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Stanza XXIX. lines 595-9. Cp. the ‘rash, fruitless war,’ &c., of Thomson’s ‘Edwin and Eleonora,’ i. 1, and Cowper’s ‘Task,’ v. 187: -

 
     ‘War’s a game which, were their subjects wise,
      Kings would not play at.’
 

Stanza XXX. This description of Edinburgh is one of the passages mentioned by Mr. Ruskin in ‘Modern Painters’ as illustrative of Scott’s quick and certain perception of the relations of form and colour. ‘Observe,’ he says, ‘the only hints at form given throughout are in the somewhat vague words “ridgy,” “ massy,” “close,” and “high,” the whole being still more obscured by modern mystery, in its most tangible form of smoke. But the colours are all definite; note the rainbow band of them-gloomy or dusky red, sable (pure black), amethyst (pure purple), green and gold-a noble chord throughout; and then, moved doubtless less by the smoky than the amethystine part of the group, line 632. In the demi-volte (one of seven artificial equestrian movements) the horse rises on his hind feet and makes a half-turn. Cp. below, v. 33.

 
     “Fitz-Eustace’ heart felt closely pent,” &c.’
 

Stanza XXXI. line 646. 6 o’clock a.m., the first canonical hour of prayer.

lines 650-1. St. Catherine of Siena, a famous female Spanish saint, and St. Roque of France, patron of those sick of the plague, who died at Montpelier about 1327.

line 655. Falkland, in the west of Fife, at base of Lomond Hills, a favourite residence of the Stuart kings, and well situated for hunting purposes. The ancient stately palace is now the property of the Marquis of Bute.

Stanza XXXII. line 679. stowre, noise and confusion of battle. Cp. ‘Faery Queene,’ I. ii. 7, ‘woeful stowre.’

INTRODUCTION TO CANTO FIFTH

‘GEORGE ELLIS, to whom this Introduction is addressed, is “the well-known coadjutor of Mr. Canning and Mr. Frere in the “Anti-Jacobin,” and editor of “Specimens of Ancient English Romances,” &c. He died 10th April, 1815, aged 70 years; being succeeded in his estates by his brother, Charles Ellis, Esq., created in 1827 Lord Seaford.’-LOCKHART. See ‘Life of Scott’ and ‘Dictionary of National Biography.’

line 36. See Introd. to Canto II.

line 37. ‘The Old Town of Edinburgh was secured on the north side by a lake, now drained, and on the south by a wall, which there was some attempt to make defensible even so late as 1745. The gates, and the greater part of the wall, have been pulled down, in the course of the late extensive and beautiful enlargement of the city. My ingenious and valued friend, Mr. Thomas Campbell, proposed to celebrate Edinburgh under the epithet here borrowed. But the “Queen of the North” has not been so fortunate as to receive from so eminent a pen the proposed distinction.’-SCOTT.

line 57. ‘Since writing this line, I find I have inadvertently borrowed it almost verbatim, though with somewhat a different meaning, from a chorus in “Caractacus”: -

 
     “Britain heard the descant bold,
      She flung her white arms o’er the sea,
      Proud in her leafy bosom to enfold
      The freight of harmony.”‘SCOTT.
 

line 58. For = instead of.

lines 60-1. gleam’st, with trans. force, is an Elizabethanism. Cp. Shakespeare’s Lucrece, line 1378: -

 
     ‘Dying eyes gleamed forth their ashy lights.’
 

line 67. See ‘Faerie Queene,’ III. iv.

line 78. “For every one her liked, and every one her loved.” Spenser, as above.’-SCOTT.

line 106. A knosp is an architectural ornament in form of a bud.

lines 111-12. See Genesis xviii.

line 118. ‘Henry VI, with his Queen, his heir, and the chiefs of his family, fled to Scotland after the battle of Towton. In this note a doubt was formerly expressed whether Henry VI came to Edinburgh, though his Queen certainly did; Mr. Pinkerton inclining to believe that he remained at Kirkcudbright. But my noble friend, Lord Napier, has pointed out to me a grant by Henry, of an annuity of forty marks to his Lordship’s ancestor, John Napier, subscribed by the King himself, at Edinburgh, the 28th day of August, in the thirtyninth year of his reign, which corresponds to the year of God, 1461. This grant, Douglas, with his usual neglect of accuracy, dates in 1368. But this error being corrected from the copy of Macfarlane’s MSS., p. 119, to, removes all scepticism on the subject of Henry VI being really at Edinburgh. John Napier was son and heir of Sir Alexander Napier, and about this time was Provost of Edinburgh. The hospitable reception of the distressed monarch and his family, called forth on Scotland the encomium of Molinet, a contemporary poet. The English people, he says, -

 
     “Ung nouveau roy creerent,
        Par despiteux vouloir,
      Le vieil en debouterent,
        Et son legitime hoir,
      Qui fuytyf alia prendre
        D’Ecosse le garand,
      De tous siecles le mendre,
        Et le plus tollerant.”
 
Recollection des Avantures’-SCOTT.

line 120. ‘In January, 1796, the exiled Count d’Artois, afterwards Charles X of France, took up his residence in Holyrood, where he remained until August, 1799. When again driven from his country, by the revolution of July, 1830, the same unfortunate Prince, with all the immediate members of his family, sought refuge once more in the ancient palace of the Stuarts, and remained there until 18th September, 1833.’-LOCKHART.

line 140. ‘Mr. Ellis, in his valuable Introduction to the “Specimens of Romance,” has proved, by the concurring testimony of La Ravaillere, Tressan, but especially the Abbe de la Rue, that the courts of our Anglo-Norman Kings, rather than those of the French monarch, produced the birth of Romance literature. Marie, soon after mentioned, compiled from Armorican originals, and translated into Norman-French, or Romance language, the twelve curious Lays of which Mr. Ellis has given us a precis in the Appendix to his Introduction. The story of Blondel, the famous and faithful minstrel of Richard I, needs no commentary.’-SCOTT.

line 141. for that = ‘because,’ a common Elizabethan connective.

line 165.

 
‘“Come then, my friend, my genius, come along,
            Oh master of the poet and the song!”
                           Pope to Bolingbroke.’-LOCKHART.
 

Cp. also the famous ‘guide, philosopher, and friend,’ in ‘Essay on Man,’ IV. 390.

lines 166-175. For a curious and characteristic ballad by Leyden on Ellis, see ‘Life of Scott’ i. 368; and for references to his state of ealth see ‘Life,’ ii, 17, in one of Scott’s letters.

line 181. ‘At Sunning-hill, Mr. Ellis’s seat, near Windsor, part of the first two cantos of Marmion were written.’-LOCKHART. Ascot Heath is about six miles off.

CANTO FIFTH

Stanza I. line 18. ‘This is no poetical exaggeration. In some of the counties of England, distinguished for archery, shafts of this extraordinary length were actually used. Thus, at the battle of Blackheath, between the troops of Henry VII and the Cornish insurgents, in 1496, the bridge of Dartford was defended by a picked band of archers from the rebel army, “whose arrows,” says Holinshed, “were in length a full cloth yard.” The Scottish, according to Ascham, had a proverb, that every English archer carried under his belt twenty-four Scots, in allusion to his bundle of unerring shafts.’-SCOTT.

Stanza II. line 32. croupe = (1) the buttocks of the horse, as in Chaucer’s ‘Fryars Tale,’ line 7141, ‘thakketh his horse upon the croupe’; (2) the place behind the saddle, as here and in ‘Young Lochinvar,’ below, 351.

line 33. ‘The most useful air, as the Frenchmen term it, is territerr, the courbettes, cabrioles, or un pas et un sault, being fitter for horses of parade and triumph than for soldiers: yet I cannot deny but a demivolte with courbettes, so that they be not too high, may be useful in a fight or meslee; for, as Labroue hath it, in his Book of Horsemanship, Monsieur de Montmorency having a horse that was excellent in performing the demivolte, did, with his sword, strike down two adversaries from their horses in a tourney, where divers of the prime gallants of France did meet; for, taking his time, when the horse was in the height of his courbette, and discharging a blow then, his sword fell with such weight and force upon the two cavaliers, one after another, that he struck them from their horses to the ground.’-Lord Herbert of Cherbury’s Life, p. 48. – SCOTT.

line 35. ‘The Scottish burgesses were, like yeomen, appointed to be armed with bows and sheaves, sword, buckler, knife, spear, or a good axe instead of a bow, if worth L100: their armour to be of white or bright harness. They wore white hats, i.e. bright steel caps, without crest or visor. By an act of James IV their weapon-schawings are appointed to be held four times a year, under the aldermen or bailiffs.’-SCOTT.

lines 40-48. Corslet, a light cuirass protecting the front of the body; brigantine, a jacket quilted with iron (also spelt ‘brigandine’); gorget, a metal covering for the throat; mace, a heavy club, plain or spiked, designed to bruise armour.

‘Bows and quivers were in vain recommended to the peasantry of Scotland, by repeated statutes; spears and axes seem universally to have been used instead of them. The defensive armour was the plate-jack, hauberk, or brigantine; and their missile weapons crossbows and culverins. All wore swords of excellent temper, according to Patten; and a voluminous handkerchief round their neck, “not for cold, but for cutting.” The mace also was much used in the Scottish army! The old poem on the battle of Flodden mentions a band-

 
     “Who manfully did meet their foes,
      With leaden mauls, and lances long.”
 

‘When the feudal array of the kingdom was called forth, each man was obliged to appear with forty days’ provision. When this was expended, which took place before the battle of Flodden, the army melted away of course. Almost all the Scottish forces, except a few knights, men-at-arms, and the Border-prickers, who formed excellent light-cavalry, acted upon foot.’-SCOTT.

Stanza III. line 48. swarthy, because of the dark leather of which it was constructed.

line 54. See above, Introd. to II. line 48.

line 56. Cheer, countenance, as below, line 244. Cp. Chaucer, ‘Knightes Tale,’ line 55: -

 
     ‘The eldeste lady of hem alle spak
      When sche hadde swowned with a dedly chere.’
 

Stanza IV. line 73. slogan, the war-cry. Cp. Aytoun’s ‘Burial March of Dundee’: -

 
     ‘Sound the fife and cry the slogan.’
 

line 96. The Euse and the Liddell flow into the Esk. For some miles the Liddell is the boundary between England and Scotland.

line 100. Brown Maudlin, dark or bronzed Magdalene. pied, variegated, as in Shakespeare’s ‘daisies pied.’ kirtle = short skirt, and so applied to a gown or a petticoat.

Stanza V. For unrivalled illustration of what Celtic chiefs and clansmen were, see ‘Waverley’ and ‘Rob Roy.’

lines 130-5 Cp. opening of Chapman’s Homer’s Iliad III.: -

 
               ‘The Trojans would have frayed
      The Greeks with noises, crying out, in coming rudely on
      At all parts, like the cranes that fill with harsh confusion
      Of brutish clanges all the air. ‘
 

Stanza VI. lines 143-157. Cp. Dryden’s ‘Palamon and Arcite,’ iii. 1719-1739: -

 
     ‘The neighing of the generous horse was heard,
      For battle by the busy groom prepar’d:
      Rustling of harness, rattling of the shield,
      Clattering of armour furbish’d for the field,’ &c.
 

line 157. following = feudal retainers. – SCOTT. To the poet’s explanation Lockhart appends the remark that since Scott thought his note necessary the word has been ‘completely adopted into English, and especially into Parliamentary parlance.’

line 166. Scott says: – ‘In all transactions of great or petty importance, and among whomsoever taking place, it would seem that a present of wine was a uniform and indispensable preliminary. It was not to Sir John Falstaff alone that such an introductory preface was necessary, however well judged and acceptable on the part of Mr. Brook; for Sir Ralph Sadler, while on an embassy to Scotland in 1539-40, mentions, with complacency, ‘the same night came Rothesay (the herald so called) to me again, and brought me wine from the King both white and red.’-Clifford’s Edition, p. 39.

line 168. For weeds see above, I. Introd. 256.

Stanza VII. line 172. For wassell see above, I. xv. 231; and cp. ‘merry wassail’ in ‘Rokeby,’ III. xv.

line 190. Cp. above, IV. Introd. 3.

line 200. An Elizabethan omission of relative.

Stanza VIII. The admirable characterisation, by which in this and the two following stanzas the King, the Queen, and Lady Heron are individually delineated and vividly contrasted, deserves special attention. There is every reason to believe that the delineations, besides being vivid and impressive, have the additional merit of historical accuracy.

line 213. piled = covered with a pile or nap. The Encyclopaedic Dict., s. v., quotes: ‘With that money I would make thee several cloaks and line them with black crimson, and tawny, three filed veluet.’-Barry; Ram Alley, III. i.

line 221. A baldric (remotely from Lat. balteus, a girdle) was an ornamental belt passing over one shoulder and round the other side, and having the sword suspended from it. Cp. Pope’s Iliad, III. 415: -

 
     ‘A radiant baldric, o’er his shoulder tied,
      Sustained the sword that glittered at his side.’
 

See also the ‘wolf-skin baldric’ in ‘Lay of the Last Minstrel,’ III. xvi.

Stanza IX. line 249. ‘Few readers need to be reminded of this belt, to the weight of which James added certain ounces every year that he lived. Pitscottie founds his belief that James was not slain in the battle of Flodden, because the English never had this token of the iron-belt to show to any Scottishman. The person and character of James are delineated according to our best historians. His romantic disposition, which led him highly to relish gaiety, approaching to license, was, at the same time, tinged with enthusiastic devotion. These propensities sometimes formed a strange contrast. He was wont, during his fits of devotion, to assume the dress, and conform to the rules, of the order of Franciscans; and when he had thus done penance for some time in Stirling, to plunge again into the tide of pleasure. Probably, too, with no unusual inconsistency, he sometimes laughed at the superstitions observances to which he at other times subjected himself. There is a very singular poem by Dunbar, seemingly addressed to James IV, on one of these occasions of monastic seclusion. It is a most daring and profane parody on the services of the Church of Rome, entitled: -

 
         “Dunbar’s Dirige to the King,
     Byding ewer lang in Striviling.
      We that are here, in heaven’s glory,
      To you that are in Purgatory,
      Commend us on our hearty wise;
      I mean we folks in Paradise,
      In Edinburgh, with all merriness,
      To you in Stirling with distress,
      Where neither pleasure nor delight is,
      For pity this epistle wrytis,” &c.
 

See the whole in Sibbald’s Collection, vol. i. p. 234.’-SCOTT.

Since Scott’s time Dunbar’s poems have been edited, with perfect scholarship and skill, by David Laing (2 vols. post 8vo. 1824), and by John Small (in l885) for the Scottish Text Society. See Dict. of Nat. Biog.

lines 254-9. This perfect description may be compared, for accuracy of observation and dexterous presentment, with the steed in ‘Venus and Adonis,’ the paragon of horses in English verse. Both writers give ample evidence of direct personal knowledge.

Stanza X. line 261. ‘It has been already noticed [see note to stanza xiii. of Canto I.] that King James’s acquaintance with Lady Heron of Ford did not commence until he marched into England. Our historians impute to the King’s infatuated passion the delays which led to the fatal defeat of Flodden. The author of “The Genealogy of the Heron Family” endeavours, with laudable anxiety, to clear the Lady Ford from this scandal; that she came and went, however, between the armies of James and Surrey, is certain. See PINKERTON’S History, and the authorities he refers to, vol. ii. p. 99. Heron of Ford had been, in 1511, in some sort accessory to the slaughter of Sir Robert Kerr of Cessford, Warden of the Middle Marches. It was committed by his brother the bastard, Lilburn, and Starked, three Borderers. Lilburn and Heron of Ford were delivered up by Henry to James, and were imprisoned in the fortress of Fastcastle, where the former died. Part of the pretence of Lady Ford’s negotiations with James was the liberty of her husband.’-SCOTT.

line 271. love = beloved. Cp. Burns’s ‘O my love is like a red red rose.’

line 273. ‘“Also the Queen of France wrote a love-letter to the King of Scotland, calling him her love, showing him that she had suffered much rebuke in France for the defending of his honour. She believed surely that he would recompense her again with some of his kingly support in her necessity; that is to say, that he would raise her an army, and come three foot of ground on English ground, for her sake. To that effect she sent him a ring off her finger, with fourteen thousand French crowns to pay bis expenses.” PITSCOTTIE, p.110. – A turquois ring-probably this fatal gift-is, with James’s sword and dagger, preserved in the College of Heralds, London.’-SCOTT.

lines 287-8. The change of movement introduced by this couplet has the intended effect of arresting the attention and lending pathos to the description and sentiment.

Stanza XI. line 302. The wimple was a covering for the neck, said to have been introduced in the reign of Edward I. See Chaucer’s ‘Prologue,’ 151: -

 
     ‘Ful semely hire wympel i-pynched was.’
 

line 307. Cp. 2 Henry IV, iii. 2. 9, ‘By yea and nay, sir.’

line 308. Cp. refrain of song, ‘‘Twas within a mile o’ Edinburgh Town,’ in Johnson’s Museum: -

 
     ‘The lassie blush’d, and frowning cried, “No, no, it will not do;
      I cannot, cannot, wonnot, wonnot, mannot buckle too.”‘
 

Stanza XII. The skilful application of the anapaest for the production of the brilliant gallop of ‘Lochinvar’ has been equalled only by Scott himself in his ‘Bonnets o’ Bonnie Dundee.’ Cp. Lord Tennyson’s ‘Northern Farmer’ (specially New Style), and Mr. Browning’s ‘How they brought the Good News from Ghent to Aix.’ ‘The ballad of Lochinvar,’ says Scott, ‘is in a very slight degree founded on a ballad called “ Katharine Janfarie,” which may be found in the “Minstrelsy of the Scottish Border,” vol. ii. Mr. Charles Gibbon’s ‘Laird o’ Lamington’ is based on the same legend.

line 332. ‘See the novel of “Redgauntlet” for a detailed picture of some of the extraordinary phenomena of the spring-tides in the Solway Frith.’-LOCKHART.

line 344. galliard (Sp. gallarda, Fr. gaillarda), a lively dance. Cp. Henry V, i. 2, 252, ‘a nimble galliard,’ and note on expression in Clarendon Press ed.

line 353. scaur, cliff or river bank. Cp. Blackie’s ‘Ascent of Cruachan’ in ‘Lays of the Highlands and Islands,’ p. 98: -

 
     ‘Scale the scaur that gleams so red.’
 

Stanza XIII. line 376. Cp. Dryden’s ‘Aurengzebe’:

 
     ‘Love and a crown no rivalship can bear.’
 

line 382. Sir R. Kerr. See above, line 261.

line 383. Andrew Barton, High Admiral of Scotland, was one of a family of seamen, to whom James IV granted letters of reprisal against Portuguese traders for the violent death of their father. Both the King and the Bartons profited much by their successes. At length the Earl of Surrey, accusing Andrew Barton of attacking English as well as Portuguese vessels, sent two powerful men-of-war against him, and a sharp battle, fought in the Downs, resulted in Barton’s death and the capture of his vessels. See Chambers’s ‘Eminent Scotsmen,’ vol. v.

line 386. James sent his herald to Henry before Terouenne, calling upon him to desist from hostilities against Scotland’s ally, the king of France, and sternly reminding him of the various insults to which Henry’s supercilious policy had subjected him. Flodden had been fought before the messenger returned with his answer. Barclay a contemporary poet, had written about seven years earlier, in his ‘Ship of Fooles’: -

 
     ‘If the Englishe Lion his wisedome and riches
      Conjoyne with true love, peace, and fidelitie
      With the Scottishe Unicornes might and hardines,
      There is no doubt but all whole Christentie
      Shall live in peace, wealth, and tranquilitie.’
 

But such a desirable consummation was to wait yet a while.

Stanza XIV. line 398. ‘Archibald Douglas, Earl of Angus,’ says Scott, ‘a man remarkable for strength of body and mind, acquired the popular name of Bell-the-Cat, upon the following remarkable occasion: – James the Third, of whom Pitscottie complains that he delighted more in music, and “policies of building,” than in hunting, hawking, and other noble exercises, was so ill advised as to make favourites of his architects and musicians, whom the same historian irreverently terms masons and fiddlers. His nobility, who did not sympathise in the King’s respect for the fine arts, were extremely incensed at the honours conferred on those persons, particularly on Cochrane, a mason, who had been created Earl of Mar; and, seizing the opportunity, when, in 1482, the King had convoked the whole array of the country to march against the English, they held a midnight council in the church of Lauder, for the purpose of forcibly removing these minions from the King’s person. When all had agreed on the propriety of this measure, Lord Gray told the assembly the apologue of the Mice, who had formed a resolution, that it would be highly advantageous to their community to tie a bell round the cat’s neck, that they might hear her approach at a distance; but which public measure unfortunately miscarried, from no mouse being willing to undertake the task of fastening the bell. “I understand the moral,” said Angus, “and, that what we propose may not lack execution, I will bell the cat.”‘

The rest of the strange scene is thus told by Pitscottie: -

‘By this was advised and spoken by thir lords foresaid, Cochran, the Earl of Mar, came from the King to the council, (which council was holden in the kirk of Lauder for the time,) who was well accompanied with a band of men of war; to the number of three hundred light axes, all clad in white livery, and black bends thereon, that they might be known for Cochran the Earl of Mar’s men. Himself was clad in a riding-pie of black velvet, with a great chain of gold about his neck, to the value of five hundred crowns, and four blowing horns, with both the ends of gold and silk, set with a precious stone, called a berryl, hanging in the midst. This Cochran had his heumont born before him, overgilt with gold, and so were all the rest of his horns, and all his pallions were of fine canvas of silk, and the cords thereof fine twined silk, and the chains upon his pallions were double overgilt with gold.

‘This Cochran was so proud in his conceit, that he counted no lords to be marrows to him, therefore he rushed rudely at the kirk-door. The council inquired who it was that perturbed them at that time. Sir Robert Douglas, Laird of Lochleven, was keeper of the kirk-door at that time, who inquired who that was that knocked so rudely; and Cochran answered, “This is I, the Earl of Mar.” The which news pleased well the lords, because they were ready boun to cause take him, as is before rehearsed. Then the Earl of Angus past hastily to the door, and with him Sir Robert Douglas of Lochleven, there to receive in the Earl of Mar, and go many of his complices who were there, as they thought good. And the Earl of Angus met with the Earl of Mar, as he came in at the door, and pulled the golden chain from his craig, and said to him, a tow1 would set him better. Sir Robert Douglas syne pulled the blowing horn from him in like manner, and said, “He had been the hunter of mischief over long.” This Cochran asked, “My lords, is it mows2, or earnest?” They answered, and said, “It is good earnest, and so thou shalt find; for thou and thy complices have abused our prince this long time; of whom thou shalt hare no more credence, but shalt have thy reward according to thy good service, as thou hast deserved in times bypast; right so the rest of thy followers.”

1rope. 2jest.

‘Notwithstanding, the lords held them quiet till they caused certain armed men to pass into the King’s pallion, and two or three wise men to pass with them, and give the King fair pleasant words, till they laid hands on all the King’s servants and took them and hanged them before his eyes over the bridge of Lawder. Incontinent they brought forth Cochran, and his hands bound with a tow, who desired them to take one of his own pallion tows and bind his hands, for he thought shame to have his hands bound with such tow of hemp, like a thief. The lords answered, he was a traitor, he deserved no better; and, for despight, they took a hair tether3, and hanged him over the bridge of Lawder, above the rest of his complices.’-PITSCOTTIE, p. 78, folio edit.

3halter.

line 400. Hermitage Castle is on Hermitage water, which falls into the Liddell. The ruins still exist.

line 402. Bothwell Castle is on the right bank of the Clyde, a few miles above Glasgow. While staying there in 1799 Scott began a ballad entitled ‘Bothwell Castle,’ which remains a fragment. Lockhart gave it in the ‘Life,’ i. 305, ed. 1837. There, as here, he makes reference to the touching legendary ballad, ‘Bothwell bank thou bloomest fair,’ which a traveller before 1605 heard a woman singing in Palestine.

line 406. Reference to Cicero’s cedant arma togae, a relic of an attempt at verse.

line 414. ‘Angus was an old man when the war against England was resolved upon. He earnestly spoke against that measure from its commencement; and, on the eve of the battle of Flodden, remonstrated so freely upon the impolicy of fighting, that the King said to him, with scorn and indignation, “if he was afraid, he might go home.” The Earl burst into tears at this insupportable insult, and retired accordingly, leaving his sons, George, Master of Angus, and Sir William of Glenbervie, to command his followers. They were both slain in the battle, with two hundred gentlemen of the name of Douglas. The aged Earl, broken-hearted at the calamities of his house and his country, retired into a religious house, where he died about a year after the field of Flodden.’-SCOTT.

Stanza XV. lines 415-20. Cp. description of Sir H. Osbaldistone, ‘Rob Roy,’ chap. vi.

line 429. ‘The ruins of Tantallon Castle occupy a high rock projecting into the German Ocean, about two miles east of North Berwick. The building is not seen till a close approach, as there is rising ground betwixt it and the land. The circuit is of large extent, fenced upon three sides by the precipice which overhangs the sea, and on the fourth by a double ditch and very strong outworks. Tantallon was a principal castle of the Douglas family, and when the Earl of Angus was banished, in 1527, it continued to hold out against James V. The King went in person against it, and for its reduction, borrowed from the Castle of Dunbar, then belonging to the Duke of Albany, two great cannons, whose names, as Pitscottie informs us with laudable minuteness, were “Thrawn mouth’d Meg and her Marrow”; also, “two great botcards, and two moyan, two double falcons, and four quarter falcons”; for the safe guiding and re-delivery of which, three lords were laid in pawn at Dunbar. Yet, notwithstanding all this apparatus, James was forced to raise the siege, and only afterwards obtained possession of Tantallon by treaty with the governor, Simon Panango, When the Earl of Angus returned from banishment, upon the death of James, he again obtained possession of Tantallon, and it actually afforded refuge to an English ambassador, under circumstances similar to those described in the text. This was no other than the celebrated Sir Ralph Sadler, who resided there for some time under Angus’s protection, after the failure of his negotiation for matching the infant Mary with Edward VI. He says, that though this place was poorly furnished, it was of such strength as might warrant him against the malice of his enemies, and that he now thought himself out of danger. (His State papers were published in 1810, with certain notes by Scott.)

‘There is a military tradition, that the old Scottish March was meant to express the words,

 
     “Ding down Tantallon,
      Mak a brig to the Bass.”
 

‘Tantallon was at length “dung down” and ruined by the Covenanters; its lord, the Marquis of Douglas, being a favourer of the royal cause. The castle and barony were sold in the beginning of the eighteenth century to President Dalrymple of North Berwick, by the then Marquis of Douglas.’-SCOTT.

In 1888, under the direction of Mr. Walter Dalrymple, son of the proprietor, certain closed staircases in the ruins were opened, and various excavations were made, with the purpose of discovering as fully as possible what the original character of the structure had been. These operations have added greatly to the interest of the ruin, which both by position and aspect is one of the most imposing in the country.

line 432. ‘A very ancient sword, in possession of Lord Douglas, bears, among a great deal of flourishing, two hands pointing to a heart which is placed betwixt them, and the date 1329, being the year in which Bruce charged the Good Lord Douglas to carry his heart to the Holy Land. The following lines (the first couplet of which is quoted by Godscroft, as a popular saying in his time) are inscribed around the emblem: -

 
     “So mony guid as of ye Dovglas beinge,
      Of ane surname was ne’er in Scotland seine.
 
 
      I will ye charge, efter yat I depart,
      To holy grawe, and thair bury my hart;
      Let it remane ever BOTHE TYME AND HOWR,
      To ye last day I sie my Saviour.
 
 
      I do protest in tyme of al my ringe,
      Ye lyk subject had never ony keing.”
 

‘This curious and valuable relic was nearly lost during the Civil War of 1745-6, being carried away from Douglas Castle by some of those in arms for Prince Charles. But great interest having been made by the Duke of Douglas among the chief partisans of the Stuart, it was at length restored. It resembles a Highland claymore, of the usual size, is of an excellent temper, and admirably poised.’-SCOTT.

Yaş sınırı:
12+
Litres'teki yayın tarihi:
01 kasım 2017
Hacim:
360 s. 1 illüstrasyon
Telif hakkı:
Public Domain
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