Sadece LitRes`te okuyun

Kitap dosya olarak indirilemez ancak uygulamamız üzerinden veya online olarak web sitemizden okunabilir.

Kitabı oku: «Bracebridge Hall, or The Humorists», sayfa 21

Yazı tipi:

In the mean time, Eugene returned to the village. He was violently affected, when the story of Annette was told him. With bitterness of heart he upbraided his own rashness and infatuation that had hurried him away from her, and accused himself as the author of all her woes. His mother would describe to him all the anguish and remorse of poor Annette; the tenderness with which she clung to her, and endeavoured, even in the midst of her insanity, to console her for the loss of her son, and the touching expressions of affection that were mingled with her most incoherent wanderings of thought, until his feelings would be wound up to agony, and he would entreat her to desist from the recital. They did not dare as yet to bring him into Annette's sight; but he was permitted to see her when she was sleeping. The tears streamed down his sunburnt cheeks, as he contemplated the ravages which grief and malady had made; and his heart swelled almost to breaking, as he beheld round her neck the very braid of hair which she once gave him in token of girlish affection, and which he had returned to her in anger.

At length the physician that attended her determined to adventure upon an experiment, to take advantage of one of those cheerful moods when her mind was visited by hope, and to endeavour to engraft, as it were, the reality upon the delusions of her fancy. These moods had now become very rare, for nature was sinking under the continual pressure of her mental malady, and the principle of reaction was daily growing weaker. Every effort was tried to bring on a cheerful interval of the kind. Several of her most favourite companions were kept continually about her; they chatted gayly, they laughed, and sang, and danced; but Annette reclined with languid frame and hollow eye, and took no part in their gayety. At length the winter was gone; the trees put forth their leaves; the swallows began to build in the eaves of the house, and the robin and wren piped all day beneath the window. Annette's spirits gradually revived. She began to deck her person with unusual care; and bringing forth a basket of artificial flowers, she went to work to wreathe a bridal chaplet of white roses. Her companions asked her why she prepared the chaplet. "What!" said she with a smile, "have you not noticed the trees putting on their wedding dresses of blossoms? Has not the swallow flown back over the sea? Do you not know that the time is come for Eugene to return? that he will be home to-morrow, and that on Sunday we are to be married?"

Her words were repeated to the physician, and he seized on them at once. He directed that her idea should be encouraged and acted upon. Her words were echoed through the house. Every one talked of the return of Eugene, as a matter of course; they congratulated her upon her approaching happiness, and assisted her in her preparations. The next morning, the same theme was resumed. She was dressed out to receive her lover. Every bosom fluttered with anxiety. A cabriolet drove into the village. "Eugene is coming!" was the cry. She saw him alight at the door, and rushed with a shriek into his arms.

Her friends trembled for the result of this critical experiment; but she did not sink under it, for her fancy had prepared her for his return. She was as one in a dream, to whom a tide of unlooked-for prosperity, that would have overwhelmed his waking reason, seems but the natural current of circumstances. Her conversation, however, showed that her senses were wandering. There was an absolute forgetfulness of all past sorrow – a wild and feverish gayety, that at times was incoherent.

The next morning, she awoke languid and exhausted. All the occurrences of the preceding day had passed away from her mind, as though they had been the mere illusions of her fancy. She rose melancholy and abstracted, and, as she dressed herself, was heard to sing one of her plaintive ballads. When she entered the parlour, her eyes were swoln with weeping. She heard Eugene's voice without, and started. She passed her hand across her forehead, and stood musing, like one endeavouring to recall a dream. Eugene entered the room, and advanced towards her; she looked at him with an eager, searching look, murmured some indistinct words, and before he could reach her, sank upon the floor.

She relapsed into a wild and unsettled state of mind; but now that the first shock was over, the physician ordered that Eugene should keep continually in her sight. Sometimes she did not know him; at other times she would talk to him as if he were going to sea, and would implore him not to part from her in anger; and when he was not present, she would speak of him as if buried in the ocean, and would sit, with clasped hands, looking upon the ground, the picture of despair. As the agitation of her feelings subsided, and her frame recovered from the shock which it had received, she became more placid and coherent. Eugene kept almost continually near her. He formed the real object round which her scattered ideas once more gathered, and which linked them once more with the realities of life. But her changeful disorder now appeared to take a new turn. She became languid and inert, and would sit for hours silent, and almost in a state of lethargy. If roused from this stupor, it seemed as if her mind would make some attempts to follow up a train of thought, but would soon become confused. She would regard every one that approached her with an anxious and inquiring eye, that seemed continually to disappoint itself. Sometimes, as her lover sat holding her hand, she would look pensively in his face without saying a word, until his heart was overcome; and after these transient fits of intellectual exertion, she would sink again into lethargy.

By degrees, this stupor increased; her mind appeared to have subsided into a stagnant and almost death-like calm. For the greater part of the time, her eyes were closed; her face almost as fixed and passionless as that of a corpse. She no longer took any notice of surrounding objects. There was an awfulness in this tranquillity, that filled her friends with apprehensions. The physician ordered that she should be kept perfectly quiet; or that, if she evinced any agitation, she should be gently lulled, like a child, by some favourite tune.

She remained in this state for hours, hardly seeming to breathe, and apparently sinking into the sleep of death. Her chamber was profoundly still. The attendants moved about it with noiseless tread; every thing was communicated by signs and whispers. Her lover sat by her side, watching her with painful anxiety, and fearing that every breath which stole from her pale lips would be the last.

At length she heaved a deep sigh; and, from some convulsive motions, appeared to be troubled in her sleep. Her agitation increased, accompanied by an indistinct moaning. One of her companions, remembering the physician's instructions, endeavoured to lull her by singing, in a low voice, a tender little air, which was a particular favourite of Annette's. Probably it had some connexion in her mind with her own story; for every fond girl has some ditty of the kind, linked in her thoughts with sweet and sad remembrances.

As she sang, the agitation of Annette subsided. A streak of faint colour came into her cheeks; her eyelids became swoln with rising tears, which trembled there for a moment, and then, stealing forth, coursed down her pallid cheek. When the song was ended, she opened her eyes and looked about her, as one awakening in a strange place.

"Oh, Eugene! Eugene!" said she, "it seems as if I have had a long and dismal dream; what has happened, and what has been the matter with me?"

The questions were embarrassing; and before they could be answered, the physician, who was in the next room, entered. She took him by the hand, looked up in his face, and made the same inquiry. He endeavoured to put her off with some evasive answer; – "No, no!" cried she, "I know I have been ill, and I have been dreaming strangely. I thought Eugene had left us – and that he had gone to sea – and that – and that he was drowned! – But he has been to sea!" added she, earnestly, as recollection kept flashing upon her, "and he has been wrecked – and we were all so wretched – and he came home again one bright morning – and – Oh!" said she, pressing her hand against her forehead, with a sickly smile, "I see how it is; all has not been right here: I begin to recollect – but it is all past now – Eugene is here! and his mother is happy – and we shall never – never part again – shall we, Eugene?"

She sunk back in her chair, exhausted; the tears streamed down her cheeks. Her companions hovered round her, not knowing what to make of this sudden dawn of reason. Her lover sobbed aloud. She opened her eyes again, and looked upon them with an air of the sweetest acknowledgment. "You are all so good to me!" said she, faintly.

The physician drew the father aside. "Your daughter's mind is restored," said he; "she is sensible that she has been deranged; she is growing conscious of the past, and conscious of the present. All that now remains is to keep her calm and quiet until her health is re-established, and then let her be married in God's name!"

"The wedding took place," continued the good priest, "but a short time since; they were here at the last fête during their honeymoon, and a handsomer and happier couple was not to be seen as they danced under yonder trees. The young man, his wife, and mother, now live on a fine farm at Pont l'Eveque; and that model of a ship which you see yonder, with white flowers wreathed round it, is Annette's offering of thanks to Our Lady of Grace, for having listened to her prayers, and protected her lover in the hour of peril."

The captain having finished, there was a momentary silence. The tender-hearted Lady Lillycraft, who knew the story by heart, had led the way in weeping, and indeed had often begun to shed tears before they had come to the right place.

The fair Julia was a little flurried at the passage where wedding preparations were mentioned; but the auditor most affected was the simple Phoebe Wilkins. She had gradually dropt her work in her lap, and sat sobbing through the latter part of the story, until towards the end, when the happy reverse had nearly produced another scene of hysterics. "Go, take this case to my room again, child," said Lady Lillycraft, kindly, "and don't cry so much."

"I won't, an't please your ladyship, if I can help it; – but I'm glad they made all up again, and were married."

By the way, the case of this lovelorn damsel begins to make some talk in the household, especially among certain little ladies, not far in their teens, of whom she has made confidants. She is a great favourite with them all, but particularly so since she has confided to them her love secrets. They enter into her concerns with all the violent zeal and overwhelming sympathy with which little boarding-school ladies engage in the politics of a love affair.

I have noticed them frequently clustering about her in private conferences, or walking up and down the garden terrace under my window, listening to some long and dolorous story of her afflictions; of which I could now and then distinguish the ever-recurring phrases, "says he," and "says she."

I accidentally interrupted one of these little councils of war, when they were all huddled together under a tree, and seemed to be earnestly considering some interesting document. The flutter at my approach showed that there were some secrets under discussion; and I observed the disconsolate Phoebe crumpling into her bosom either a love-letter or an old valentine, and brushing away the tears from her cheeks.

The girl is a good girl, of a soft melting nature, and shows her concern at the cruelty of her lover only in tears and drooping looks; but with the little ladies who have espoused her cause, it sparkles up into fiery indignation: and I have noticed on Sunday many a glance darted at the pew of the Tibbets's, enough even to melt down the silver buttons on old Ready Money's jacket.

TRAVELLING

 
  A citizen, for recreation sake,
  To see the country would a journey take
  Some dozen mile, or very little more;
  Taking his leave with friends two months before,
  With drinking healths, and shaking by the hand,
  As he had travail'd to some new-found land.
 
– Doctor Merrie-Man, 1609.

The Squire has lately received another shock in the saddle, and been almost unseated by his marplot neighbour, the indefatigable Mr. Faddy, who rides his jog-trot hobby with equal zeal; and is so bent upon improving and reforming the neighbourhood, that the Squire thinks, in a little while, it will be scarce worth living in. The enormity that has thus discomposed my worthy host, is an attempt of the manufacturer to have a line of coaches established, that shall diverge from the old route, and pass through the neighbouring village.

I believe I have mentioned that the Hall is situated in a retired part of the country, at a distance from any great coachroad; insomuch that the arrival of a traveller is apt to make every one look out of the window, and to cause some talk among the ale-drinkers at the little inn. I was at a loss, therefore, to account for the Squire's indignation at a measure apparently fraught with convenience and advantage, until I found that the conveniences of travelling were among his greatest grievances.

In fact, he rails against stage-coaches, post-chaises, and turnpike-roads, as serious causes of the corruption of English rural manners. They have given facilities, he says, to every humdrum citizen to trundle his family about the kingdom, and have sent the follies and fashions of town, whirling, in coachloads, to the remotest parts of the island. The whole country, he says, is traversed by these flying cargoes; every by-road is explored by enterprising tourists from Cheapside and the Poultry, and every gentleman's park and lawns invaded by cockney sketchers of both sexes, with portable chairs and portfolios for drawing.

He laments over this, as destroying the charm of privacy, and interrupting the quiet of country life; but more especially as affecting the simplicity of the peasantry, and filling their heads with half-city notions. A great coach-inn, he says, is enough to ruin the manners of a whole village. It creates a horde of sots and idlers, makes gapers and gazers and newsmongers of the common people, and knowing jockeys of the country bumpkins.

The Squire has something of the old feudal feeling. He looks back with regret to the "good old times" when journeys were only made on horseback, and the extraordinary difficulties of travelling, owing to bad roads, bad accommodations, and highway robbers, seemed to separate each village and hamlet from the rest of the world. The lord of the manor was then a kind of monarch in the little realm around him. He held his court in his paternal hall, and was looked up to with almost as much loyalty and deference as the king himself. Every neighbourhood was a little world within itself, having its local manners and customs, its local history and local opinions. The inhabitants were fonder of their homes, and thought less of wandering. It was looked upon as an expedition to travel out of sight of the parish steeple; and a man that had been to London was a village oracle for the rest of his life.

What a difference between the mode of travelling in those days and at present! At that time, when a gentleman went on a distant visit, he sallied forth like a knight-errant on an enterprise, and every family excursion was a pageant. How splendid and fanciful must one of those domestic cavalcades have been, where the beautiful dames were mounted on palfreys magnificently caparisoned, with embroidered harness, all tinkling with silver bells, attended by cavaliers richly attired on prancing steeds, and followed by pages and serving-men, as we see them represented in old tapestry! The gentry, as they travelled about in those days, were like moving pictures. They delighted the eyes and awakened the admiration of the common people, and passed before them like superior beings; and, indeed, they were so; there was a hardy and healthful exercise connected with this equestrian style that made them generous and noble.

In his fondness for the old style of travelling, the Squire makes most of his journeys on horseback, though he laments the modern deficiency of incident on the road, from the want of fellow-wayfarers, and the rapidity with which every one else is whirled along in coaches and post-chaises. In the "good old times," on the contrary, a cavalier jogged on through bog and mire, from town to town and hamlet to hamlet, conversing with friars and franklins, and all other chance companions of the road; beguiling the way with travellers' tales, which then were truly wonderful, for every thing beyond one's neighbourhood was full of marvel and romance; stopping at night at some "hostel," where the bush over the door proclaimed good wine, or a pretty hostess made bad wine palatable; meeting at supper with travellers, or listening to the song or merry story of the host, who was generally a boon companion, and presided at his own board; for, according to old Tusser's "Innholder's Posie,"

 
  "At meales my friend who vitleth here
    And sitteth with his host,
  Shall both be sure of better cheere,
    And 'scape with lesser cost."
 

The Squire is fond, too, of stopping at those inns which may be met with here and there in ancient houses of wood and plaster, or calimanco houses, as they are called by antiquaries, with deep porches, diamond-paned bow-windows, pannelled rooms, and great fire-places. He will prefer them to more spacious and modern inns, and would cheerfully put up with bad cheer and bad accommodations in the gratification of his humour. They give him, he says, the feelings of old times, insomuch that he almost expects in the dusk of the evening to see some party of weary travellers ride up to the door with plumes and mantles, trunk-hose, wide boots, and long rapiers.

The good Squire's remarks brought to mind a visit that I once paid to the Tabbard Inn, famous for being the place of assemblage from whence Chaucer's pilgrims set forth for Canterbury. It is in the borough of Southwark, not far from London Bridge, and bears, at present, the name of "the Talbot." It has sadly declined in dignity since the days of Chaucer, being a mere rendezvous and packing-place of the great wagons that travel into Kent. The court-yard, which was anciently the mustering-place of the pilgrims previous to their departure, was now lumbered with huge wagons. Crates, boxes, hampers, and baskets, containing the good things of town and country, were piled about them; while, among the straw and litter, the motherly hens scratched and clucked, with their hungry broods at their heels. Instead of Chaucer's motley and splendid throng, I only saw a group of wagoners and stable-boys enjoying a circulating pot of ale; while a long-bodied dog sat by, with head on one side, ear cocked up, and wistful gaze, as if waiting for his turn at the tankard.

Notwithstanding this grievous declension, however, I was gratified at perceiving that the present occupants were not unconscious of the poetical renown of their mansion. An inscription over the gateway proclaimed it to be the inn where Chaucer's pilgrims slept on the night previous to their departure; and at the bottom of the yard was a magnificent sign representing them in the act of sallying forth. I was pleased, too, at noticing that though the present inn was comparatively modern, yet the form of the old inn was preserved. There were galleries round the yard, as in old times, on which opened the chambers of the guests. To these ancient inns have antiquaries ascribed the present forms of our theatres. Plays were originally acted in inn-yards. The guests lolled over the galleries, which answered to our modern dress-circle; the critical mob clustered in the yard, instead of the pit; and the groups gazing from the garret-windows were no bad representatives of the gods of the shilling gallery. When, therefore, the drama grew important enough to have a house of its own, the architects took a hint for its construction from the yard of the ancient "hostel."

I was so well pleased at finding these remembrances of Chaucer and his poem, that I ordered my dinner in the little parlour of the Talbot. Whilst it was preparing, I sat at the window musing and gazing into the court-yard, and conjuring up recollections of the scenes depicted in such lovely colours by the poet, until, by degrees, boxes, bales and hampers, boys, wagoners and dogs, faded from sight, and my fancy peopled the place with the motley throng of Canterbury pilgrims. The galleries once more swarmed with idle gazers, in the rich dresses of Chaucer's time, and the whole cavalcade seemed to pass before me. There was the stately knight on sober steed, who had ridden in Christendom and heathenesse, and had "foughten for our faith at Tramissene;" – and his son, the young squire, a lover, and a lusty bachelor, with curled locks and gay embroidery; a bold rider, a dancer, and a writer of verses, singing and fluting all day long, and "fresh as the month of May;" – and his "knot-headed" yeoman; a bold forester, in green, with horn, and baudrick, and dagger, a mighty bow in hand, and a sheaf of peacock arrows shining beneath his belt; – and the coy, smiling, simple nun, with her gray eyes, her small red mouth, and fair forehead, her dainty person clad in featly cloak and "'ypinched wimple," her choral beads about her arm, her golden brooch with a love motto, and her pretty oath by Saint Eloy; – and the merchant, solemn in speech and high on horse, with forked beard and "Flaundrish bever hat;" – and the lusty monk, "full fat and in good point," with berry brown palfrey, his hood fastened with gold pin. wrought with a love-knot, his bald head shining like glass, and his face glistening as though it had been anointed; and the lean, logical, sententious clerk of Oxenforde, upon his half-starved, scholar-like horse; – and the bowsing sompnour, with fiery cherub face, all knobbed with pimples, an eater of garlic and onions, and drinker of "strong wine, red as blood," that carried a cake for a buckler, and babbled Latin in his cups; of whose brimstone visage "children were sore aferd;" – and the buxom wife of Bath, the widow of five husbands, upon her ambling nag, with her hat broad as a buckler, her red stockings and sharp spurs; – and the slender, choleric reeve of Norfolk, bestriding his good gray stot; with close-shaven beard, his hair cropped round his ears, long, lean, calfless legs, and a rusty blade by his side; – and the jolly Limitour, with lisping tongue and twinkling eye, well-beloved franklins and housewives, a great promoter of marriages among young women, known at the taverns in every town, and by every "hosteler and gay tapstere." In short, before I was roused from my reverie by the less poetical but more substantial apparition of a smoking beef-steak, I had seen the whole cavalcade issue forth from the hostel-gate, with the brawny, double-jointed, red-haired miller, playing the bagpipes before them, and the ancient host of the Tabbard giving them his farewell God-send to Canterbury.

When I told the Squire of the existence of this legitimate descendant of the ancient Tabbard Inn, his eyes absolutely glistened with delight. He determined to hunt it up the very first time he visited London, and to eat a dinner there, and drink a cup of mine host's best wine in memory of old Chaucer. The general, who happened to be present, immediately begged to be of the party; for he liked to encourage these long-established houses, as they are apt to have choice old wines.

Yaş sınırı:
12+
Litres'teki yayın tarihi:
28 eylül 2017
Hacim:
490 s. 1 illüstrasyon
Telif hakkı:
Public Domain