a man's depth and penetrating into his secrets,—keeping fast-locked and unapproachable her own,—she gradually informed herself of the incidents and adventures in the life of Ulysses. Vainly he spoke, in a natural reciprocity, of the island of Java, of the mysterious dances before Siva, of the journeys through the lakes of the Andes. Freya had to make an effort to recall them. "Ah!… Yes!" And after giving this distracted exclamation for every answer, she would continue the process of delving eagerly into the former life of her lover. Ulysses sometimes began to wonder if that embrace in the Aquarium could have occurred in his dreams.

One morning the captain managed to bring about the realization of one of his ambitions. He was jealous of the unknown friends that were lunching with Freya. In vain she affirmed that the doctor was the only companion of the hours that she passed outside of the hotel. In order to tranquillize himself, the sailor insisted that the widow should accept his invitations. They ought to extend their strolls; they ought to visit the beautiful outskirts of Naples, lunching in their gay little trattorias or eating-houses.

They ascended together the funicular road of Monte Vomero to the heights crowned by the castle of S. Elmo and the monastery of S. Martino. After admiring in the museum of the abbey the artistic souvenirs of the Bourbon domination and that of Murat, they entered into a nearby trattoria with tables placed on an esplanade from whose balconies they could take in the unforgetable spectacle of the gulf, seeing Vesuvius in the distance and the chain of mountains smoking on the horizon like an immovable succession of dark rose-colored waves.

Naples was extended in horseshoe form on the bow-shaped border of the sea tossing up from its enormous white mass, as though they were bits of foam, the clusters of houses in the suburbs.

A swarthy oysterman, slender, with eyes like live coals, and enormous mustaches, had his stand at the door of the restaurant, offering cockles and shell fish of strong odor that had been half a week perhaps in ascending from the city to the heights of Vomero. Freya jested about the oysterman's typical good looks and the languishing glances that he was forever casting toward all the ladies that entered the establishment … a prime discovery for a tourist anxious for adventures in local color.

In the background a small orchestra was accompanying a tenor voice or was playing alone, enlarging upon the melodies and amplifying the measures with Neapolitan exaggeration.

Freya felt a childish hilarity upon seating herself at the table, seeing over the cloth the luminous summit. Bisected in the foreground by a crystal vase full of flowers, the distant panorama of the city, the gulf, and its capes spread itself before her eager eyes. The air on this peak enchanted her after two weeks passed without stirring outside of Naples. The harps and violins gave the situation a pathetic thrill and served as a background for conversation, just as the vague murmurs of a hidden orchestra give the effect in the theater of psalmody or of melancholy verses moving the listener to tears.

They ate with the nervousness which joy supplies. At some tables further on a young man and woman were forgetting the courses in order to clasp hands underneath the cloth and place knee against knee with frenzied pressure. The two were smiling, looking at the landscape and then at each other. Perhaps they were foreigners recently married, perhaps fugitive lovers, realizing in this picturesque spot the billing and cooing so many times anticipated in their distant courtship.

Two English doctors from a hospital ship, white haired and uniformed, were disregarding their repast in order to paint directly in their albums, with a childish painstaking crudeness, the same panorama that was portrayed on the postal cards offered for sale at the door of the restaurant.

A fat-bellied bottle with a petticoat of straw and a long neck attracted Freya's hands to the table. She ridiculed the sobriety of Ferragut, who was diluting with water the reddish blackness of the Italian wine.

"Thus your ancestors, the Argonauts, must have drunk," she said gayly.

"Thus your grandfather, Ulysses, undoubtedly drank."

And herself filling the captain's glass with an exaggeratedly careful division of the parts of water and wine, she added gayly:

"We are going to make a libation to the gods."

These libations were very frequent. Freya's peals of laughter made the Englishmen, interrupted in their conscientious work, turn their glances toward her. The sailor felt himself overcome by a warm feeling of well-being, by a sensation of repose and confidence, as though this woman were unquestionably his already.

Seeing that the two lovers, terminating their luncheon hastily, were arising with blushing precipitation as though overpowered by some sudden desire, his glance became tender and fraternal…. Adieu, adieu, companions!

The voice of the widow recalled him to reality.

"Ulysses, make love to me…. You haven't yet told me this whole day long that you love me."

In spite of the smiling and mocking tone of this order, he obeyed her, repeating once more his promises and his desires. Wine was giving to his words a thrill of emotion; the musical moaning of the orchestra was exciting his sensibilities and he was so touched with his own eloquence that his eyes slightly filled with tears.

The high voice of the tenor, as though it were an echo of Ferragut's thought, was singing a romance of the fiesta of Piedigrotta, a lamentation of melancholy love, a canticle of death, the final mother of hopeless lovers.

"All a lie!" said Freya, laughing. "These Mediterraneans…. What comedians they are for love!…"

Ulysses was uncertain as to whether she was referring to him or to the singer. She continued talking, placid and disdainful at the same time, because of their surroundings.

"Love,… love! In these countries they can't talk of anything else. It is almost an industry, somewhat scrupulously prepared for the credulous and simple people from the North. They all harp on love: this howling singer, you … even the oysterman…."

Then she added maliciously:

"I ought to warn you that you have a rival. Be very careful, Ferragut!"

She turned her head in order to look at the oysterman. He was occupied in the contemplation of a fat lady with grisled hair and abundant jewels, a lady escorted by her husband, who was looking with astonishment at the vendor's killing glances without being able to understand them.

The lady-killer was stroking his mustache affectedly, looking from time to time at his cloth suit in order to smooth out the wrinkles and brush off the specks of dust. He was a handsome pirate disguised as a gentleman. Upon noticing Freya's interest, he changed the course of his glances, poised his fine figure and replied to her questioning eyes with the smile of a bad angel, making her understand his discretion and skillfulness in ingratiating himself behind husbands and escorts.

"There he is!" cried Freya with peals of laughter. "I already have a new admirer!…"

The swarthy charmer was restrained by the scandalous publicity with which this lady was receiving his mysterious insinuations. Ferragut spoke of knocking the scamp down on his oyster shells with a good pair of blows.

"Now don't be ridiculous," she protested. "Poor man! Perhaps he has a wife and many children…. He is the father of a family and wants to take money home."

There was a long silence between the two. Ulysses appeared offended by the lightness and cruelty of his companion.

"Now don't you be cross," she said. "See here, my shark! Smile a bit. Show me your teeth…. The libations to the gods are to blame. Are you offended because I wished to compare you with that clown?… What if you are the only man that I appreciate at all!… Ulysses, I am speaking to you seriously,—with all the frankness that wine gives. I ought not to tell you so, but I admit it…. If I should ever love a man, that man would be you."

Ferragut instantly forgot all his irritation in order to listen to her and envelop her in the adoring light of his eyes. Freya averted her glance while speaking, not wishing to meet his eye, as though she were weighing what she was saying while her glance wandered over the widespread landscape.

Ulysses' origin was what interested her most. She who had traveled over almost the entire world, had trodden the soil of Spain only a few hours, when disembarking in Barcelona from the transatlantic liner which he had commanded. The Spaniards inspired her both with fear and attraction. A noble gravity reposed in the depths of their ardent hyperbole.

"You are an exaggerated being, a meridional who enlarges everything and lies about everything, believing all his own lies. But I am sure that if you should ever be really in love with me, without fine phrases or passionate fictions, your affection would be more sane and deep than that of other men…. My friend, the doctor, says that you are a crude people and that you have only simulated the nervousness, unbalanced behavior, and intrigues that accompany love in other civilized countries even to refinement."

Freya looked at the sailor, making a long pause.

"Therefore you strike," she continued, "therefore you kill when you feel love and jealousy. You are brutes but not mediocre. You do not abandon a woman intentionally; you do not exploit her…. You are a new species of man for me, who has known so many. If I were able to believe in love, I would have you at my side all my life…. All my life long!"

A light, gentle music, like the vibration of fragile and delicate crystal, spread itself over the terrace. Freya followed its rhythm with a light motion of the head. She was accustomed to this cloying music, this Serenata of Toselli,—a passionate lament that always touches the soul of the tourist in the halls of the grand hotels. She, who at other times had ridiculed this artificial and refined little music, now felt tears welling up in her eyes.

"Not to be able to love anybody!" she murmured. "To wander alone through the world!… And love is such a beautiful thing!"

She guessed what Ferragut was going to say,—his protest of eternal passion, his offer to unite his life to hers forever, and she cut his words short with an energetic gesture.

"No, Ulysses, you do not know me; you do not know who I am…. Go far from me. Some days ago it was a matter of indifference to me. I hate men and do not mind injuring them, but now you inspire me with a certain interest because I believe you are good and frank in spite of your haughty exterior…. Go! Do not seek me. This is the best proof of affection that I can give you."

She said this vehemently, as if she saw Ferragut running toward danger and was crying out in order to ward him from it.

"On the stage," she continued, "there is a role that they call 'The Fatal Woman,' and certain artists are not able to play any other part. They were born to represent this personage…. I am a 'Fatal Woman,' but really and truly…. If you could know my life!… It is better that you do not know it; even I wish to ignore it. I am happy only when I forget it…. Ferragut, my friend, bid me farewell, and do not cross my path again."

But Ferragut protested as though she were proposing a cowardly thing to him. Flee? Loving her so much? If she had enemies, she could rely upon him for her defense; if she wanted wealth, he wasn't a millionaire, but….

"Captain," interrupted Freya, "go back to your own people. I was not meant for you. Think of your wife and son; follow your own life. I am not the conquest that is cherished for a few weeks, no more. Nobody can trust me with impunity. I have suckers just like the animals that we saw the other day; I burn and sting just like those transparent parasols in the Aquarium. Flee, Ferragut!…. Leave me alone…. Alone!"

And the image of the immense barrenness of her lonely future made the tears gush from her eyes.

The music had ceased. A motionless waiter was pretending to look far away, while really listening to their conversation. The two Englishmen had interrupted their painting in order to glare at this gentleman who was making a lady weep. The sailor began to feel the nervous disquietude which a difficult situation creates.

"Ferragut, pay and let us go," she said, divining his state of mind.

While Ulysses was giving money to the waiters and musicians, she dried her eyes and repaired the ravages to her complexion, drawing from her gold-mesh bag a powder puff and little mirror in whose oval she contemplated herself for a long time.

As they passed out, the oysterman turned his back, pretending to be very much occupied in the arrangement of the lemons that were adorning his stand. She could not see his face, but she guessed, nevertheless, that he was muttering a bad word,—the most terrible that can be said of a woman.

They went slowly toward the station of the funicular road, through solitary streets and between garden walls one side of which was yellow in the golden sunlight and the other blue in the shade. She it was who sought Ulysses' arm, supporting herself on it with a childish abandon as if fatigue had overcome her after the first few steps.

Ferragut pressed this arm close against his body, feeling at once the stimulus of contact. Nobody could see them; their footsteps resounded on the pavements with the echo of an abandoned place. The fermented ardor of those libations to the gods was giving the captain a new audacity.

"My poor little darling!… Dear little crazy-head!…" he murmured, drawing closer to him Freya's head which was resting on one of his shoulders.

He kissed her without her making any resistance. And she in turn kissed him, but with a sad, light, faint-hearted kiss that in no way recalled the hysterical caress of the Aquarium. Her voice, which appeared to be coming from afar off, was repeating what she had counseled him in the trattoria.

"Begone, Ulysses! Do not see me any more. I tell you this for your own good…. I bring trouble. I should be sorry to have you curse the moment in which you met me."

The sailor took advantage of all the windings of the streets in order to cut these recommendations short with his kisses. She advanced limply as though towed by him with no will power of her own, as though she were walking in her sleep. A voice was singing with diabolic satisfaction in the captain's brain:

"Now it is ripe!… Now it is ripe!…"

And he continued pulling her along always in a direct line, not knowing whither he was going, but sure of his triumph.

Near the station an old man approached the pair,—a white-haired, respectable gentleman with an old jacket and spectacles. He gave them the card of a hotel which he owned in the neighborhood, boasting of the good qualities of its rooms. "Every modern comfort…. Hot water." Ferragut spoke to her familiarly:

"Would you like?… Would you like?…"

She appeared to wake up, dropping his arm brusquely.

"Don't be crazy, Ulysses…. That will never be…. Never!"

And drawing herself up magnificently, she entered the station with a haughty step, without looking around, without noticing whether Ferragut was following her or abandoning her.

During the long wait and the descent to the city Freya appeared as ironical and frivolous as though she had no recollection of her recent indignation. The sailor, under the weight of his failure and the unusual libations, relapsed into sulky silence.

In the district of Chiaja they separated. Ferragut, finding himself alone, felt more strongly than ever the effects of the intoxication that was dominating him, the intoxication of a temperate man overcome by the intense surprise of novelty.

For a moment he had a forlorn idea of going to his boat. He needed to give orders, to contend with somebody; but the weakness of his knees pushed him toward his hotel and he flung himself face downward on the bed,—whilst his hat rolled on the floor,—content with the sobriety with which he had reached his room without attracting the attention of the servants.

He fell asleep immediately, but scarcely had night fallen before his eyes opened again, or at least he believed that they opened, seeing everything under a light which was not that of the sun.

Some one had entered the room, and was coming on tiptoe towards his bed. Ulysses, who was not able to move, saw out of the tail of one eye that what was approaching was a woman and that this woman appeared to be Freya. Was it really she?…

She had the same countenance, the blonde hair, the black and oriental eyes, the same oval face. It was Freya and it was not, just as twins exactly alike physically, nevertheless have an indefinable something which differentiates them.

The vague thoughts which for some time past had been slowly undermining his subconsciousness with dull, subterranean labor, now cleared the air with explosive force. Whenever he had seen the widow this subconsciousness had asserted itself, forewarning him that he had known her long before that transatlantic voyage. Now, under a light of fantastic splendor, these vague thoughts assumed definite shape.

The sleeper thought he was looking at Freya clad in a bodice with flowing sleeves adjusted to the arms with filagree buttons of gold; some rather barbarous gems were adorning her bosom and ears, and a flowered skirt was covering the rest of her person. It was the classic costume of a farmer's wife or daughter of other centuries that he had seen somewhere in a painting. Where?… Where?…

"Doña Constanza!…"

Freya was the counterpart of that august Byzantian queen. Perhaps she was the very same, perpetuated across the centuries, through extraordinary incarnations. In that moment Ulysses would have believed anything possible.

Besides he was very little concerned with the reasonableness of things just now; the important thing to him was that they should exist; and Freya was at his side; Freya and that other one, welded into one and the same woman, clad like the Grecian sovereign.

Again he repeated the sweet name that had illuminated his infancy with romantic splendor. "Doña Constanza! Oh, Doña Constanza!…" And night overwhelmed him, cuddling his pillow as when he was a child, and falling asleep enraptured with thoughts of the young widow of "Vatacio the Heretic."

When he met Freya again the next day, he felt attracted by a new force,—the redoubled interest that people in dreams inspire. She might really be the empress resuscitated in a new form as in the books of chivalry, or she might simply be the wandering widow of a learned sage,—for the sailor it was all the same thing. He desired her, and to his carnal desire was added others less material,—the necessity of seeing her for the mere pleasure of seeing her, of hearing her, of suffering her negatives, of being repelled in all his advances.

She had pleasant memories of the expedition to the heights of S.

Martino.

"You must have thought me ridiculous because of my sensitiveness and my tears. You, on the other hand, were as you always are, impetuous and daring…. The next time we shall drink less."

The "next time" was an invitation that Ferragut repeated daily. He wanted to take her to dine at one of the trattorias on the road to Posilipo where they could see spread at their feet the entire gulf, colored with rose by the setting sun.

Freya had accepted his invitation with the enthusiasm of a school girl. These strolls represented for her hours of joy and liberty, as though her long sojourns with the doctor were filled with monotonous service.

One evening Ulysses was waiting for her far from the hotel so as to avoid the porter's curious stares. As soon as they met and glanced toward the neighboring cab-stand, four vehicles advanced at the same time—like a row of Roman chariots anxious to win the prize in the circus—with a noisy clattering of hoofs, cracking of whips, wrathful gesticulations and threatening appeals to the Madonna. Listening to their Neapolitan curses, Ferragut believed for an instant that they were going to kill one another…. The two climbed into the nearest vehicle, and immediately the tumult ceased. The empty coaches returned to occupy their former place in the line, and the deadly rivals renewed their placid and laughing conversation.

An enormous upright plume was waving on their horses' heads. The cabman, in order not to be discourteous to his two clients, would occasionally turn half-way around, giving them explanations.

"Over there," and he pointed with his whip, "is the road of Piedigrotta. The gentleman ought to see it on a day of fiesta in September. Few return from it with a firm step. S. Maria di Piedigrotta enabled Charles III to put the Austrians to flight in Velletri…. Aooo!"

He moved his whip like a fishing rod over the upright plume, increasing the steed's pace with a professional howl…. And as though his cry were among the sweetest of melodies, he continued talking, by association of ideas:

"At the fiesta of Piedigrotta, when I was a boy, were given out the best songs of the year. There was proclaimed the latest fashionable love song, and long after we had forgotten it foreigners would come here repeating it as though it was a novelty."

He made a short pause.

"If the lady and gentleman wish," he continued, "I will take them, on returning, to Piedigrotta. Then we'll see the little church of S. Vitale. Many foreign ladies hunt for it in order to put flowers on the sepulcher of a hunch-back who made verses,—Giacomo Leopardi."

The silence with which his two clients received these explanations made him abandon his mechanical oratory in order to take a good look at them. The gentleman was taking the lady's hand and was pressing it, speaking in a very low tone. The lady was pretending not to listen to him, looking at the villas and the gardens at the left of the road sloping down toward the sea.

With noble magnanimity, however, the driver still wished to instruct his indifferent clients, showing them with the point of his whip the beauty and wonders of his repertoire.

"That church is S. Maria del Parto, sometimes called by others the Sannazaro. Sannazaro was also a noted poet who described the loves of shepherdesses, and Frederick II of Aragon made him the gift of a villa with gardens in order that he might write with greater comfort… Those were other days, sir! His heirs converted it into a church and–"

The voice of the coachman stopped short. Behind him the pair were talking in an incomprehensible language, without paying the slightest attention to him, without acknowledging his erudite explanations. Ignorant foreigners!… And he said no more, wrapping himself in offended silence, relieving his Neapolitan verbosity with a series of shouts and grunts to his horse.

The new road from Posilipo, the work of Murat, skirted the gulf, rising along the mountain edge and constantly emphasizing the declivity between the covering of its feet and the border of the sea. On this hanging slope may be seen villas with white or rosy facades midst the splendor of a vegetation that is always green and glossy. Beyond the colonnades of palm trees and parasol pines, appeared the gulf like a blue curtain, its upper edge showing above the murmuring tops of the trees.

An enormous edifice appeared facing the water. It was a palace in ruins, or rather a roofless palace never finished, with thick walls and huge windows. On the lower floor the waves entered gently through doors and windows which served as rooms of refuge for the fishermen's skiffs.

The two travelers were undoubtedly talking about this ruin, and the forgiving coachman forgot his snub in order to come to their aid.

"That is what many people call the Palace of Queen Joanna…. A mistake, sir. Ignorance of the uneducated people! That is the Palazzo di Donn' Anna, and Donna Anna Carafa was a great Neapolitan signora, wife of the Duke of Medina, the Spanish viceroy who constructed the palace for her and was not able to finish it."…

He looked around him…. Nobody! For a moment he believed he must have been dreaming, but the sweet perfume of her hair still scented the pillow. The reality of awakening was as joyous for Ulysses, as sweet as had been the night hours in the mystery of the darkness. He had never felt so strong and so happy.

In the window sounded a baritone voice singing one of the songs of Naples,—"Oh, sweet land, sweet gulf!…" That certainly was the most beautiful spot in the world. Proud and satisfied with his fate, he would have liked to embrace the waves, the islands, the city, Vesuvius.

A bell jangled impatiently in the corridor. Captain Ferragut was hungry. He surveyed with the glance of an ogre the café au lait, the abundant bread, and the small pat of butter that the waiter brought him. A very small portion for him!… And while he was attacking all this with avidity, the door opened and Freya, rosy and fresh from a recent bath and clad like a man, entered the room.

The Hindu tunic had been replaced with masculine pyjamas of violet silk. The pantaloons had the edges turned up over a pair of white Turkish slippers into which were tucked her bare feet. Over her heart there was embroidered a design whose letters Ulysses was not able to decipher. Above this device the point of her handkerchief was sticking out of the pocket. Her opulent hair, twisted on top of her head and the voluptuous curves that the silk was taking in certain parts of her masculine attire were the only things that announced the woman.

The captain forgot his breakfast, enthusiastic over this novelty. She was a second Freya,—a page, an adorable, freakish novelty…. But she repelled his caresses, obliging him to seat himself.

She had entered with a questioning expression in her eyes. She was feeling the disquietude of every woman on her second amorous interview. She was trying to guess his impressions, to convince herself of his gratitude, to be certain that the fascinations of the first hours had not been dissipated during her absence.

While the sailor was again attacking his breakfast with the familiarity of a lover who has achieved his ends and no longer needs to hide and poetize his grosser necessities, she seated herself on an old chaise longue, lighting a cigarette.

She cuddled into this seat, her crossed legs forming an angle within the circle of one of her arms. Then she leaned her head on her knees, and in this position smoked a long time, with her glance fixed on the sea. He guessed that she was about to say something interesting, something that was puckering her mental interior, struggling to come out.

Finally she spoke with deliberation, without taking her eyes off the gulf. From time to time she would stop this contemplation in order to fasten her eyes on Ulysses, measuring the effect of her words. He stopped occupying himself definitely with the breakfast tray, foreseeing that something very important was coming.

"You have sworn that you will do for me whatever I ask you to do….

You do not wish to lose me forever."

Ulysses protested. Lose her?… He could not live without her.

"I know your former life; you have told me all about it…. You know nothing about me and you ought to know about me—now that I am really yours."

The sailor nodded his head; nothing could be more just.

"I have deceived you, Ulysses. I am not Italian."

Ferragut smiled. If that was all the deception consisted of!… From the day in which they had spoken together for the first time going to Paestum, he had guessed that what she had told him about her nationality was false.

"My mother was an Italian. I swear it…. But my father was not…."

She stopped a moment. The sailor listened to her with interest, with his back turned to the table.

"I am a German woman and …"

CHAPTER VII
THE SIN OF ULYSSES

Every morning on awaking at the first streak of dawn, Toni felt a sensation of surprise and discouragement.

"Still in Naples!" he would say, looking through the port-hole of his cabin.

Then he would count over the days. Ten had passed by since the Mare Nostrum, entirely repaired, had anchored in the commercial harbor.

"Twenty-four hours more," the mate would add mentally.

And he would again take up his monotonous life, strolling over the empty and silent deck of the vessel, without knowing what to do, looking despondently at the other steamers which were moving their freighting antennae, swallowing up boxes and bundles and beginning to send out through their chimneys the smoke announcing departure.

He suffered great remorse in calculating what the boat might have gained were it now under way. The advantage was all for the captain, but he could not avoid despairing over the money lost.

The necessity of communicating his impressions to somebody, of protesting in chorus against this lamentable inertia, used to impel him toward Caragol's dominions. In spite of their difference in rank, the first officer always treated the cook with affectionate familiarity.

"An abyss is separating us!" Toni would say gravely.

This "abyss" was a metaphor extracted from his reading of radical papers and alluded to the old man's fervid and simple beliefs. But their common affection for the captain, all being from the same land, and the employment of the Valencian dialect as the language of intimacy, made the two seek each other's company instinctively. For Toni, Caragol was the most congenial spirit aboard … after himself.

As soon as he stopped at the door of the galley, supporting his elbow in the doorway and obstructing the sunlight with his body, the old cook would reach out for his bottle of brandy, preparing a "refresco" or a "caliente" in honor of his visitor.

They would drink slowly, interrupting their relish of the liquor to lament together the immovability of the Mare Nostrum. They would count up the cost as though the boat were theirs. While it was being repaired, they had been able to tolerate the captain's conduct.

"The English always pay," Toni would say. "But now nobody is paying and the ship isn't earning anything, and we are spending every day…. About how much are we spending?"

And he and the cook would again calculate in detail the cost of keeping up the steamer, becoming terrified on reaching the total. One day without moving was costing more than the two men could earn in a month.

"This can't go on!" Toni would protest.

His indignation took him ashore several times in search of the captain. He was afraid to speak to him, considering it a lack of discipline to meddle in the management of the boat, so he invented the most absurd pretext in order to run afoul of Ferragut.

He looked with antipathy at the porter of the albergo because he always told him that the captain had just gone out. This individual with the air of a procurer must be greatly to blame for the immovability of the steamer; his heart told him so.

Because he couldn't come to blows with the man, and because he could not stand seeing him laugh deceitfully while watching him wait hour after hour in the vestibule, he took up his station in the street, spying on Ferragut's entrances and exits.

The three times that he did succeed in speaking with the captain, the result was always the same. The captain was as greatly delighted to see him as if he were an apparition from the past with whom he could communicate the joy of his overflowing happiness.

He would listen to his mate, congratulating himself that all was going so well on the ship, and when Toni, in stuttering tones, would venture to ask the date of departure, Ulysses would hide his uncertainty under a tone of prudence. He was awaiting a most valuable cargo; the longer they waited for it, the more money they were going to gain…. But his words were not convincing to Toni. He remembered the captain's protests fifteen days before over the lack of good cargo in Naples, and his desire to leave without loss of time.

Upon returning aboard, the mate would at once hunt Caragol, and both would comment on the changes in their chief. Toni had found him an entirely different man, with beard shaved, wearing his best clothes, and displaying in the arrangement of his person a most minute nicety, a decided wish to please. The rude pilot had even come to believe that he had detected, while talking to him, a certain feminine perfume like that of their blonde visitor.

This news was the most unbelievable of all for Caragol.

"Captain Ferragut perfumed!… The captain scented!… The wretch!" And he threw up his arms, his blind eyes seeking the brandy bottles and the oil flasks, in order to make them witnesses of his indignation.

The two men were entirely agreed as to the cause of their despair. She was to blame for it all; she who was going to hold the boat spellbound in this port until she knew when, with the irresistible power of a witch.

"Ah, these females!… The devil always follows after petticoats like a lap-dog…. They are the ruination of our life."

And the wrathful chastity of the cook continued hurling against womankind insults and curses equal to those of the first fathers of the church.

One morning the men washing down the deck sent a cry passing from stem to stern,—"The captain!" They saw him approaching in a launch, and the word was passed along through staterooms and corridors, giving new force to their arms, and lighting up their sluggish countenances. The mate came up on deck and Caragol stuck his head out through the door of his kitchen.

At the very first glance, Toni foresaw that something important was about to happen. The captain had a lively, happy air. At the same time, he saw in the exaggerated amiability of his smile a desire to conciliate them, to bring sweetly before them something which he considered of doubtful acceptation.

"Now you'll be satisfied," said Ferragut, giving his hand, "we are going to weigh anchor soon."

They entered the saloon. Ulysses looked around his boat with a certain strangeness as though returning to it after a long voyage. It looked different to him; certain details rose up before his eyes that had never attracted his attention before.

He recapitulated in a lightning cerebral flash all that had occurred in less than two weeks. For the first time he realized the great change in his life since Freya had come to the steamer in search of him.

He saw himself in his room in the hotel opposite her, dressed like a man, and looking out over the gulf while smoking.

"I am a German woman, and …"

Her mysterious life, even its most incomprehensible details, was soon to be explained.

She was a German woman in the service of her country. Modern war had aroused the nations en masse; it was not as in other centuries, a clash of diminutive, professional minorities that have to fight as a business. All vigorous men were now going to the battlefield, and the others were working in industrial centers which had been converted into workshops of war. And this general activity was also taking in the women who were devoting their labor to factories and hospitals, or their intelligence on the other side of the frontiers, to the service of their country.

Ferragut, surprised by this outright revelation, remained silent, but finally ventured to formulate his thought.

"According to that, you are a spy?"…

She heard the word with contempt. That was an antiquated term which had lost its primitive significance. Spies were those who in other times,—when only the professional soldiers took part in war,—had mixed themselves in the operations voluntarily or for money, surprising the preparations of the enemy. Nowadays, with the mobilization of the nations en masse, the old official spy—a contemptible and villainous creature, daring death for money—had practically disappeared. Nowadays there only existed patriots—anxious to work for their country, some with weapons in their hands, others availing themselves of their astuteness, or exploiting the qualities of their sex.

Ulysses was greatly disconcerted by this theory.

"Then the doctor?…" he again questioned, guessing; what the imposing dame must be.

Freya responded with an expression of enthusiasm and respect. Her friend was an illustrious patriot, a very learned woman, who was placing all her faculties at the service of her country. She adored her. She was her protector; she had rescued her in the most difficult moment of her existence.

"And the count?" Ferragut continued asking.

Here the woman made a gesture of reserve.

"He also is a great patriot, but do not let us talk about him."

In her words there were both respect and fear. He suspected that she did not wish to have anything to do with this haughty personage.

A long silence. Freya, as if fearing the effects of the captain's meditations, suddenly cut them short with her headlong chatter.

The doctor and she had come from Rome to take refuge in Naples, fleeing from the intrigues and mutterings of the capital. The Italians were squabbling among themselves; some were partisans of the war, others of neutrality; none of them wished to aid Germany, their former ally.

"We, who have protected them so much!" she exclaimed. "False and ungrateful race!…"

Her gestures and her words recalled to Ulysses' mind the image of the doctor, execrating the Italian country from a little window of the coach, the first day that they had talked together.

The two women were in Naples, whiling away their tedious waiting with trips to neighboring places of interest, when they met the sailor.

"I have a very pleasant recollection of you," continued Freya. "I guessed from the very first instant that our friendship was going to terminate as it has terminated."

She read a question in his glance.

"I know what you are going to say to me. You wonder that I have made you wait so long, that I should have made you suffer so with my caprices…. It was because while I was loving you, at the same time I wished to separate myself from you. You represented an attraction and a hindrance. I feared to mix you up in my affairs…. Besides, I need to be free in order to dedicate myself wholly to the fulfillment of my mission."

There was another long pause. Freya's eyes were fixed on those of her lover with scrutinizing tenacity. She wished to sound the depths of his thoughts, to study the ripeness of her preparation—before risking the decisive blow. Her examination was satisfactory.

"And now that you know me," she said with painful slowness, "begone!… You cannot love me. I am a spy, just as you say,—a contemptible being…. I know that you will not be able to continue loving me after what I have revealed to you. Take yourself away in your boat, like the heroes of the legends; we shall not see each other more. All our intercourse will have been a beautiful dream…. Leave me alone. I am ignorant of what my own fate may be, but what is more important to me is your tranquillity."

Her eyes filled with tears. She threw herself face downward on the divan, hiding her face in her arms, while a sobbing outburst set all the adorable curves of her back a-tremble.

Touched by her grief, Ulysses at the same time admired Freya's shrewdness in divining all his thoughts. The voice of good counsel,—that prudent voice that always spoke in one-half of his brain whenever the captain found himself in difficult situations,—had begun to cry out, scandalized at the first revelations made by this woman:

"Flee, Ferragut!… Flee! You are in a bad fix. Do not agree to any relations with such people. What have you to do with the country of this adventuress? Why should you encounter dangers for a cause that is of no importance to you? What you wanted of her, you already have gotten. Be an egoist, my son!"

But the voice in his other mental hemisphere, that boasting and idiotic voice which always impelled him to embark on vessels bound to be shipwrecked, to be reckless of danger for the mere pleasure of putting his vigor to the proof, also gave him counsel. It was a villainous thing to abandon a woman. Only a coward would do such a thing…. And this German woman appeared to love him so much!…

And with his ardent, meridional exuberance, he embraced her and lifted her up, patting the loosened ringlets on her forehead, petting her like a sick child, and drinking in her tears with interminable kisses.

No; he would not abandon her…. He was more disposed to defend her from all her enemies. He did not know who her enemies were, but if she needed a man,—there he was….

In vain his inner monitor reviled him while he was making such offers; he was compromising himself blindly; perhaps this adventure was going to be the most terrible in his history…. But in order to quiet his scruples, the other voice kept crying, "You are a gentleman; and a gentleman does not desert a lady, through fear, a few hours after having won her affection. Forward, Captain!"

An excuse of cowardly selfishness arose in his thoughts, fabricated from one single piece. He was a Spaniard, a neutral, in no way involved in the conflict of the Central Powers. His second had often spoken to him of solidarity of race, of Latin nations, of the necessity of putting an end to militarism, of going to war in order that there might be no more wars…. Mere vaporings of a credulous reader! He was neither English nor French. Neither was he German; but the woman he loved was, and he was not going to give her up for any antagonisms in which he was not concerned.

Freya must not weep. Her lover affirmed repeatedly that he wished to live forever at her side, that he was not thinking of abandoning her because of what she had said: and he even pledged his word of honor that he would aid her in everything that she might consider possible and worthy of him.

Thus Captain Ulysses Ferragut impetuously decided his destiny.

When his beloved again took him to the doctor's home, he was received by her just as though he really belonged to the family. She no longer had to hide her nationality. Freya simply called her Frau Doktor and she, with the glib enthusiasm of the professor, finally succeeded in converting the sailor, explaining to him the right and reason of her country's entrance into war with half of Europe.

Poor Germany had to defend herself. The Kaiser was a man of peace in spite of the fact that for many years he had been methodically preparing a military force capable of crushing all humanity. All the other nations had driven him to it; they had all been the first in aggression. The insolent French, long before the war, had been sending clouds of aeroplanes over German cities, bombarding them.

Ferragut blinked with surprise. This was news to him. It must have occurred while he was on the high seas. The verbose positiveness of the doctor did not permit any doubt whatever…. Besides, that lady ought to know better than those who lived on the ocean.

Then had arisen the English provocation…. Like a traitor of melodrama, the British government had been preparing the war for a long time, not wishing to show its hand until the last moment; and Germany, lover of peace, had had to defend herself from this enemy, the worst one of all.

"God will punish England!" affirmed the doctor, looking at Ulysses.

And he not wishing to defraud her of her expectations, gallantly nodded his head…. For all he cared, God might punish England.

But in expressing himself in such a way, he felt himself agitated by a new duality. The English had been good comrades; he remembered agreeably his voyages as an official aboard the British boats. At the same time, their increasing power, invisible to the men on shore, monstrous for those who were living on the sea, had been producing in him a certain irritation. He was accustomed to find them either as dominators of all the seas, or else solidly installed on all the strategic and commercial coasts.

The Doctor, as though guessing the necessity of arousing his hatred of the great enemy, appealed to his historical memories: Gibraltar, stolen by the English; the piracies of Drake; the galleons of America seized with methodical regularity by the British fleets; the landings on the coast of Spain that in other centuries had perturbed the life of the peninsula. England at the beginning of her greatness in the reign of Elizabeth, was the size of Belgium; if she had made herself one of the great powers, it was at the cost of the Spaniards and then of Holland, even dominating the entire world. And the doctor spoke in English and with so much vehemence about England's evil deeds against Spain that the impressionable sailor ended by saying spontaneously:

"May God punish her!"

But just here reappeared the Mediterranean navigator, the complicated and contradictory Ulysses. He suddenly remembered the repairs on his vessel that must be paid for by England.

"May God punish them … but may He wait a little bit!" he murmured in his thoughts.

The imposing professor became greatly exasperated when speaking of the land in which she was living.

"Mandolin players! Bandits!" she always cried when referring to the Italians.

How much they owed to Germany! The Emperor Wilhelm had been a father to them. All the world knew that!… And yet when the war was breaking out, they were going to refuse to follow their old friends. Now German diplomacy must busy itself, not to keep them at her side, but to prevent their going with the adversary. Every day she was receiving news from Rome. She had hoped that Italy might keep herself neutral, but who could trust the word of such people?… And she repeated her wrathful insults.

The sailor immediately adapted himself to this home, as though it were his own. On the few occasions that Freya separated herself from him, he used to go in search of her in the salon of the imposing dame who was now assuming toward Ulysses the air of a good-natured mother-in-law.

In various visits he met the count. This taciturn personage would offer his hand instinctively though keeping a certain distance between them. Ulysses now knew his real nationality, and he knew that he knew it. But the two kept up the fiction of Count Kaledine, Russian diplomat, and this man exacted respect from every one in the doctor's dwelling. Ferragut, devoted to his amorous selfishness, was not permitting himself any investigation, adjusting himself to the hints dropped by the two women.

He had never known such happiness. He was experiencing the great sensuousness of one who finds himself seated at table in a well-warmed dining-room and sees through the window the tempestuous sea tossing a bark that is struggling against the waves.

The newsboys were crying through the streets terrible battles in the center of Europe; cities were burning under bombardment; every twenty-four hours thousands upon thousands of human beings were dying…. And he was not reading anything, not wishing to know anything. He was continuing his existence as though he were living in a paradisiacal felicity. Sometimes, while waiting for Freya, his memory would gloat over her wonderful physical charm, the refinements and fresh sensations which his passion was enjoying; at other times, the actual embrace with its ecstasy blotted out and suppressed all unpleasant possibilities.

Something, nevertheless, suddenly jerked him from his amorous egoism, something that was overshadowing his visage, furrowing his forehead with wrinkles of preoccupation, and making him go aboard his vessel.

When seated in the large cabin of his ship opposite his mate, he leaned his elbows on the table and commenced to chew on a great cigar that had just gone out.

"We're going to start very soon," he repeated with visible abstraction.

"You will be glad, Toni; I believe that you will be delighted."

Toni remained impassive. He was waiting for something more. The captain in starting on a voyage had always told him the port of destiny and the special nature of the cargo. Therefore, noting that Ferragut did not want to add anything more, he ventured to ask:

"Is it to Barcelona that we are going?"

Ulysses hesitated, looking toward the door, as though fearing to be overheard. Then he leaned over toward Toni.

The voyage was going to be one without any danger, but one which must be shrouded in mystery.

"I am counting on you, because you know all my affairs, because I consider you as one of my family."

The pilot did not appear to be touched with this sample of confidence. He still remained impassive, though within him all the uneasiness that had been agitating him in former days was reawakening.

The captain continued talking. These were war times and it was necessary to take advantage of them. For those two it would not be any novelty to transport cargoes of military material. Once he had carried from Europe arms and munitions for a revolution in South America. Toni had recounted to him his adventures in the Gulf of California, in command of a little schooner which had served as a transport to the insurrectionists of the southern provinces in the revolt against the Mexican government.

But the mate, while nodding his head affirmatively, was at the same time looking at him with questioning eyes. What were they going to transport on this trip?…

"Toni, it is not a matter of artillery nor of guns. Neither is it an affair of munitions…. It is a short and well-paid job that will make us go very little out of our way on our return to Barcelona."

He stopped himself in his confidences, feeling a curious hesitation and finally he added, lowering his voice:

"The Germans are paying for it!… We are going to supply their Mediterranean submarines with petrol."

Contrary to all Ferragut's expectations, his second did not make any gesture of surprise. He remained as impassive as if this news were actually incomprehensible to him. Then he smiled lightly, shrugging his shoulders as though he had heard something absurd…. The Germans, perhaps, had submarines in the Mediterranean? It was likely, was it, that one of these navigating machines would be able to make the long crossing from the North Sea to the Strait of Gibraltar?…

He knew all about the great atrocities that the submarines were causing in the vicinity of England, but in a greatly reduced zone in the limited radius of action of which they were capable. The Mediterranean, fortunately for the merchant vessels, was quite beyond the range of their treacherous lying-in-wait.

Ferragut interrupted with his meridional vehemence. Beside himself with passion, he was already beginning to express himself as though the doctor were speaking through his mouth.

"You are referring to the submarines, Toni, to the little submarines that were in existence at the beginning of the war—little grasshoppers of fragile steel that moved with great difficulty when on a level with the water and might be overwhelmed at the slightest shock…. But to-day there is something more: there is a submersible that is like a submarine protected by a ship's hull which is able to go hidden between the two waters and, at the same time, can navigate over the surface better than a torpedo-boat…. You have no idea what these Germans are capable of! They are a great nation, the finest in the world!…"

And with impulsive exaggeration, he insisted in proclaiming German greatness and its inventive spirit as though he had some share in this mechanical and destructive glory.

Then he added confidentially, placing his hand on Toni's arm:

"I'm going to tell it only to you: you are the only person who knows the secret, aside from those who have told it to me…. The German submersibles are going to enter the Mediterranean. We are going to meet them in order to renew their supplies of oil and combustibles."

He became silent, looking fixedly at his subordinate, and smiling in order to conquer his scruples.

For two seconds he did not know what to expect. Toni was remaining pensive with downcast eyes. Then, little by little, he drew himself erect, abandoned his seat, and said simply:

"No!"

Ulysses also left his revolving chair with the impulsiveness of surprise. "No?… And why not?"

He was the captain and they all ought to obey him. For that reason he was responsible for the boat, for the life of its crew, for the fate of the cargo. Besides, he was the proprietor; no one exceeded him in command; his power was unlimited. Through friendly affection and custom, he had consulted his mate, making him share in his secrets and here Toni, with an ingratitude never seen before, was daring to rebel…. What did this mean?…

But the mate, instead of giving any explanation, merely confined himself to answering, each time more obstinately and wrathfully:

"No!… No!"

"But why not?" insisted Ferragut, waxing impatient and in a voice trembling with anger.

Toni, without losing energy in his negatives, was hesitating,—confused, bewildered, scratching his beard, and lowering his eyes in order to reflect better.

He did not know just how to explain himself. He envied his captain's facility in finding just the right word. The simplest of his ideas suffered terribly before coming anxiously from his mouth…. But, finally, little by little, between his stutterings, he managed to express his hatred of those monsters of modern industry which were dishonoring the sea with their crimes.

Each time that he had read in the newspapers of their exploits in the North Sea a wave had passed over the conscience of this simple, frank and upright man. They were accustomed to attack treacherously hidden in the water, disguising their long and murderous eyes like the visual antennae of the monsters of the deep. This aggression without danger appeared to revive in his soul the outraged souls of a hundred Mediterranean ancestors, cruel and piratical perhaps, but who, nevertheless, had sought the enemy face to face with naked breast, battle-axe in hand, and the barbed harpoon for boarding ship as their only means of struggle.

"If they would torpedo only the armed vessels!" he added. "War is a form of savagery, and it is necessary to shut the eyes to its treacherous blows, accepting them as glorious achievements…. But there is something more than that: you know it well. They sink merchant vessels, and passenger ships carrying women, carrying little children…."

"You are in the navy," he said suddenly.

And the count assented, judging dissimulation useless.

Yes, he was a naval officer.

"Then what am I doing here? Why have you given the command to me?…" So Ferragut was thinking without discovering why this man should seek his assistance when he could direct a boat himself, without any outside aid.

Undoubtedly he was a naval officer, and all the blonde sailors that were working like automatons must also have come from some fleet. Discipline was making them respect Ferragut's orders, but the captain suspected that for them he was merely a proxy, the true chief on board being the count.

The schooner passed within sight of the Liparian archipelago; then, twisting its course toward the west, followed the coast of Sicily, from Cape Gallo to the Cape of Vito. From there it turned its prow to the southeast, heading toward the Aegadian Islands.

It had to wait in the waters where the Mediterranean was beginning to narrow between Tunis and Sicily, where the volcanic peak of the Pantellarian Island rises up in the middle of the immense strait.

Brief indications from the count were sufficient to make the course followed by Ferragut in accordance with his desire. He finally could not hide his admiration for the Spaniard's mastery of navigation.

"You know your sea well," said the count.

The captain shrugged his shoulders, smiling. It truly was his. He could call it "mare nostrum" just as the Romans and their former rulers had done.

As though divining the subsea depths by a simple glance, he kept his boat within the limits of the extensive ledge of the Aventura. He was navigating slowly with only a few sails, crossing and recrossing the same water.

Kaledine, after two days had passed by, began to grow uneasy. Several times it sounded to Ferragut as though he were muttering the name of Gibraltar. The passage from the Atlantic to the Mediterranean was the greatest danger for those that he was expecting.

From the deck of the schooner he was able to see only a short distance, and the count clambered up the rigging in order that his eyes might take in a more extensive sweep.

One morning up aloft he called something to the captain, pointing out a speck on the horizon. He must steer in that very direction. What he was seeking was over there.

Ferragut obeyed him, and half an hour later there appeared, one after the other, two long, low boats, moving with great velocity. They were like destroyers, but without mastheads, without smokestacks, skimming along almost on a level with the water, painted in a gray that made them seem a short distance away of the same color as the sea. They came around on both sides of the sailboat as though they were going to crush it with the meeting of their hulls. Various metallic cables came up from their decks and were thrown over the bitts of the schooner, fastening it to them, and forming the three vessels into a solid mass that, united, followed the slow undulation of the sea.

Ulysses examined curiously his two companions in this improvised float. Were these the famous submarines?… He saw on their steel decks round and protruding hatchways like chimneys through which groups of heads were sticking out. The officers and crews were dressed like fishermen from the northern coast with waterproof suits of one piece and oilskin hats. Many of them were swinging their tarpaulins over their heads, and the count replied to them by waving his cap. The blonde sailors of the schooner shouted in reply to the acclamations of their comrades on the submersibles, "Deutchsland über alles!…"

But this enthusiasm, equivalent to a song of triumph in the midst of the solitude of the sea, lasted but a very short time. Whistles sounded, men ran over the steel decks and Ferragut saw his vessel invaded by two files of seamen. In a moment the hatchways were opened; there sounded the crash of breaking pieces of wood, and the cases of petrol began to be carried off on both sides. The water all around the sailboat was filled with broken cases that were gently floating away.

The count on the poop deck was listening to an officer dressed in waterproof garments.

He was recounting their passage through the Strait of Gibraltar, completely submerged, seeing through the periscope the English torpedo-chasers on patrol.

"Nothing, Commandant," continued the officer. "Not even the slightest incident…. A magnificent voyage!"

"May God punish England!" said the count now called Commandant.

"May God punish her!" replied the official as though he were saying "Amen."

Ferragut saw himself forgotten, ignored, by all the men aboard the schooner. Some of the sailors even pushed him to one side in the haste of their work. He was the mere master of a sailing vessel who counted for nothing in this hierarchy of warlike men.

He now began to understand why they had given him the command of the little vessel. The count was in possession of the situation. Ferragut saw him approaching as though he had suddenly recollected him, stretching out his right hand with the affability of a comrade.

"Many thanks, Captain. This service is of the kind that is not easily forgotten. Perhaps we shall never see each other again…. But if at any time you need me, you may know who I am."

And, as though presenting him to another person, he gave his name and titles ceremoniously:—Archibald von Kramer, Naval Lieutenant of the Imperial Navy…. His diplomatic rôle had not been entirely false….

He had served as Naval Attaché in various embassies.

He then gave instructions for the return trip. Ferragut was to wait opposite Palermo where a boat would come out after him and take him ashore. Everything had been foreseen…. He must deliver the command to the true owner of the schooner, a timorous man who had made them pay very high for the hire of the boat without venturing to jeopardize his own person. In the cabin were the customary papers for clearing the vessel.

"Salute the ladies in my name. Tell them that they will soon have news of us. We are going to make ourselves lords of the Mediterranean."

The unloading of combustibles still continued. Ferragut saw von Kramer slipping through the openings of one of the submarines. Then he thought he recognized on the submersible two of the sailors of the crew of the schooner who, after being received with shouts and embraces by their comrades, disappeared through a tubular hatchway.

The unloading lasted until mid-afternoon. Ulysses had not imagined that the little boat could carry so many cases. When the hold was empty, the last German sailors disappeared and with them the cables that had lashed them to the sailboat. An officer shouted to him that he could get under way.

The two submersibles with their cargo of oil and gasoline were nearer the level of the sea than on their arrival and now began to disappear in the distance.

Finding himself alone in the stern of the schooner, the Spaniard felt a sudden disquietude.

"What have you done!… What have you done!" clamored a voice in his brain.

But contemplating the three old men and the boy who had remained as the only crew, he forgot his remorse. He would have to bestir himself greatly in order to supply the lack of men. For two nights and a day he scarcely rested, managing almost at the same time both helm and motor, since he did not dare to let out all his sails with this scarcity of sailors.

When he found himself opposite the port of Palermo, just as it was beginning to extinguish its night lights, Ferragut was able to sleep for the first time, leaving the watch of the boat in charge of one of the seamen, who maintained it with sails furled. In the middle of the morning he was awakened by some voices shouting from the sea:

"Where is the captain?"

He saw a skiff and various men leaping aboard the schooner. It was the owner who had come to claim, his boat in order to bring it into port in the customary legal form. The skiff was commissioned to take Ulysses ashore with his little suitcase. He was accompanied by a red-faced, fat gentleman who appeared to have great authority over the skipper.

"I suppose you are already informed of what is happening," he said to Ferragut while the two oarsmen made the skiff glide over the waves.

"Those bandits!… Those mandolin-players!…"

Ulysses, without knowing why, made an affirmative gesture. This indignant burgher was a German, one of those that were useful to the doctor…. It was enough just to listen to him.

A half hour later Ferragut leaped on the dock without any one's opposing his disembarking, as though the protection of his obese companion had made all the guards drowsy. The good gentleman showed, notwithstanding, a fervent desire to separate himself from his charge—to hurry away, attending to his own affairs.

He smiled upon learning that Ulysses wished to go immediately to Naples. "You do well…. The train leaves in two hours." And putting him in a vacant hack, he disappeared with precipitation.

Finding himself alone, the captain almost believed that he had dreamed of those two preceding days.

He was again seeing Palermo after an absence of long years: and he experienced the joy of an exiled Sicilian on meeting the various carts of the countryside, drawn by broken-down horses with plumes, whose badly-painted wagon bodies represented scenes from "Jerusalem Delivered." He recalled the names of the principal roads,—the roads of the old Spanish viceroys. In one square he saw the statue of four kings of Spain…. But all these souvenirs only inspired in him a fleeting interest. What he particularly noticed was the extraordinary movement in the streets, the people grouping themselves together in order to listen to the reading of the daily papers. Many windows displayed the national flag, interlaced with those of France, England, and Belgium.

Upon arriving at the station he learned the truth,—was informed of the event to which the merchant had alluded while they were in the skiff.

It was war!… Italy had broken her relations the day before with the Central Powers.

Ulysses felt very uneasy on remembering what he had done out on the Mediterranean. He feared that the popular groups, thronging past him and giving cheers behind their flags, were going to guess his exploit and fall upon him. It was necessary to get away from this patriotic enthusiasm, and he breathed more freely when he found himself in one of the coaches of a train…. Besides, he was going to see Freya. And it was enough for him merely to evoke her image to make all his remorse vanish.

The short journey proved long and difficult. The necessities of war had made themselves felt from the very first moment, absorbing all means of communication. The train would remain immovable for hours together in order to give the right of way to other trains loaded with men and military materials…. In all the stations were soldiers in campaign uniform, banners and cheering crowds.

When Ferragut arrived at Naples, fatigued by a journey of forty-eight hours, it seemed to him that the coachman was going too slowly toward the old palace of Chiaja.

Upon crossing the vestibule with his little suit-case, the portress,—a fat old crone with dusty, frizzled hair whom he had sometimes caught a glimpse of in the depths of her hall cavern,—stopped his passage.

"The ladies are no longer living in the house…. The ladies have suddenly left with Karl, their employee." And she explained the rest of their flight with a hostile and malignant smile.

Ferragut saw that he must not insist. The slovenly old wife was furious over the flight of the German ladies, and was examining the sailor as a probable spy fit for patriotic denunciation. Nevertheless, through professional honor, she told him that the blonde signora, the younger and more attractive one, had thought of him on going away, leaving his baggage in the porter's room.

Ulysses hastened to disappear. He would soon send some one to collect those valises. And taking another carriage, he betook himself to the albergo of S. Lucia…. What an unexpected blow!

The porter made a gesture of surprise and astonishment upon seeing him enter. Before Ferragut could inquire for Freya, with the vague hope that she might have taken refuge in the hotel, this man gave him some news.

"Captain, your son has been here waiting for you."

The captain stuttered in dismay, "What son?…"

The man with the embroidered keys brought the register, showing him one line, "Esteban Ferragut, Barcelona." Ulysses recognized his son's handwriting, and at the same time his heart was oppressed with indefinable anguish.

Surprise made him speechless, and the porter took advantage of his silence to continue speaking. He was such a charming and intelligent lad!… Some mornings he had accompanied him in order to point out to him the best things in the city. He had inquired among the consignees of the Mare Nostrum, hunting everywhere for news of his father. Finally convinced that the captain must already be returning to Barcelona, he also had gone the day before.

"If you had only come twelve hours sooner, you would have found him still here."

The porter knew nothing more. Occupied in doing errands for some South American ladies, he had been unable to say good-bye to the young man when he left the hotel, undecided whether to make the trip in an English steamer to Marseilles or to go by railroad to Genoa, where he would find boats direct to Barcelona.

Ferragut wished to know when he had arrived. And the porter, rolling his eyes, gave himself up to long mental calculation…. Finally he reached a date and the sailor, in his turn, concentrated his powers of recollection.

He struck himself on the forehead with his clenched hand. It must have been his son then, that youth whom he had seen entering the albergo the very day that he was going to take charge of the schooner, to carry combustibles to the German submarines!

CHAPTER VIII
THE YOUNG TELEMACHUS

Whenever the Mare Nostrum returned to Barcelona, Esteban Ferragut had always felt as dazzled as though a gorgeous stained glass window had opened upon his obscure and monotonous life as the son of the family.

He now no longer wandered along the harbor admiring from afar the great transatlantic liners in front of the monument of Christopher Columbus, nor the cargo steamers that were lined up along the commercial docks. An important boat was going to be his absolute property for some weeks, while its captain and officers were passing the time on land with their families. Toni, the mate, was the only one who slept aboard. Many of the seamen had begged permission to live in the city, and so the steamer had been entrusted to the guardianship of Uncle Caragol with half a dozen men for the daily cleaning. The little Ferragut used to play that he was the captain of the Mare Nostrum and would pace the bridge, pretending that a great tempest was coming up, and examine the nautical instrument with the gravity of an expert. Sometimes he used to race through all the habitable parts of the boat, climbing down to the holds that, wide open, were being ventilated, waiting for their cargo; and finally he would clamber into the ship's gig, untying it from the landing in order to row in it for a few hours, with even more satisfaction than in the light skiffs of the Regatta Club.

His visits always ended in the kitchen, invited there by Uncle Caragol, who was accustomed to treat him with fraternal familiarity. If the youthful oarsman was perspiring greatly…. "A refresquet?" And the chef would prepare his sweet mixture that made men, after one gulp, fall into the haziness of intoxication.

Esteban esteemed highly the "refrescos" of the cook. His imagination, excited by the frequent reading of novels of travel, had made him conceive a type of heroic, gallant, dashing sailor—a regular swash-buckler capable of swallowing by the pitcherful the most rousing drinks without moving an eyelid. He wanted to be that kind; every good sailor ought to drink.

Although on land he was not acquainted with other liquors than those innocent and over-sweet ones kept by his mother for family fiestas, once he trod the deck of a vessel he felt the necessity for alcoholic liquids so as to make it evident that he was entirely a man. "There wasn't in the whole world a drink that could do him any harm…." And after a second "refresco" from Uncle Caragol, he became submersed in a placid nirvana, seeing everything rose-colored and considerably enlarged,—the sea, the nearby boats, the docks, and Montjuich in the background.

The cook, looking at him affectionately with his bleared eyes, believed that he must have bounded back a dozen years and be still in Valencia, talking with that other Ferragut boy who was running away from the university in order to row in the harbor. He almost came to believe that he had lived twice.

He always listened patiently to the lad's complaints, interrupting him with solemn counsels. This fifteen-year-old Ferragut appeared discontented with life. He was a man and he had to live with women—his mother and two nieces, who were always making laces,—just as in other times his mother had been the lace-making companion of her mother-in-law, Doña Cristina. He wanted to be a seaman and they were obliging him to study the uninteresting courses leading to a bachelor's degree. It was scarcely likely, was it, that a captain would have to know Latin?… He wanted to bring his student life to an end so as to become a pilot and continue practicing on the bridge, beside his father. Perhaps at thirty years of age, he might achieve the command of the Mare Nostrum or some similar boat.

Meanwhile the lure of the sea dragged him far from the classroom, prompting him to visit Uncle Caragol at the very hour that his professors were calling the roll and noting the students' absence.

The old man and his protégé used to betake themselves in the galley with the uneasy conscience of the guilty. Steps and voices on deck always changed their topic of conversation. "Hide yourself!" and Esteban would dodge under the table or hide in the provision-closet while the cook sallied forth with a seraphic countenance to meet the recent arrival.

Sometimes it was Toni, and the boy would then dare to come out, relying on his silence; for Toni liked him, too, and approved of his aversion to books.

If it was the captain who was coming to the boat for a few moments, Caragol would talk with him, obstructing the door with his bulk at the same time that he was smiling maliciously.

For Esteban the two most wonderful things in all the world were the sea and his father. All those romantic heroes that had come from the pages of novels to take their place in his imagination had the face and ways of Captain Ferragut.

From babyhood he had seen his mother weeping occasionally in resigned sadness. Years later, recognizing with the precocity of a little-watched boy the relations that exist between men and women, he suspected that all these tears must be caused by the flirtations and infidelities of the distant sailor.

He adored his mother with the passion of an only and spoiled child, but he admired the captain no less, excusing every fault that he might commit. His father was the bravest and handsomest man in all the world.

And when rummaging one day through the drawers in his father's stateroom, he chanced upon various photographs having the names of women from foreign countries, the lad's admiration was greater still. Everybody must have been madly in love with the captain of the Mare Nostrum. Ay! No matter what he might do when he became a man, he could never hope to equal this triumphant creature who had given him existence….

When the boat, on its return from Naples, arrived at Barcelona without its owner, Ferragut's son did not feel any surprise.

Toni, who was always a man of few words, was very lavish with them on the present occasion. Captain Ferragut had remained behind because of important business, but he would not be long in returning. His second was looking for him at any moment. Perhaps he would make the trip by land, in order to arrive sooner.

Esteban was astounded to see that his mother did not accept this absence as an insignificant event. The good lady appeared greatly troubled and her eyes filled with tears. Her feminine instinct made her suspect something ominous in her husband's delay.

In the afternoon, when her old lover, the professor, visited her as usual, the two talked slowly with guarded words but with eyes of understanding and long intervals of silence.

When Don Pedro reached the height of his glorious career, the possession of a professorship in the institute of Barcelona, he used to visit Cinta every afternoon, passing an hour and a half in her parlor with chronometric exactitude. Never did the slightest impure thought agitate the professor. The past had fallen into oblivion…. But he needed to see daily the captain's wife weaving laces with her two little nieces, as he had seen Ferragut's widow years before.

He informed them of the most important events in Barcelona and in the entire world; they would comment together on the future of Esteban, and the former suitor used to listen rapturously to her sweet voice, conceding great importance to the details of domestic economy or descriptions of religious fiestas, solely because it was she who was recounting them.

Many times they would remain in a long silence. Don Pedro represented patience, even temper, and silent respect, in that tranquil and immaculate house which lost its monastic calm only when its head presented himself there for a few days between voyages.

Cinta had accustomed herself to the professor's visits. At half-past three by the clock his footsteps could always be heard in the passageway.

If any afternoon he did not come, the sweet Penelope was greatly disappointed.

"I wonder what can be the matter with Don Pedro?" she would ask her nieces uneasily.

She oftentimes asked this question of her son; but Esteban, without exactly hating the visitor, appreciated him very slightly.

Don Pedro belonged to that group of gentlemen at the Institute whom the government paid to annoy youth with their explanations and their examinations. He still remembered the two years that he had passed in his course, as in the torture chamber, enduring the torments of Latin. Besides that, the professor was a timid man who was always afraid of catching cold, and who never dared to venture into the street on cloudy days without an umbrella. Let people talk to him about courageous men!

"I don't know," he would reply to his mother. "Perhaps he's gone to bed with seven kerchiefs on his head."

When Don Pedro returned, the house recovered its normality of a quiet and well-regulated clock. Doña Cinta, after many consultations, had come to believe his collaboration indispensable. The professor mildly supplemented the authority of the traveling husband, and took it upon himself to represent the head of the family in all outside matters…. Many times Ferragut's wife would be awaiting him with impatience in order to ask his mature counsel, and he would emit his opinion in a slow voice after long reflection.

Esteban found it intolerable that this gentleman, who was no more than a distant relative of his grandmother, should meddle in the affairs of the house, pretending to oversee him as though he were his father. But it irritated him still more to see him in a good humor and trying to be funny. It made him furious to hear his mother called "Penelope" and himself "the young Telemachus."… "Stupid, tedious old bore!"

The young Telemachus was not slow to wrath nor vengeance. From babyhood he had interrupted his play in order to "work" in the reception room near to the hatrack by the door. And the poor professor on his departure would find his hat crown dented in or its nap roughened up, or he would sally home innocently carrying spitballs on the skirts of his overcoat.

Now the boy contented himself with simply ignoring the existence of the family friend, passing in front of him without recognizing him and only greeting him when his mother ordered him to do so.

The day in which he brought the news of the return of the ship without its captain, Don Pedro made a longer visit than usual. Cinto shed two tears upon the lace, but had to stop weeping, vanquished by the good sense of her counselor.

"Why weep and get your mind overwrought with so many suppositions without foundation?… What you ought to do, my daughter, is to call in this Toni who is mate of the vessel; he must know all about it…. Perhaps he may tell you the truth."

Esteban was told to hunt him up the following day, and he quickly noticed Toni's extreme disquietude upon learning that Doña Cinta wished to talk with him. The mate left the boat in lugubrious silence as though he were being taken away to mortal torment: then he began to hum loudly, an indication that he was in deep thought.

The young Telemachus was not able to be present at the interview but he hung around the closed door and succeeded in hearing a few loud words which slipped through the cracks. His mother was speaking with greater frequency. Toni was reiterating in a dull voice the same excuse:—"I don't know. The captain will come at any moment…." But when the mate found himself outside the house, his wrath broke out against himself, against his cursed character that did not know how to lie, against all women bad and good. He believed he had said too much. That lady had the skill of a judge in getting words out of him.

That night, at the supper hour, the mother scarcely opened her mouth. Her fingers communicated a nervous trembling to the plates and forks, and she looked at her son with tragic commiseration as though she foresaw terrible troubles about to burst upon his head. She opposed a desperate silence to Esteban's questions and finally exclaimed:

"Your father is deserting us!… Your father has forgotten us!…"

And she left the dining-room to hide her overflowing tears.

The boy slept rather restlessly, but he slept. The admiration which he always felt for his father and a certain solidarity with the strong examples of his sex made him take little account of these complaints. Matters for women! His mother just didn't know how to be the wife of an extraordinary man like Captain Ferragut. He who was really a man, in spite of his few years, was going to intervene in this affair in order to show up the truth.

When Toni, from the deck of the vessel, saw the lad coming along the wharf the following morning, he was greatly tempted to hide himself…. "If Doña Cinta should call me again in order to question me!…" But he calmed himself with the thought that the boy was probably coming of his own free will to pass a few hours on the Mare Nostrum. Even so, he wished to avoid his presence as though he feared some slip in talking with him, and so pretended that he had work in the hold. Then he left the boat going to visit a friend on a steamer some distance off.

Esteban entered the galley, calling gayly to Uncle Caragol. He wasn't the same, either. His humid and reddish eyes were looking at the child with an extraordinary tenderness. Suddenly he stopped his talk with an expression of uneasiness on his face. He looked uncertainly around him, as though fearing that a precipice might open at his feet.

Never forgetful of the respect due to every visitor in his dominion, he prepared two "refrescos." He was going to treat Esteban for the first time on this return trip. On former days, incredible as it may seem, he had not thought of making even one of his delicious beverages. The return from Naples to Barcelona had been a sad one: the vessel had a funereal air without its master.

For all these reasons, Caragol's hand lavishly measured out the rum until the liquid took on a tobacco tone.

They drank…. The young Telemachus began to talk about his father when the glasses were only half empty, and the cook waved both hands in the air, giving a grunt which signified that he had no wish to bother about the captain's absence.

"Your father will return, Esteban," he added. "He will return but I don't know when. Certainly later than Toni says."

And not wishing to say more, he gulped down the rest of the glass, devoting himself hastily to the confection of the second "refresco" in order to make up for lost time.

Little by little he slipped away from the prudent barrier that was hedging in his verbosity and spoke with his old time abandon; but his flow of words did not exactly convey news.

Caragol preached morality to Ferragut's son,—morality from his standpoint, interrupted by frequent caresses of the glass.

"Esteban, my son, respect your father greatly. Imitate him as a seaman. Be good and just toward the men that you command…. But avoid the females!"

The women!… There was no better theme for his piously drunken eloquence. The world inspired his pity. It was all governed by the infernal attraction exercised by the female of the species. The men were working, struggling, and trying to grow rich and celebrated, all in order to possess one of these creatures.

"Believe me, my son, and do not imitate your father in this respect."

The old man had said too much to back out now and he had to go on, letting out the rest of it, bit by bit. Thus Esteban learned that the captain was enamored with a lady in Naples and that he had remained there pretending business matters, but in reality dominated by this woman's influence.

"Is she pretty?" asked the boy eagerly.

"Very pretty," replied Caragol. "And such odors!… And such a swishing of fine clothes!…"

Telemachus thrilled with contradictory sensations of pride and envy. He admired his father once more, but this admiration only lasted a few seconds. A new idea was taking possession of him while the cook continued:

"He will not come now. I know what these elegant females are, reeking with perfume. They are true demons that dig their nails in when they clutch, and it is necessary to cut off their hands in order to loosen them…. And the boat as useless now as though it were aground, while the others are filling themselves with gold!… Believe me, my son, this is the only truth in the world."

CHAPTER IX
THE ENCOUNTER AT MARSEILLES

Toni, who abominated railway journeys on account of his torpid immovability, now had to abandon the Mare Nostrum and suffer the torture of remaining twelve hours crowded in with strange persons.

Ferragut was sick in a hotel in the harbor of Marseilles. They had taken him off of a French boat coming from Naples, crushed with silent melancholia. He wished to die. During the trip they had to keep sharp watch so that he could not repeat his attempts at suicide. Several times he had tried to throw himself into the water.

Toni learned of it from the captain of a Spanish vessel that had just arrived from Marseilles exactly one day after the newspapers of Barcelona had announced the death of Esteban Ferragut in the torpedoing of the Californian. The commercial traveler was still relating everywhere his version of the event, concluding it now with his melodramatic meeting with the father, the latter's fatal fall on receiving the news, and desperation upon recovering consciousness.

The first mate had hastened to present himself at his captain's home.

All the Blanes were there, surrounding Cinta and trying to console her.

"My son!… My son!…" the mother was groaning, writhing on the sofa.

And the family chorus drowned her laments, overwhelming her with a flood of fantastic consolations and recommendations of resignation. She ought to think of the father: she was not alone in the world as she was affirming: besides her own family, she had her husband.

Toni entered just at that moment.

"His father!" she cried in desperation. "His father!…"

And she fastened her eyes on the mate as though trying to speak to him with them. Toni knew better than anyone what that father was, and for what reason he had remained in Naples. It was his fault that the boy had undertaken the crazy journey at whose end death was awaiting him….. The devout Cinta looked upon this misfortune as a chastisement from God, always complicated and mysterious in His designs. Divinity, in order to make the father expiate his crimes, had killed the son without thinking of the mother upon whom the blow rebounded.

Toni went away. He could not endure the glances and the allusions made by Doña Cinta. And as though this emotion were not enough, he received the news a few hours later of his captain's wretched condition,—news which obliged him to make the trip to Marseilles immediately.

On entering the quarters of the hotel frequented by the officials of merchant vessels, he found Ferragut seated near a balcony from which could be seen the entire harbor.

He was limp and flabby, with eyes sunken and faded, beard unkempt, and a manifest disregard of his personal appearance.

"Toni!… Toni!"

He embraced his mate, moistening his neck with tears. For the first time he began to weep and this appeared to give him a certain relief. The presence of his faithful officer brought him back to life. Forgotten memories of business journeys crowded in his mind. Toni resuscitated all his past energies. It was as though the Mare Nostrum had come in search of him.

He felt shame and remorse. This man knew his secret: he was the only one to whom he had spoken of supplying the German submarines.

"My poor Esteban!… My son!"

He did not hesitate to admit the fatal relationship between the death of his son and that illegal trip whose memory was weighing him down like a monstrous crime. But Toni was discreet. He lamented the death of Esteban like a misfortune in which the father had not had any part.

"I also have lost sons…. And I know that nothing is gained by giving up to despair…. Cheer up!"

He never said a word of all that had happened before the tragic event. Had not Ferragut known his mate so well, he might have believed that he had entirely forgotten it. Not the slightest gesture, not a gleam in his eyes, revealed the awakening of that malign recollection. His only anxiety was that the captain should soon regain his health….

Reanimated by the presence and words of this prudent companion, Ulysses recovered his strength and a few days after, abandoned the room in which he had believed he was going to die, turning his steps toward Barcelona.

He entered his home with a foreboding that almost made him tremble. The sweet Cinta, considered until then with the protecting superiority of the Orientals who do not recognize a soul in woman, now inspired him with a certain fear. What would she say on seeing him?…

She said nothing of what he had feared. She permitted herself to be embraced, and drooping her head, burst into desperate weeping, as though the presence of her husband brought into higher relief the image of her son whom she would never see again. Then she dried her tears, and paler and sadder than ever, continued her habitual life.

Ferragut saw her as serene as a school-mistress, with her two little nieces seated at her feet, keeping on with her eternal lace-work. She forgot it only in order to attend to the care of her husband, occupying herself with the very slightest details of his existence. That was her duty. From childhood, she had known what are the obligations of the wife of the captain of a ship when he stops at home for a few days, like a bird of passage. But back of such attentions, Ulysses divined the presence of an immovable obstacle. It was something enormous and transparent that had interposed itself between the two. They saw each other but without being able to touch each other. They were separated by a distance, as hard and luminous as a diamond, that made every attempt at drawing nearer together useless.

Cinta never smiled. Her eyes were dry, trying not to weep while her husband was near her, but giving herself up freely to grief when she was alone. Her duty was to make his existence bearable, hiding her thoughts.

But this prudence of a good house-mistress was trampling under foot their conjugal life of former times. One day Ferragut, with a return of his old affection, and desiring to illuminate Cinta's twilight existence with a pale ray of sunlight, ventured to caress her as in the early days of their marriage. She drew herself up, modest and offended, as though she had just received an insult. She escaped from his arms with the energy of one who is repelling an outrage.

Ulysses looked upon a new woman, intensely pale, of an almost olive countenance, the nose curved with wrath and a flash of madness in her eyes. All that she was guarding in the depths of her thoughts came forth, boiling over, expelled in a hoarse voice charged with tears.

"No, no!… We shall live together, because you are my husband and God commands that it shall be so; but I no longer love you: I cannot love you…. The wrong that you have done me!… I who loved you so much!… However much you may hunt in your voyages and in your wicked adventures, you will never find a woman that loves you as your wife has loved you."

Her past of modest and submissive affection, of supine and tolerant fidelity, now issued from her mouth in one interminable complaint.

"From our home my thoughts have followed you in all your voyages, although I knew your forgetfulness and your infidelity. All the papers found in your pockets, and photographs lost among your books, the allusions of your comrades, your smiles of pride, the satisfied air with which you many times returned, the series of new manners and additional care of your person that you did not have when you left, told me all…. I also suspected in your bold caresses the hidden presence of other women who lived far away on the other side of the world."

She stopped her turbulent language for a few moments, letting the blush which her memories evoked fade away.

"I loathed it all," she continued. "I know the men of the sea; I am a sailor's daughter. Many times I saw my mother weeping and pitied her simplicity. There is no use weeping for what men do in distant lands. It is always bitter enough for a woman who loves her husband, but it has no bad consequences and must be pardoned…. But now…. Now!…"

The wife became irritated on recalling his recent infidelities…. Her rivals were not the public women of the great ports, nor the tourists who could give only a few days of love, like an alms which they tossed without stopping their progress. Now he had become enamored with the enthusiasm of a husky boy with an elegant and handsome dame, with a foreign woman who had made him forget his business, abandon his ship, and remain away, as though renouncing his family forever…. And poor Esteban, orphaned by his father's forgetfulness, had gone in search of him, with the adventurous impetuosity inherited from his ancestors: and death, a horrible death, had come to meet him on the road.

Something more than the grief of the outraged wife vibrated in Cinta's laments. It was the rivalry with that woman of Naples, whom she believed a great lady with all the attractions of wealth and high birth. She envied her superior weapons of seduction; she raged at her own modesty and humility as a home-keeping woman.

"I was resolved to ignore it all," she continued. "I had one consolation,—my son. What did it matter to me what you did?… You were far off, and my son was living at my side…. And now I shall never see him again!… My fate is to live eternally alone. You know very well that I shall not be a mother again,—that I cannot give you another son…. And it was you, you! who have robbed me of the only thing that I had!…"

Her imagination invented the most improbable reasons for explaining to herself this unjust loss.

"God wished to punish you for your bad life and has therefore killed Esteban, and is slowly killing me…. When I learned of his death I wished to throw myself off the balcony. I am still living because I am a Christian, but what an existence awaits me! What a life for you if you are really a father!… Think that your son might still be existing if you had not remained in Naples."

Ferragut was a pitiful object. He hung his head without strength to repeat the confused and lying protests with which he had received his wife's first words.

"If she knew all the truth!" the voice of remorse kept saying in his brain.

He was thinking with horror of what Cinta could say if she knew the magnitude of his sin. Fortunately she was ignorant of the fact that he had been of assistance to the assassins of their son…. And the conviction that she never would know it made him admit her words with silent humility,—the humility of the criminal who hears himself accused of an offense by a judge ignorant of a still greater offense.

Cinta finished speaking in a discouraged and gloomy tone. She was exhausted. Her wrath faded out, consumed by its own violence. Her sobs cut short her words. Her husband would never again be the same man to her; the body of their son was always interposing between the two.

"I shall never be able to love you…. What have you done, Ulysses? What have you done that I should have such a horror of you?… When I am alone I weep: my sadness is great, but I admit my sorrow with resignation, as a thing inevitable…. As soon as I hear your footsteps, the truth springs forth. I realize that my son has died because of you, that he would still be living had he not gone in search of you, trying to make you realize that you were a father and what you owe to us…. And when I think of that I hate you, I hate you!… You have murdered my son! My only consolation is in the belief that if you have any conscience you will suffer even more than I."

Ferragut came out from this horrible scene with the conviction that he would have to go away. That home was no longer his, neither was his wife his. The reminder of death filled everything, intervening between him and Cinta, pushing him away, forcing him again on the sea. His vessel was the only refuge for the rest of his life, and he must resort to it like the great criminals of other centuries who had taken refuge in the isolation of monasteries.

He needed to vent his wrath on somebody, to find some responsible person whom he might blame for his misfortunes. Cinta had revealed herself to him as an entirely new being. He would never have suspected such energy of character, such passionate vehemence, in his sweet, obedient, little wife. She must have some counselor who was encouraging her complaints and making her speak badly of her husband.

And he fixed upon Don Pedro, the professor, because there was still deep within him a certain dislike of the man since the days of his courtship. Besides, it offended him to see him in his home with a certain air of a noble personage whose virtue served as foil for the sins and shortcomings of the master of the house.

The professor evidently considered Ferragut on a level with all the famous Don Juans,—liberal and care-free when in far-away homes, punctilious and suspiciously correct in his own.

"That old blatherskite!" said Ulysses to himself, "is in love with Cinta. It is a platonic passion: with him, it couldn't be anything else. But it annoys me greatly…. I'm going to say a few things to him."

Don Pedro, who was continuing his daily visits in order to console the mother, speaking of poor Esteban as though he were his own son, and casting servile smiles upon the captain, found himself intercepted by him one afternoon, on the landing of the stairway.

The sailor aged suddenly while talking, and his features were accented with a vigorous ugliness. At that moment he looked exactly like his uncle, the Triton.

With a threatening voice, he recalled a classic passage well known to the professor. His namesake, old Ulysses, upon returning to his palace, had found Penelope surrounded with suitors and had ended by hanging them on tenterhooks.

"Wasn't that the way of it, Professor?… I do not find here more than one suitor, but this Ulysses swears to you that he will hang him in the same way if he finds him again in his home."

Don Pedro fled. He had always found the rude heroes of the Odyssey very interesting, but in verse and on paper. In reality they now seemed to him most dangerous brutes, and he wrote a letter to Cinta telling her that he would suspend his visits until her husband should have returned to sea.

This insult increased the wife's distant bearing. She resented it as an offense against herself. After having made her lose her son, Ulysses was terrifying her only friend.

The captain felt obliged to go. By staying in that hostile atmosphere, which was only sharpening his remorse, he would pile one error upon another. Nothing but action could make him forget.

One day he announced to Toni that in a few hours he was going to weigh anchor. He had offered his services to the allied navies in order to carry food to the fleet in the Dardanelles. The Mare Nostrum would transport eatables, arms, munitions, aeroplanes.

Toni attempted objection. It would be easy to find trips equally productive and much less dangerous; they might go to America….

"And my revenge?" interrupted Ferragut. "I am going to dedicate the rest of my life to doing all the evil that I can to the assassins of my son. The Allies need boats, I'm going to give them mine and my person."

Knowing what was troubling his mate, he added, "Besides, they pay well. These trips are very remunerative…. They will give me whatever I ask."

For the first time in his existence on board the Mare Nostrum, the mate made a scornful gesture regarding the value of the cargo.

"I almost forgot," continued Ulysses, smiling in spite of his sadness.

"This trip flatters your ideals…. We are going to work for the Republic."

They went to England and, taking on their cargo, set forth for the Dardanelles. Ferragut wished to sail alone without the protection of the destroyers that were escorting the convoys.

He knew the Mediterranean well. Besides, he was from a neutral country and the Spanish flag was flying from the poop of his vessel. This abuse of his flag did not produce the slightest remorse, nor did it appear as disloyal to him. The German corsairs were coming closer to their prey, displaying neutral flags, in order to deceive. The submarines were remaining hidden behind pacific sailing ships in order to rise up suddenly near defenseless vessels. The most felonious proceedings of the ancient pirates had been resuscitated by the German fleet.

He was not afraid of the submarines. He trusted in the speed of the Mare Nostrum and in his lucky star.

"And if any of them should cross our path," he said to his second, "just let them go before the prow!"

He wished this so that he could send his vessel upon the submersible at full speed, daring it to come on.

The Mediterranean was no longer the same sea that it had been months before when the captains knew all its secrets; he could no longer live on it as confidently as in the house of a friend.

He stayed in his stateroom only to sleep. He and Toni spent long hours on the bridge talking without seeing each other, with their eyes turned on the sea, scanning the heaving blue surface. All the crew, excepting those that were resting, felt the necessity of keeping the same watch.

In the daytime the slightest discovery would send the alarm from prow to poop. All the refuse of the sea, that weeks before had splashed unnoticed near the sides of the vessel, now provoked cries of attention, and many arms were outstretched, pointing it out. Bits of sticks, empty preserve cans sparkling in the sunlight, bunches of seaweed, a sea gull with outspread wings letting itself rock on the waves; everything made them think of the periscopes of the submarine coming up to the water's level.

At night time the vigilance was even greater. To the danger of submersibles must also be added that of collision. The warships and the allied transports were traveling with few lights or completely dark. The sentinels on the bridge were no longer scanning the surface of the sea with its pale phosphorescence. Their gaze explored the horizon, fearing that before the prow there might suddenly surge up an enormous, swift, black form, vomited forth by the darkness.

If at any time the captain tarried in his stateroom, instantly that fatal memory came to his mind.

"Esteban!… My son!…"

And his eyes were full of tears.

Remorse and wrath made him plan tremendous vengeance. He was convinced that it would be impossible to carry it through, but it was a momentary consolation to his meridional character predisposed to the most bloody revenge.

One day, running over some forgotten papers in a suit-case, he came across Freya's portrait. Upon seeing her audacious smile and her calm eyes fixed upon him, he felt within him a shameful reversion. He admired the beauty of this apparition, a thrill passing over his body as their past intercourse recurred to him…. And at the same time that other Ferragut existing within him thrilled with the murderous violence of the Oriental who considers death as the only means of vengeance. She was to blame for it all. "Ah!… Tal"

He tore up the photograph, but then he put the fragments together again and finally placed them among his papers.

His wrath was changing its objective. Freya really was not the principal person guilty of Esteban's death. He was thinking of that other one, of the pretended diplomat, of that von Kramer who perhaps had directed the torpedo which had blown his son to atoms…. Would he not raise the devil if he could meet him sometime?… What happiness if these two should find themselves face to face!

Finally he avoided the solitude of a stateroom that tormented him with desires of impotent revenge. Near Toni on deck or on the bridge he felt better…. And with a humble condescension, such as his mate had never known before, he would talk and talk, enjoying the attention of his simple-hearted listener, just as though he were telling marvelous stories to a circle of children.

In the Strait of Gibraltar he explained to him the great currents sent by the ocean into the Mediterranean, at certain times aiding the screw-propeller in the propulsion of the vessel.

Without this Atlantic current the mare nostrum, which lost through atmospheric evaporation much more water than the rains and rivers could bring to it, would become dry in a few centuries. It had been calculated that it might disappear in about four hundred and seventy years, leaving as evidence of its former existence a stratum, of salt fifty-two meters thick.

In its deep bosom were born great and numerous springs of fresh water, on the coast of Asia Minor, in Morea, Dalmatia and southern Italy; it received besides a considerable contribution from the Black Sea, which on returning to the Mediterranean accumulated from the rains and the discharge of its rivers, more water than it lost by evaporation, sending it across the Bosporous and the Dardenelles in the form of a superficial current. But all these tributaries, enormous as they were, sank into insignificance when compared with the renovation of the oceanic currents.

The waters of the Atlantic poured into the Mediterranean so riotously that neither contrary winds nor reflex motion could stop them. Sailboats sometimes had to wait entire months for a strong breeze that would enable them to conquer the impetuous mouth of the strait.

"I know that very well," said Toni. "Once going to Cuba we were in sight of Gibraltar more than fifty days, going backwards and forwards until a favorable wind enabled us to overcome the current and go out into the great sea."

"Just such a current," added Ferragut, "was one of the causes that hastened the decadence of the Mediterranean navies in the sixteenth century. They had to go to the recently discovered Indies, and the Catalan or the Genoese ships would remain here in the strait weeks and weeks, struggling with the wind and the contrary current while the Galicians, the Basques, the French and the English who had left their ports at the same time were already nearing America…. Fortunately, navigation by steam has now equalized all that."

Toni was silently admiring his captain. What he must have learned in those books that filled the stateroom!…

It was in the Mediterranean that men had first entrusted themselves to the waves. Civilization emanated from India, but the Asiatic peoples were not able to master the art of navigation in their few seas whose coasts were very far apart and where the monsoons of the Indian Ocean blew six months together in one direction and six months in another.

Not until he reached the Mediterranean by overland emigration did the white man wish to become a sailor. This sea that, compared with others, is a simple lake sown with archipelagoes, offered a good school. To whatever wind he might set his sails, he would be sure to reach some hospitable shore. The fresh and irregular breezes revolved with the sun at certain times of the year. The hurricane whirled across its bowl, but never stopped. There were no tides. Its harbors and water-ways were never dry. Its coasts and islands were often so close together that you could see from one to the other; its lands, beloved of heaven, were recipients of the sun's sweetest smiles.

Ferragut recalled the men who had plowed this sea in centuries so remote that history makes no mention of them. The only traces of their existence now extant were the nuraghs of Sardinia and the talayots of the Balearic Islands,—gigantic tables formed with blocks, barbaric altars of enormous rocks which recalled the Celtic obelisks and sepulchral monuments of the Breton coast. These obscure people had passed from isle to isle, from the extreme of the Mediterranean to the strait which is its door.

The captain could imagine their rude craft made from trunks of trees roughly planed, propelled by one oar, or rather by the stroke of a stick, with no other aid than a single rudimentary sail spread to the fresh breeze. The navy of the first Europeans had been like that of the savages of the oceanic islands whose flotillas of tree trunks are still actually going from archipelago to archipelago.

Thus they had dared to sally forth from the coast, to lose sight of land, to venture forth into the blue desert, advised of the existence of islands by the vaporous knobs of the mountains which were outlined on the horizon at sunset. Every advance of this hesitating marine over the Mediterranean had represented greater expenditure of audacity and energy than the discovery of America or the first voyage around the world…. These primitive sailors did not go forth alone to their adventures on the sea; they were nations en masse, they carried with them families and animals. Once installed on an island, the tribes sent forth fragments of their own life, going to colonize other nearby lands across the waves.

Ulysses and his mate thought much about the great catastrophes ignored by history—the tempest surprising the sailing exodus, entire fleets of rough rafts swallowed up by the abyss in a few moments, families dying clinging to their domestic animals,—whenever they attempted a new advance of their rudimentary civilization.

In order to form some idea of what these little embarkations were, Ferragut would recall the fleets of Homeric form, created many centuries afterwards. The winds used to impose a religious terror on those warriors of the sea, reunited in order to fall upon Troy. Their ships remained chained an entire year in the harbor of Aulis and, through fear of the hostility of the wind and in order to placate the divinity of the Mediterranean, they sacrificed the life of a virgin.

All was danger and mystery in the kingdom of the waves. The abysses roared, the rocks moaned; on the ledges were singing sirens who, with their music, attracted ships in order to dash them to pieces. There was not an island without its particular god, without its monster and cyclops, or its magician contriving artifices.

Before domesticating the elements, mankind had attributed to them their most superstitious fears.

A material factor had powerfully influenced the dangers of Mediterranean life. The sand, moved by the caprice of the current, was constantly ruining the villages or raising them to peaks of unexpected prosperity. Cities celebrated in history were to-day no more than streets of ruins at the foot of a hillock crowned with the remains of a Phoenician, Roman, Byzantine or Saracen castle, or with a fortress contemporary with the Crusades. In other centuries these had been famous ports; before their walls had taken place naval battles; now from their ruined acropolis one could scarcely see the Mediterranean except as a light blue belt at the end of a low and marshy plain. The accumulating sand had driven the sea back miles…. On the other hand, inland cities had come to be places of embarkation because of the continual perforation of the waves that were forcing their way in.

The wickedness of mankind had imitated the destructive work of nature. When a maritime republic conquered a rival republic, the first thing that it thought of was to obstruct its harbor with sand and stones in order to divert the course of its waters so as to convert it into an inland city, thereby ruining its fleets and its traffic. The Genoese, triumphant over Pisa, stopped up its harbor with the sands of the Arno; and the city of the first conquerors of Mallorca, of the navigators to the Holy Land, of the Knights of St. Stephen, guardians of the Mediterranean, came to be Pisa the Dead,—a settlement that knew the sea only by hearsay.

"Sand," continued Ferragut, "has changed the commercial routes and historic destinies of the Mediterranean."

Of the many deeds which had stretched along the scenes of the mare nostrum, the most famous in the captain's opinion was the unheard-of epic of Roger de Flor which he had known from childhood through the stories told him by the poet Labarta, by the Triton, and by that poor secretary who was always dreaming of the great past of the Catalan marine.

All the world was now talking about the blockade of the Dardanelles. The boats that furrowed the Mediterranean, merchant vessels as well as battleships, were furthering the great military operation that was developing opposite Gallipoli. The name of the long, narrow maritime pass which separates Europe and Asia was in every mouth. To-day the eyes of mankind were converged on this point just as, in remote centuries, they had been fixed on the war of Troy.

"We also have been there," said Ferragut with pride. "The Dardanelles have been frequented for many years by the Catalans and the Aragonese.

Gallipoli was one of our cities governed by the Valencian, Ramon Muntaner."

And he began the story of the Almogavars in the Orient, that romantic Odyssey across the ancient Asiatic provinces of the Roman Empire that ended only with the founding of the Spanish duchy of Athens and Neopatria in the city of Pericles and Minerva. The chronicles of the Oriental Middle Ages, the books of Byzantine chivalry, the fantastic tales of the Arab do not contain more improbable and dramatic adventures than the warlike enterprises of these Argonauts coming from the valleys of the Pyrenees, from the banks of the Ebro, and from the Moorish gardens of Valencia.

"Eighty years," said Ferragut, terminating his account of the glorious adventures of Roger de Flor around Gallipoli, "the Spanish duchy of Athens and Neopatria flourished. Eighty years the Catalans governed these lands."

And he pointed out on the horizon the place where the red haze of distant promontories and mountains outlined the Grecian land.

Such a duchy was in reality a republic. Athens and Thebes were administered in accordance with the laws of Aragon and its code was "The book of Usages and Customs of the City of Barcelona." The Catalan tongue ruled as the official language in the country of Demosthenes, and the rude Almogavars married with the highest ladies of the country.

The Parthenon was still intact as in the glorious times of ancient Athens. The august monument of Minerva converted into a Christian church, had not undergone any other modification than that of seeing a new goddess on its altars, La Virgen Santisima.