Kitabı oku: «Bracebridge Hall, or The Humorists», sayfa 3

FAMILY RELIQUES

 
  My Infelice's face, her brow, her eye,
  The dimple on her cheek: and such sweet skill
  Hath from the cunning workman's pencil flown,
  These lips look fresh and lively as her own.
  False colours last after the true be dead.
  Of all the roses grafted on her cheeks,
  Of all the graces dancing in her eyes,
  Of all the music set upon her tongue,
  Of all that was past woman's excellence
  In her white bosom; look, a painted board
  Circumscribes all!
 

– DEKKER.

An old English family mansion is a fertile subject for study. It abounds with illustrations of former times, and traces of the tastes, and humours, and manners of successive generations. The alterations and additions, in different styles of architecture; the furniture, plate, pictures, hangings; the warlike and sporting implements of different ages and fancies; all furnish food for curious and amusing speculation. As the Squire is very careful in collecting and preserving all family reliques, the Hall is full of remembrances of the kind. In looking about the establishment, I can picture to myself the characters and habits that have prevailed at different eras of the family history. I have mentioned, on a former occasion, the armour of the crusader which hangs up in the Hall. There are also several jack-boots, with enormously thick soles and high heels, that belonged to a set of cavaliers, who filled the Hall with the din and stir of arms during the time of the Covenanters. A number of enormous drinking vessels of antique fashion, with huge Venice glasses, and green-hock-glasses, with the apostles in relief on them, remain as monuments of a generation or two of hard livers, that led a life of roaring revelry, and first introduced the gout into the family.

I shall pass over several more such indications of temporary tastes of the Squire's predecessors; but I cannot forbear to notice a pair of antlers in the great hall, which is one of the trophies of a hard-riding squire of former times, who was the Nimrod of these parts. There are many traditions of his wonderful feats in hunting still existing, which are related by old Christy, the huntsman, who gets exceedingly nettled if they are in the least doubted. Indeed, there is a frightful chasm, a few miles from the Hall, which goes by the name of the Squire's Leap, from his having cleared it in the ardour of the chase; there can be no doubt of the fact, for old Christy shows the very dints of the horse's hoofs on the rocks on each side of the chasm.

Master Simon holds the memory of this squire in great veneration, and has a number of extraordinary stories to tell concerning him, which he repeats at all hunting dinners; and I am told that they wax more and more marvellous the older they grow. He has also a pair of Rippon spurs which belonged to this mighty hunter of yore, and which he only wears on particular occasions.

The place, however, which abounds most with mementos of past times, is the picture gallery; and there is something strangely pleasing, though melancholy, in considering the long rows of portraits which compose the greater part of the collection. They furnish a kind of narrative of the lives of the family worthies, which I am enabled to read with the assistance of the venerable housekeeper, who is the family chronicler, prompted occasionally by Master Simon. There is the progress of a fine lady, for instance, through a variety of portraits. One represents her as a little girl, with a long waist and hoop, holding a kitten in her arms, and ogling the spectator out of the corners of her eyes, as if she could not turn her head. In another, we find her in the freshness of youthful beauty, when she was a celebrated belle, and so hard-hearted as to cause several unfortunate gentlemen to run desperate and write bad poetry. In another, she is depicted as a stately dame, in the maturity of her charms; next to the portrait of her husband, a gallant colonel in full-bottomed wig and gold-laced hat, who was killed abroad; and, finally, her monument is in the church, the spire of which may be seen from the window, where her effigy is carved in marble, and represents her as a venerable dame of seventy-six.

In like manner, I have followed some of the family great men through a series of pictures, from early boyhood to the robe of dignity, or truncheon of command; and so on by degrees, until they were garnered up in the common repository, the neighbouring church.

There is one group that particularly interested me. It consisted of four sisters, of nearly the same age, who flourished about a century since, and, if I may judge from their portraits, were extremely beautiful. I can imagine what a scene of gayety and romance this old mansion must have been, when they were in the heyday of their charms; when they passed like beautiful visions through its halls, or stepped daintily to music in the revels and dances of the cedar gallery; or printed, with delicate feet, the velvet verdure of these lawns. How must they have been looked up to with mingled love, and pride, and reverence by the old family servants; and followed with almost painful admiration by the aching eyes of rival admirers! How must melody, and song, and tender serenade, have breathed about these courts, and their echoes whispered to the loitering tread of lovers! How must these very turrets have made the hearts of the young galliards thrill, as they first discerned them from afar, rising from among the trees, and pictured to themselves the beauties casketed like gems within these walls! Indeed, I have discovered about the place several faint records of this reign of love and romance, when the Hall was a kind of Court of Beauty.

Several of the old romances in the library have marginal notes expressing sympathy and approbation, where there are long speeches extolling ladies' charms, or protesting eternal fidelity, or bewailing the cruelty of some tyrannical fair one. The interviews, and declarations, and parting scenes of tender lovers, also bear the marks of having been frequently read, and are scored and marked with notes of admiration, and have initials written on the margins; most of which annotations have the day of the month and year annexed to them. Several of the windows, too, have scraps of poetry engraved on them with diamonds, taken from the writings of the fair Mrs. Philips, the once celebrated Orinda. Some of these seem to have been inscribed by lovers; and others, in a delicate and unsteady hand, and a little inaccurate in the spelling, have evidently been written by the young ladies themselves, or by female friends, who have been on visits to the Hall. Mrs. Philips seems to have been their favourite author, and they have distributed the names of her heroes and heroines among their circle of intimacy. Sometimes, in a male hand, the verse bewails the cruelty of beauty, and the sufferings of constant love; while in a female hand it prudishly confines itself to lamenting the parting of female friends. The bow-window of my bed-room, which has, doubtless, been inhabited by one of these beauties, has several of these inscriptions. I have one at this moment before my eyes, called "Camilla parting with Leonora:"

 
  "How perish'd is the joy that's past,
    The present how unsteady!
  What comfort can be great and last,
    When this is gone already;"
 

And close by it is another, written, perhaps, by some adventurous lover, who had stolen into the lady's chamber during her absence:

"THEODOSIUS TO CAMILLA.

 
  I'd rather in your favour live,
    Than in a lasting name;
  And much a greater rate would give
    For happiness than fame.
 

THEODOSIUS. 1700."

When I look at these faint records of gallantry and tenderness; when I contemplate the fading portraits of these beautiful girls, and think, too, that they have long since bloomed, reigned, grown old, died, and passed away, and with them all their graces, their triumphs, their rivalries, their admirers; the whole empire of love and pleasure in which they ruled – "all dead, all buried, all forgotten," I find a cloud of melancholy stealing over the present gayeties around me. I was gazing, in a musing mood, this very morning, at the portrait of the lady whose husband was killed abroad, when the fair Julia entered the gallery, leaning on the arm of the captain. The sun shone through the row of windows on her as she passed along, and she seemed to beam out each time into brightness, and relapse into shade, until the door at the bottom of the gallery closed after her. I felt a sadness of heart at the idea, that this was an emblem of her lot: a few more years of sunshine and shade, and all this life and loveliness, and enjoyment, will have ceased, and nothing be left to commemorate this beautiful being but one more perishable portrait; to awaken, perhaps, the trite speculations of some future loiterer, like myself, when I and my scribblings shall have lived through our brief existence, and been forgotten.

AN OLD SOLDIER

I've worn some leather out abroad; let out a heathen soul or two; fed this good sword with the black blood of pagan Christians; converted a few infidels with it. – But let that pass.

– The Ordinary.

The Hall was thrown into some little agitation, a few days since, by the arrival of General Harbottle. He had been expected for several days, and had been looked for, rather impatiently, by several of the family. Master Simon assured me that I would like the general hugely, for he was a blade of the old school, and an excellent table companion. Lady Lillycraft, also, appeared to be somewhat fluttered, on the morning of the general's arrival, for he had been one of her early admirers; and she recollected him only as a dashing young ensign, just come upon the town. She actually spent an hour longer at her toilette, and made her appearance with her hair uncommonly frizzed and powdered, and an additional quantity of rouge. She was evidently a little surprised and shocked, therefore, at finding the lithe, dashing ensign transformed into a corpulent old general, with a double chin; though it was a perfect picture to witness their salutations; the graciousness of her profound curtsy, and the air of the old school with which the general took off his hat, swayed it gently in his hand, and bowed his powdered head.

All this bustle and anticipation has caused me to study the general with a little more attention than, perhaps, I should otherwise have done; and the few days that he has already passed at the Hall have enabled me, I think, to furnish a tolerable likeness of him to the reader.

He is, as Master Simon observed, a soldier of the old school, with powdered head, side locks, and pigtail. His face is shaped like the stern of a Dutch man-of-war, narrow at top and wide at bottom, with full rosy cheeks and a double chin; so that, to use the cant of the day, his organs of eating may be said to be powerfully developed.

The general, though a veteran, has seen very little active service, except the taking of Seringapatam, which forms an era in his history. He wears a large emerald in his bosom, and a diamond on his finger, which he got on that occasion, and whoever is unlucky enough to notice either, is sure to involve himself in the whole history of the siege. To judge from the general's conversation, the taking of Seringapatam is the most important affair that has occurred for the last century.

On the approach of warlike times on the continent, he was rapidly promoted to get him out of the way of younger officers of merit; until, having been hoisted to the rank of general, he was quietly laid on the shelf. Since that time, his campaigns have been principally confined to watering-places; where he drinks the waters for a slight touch of the liver which he got in India; and plays whist with old dowagers, with whom he has flirted in his younger days. Indeed, he talks of all the fine women of the last half century, and, according to hints which he now and then drops, has enjoyed the particular smiles of many of them.

He has seen considerable garrison duty, and can speak of almost every place famous for good quarters, and where the inhabitants give good dinners. He is a diner out of first-rate currency, when in town; being invited to one place, because he has been seen at another. In the same way he is invited about the country-seats, and can describe half the seats in the kingdom, from actual observation; nor is any one better versed in court gossip, and the pedigrees and intermarriages of the nobility.

As the general is an old bachelor, and an old beau, and there are several ladies at the Hall, especially his quondam flame Lady Jocelyne, he is put rather upon his gallantry. He commonly passes some time, therefore, at his toilette, and takes the field at a late hour every morning, with his hair dressed out and powdered, and a rose in his button-hole. After he has breakfasted, he walks up and down the terrace in the sunshine, humming an air, and hemming between every stave, carrying one hand behind his back, and with the other touching his cane to the ground, and then raising it up to his shoulder. Should he, in these morning promenades, meet any of the elder ladies of the family, as he frequently does Lady Lillycraft, his hat is immediately in his hand, and it is enough to remind one of those courtly groups of ladies and gentlemen, in old prints of Windsor terrace, or Kensington garden.

He talks frequently about "the service," and is fond of humming the old song,

 
  Why, soldiers, why,
  Should we be melancholy, boys?
  Why, soldiers, why,
  Whose business 't is to die!
 

I cannot discover, however, that the general has ever run any great risk of dying, excepting from an apoplexy or an indigestion. He criticises all the battles on the continent, and discusses the merits of the commanders, but never fails to bring the conversation, ultimately, to Tippoo Saib and Seringapatam. I am told that the general was a perfect champion at drawing-rooms, parades, and watering-places, during the late war, and was looked to with hope and confidence by many an old lady, when labouring under the terror of Buonaparte's invasion.

He is thoroughly loyal, and attends punctually on levees when in town. He has treasured up many remarkable sayings of the late king, particularly one which the king made to him on a field-day, complimenting him on the excellence of his horse. He extols the whole royal family, but especially the present king, whom he pronounces the most perfect gentleman and best whist-player in Europe. The general swears rather more than is the fashion of the present day; but it was the mode in the old school. He is, however, very strict in religious matters, and a staunch churchman. He repeats the responses very loudly in church, and is emphatical in praying for the king and royal family.

At table, his loyalty waxes very fervent with his second bottle, and the song of "God save the King" puts him into a perfect ecstasy. He is amazingly well contented with the present state of things, and apt to get a little impatient at any talk about national ruin and agricultural distress. He says he has travelled about the country as much as any man, and has met with nothing but prosperity; and to confess the truth, a great part of his time is spent in visiting from one country-seat to another, and riding about the parks of his friends. "They talk of public distress," said the general this day to me, at dinner, as he smacked a glass of rich burgundy, and cast his eyes about the ample board; "they talk of public distress, but where do we find it, sir? I see none. I see no reason why any one has to complain. Take my word for it, sir, this talk about public distress is all humbug!"

THE WIDOW'S RETINUE

Little dogs and all!

– Lear.

In giving an account of the arrival of Lady Lillycraft at the Hall, I ought to have mentioned the entertainment which I derived from witnessing the unpacking of her carriage, and the disposing of her retinue. There is something extremely amusing to me in the number of factitious wants, the loads of imaginary conveniences, but real encumbrances, with which the luxurious are apt to burthen themselves. I like to watch the whimsical stir and display about one of these petty progresses. The number of robustious footmen and retainers of all kinds bustling about, with looks of infinite gravity and importance, to do almost nothing. The number of heavy trunks, and parcels, and bandboxes belonging to my lady; and the solicitude, exhibited about some humble, odd-looking box, by my lady's maid; the cushions piled in the carriage to make a soft seat still softer, and to prevent the dreaded possibility of a jolt; the smelling-bottles, the cordials, the baskets of biscuit and fruit; the new publications; all provided to guard against hunger, fatigue, or ennui; the led horses, to vary the mode of travelling; and all this preparation and parade to move, perhaps, some very good-for-nothing personage about a little space of earth!

I do not mean to apply the latter part of these observations to Lady Lillycraft, for whose simple kind-heartedness I have a very great respect, and who is really a most amiable and worthy being. I cannot refrain, however, from mentioning some of the motley retinue she has brought with her; and which, indeed, bespeak the overflowing kindness of her nature, which requires her to be surrounded with objects on which to lavish it.

In the first place, her ladyship has a pampered coachman, with a red face, and cheeks that hang down like dew-laps. He evidently domineers over her a little with respect to the fat horses; and only drives out when he thinks proper, and when he thinks it will be "good for the cattle."

She has a favourite page, to attend upon her person; a handsome boy of about twelve years of age, but a mischievous varlet, very much spoiled, and in a fair way to be good for nothing. He is dressed in green, with a profusion of gold cord and gilt buttons about his clothes. She always has one or two attendants of the kind, who are replaced by others as soon as they grow to fourteen years of age. She has brought two dogs with her, also, out of a number of pets which she maintains at home. One is a fat spaniel, called Zephyr – though heaven defend me from such a zephyr! He is fed out of all shape and comfort; his eyes are nearly strained out of his head; he wheezes with corpulency, and cannot walk without great difficulty. The other is a little, old, gray-muzzled curmudgeon, with an unhappy eye, that kindles like a coal if you only look at him; his nose turns up; his mouth is drawn into wrinkles, so as to show his teeth; in short, he has altogether the look of a dog far gone in misanthropy, and totally sick of the world. When he walks, he has his tail curled up so tight that it seems to lift his feet from the ground; and he seldom makes use of more than three legs at a time, keeping the other drawn up as a reserve. This last wretch is called Beauty.

These dogs are full of elegant ailments, unknown to vulgar dogs; and are petted and nursed by Lady Lillycraft with the tenderest kindness. They are pampered and fed with delicacies by their fellow-minion, the page; but their stomachs are often weak and out of order, so that they cannot eat; though I have now and then seen the page give them a mischievous pinch, or thwack over the head, when his mistress was not by. They have cushions for their express use, on which they lie before the fire, and yet are apt to shiver and moan if there is the least draught of air. When any one enters the room, they make a most tyrannical barking that is absolutely deafening. They are insolent to all the other dogs of the establishment. There is a noble stag-hound, a great favourite of the Squire's, who is a privileged visitor to the parlour; but the moment he makes his appearance, these intruders fly at him with furious rage; and I have admired the sovereign indifference and contempt with which he seems to look down upon his puny assailants. When her ladyship drives out, these dogs are generally carried with her to take the air; when they look out of each window of the carriage, and bark at all vulgar pedestrian dogs. These dogs are a continual source of misery to the household as they are always in the way, they every now and then get their toes trod on, and then there is a yelping on their part, and a loud lamentation on the part of their mistress, that fills the room with clamour and confusion.

Lastly, there is her ladyship's waiting-gentlewoman, Mrs. Hannah, a prim, pragmatical old maid; one of the most intolerable and intolerant virgins that ever lived. She has kept her virtue by her until it has turned sour, and now every word and look smacks of verjuice. She is the very opposite to her mistress, for one hates, and the other loves, all mankind. How they first came together I cannot imagine; but they have lived together for many years; and the abigail's temper being tart and encroaching, and her ladyship's easy and yielding, the former has got the complete upper hand, and tyrannizes over the good lady in secret.

Lady Lillycraft now and then complains of it, in great confidence, to her friends, but hushes up the subject immediately, if Mrs. Hannah makes her appearance. Indeed, she has been so accustomed to be attended by her, that she thinks she could not do without her; though one great study of her life, is to keep Mrs. Hannah in good-humour, by little presents and kindnesses.

Master Simon has a most devout abhorrence, mingled with awe, for this ancient spinster. He told me the other day, in a whisper, that she was a cursed brimstone – in fact, he added another epithet, which I would not repeat for the world. I have remarked, however, that he is always extremely civil to her when they meet.