Kitabı oku: «The Evolution of Photography», sayfa 13

PICTURES OF THE POTOMAC IN PEACE AND WAR

When first I visited that lovely region which has so recently been torn and trampled down—blackened and defaced by the ruthlessness of war—peace lay in the valleys of the Potomac. Nothing was borne on the calm, clear bosom of the broad and listless river but the produce of the rich and smiling valleys of Virginia. Its banks were peaceful, silent, and beautiful. The peach orchards were white with the blossoms that promised a rich harvest of their delicious fruit. The neat and pretty houses that studded the sloping boundaries of the river were almost blinding with their dazzling whiteness as the full blaze of the sun fell upon them. Their inhabitants were happy, and dreamt not of the storm so soon to overtake them. The forts were occupied by only a few, very few soldiers. The guns were laid aside, all rusty and uncared for; and pilgrims to the tomb of Washington, the good and great, stopped on their return at Fort Washington to examine the fortifications in idleness and peaceful curiosity. The Capitol at Washington echoed nothing but the sounds of peace and good will. The senators of both North and South sat in council together, and considered only the welfare and prosperity of their great confederation.

The same harmonious fellowship influenced the appearance and actions of all; and at that happy conjuncture I made my first acquaintance with Washington, the capital of the United States. I shall not attempt a description of its geographical position: everybody knows that it is in the district of Columbia, and on the banks of the Potomac. It is a city of vast and pretentious appearance, straggling over an unnecessary amount of ground, and is divided into avenues and streets. The avenues are named after the principal States, and take their spring from the Capitol, running off in all directions in angular form, like the spokes of a wheel, the Capitol being the “angular point.” The streets running between and across the avenues rejoice in the euphonious names of First, Second, and Third, and A, B, and C streets, the straight lines of which are broken by trees of the most luxurious growth all along the side-walks. These trees form a delightful sun-shade in summer, and have a very novel and pleasing effect at night, when their green and leafy arches are illuminated by the gas lamps underneath.

Excepting the Capitol, White House, Court House, Post Office, Patent Office, and Smithsonian Institute, there is nothing in the city of photographic interest. The “United States,” the “National,” and “Willards,” are large and commodious hotels on Pennsylvania Avenue; but not worth a plate, photographically speaking, unless the landlords wish to illustrate their bar bills. The Capitol is out of all proportion the largest and most imposing structure in Washington—it may safely be said in the United States. Situated on an elevated site, at the top of Pennsylvania Avenue, it forms a grand termination to that noble thoroughfare at its eastern extremity. The building consists of a grand centre of freestone painted white, surmounted by a vast dome of beautiful proportions. Two large wings of white marble complete the grand façade. Ascending the noble flight of marble steps to the principal entrance, the great portico is reached, which is supported by about eighteen Corinthian columns. The pediment is ornamented with a statue of America in the centre, with the figures of Faith on her left, and Justice on her right. On each side of the entrance is a group of statuary. On one side an Indian savage is about to massacre a mother and her child, but his arm is arrested by the figure of Civilization. On the other side the group consists of a man holding up a globe, representing Columbus and the figure of an Indian girl looking up to it.

The large rotunda, immediately underneath the dome, is divided into panels, which are filled with paintings, such as the “Landing of the Pilgrim Fathers,” “The Baptism of the Indian Princess Pocahontas,” and other subjects illustrative of American history. On either side of the Rotunda are passages leading to the House of Representatives on the one side, and the Senate Chamber on the other. Congress being assembled, I looked in to see the collective wisdom of the “States” during a morning sitting. In many respects the House of Representatives very much resembled our own House of Commons. There was a Mr. Speaker in the chair, and one gentleman had “the floor,” and was addressing the House. Other members were seated in their desk seats, making notes, or busying themselves with their own bills. In one essential point, however, I found a difference, and that was in the ease of access to this assembly. No “member’s order” was required. Strangers and “citizens” are at all times freely admitted. There is also a magnificent library, which is free to everyone.

During the Session there is Divine service in the Senate Chamber on Sunday mornings. On one occasion I attended, and heard a most excellent discourse by the appointed chaplain. The President and his family were there.

In some side offices, connected with the Capitol, I found a government photographer at work, copying plans, and photographing portions of the unfinished building, for the benefit of the architects and others whose duty it was to examine the progress of the works. From this gentleman I received much courteous attention, and was shown many large and excellent negatives, all of which were developed with the ordinary iron developer.

I next visited the Patent Office, and the museum connected therewith, which contains a vast collection of models of all kinds of inventions that have received protection—among them several things, in apparatus and implements, connected with photography. The American patent laws require a model of every new invention to be lodged in this museum, which is of immense value to inventors and intending patentees; for they can there see what has already been protected; and as the Patent Office refuses to grant protection to anything of a similar form, use, or application, much litigation, expense, and annoyance are saved the patentees. Our Government would do well to take a leaf out of “Brother Jonathan’s” book on this subject; for not only is there increased protection given to inventors, but the fees are considerably less than in this country.

The presidential residence, called the White House, was the next interesting subject of observation. It is situated at the west end of Pennsylvania Avenue, and a good mile from the Capitol. The building is of white marble, and of very unpretending size and architectural attractions, but in every respect sufficient for the simple wants of the chief magistrate of the United States, whose official salary is only twenty-five thousand dollars per annum.

During congressional session the President holds weekly levées; and one of these I determined to attend, prompted as much by curiosity to see how such things were done, as desire to pay my respects. Accordingly, on a certain night, at eight o‘clock precisely, I went to the White House, and was admitted without hesitation. On reaching the door of the reception room, I gave my card to the district marshal, who conducted me to President Pierce, to whom I was introduced. I was received with a hearty welcome, and a shake of the hand. Indeed, I noticed that he had a kindly word of greeting for all who came. Not having any very important communication to make that would be either startling or interesting to the President of the United States, I bowed, and retired to the promenade room, where I found numbers of people who had been “presented” walking about and chatting in groups on all sorts of subjects—political, foreign, and domestic, and anything they liked. Some were in evening dress, others not; but all seemed perfectly easy and affable one with another. There was no restraint, and the only passport required to these levées was decent behaviour and respectability. There was music also. A band was playing in the vestibule, and everyone evidently enjoyed the reunion, and felt perfectly at home. Never having been presented at court, I am not able to make any comparison pro or con.

There is also an observatory at Washington, which I visited; but not being fortunate enough to meet the—what shall I say? “astronomer-royal,” comes readiest, but that is not correct: well, then, the—“astronomer republic,” I did not see the large telescope and other astronomical instruments worked.

The photographic galleries were all situated on Pennsylvania Avenue, and they were numerous enough. At that time they rejoiced in the name of “Daguerrean Galleries;” and the proprietor, or operator, was called a “Daguerrean.” Their reception rooms were designated “saloons,” which were invariably well furnished—some of them superbly—and filled with specimens. Their “studios” and workshops behind the scenes were fitted with all sorts of ingenious contrivances for “buffing” and “coating” and expediting the work. Although the greatest number of mechanical appliances were employed in the Daguerreotype branch of photography, art was not altogether ignored in its practice. One house made a business feature of very beautifully coloured Daguerreotypes, tinted with dry colours, quite equal to those done in Europe. Another house made a feature of “Daguerreotypes painted in oil;” and the likeness was most admirably preserved. I saw one of the President, and several of the members of Congress, which I knew to be unmistakable portraits. Although the Daguerreotype was most tenaciously adhered to as the best means of producing photographic portraits, the collodion process—or the “crystaltype,” as they then called it—was not neglected. It was used by a few for portraits, but chiefly for views.

Having seen all that was worth seeing in the city, I made excursions into the country, in search of subjects for the camera or pencil.

Georgetown, a little way from Washington, and its picturesque cemetery, offer several pretty bits for the camera. Arlington Heights, the Long Bridge, and many nooks about there, are sufficiently tempting; but of all the excursions about Washington, Mount Vernon—a few miles down the Potomac, on the Virginia side—is by far the most interesting. Mount Vernon is the name of the place where General George Washington lived and died, and is the “Mecca” of the Americans. Nearly every day there are pilgrims from some or all parts of the States to the tomb of Washington, which is in the grounds of Mount Vernon. They visit this place with a kind of religious awe and veneration, and come from far and wide to say they have seen it. For, in truth, there is little to see but the strangest-looking and ugliest brick building I ever beheld, with open iron gates that allow you to look into the darkness of the interior, and see nothing. I took a view of the tomb, and here it is:—A red brick building, squat and low, of the most unsightly design and proportions imaginable—resembling one of our country “deadhouses” more than anything else I could compare it to. It was stuck away from the house among trees and brushwood, and in an advanced state of dilapidation—a disgrace to the nation that had sprung from that great man’s honest devotion! Over the Gothic entrance is a white slab, with the following inscription on it:—

“Within this Enclosure

Rest

the remains of

General George Washington.”

The remains of “Lady Washington” lie there also; and there are several white obelisks about to the memory of other members of the family.

The house itself is a “frame building” of two storeys, with a piazza running along the front of it, and is on the whole a mean-looking edifice; but was probably grand enough for the simple tastes of the man who dwelt in it, and has hallowed the place with the greatness and goodness of his life. The interior of the house looked as if it had once been a comfortable and cozy habitation. In the hall was put up a desk, with a “visitors’ book,” wherein they were expected to enter their names; and few failed to pay such a cheap tribute to the memory of the father of their country.

The grounds, which were full of natural beauties, had been allowed to run into a state of wild tangle-wood; and I had some trouble to pick my way over broken paths down to the riverside again, where I took the “boat,” and returned to the city, touching at Fort Washington on the way. The day had been remarkably fine; the evening was calm and lovely; the silence of the river disturbed only by the splash of our paddles, and the song of the fishermen on shore as they drew in their laden nets; and the moon shone as only she can shine in those latitudes. Nothing could denote more peace and quietude as I sailed on the Potomac on that lovely evening. There was such a perfect lull of the natural elements—such a happy combination of all that was beautiful and promising—it seemed impossible for such a hurricane of men’s passions—such yells of strife and shouts of victory, such a swoop of death as afterwards rushed down those valleys—ever to come to pass.

Such sad reverse was, however, seen on my second visit to the Potomac. The narration of the stirring scenes then presented will form a picture less peaceful and happy, but unfortunately intensely real and painfully true.

My second visit to the Potomac was paid after the lapse of several years, and under very different circumstances. When the Capitol echoed loudly the fierce and deadly sentiments of the men of the North against the men of the South. When both had shouted—

 
“Strike up the drums, and let the tongue of war
Plead for our int‘rest.”
 

When the deliberations of the senators were “war estimates,” arming of troops, and hurrying them to the “front” with all possible despatch. When the city of Washington presented all the appearance of a place threatened with a siege. When every unoccupied building was turned into barracks, and every piece of unoccupied land was made a “camp ground.” When the inhabitants were in terror and dismay, dreading the approach of an invading host. When hasty earth-works were thrown up in front of the city, and the heights were bristling with cannon. When the woods and peach orchards on the opposite side of the Potomac were red with the glare of the camp fires at night, and the flashing of bayonets was almost blinding in the hot sun at noon. When the vessels sailing on the river were laden with armed men, shot, shell, and “villainous saltpetre.” When the incessant roll of drums and rattle of musketry deadened almost every other sound. When sentinels guarded every road and access to the capital, and passports were required from the military authorities to enable you to move from one place to another. In short, when the whole atmosphere was filled with sounds of martial strife, and everything took the form of desolating war.

In spite of all these untoward events, I found photography actively engaged in the city, in the camp, and on the field, fulfilling a mission of mercy and consolation in the midst of carnage and tumult—fulfilling such a mission of holy work as never before fell to the lot of any art or art-science to perform. For what aspect of life is photography not called upon to witness?—what phase of this world’s weal or woe is photography not required to depict? Photography has become a handmaiden to the present generation—a ministering angel to all conditions of life, from the cradle to the grave. An aide-de-camp of the loveliest character to the great “light of the world,” humanizing and elevating the minds of all, administering consolation to the sorrowing, increasing the joy of the joyous, lessening the pangs of separation caused by distance or death, strengthening the ties of immediate fellowship, helping the world to know its benefactors, and the world’s benefactors to know the world. When grim death stalks into the gilded palaces of the great and powerful, or into the thatched cottages and miserable dwellings of the poor, photography is the assuager of the griefs of the sorrowing survivors, and the ameliorator of their miseries, by preserving to them so faithful a resemblance of the lost one. When the bride, in her youth and loveliness, is attired for the bridal, photography is the recorder of her trustful looks and April smiles, the fashion of her dress, the wreath and jewels that she wore; and, come what change in her appearance that may, the husband can look upon his bride whene‘er he likes in after years, as vividly and as distinctly as on that day, connecting the present with the past with a kind of running chord of happy recollections. Photography is now the historian of earth and animated nature, the biographer of man, the registrar of his growth from childhood to “man’s estate,” the delineator of his physical, moral, and social progress, the book of fashion, and the mirror of the times. The uses and applications of photography are almost indescribable; scarcely an art, or a science, or a trade or profession that does not enlist photography into its service. Photography does not merely pander to the gratification of earthly vanity, but is an alleviator of human misery. Photography enters our hospitals and registers faithfully the progress of disease, its growth and change from day to day, until it is cured, or ripe for the knife of the surgeon; its pictures are lessons to the professor, and a book of study for the students, charts for their guidance through the painful and tedious cases of others similarly afflicted, teaching them what to do and what to avoid, to relieve the suffering of other patients. Photography is dragged into our criminal law courts, and sits on the right hand of Justice, giving evidence of the most undeniable character, without being under oath, and free from the suspicion of perjury, convicting murderers and felons, and acquitting the innocent without prejudice; and in our courts of equity, cases are frequently decided by the truth-telling evidence of photography.

Astronomers, geographers, and electricians freely acknowledge how much they are indebted to photography in making their celestial and terrestrial observations. Engineers, civil and military, employ photography largely in their plans and studies. Art, also, has recourse to photography, and is the only one of the liberal professions that is half ashamed to admit the aid it gains from the camera. If art admits it at all, it is done grudgingly, apologetically, and thanklessly. But there it is the old, old story of family quarrels and family jealousies. Old art might be likened to an old aunt that has grown withered and wrinkled, and peevish with disappointment, who, in spite of all her long-studied rules and principles of light and shade, harmony of colour, painting, “glazing,” and “scumbling,” has failed to win the first prize—that prize which a woman’s ambition pants after from the moment she enters her teens until her dream is realized—that living model, moulded after God’s own image, which, not having won in her mature age, she becomes jealous of the growing graces, the fresh and rollicking charms, the unstudied and ingenuous truthfulness of form exhibited by her niece. Old Art the aunt, Photography the niece. Readers, draw the moral for yourselves.

I have digressed, but could not help it. Photography is so young and lovely, so bewitchingly beautiful in all her moods, so fascinating and enslaving—and she has enslaved thousands since she first sprung from the source that gives her life. But to return to my theme.

The practice of photography, like the aspects of the country and condition of the people, was changed. “Old things had passed away, and all things had become new.” The shining silver plates, buffing wheels, coating boxes, mercury pans, &c., of the old dispensation had given place to the baths, nitrate of silver solutions, and iron developers of the new. Ambrotypes, or glass positives, and photographs on paper, had taken the place of the now antiquated Daguerreotype. Mammoth photographs were the ambition of all photographers. The first full-length life-sized photograph I ever saw was in Washington, and was the work of Mr. Gardner, the manager of Mr. Brady’s gallery. But a more republican idea of photography, which, strange to say, originated in an empire not remarkable for freedom of thought, soon became the dominant power. Cartes-de-visite, the many, ruled over mammoth, the few. The price of mammoth photographs was beyond the reach of millions, but the prices of cartes-de-visite were within the grasp of all; and that, combined with their convenient size and prettiness of form, made them at once popular, and created a mania.

The carte-de-visite form of picture became the “rage” in America about the time the civil war commenced, and as the young soldiers were proud of their new uniforms, and those who had been “in action” were prouder still of their stains and scars, the photographers did a good business among them, both in the city and in the camp. I saw a little of this “camp work” and “camp life” myself, and some of the havoc of war as well. Photographers are adventurous, and frequently getting into odd kinds of “positions,” as well as their “sitters.”

It was my destiny, under the guidance of the Great Source of Light, to witness the results of the first great conflict between the opposing armies of the Federals and Confederates; to hear the thunder of their artillery, and see the clouds of smoke hovering over the battle field, without being in the battle itself. To see the rout and panic of the Northern troops, who had so recently marched proudly on to fancied victory; to witness the disgraceful and disastrous stampede of the Northern army from the field of Bull Run; to listen to the agonized groans of the “severely wounded” as they were hurried past to the temporary hospitals in Washington and Georgetown; to be an eye-witness to the demoralized condition of men who, naturally brave, were under the influence of a panic caused by the vague apprehension of a danger that did not exist; to hear the citizens exclaim, “What shall we do?” and “For God’s sake don’t tell your people at home what you have seen!” and comparing the reverse of their national arms to a “regular Waterloo defeat,” which was anything but a happy simile. To see the panic-stricken men themselves, when they discovered their error, and began to realize their shame, weeping like women at the folly they had committed. But they atoned for all this, afterwards, by deeds of glorious valour which were never surpassed, and which ended in restoring their country to peace and reunion.

The 21st of July, 1861, was a Sunday, and as calm and beautiful a day as could be wished for. From its associations it ought to have been a day of rest and peace to all; but it was not. There was terrible slaughter among men that Sunday in Virginia. During the morning, I took advantage of an opportunity offered me to go down to Alexandria, in Virginia, about five or six miles below Washington, which was then occupied by a portion of the Federal Army. Everything in the place had the appearance of war. There were more soldiers than civilians about. Hotels were turned into barracks and military storehouses. The hotel where Colonel Ellsworth, of the New York Fire Zouaves, was shot by the proprietor for hauling down the Confederate flag—which the latter had hoisted over his house—had been taken possession of by the military authorities, and the whole place was under martial law. It was there I first heard rumours of a battle being fought in the neighbourhood of Manassas Junction. These rumours were soon confirmed by the roar of cannon in the distance, and the hurrying of fresh troops from Washington to the field of battle. But they were not needed. Before they could reach the field the “stampede” had commenced, and the retreating hosts came like a rushing tide upon the advancing few, and carried them back, absorbed in the unshapen mass of confusion.

The night came, and little was known by the inhabitants of Washington of the rout and rush of terrified men towards the city; but the next morning revealed the fact.

Wet and wretched was the morning after the battle. The heavens seemed to weep over the disgrace as the men poured into the city, singly and in groups, unofficered, and without their firearms, which many had lost, or thrown away in their flight. The citizens gathered round them, anxious to learn all about the defeat, and the whereabouts of the Confederate army, and invited them into their houses to take refreshment and rest. Several instances of this impromptu hospitality and sympathy I witnessed myself; and many of the weary and wounded soldiers I talked to. They that were only slightly wounded in the hands and arms had their wounds washed and dressed by the wives and daughters of many of the residents. The hotels were crowded, and the “bars” were besieged by the drenched and fatigued soldiers, whom the curious and sympathizing citizens invited to “liquor.” The men all told wonderful stories of the fight and of their own escape, but none could tell satisfactorily what had created the panic. Some said that a few “teamsters” took the alarm, and, riding to the rear in hot haste, conveyed the impression that an exterminating pursuit by the Confederates had commenced.

In a day or two the majority of the men were mustered together again, and occupied their old camping grounds, where I visited them, and heard many of their stories, and got some of the relics of the battle field. Fresh troops were raised, and placed under the command of another general. But it was long before another “onward march to Richmond” was attempted. The North had learned something of the strength and prowess of the South, and began to prepare for a longer and fiercer struggle with “Secession.”

Such are the two pictures of the Potomac which I have endeavoured to reproduce, and which fell under my observation during my professional peregrinations in connection with the practice of photography.