Kitabı oku: «Tessa, Our Little Italian Cousin», sayfa 4

"Poor little birds," said Lucy. "It is too bad to kill tiny things like you, that we may have something nice to eat."

"What is the bird of your country, Beppo?" asked Arthur.

"I don't know, but I think it ought to be the nightingale," the little Italian answered. "Ah! I love to hear him, he sings so sweetly." The boy's face lighted up as he said this. "And what is the bird of America, Arthur?" he asked.

"The eagle has been chosen, but I think it ought to be the turkey, for my country gave that glorious fowl to the world."

Mr. and Mrs. Gray laughed at Arthur's words, but a moment after his father said:

"I quite agree with you, my boy. The turkey truly belongs to us, while the eagle is not only found in many other lands, but it has been the national emblem of several countries."

The Christmas holidays passed only too quickly, and the day before Twelfth Night soon arrived. The shops were full of things suitable for presents, and a great fair was held in the city, around which crowds of Italians were busy buying their gifts. Beppo and Tessa wandered up and down with their American friends.

They were perplexed as to what they should get for their dear ones at home. There were many things from which to choose. They felt as though they had quite a little fortune to spend, for Mr. Gray had given each of them what would be equal to a dollar in our money.

They had never had so much money before, and they turned from one thing to another before they finally decided upon a dress and a big gilt brooch for their mother, a new hat for their father, and little red kid shoes for Francesca.

"She never had any shoes in her life," Tessa told Lucy. "I never had any either, till your mother gave me these."

When the peasant called at the palace to take the children home, he brought great news.

"We have a new baby," he said. "It is a beautiful boy just a day old. And now we must have a christening as soon as Twelfth Night is over. We will ask the kind artist and his wife, as well as our own friends, to come."

CHAPTER VI
THE CHRISTENING

Tessa and Beppo were so eager to see the precious baby, they could hardly wait to get home. They were even a little cross with Pietro when he stopped to nibble choice bits of grass by the roadside. But what could a poor stupid donkey be expected to care about a baby only a day old?

Home was reached at last, however, and the children bounded into the dark room where their mother lay watching for them. A small basket cradle stood beside the curtained bed; in it was the sweetest, tiniest baby.

"He is sound asleep, mamma," said Tessa, after kissing her mother at least a dozen times. "How I wish he would wake."

"I do believe he looks like me, the darling little boy," she exclaimed, when the baby's eyes opened at last.

The kind neighbour who had come in to look after the family for a few days lifted the baby tenderly and placed him in Tessa's arms. He was so swaddled in clothes and blankets it didn't seem as though he could be hurt, even if the little girl should drop the precious bundle. But there was no fear of that. She was used to babies, and had taken almost all the care of Francesca since that little girl was a month old.

But where was Francesca now? The little tot was holding fast to her sister's dress. She wanted to be as near as possible to this wonderful new brother. When he began to cry, she said:

"Baby wants the candle; baby wants the candle." She thought he had already begun to notice things about the room, and was longing for the lighted candle. Everybody laughed.

"He is hungry; that is all, you foolish Francesca. You are only a baby yourself," said Beppo.

After the baby had been put back in the cradle, Tessa went to the bedside of her mother and told her of her lovely visit to the grand home of the Americans.

"To-morrow, when you are not so tired, I will tell you more about it. But after all home is the best place in the world. Now that I can look at you, I don't care if I can't see the procession to-morrow. Just think! babbo says that an image of the Holy Child is carried up and down the aisles of one of the churches. It is richly dressed in silks and jewels. After awhile it is placed on a stage with wax figures of the Virgin and Joseph and the Three Wise Men. There is even a manger there, and a big cow or ox. It must be very beautiful."

"When you are older, we will go together," said the mother, softly. "I went to Rome on Twelfth Day several times when I was younger. But many things have happened to prevent it lately." She sighed as she thought of the sickness and the hard work of the last few years.

All the next day Francesca was so happy with the bright red shoes that she did not need to be watched. Every one, except the dear mother lying quietly behind the snowy bed-curtains, was busy preparing for the christening.

A bright fire was kept burning, and the odour of onions and garlic filled the kitchen. There must be all sorts of nice dishes at the morrow's feast, and the good neighbour was cooking from morning till night.

Among other things, she prepared some wonderful cakes. Tessa thought they were among the greatest dainties in the world. There were olives and pistachio-nuts and garlic in them, I am sure. Tessa would have to tell you the rest, for she helped in making them.

Every one was awake bright and early the next morning, and a crowd of the village people went with the father and baby to the little village church. Tessa and Beppo kept as near as possible to their new brother.

Mr. and Mrs. Gray, with Lucy and Arthur, arrived in a carriage just as the party was entering the church door. The children had begged so hard to come that their parents could not refuse.

Tessa and Lucy hugged and kissed each other as though they had been apart for a long time.

When all had entered the church, the baby was carried to the font and was baptized by the kind-faced priest.

What was his name now, you ask? It was Angelo, after his proud father, who handed him around among his friends as soon as the baptism was over. Every one must have a chance to kiss him. As he was passed from one to another, a piece of money was tucked away in his clothes by each one.

No matter how poor the person was, some little bit was given with a right good will. It was but a symbol of the love and friendship of these simple peasants for each other.

When Mr. Gray's turn came, he hid in the baby's dress a piece of money so big as to make his mother's eyes open with delight when it was shown her afterward. She had never before seen a gold coin worth ten dollars in her life.

The christening party now turned back to the house, where the mother lay waiting for them. The feast was all spread and the visitors gathered around the table with good appetites. Lucy and Arthur and their parents stayed, for Tessa's father looked quite hurt when they spoke of going home.

"Not stop to share our feast!" he cried. "Ah! that is sad! sad!"

And so they remained and took part in the merrymaking. Some of the villagers played on their bagpipes. Tessa performed a very pretty dance, and Beppo sang two songs with his rich, soft voice.

"We have had a lovely time," said Lucy, as the beautiful colours began to light the sunset sky, and her father bade her get ready to leave. "But we wish Tessa and Beppo to come home and stay with us another week. Don't we, father?"

Mr. Gray answered, "Yes, we should like it very much. After my holiday, I must paint quite steadily, and I wish to finish the picture of Tessa and Beppo at once. It would not be easy for you to bring the children to me every day now that your wife is sick. So please let them go back with us."

This was how Tessa and Beppo came to go back to Rome with the family of the artist. The carriage was a little crowded, but no one cared. All were so busy laughing and talking that it seemed only a few minutes before they drew near the city gates.

"I believe it was not far from here that Agrippa told the people the fable so often repeated since that time."

The painter was looking out of the carriage over the Campagna.

"I wish I knew the exact spot," he said, half to himself.

"Tell us about it; do, please, father," said Lucy. "What was the fable, and who was Agrippa, and why did he come out on this dreary place to tell a story?"

"It was a long time ago; even long before the birth of Jesus," Mr. Gray replied. "It was when Rome was a powerful city. There were two great classes of the people, – the patricians, who were rich and owned most of the land, and the plebeians, who had little power and were mostly poor.

"The patricians ruled the city to suit themselves and did not treat the plebeians justly. At last, when they could not stand this unfair treatment any longer, they came together and marched out of the city.

"'We will claim our rights,' they said, and made ready to attack the patricians, who remained in Rome.

"It was a time of danger for the city, since there was a greater number of the poor than of the rich. What should be done? A very wise man named Agrippa was chosen to go out on the Campagna and reason with the plebeians. When he drew near to them, he said:

"'I have a fable which I wish to tell you. It is this:

"'Once upon a time all the limbs of a man's body became provoked because they had to work for the stomach. The legs and feet were obliged to carry it about; the hands had to get food for it; the mouth ate for it; the throat swallowed for it; the head thought for it; and so on. They said it was a shame they had to work so hard for that one organ. What use was it, indeed!

"'They agreed to do nothing more for it at all. They stopped their work, but, strange to say, they began to grow weak and helpless. At last they said to each other, "We shall all starve and die unless we go back to our old work. The stomach has seemed useless to us before, but now we see that we were mistaken."'

"After he had ended his story, Agrippa went on to say that all classes of people depended on each other, and that all would perish unless they worked together.

"Both the poor and the rich seemed to think that this was good advice. The plebeians marched back into the city and took up their old work, while the patricians promised to be fairer in their dealings.

"Thus peace was made and Rome was saved."

As Mr. Gray finished the story the carriage drew up in front of their home.

"What a short ride it seemed," said Tessa. "It must have been because of the story you told us, Mr. Gray. I shall never forget it."

CHAPTER VII
THE TWINS

"Tessa and Beppo are two of the best models I ever had," said Mr. Gray. "They were perfectly quiet and did just what I wished. My picture is finished and you must all come up and look at it."

It was a sunny afternoon nearly a week after the christening of Tessa's baby brother. Lucy and Arthur were in the drawing-room with their mother when Mr. Gray opened the door with these words.

There was a great scampering over the stairs as the two children tried to see who could reach the studio first.

"Oh, how lovely, how lovely!" cried Lucy, who was the winner of the race. She was standing in front of the canvas.

And what do you think she saw? A little flower-girl out on the Campagna. She sat on the back of a donkey that certainly looked much like Pietro. The girl's bare feet were almost hidden by two great bags of fruit hanging from the donkey's sides.

In her lap was a basket of flowers that she would sell in the city to-day. A boy who was the very image of Beppo held the donkey's bridle.

"How beautiful you have made Tessa's curls," said Lucy. "But they are not a bit lovelier than hers really are. Look at the feather in Beppo's pointed hat, Arthur, and the gaiters buttoned up to the knees. And see the brown cloak thrown over his shoulders. It's the very way he wears it."

"But you haven't noticed the herd of oxen in the distance," said the modest little Tessa. She was quite abashed by the attention given to the figures of her brother and herself. "They are going back to the hillside for the night. What a lovely soft gray they are painted. I love these dear gentle creatures. They could do great harm with their large, spreading horns, but they are too kind for that."

"Yes, and see the shepherds standing in that field of daisies," said Beppo. "More than once my father and I have stayed all night in just such a place when the storm overtook us and we could not get home."

"How I love the mountains, far away in the soft light," said Mrs. Gray. "They make a beautiful background for the rest of the picture."

"When you have admired it as much as you like, I think we had better take a half-holiday and see some of the sights," proposed Mr. Gray. "It is only two o'clock now; how soon can you all be ready?"

"In five minutes, can't we, mother?" said Lucy, who was always delighted to have her father's company. He was usually so busy he could not often go anywhere with them.

"Yes," said Mrs. Gray. "We will not delay. Get your hats, children; we can come here to-morrow to enjoy the picture again."

This time they decided to walk, that the children might stop wherever they wished.

"What is this show? Oh, do look!" cried Tessa, as they came to a big box set up on the side of the street. A man could be seen partly hidden behind the curtain. He was making some puppets act out a little play. He changed his voice so as to represent first one, then another.

"That is a Punch and Judy show," said Arthur. "You may watch it while I go over to that little flower-girl's stand. I am going to buy a bunch of pansies for mother. I think that is the girl's grandfather standing by her side. He must be lame, for he has a crutch. I suppose they are very poor. Perhaps that child supports them both."

After Arthur had bought his flowers, they walked on till they came to a shrine set up against the wall. It was a picture of Saint Mary and the infant Jesus in a rough wooden frame.

Tessa and Beppo knelt before it and were very quiet for a minute or two.

"They are repeating some prayers," whispered Lucy to her brother, as they passed slowly on. "When we rode back from Tessa's home the other night, I noticed she suddenly stopped talking and shut her eyes when we passed one of those shrines out on the Campagna."

"She is a good little Catholic."

"Arthur, look at that poor donkey. You can't see anything but his legs and his nose. He is carrying such a big load of hay that the rest of his body is out of sight."

Their father came up to them at this moment, and said: "How would you like to take a carriage now and visit the Coliseum? We still have plenty of time, and I have never been there with you."

"Good! good!" cried the children.

While they were waiting for the carriage they bought some of the big Italian chestnuts at a stand where a boy stood roasting them for the passers-by.

They had not ridden far before they came upon a crowd of people around a fire.

"What are they doing?" asked Lucy.

"I think I know," Tessa answered. "They are heating pine-cones so as to get the seeds. Did you ever eat them, Lucy? I am very fond of them."

"What a queer idea! But then, your pine-trees are different from any I have seen growing at home. I don't doubt they are very nice."

When they drove up in front of the Coliseum, they saw before them one of the grandest ruins in the world. It was built when Rome was still a great city, and was made to hold eighty thousand people.

"Why do you speak of it as a 'sacred ruin,' father?" asked Arthur.

"Whenever we look at it we think of the Christians who suffered terrible deaths there because of what they believed," Mr. Gray answered. "The Coliseum was finished about seventy years after the birth of Jesus. It was the place where the public games went on and where the wild beast shows and fights were held.

"You can see that one side of the great wall of the building is still standing in pretty good condition. It was made in the shape of an oval, as you also see. Now, imagine an open space, or arena, in the middle, and all around it rows on rows of seats, built one above the other.

"Listen! Can't you imagine you hear the roars of wild beasts that were once kept in vaults beneath the building? When they were needed they were drawn up in their cages into the arena.

"After the spectators had taken their seats, a signal was given and the doors of the cages were flung open. The furious beasts would rush out and frightful scenes would follow. The creatures were either set against each other or against men who had been sentenced to death."

"And would people go to see such terrible things for their own pleasure?" asked Tessa. Her face was full of pain at the idea.

"Yes, my dear. It showed that the city was in a bad state when the Romans could take delight in seeing other creatures suffer, whether they were men or beasts," was the answer.

"But I told you that we of to-day hold the place sacred to the Christians. That is because in those sad times they were cruelly put to death here. One good bishop, I remember, was killed by lions in this very spot. But he went to his death cheerfully, – he was glad to be a martyr to his faith."