Kitabı oku: «Poems», sayfa 2

SCENE II

FRONT SCENE. —A wood with perhaps distant view of turreted house at one side, but all in flat colour, without light and shade and against a diapered or gold background.

COUNTESS CATHLEEN comes in leaning upon ALEEL'S arm. OONA follows them.

CATHLEEN (stopping)

 
Surely this leafy corner, where one smells
The wild bee's honey, has a story too?
 

OONA

 
There is the house at last.
 

ALEEL

 
A man, they say,
Loved Maeve the Queen of all the invisible host,
And died of his love nine centuries ago.
And now, when the moon's riding at the full,
She leaves her dancers lonely and lies there
Upon that level place, and for three days
Stretches and sighs and wets her long pale cheeks.
 

CATHLEEN

 
So she loves truly.
 

ALEEL

 
No, but wets her cheeks,
Lady, because she has forgot his name.
 

CATHLEEN

 
She'd sleep that trouble away – though it must be
A heavy trouble to forget his name —
If she had better sense.
 

OONA

 
Your own house, lady.
 

ALEEL

 
She sleeps high up on wintry Knock-na-rea
In an old cairn of stones; while her poor women
Must lie and jog in the wave if they would sleep —
Being water born – yet if she cry their names
They run up on the land and dance in the moon
Till they are giddy and would love as men do,
And be as patient and as pitiful.
But there is nothing that will stop in their heads
They've such poor memories, though they weep for it.
Oh, yes, they weep; that's when the moon is full.
 

CATHLEEN

 
Is it because they have short memories
They live so long?
 

ALEEL

 
What's memory but the ash
That chokes our fires that have begun to sink?
And they've a dizzy, everlasting fire.
 

OONA

 
There is your own house, lady.
 

CATHLEEN

 
Why, that's true,
And we'd have passed it without noticing.
 

ALEEL

 
A curse upon it for a meddlesome house!
Had it but stayed away I would have known
What Queen Maeve thinks on when the moon is pinched;
And whether now – as in the old days – the dancers
Set their brief love on men.
 

OONA

 
Rest on my arm.
These are no thoughts for any Christian ear.
 

ALEEL

 
I am younger, she would be too heavy for you.
 

(He begins taking his lute out of the bag, CATHLEEN, who has turned towards OONA, turns back to him.)

 
This hollow box remembers every foot
That danced upon the level grass of the world,
And will tell secrets if I whisper to it.
 

(Sings.)

 
Lift up the white knee;
Hear what they sing,
Those young dancers
That in a ring
Raved but now
Of the hearts that brake
Long, long ago
For their sake.
 

OONA

 
New friends are sweet.
 

ALEEL

 
"But the dance changes.
Lift up the gown,
All that sorrow
Is trodden down."
 

OONA

 
The empty rattle-pate! Lean on this arm,
That I can tell you is a christened arm,
And not like some, if we are to judge by speech.
But as you please. It is time I was forgot.
Maybe it is not on this arm you slumbered
When you were as helpless as a worm.
 

ALEEL

 
Stay with me till we come to your own house.
 

CATHLEEN (sitting down)

 
When I am rested I will need no help.
 

ALEEL

 
I thought to have kept her from remembering
The evil of the times for full ten minutes;
But now when seven are out you come between.
 

OONA

 
Talk on; what does it matter what you say,
For you have not been christened?
 

ALEEL

 
Old woman, old woman,
You robbed her of three minutes peace of mind,
And though you live unto a hundred years,
And wash the feet of beggars and give alms,
And climb Croaghpatrick, you shall not be pardoned.
 

OONA

 
How does a man who never was baptized
Know what Heaven pardons?
 

ALEEL

 
You are a sinful woman.
 

OONA

 
I care no more than if a pig had grunted.
 

(Enter CATHLEEN'S Steward.)

STEWARD

 
I am not to blame, for I had locked the gate,
The forester's to blame. The men climbed in
At the east corner where the elm-tree is.
 

CATHLEEN

 
I do not understand you, who has climbed?
 

STEWARD

 
Then God be thanked, I am the first to tell you.
I was afraid some other of the servants —
Though I've been on the watch – had been the first,
And mixed up truth and lies, your ladyship.
 

CATHLEEN (rising)

 
Has some misfortune happened?
 

STEWARD

 
Yes, indeed.
The forester that let the branches lie
Against the wall's to blame for everything,
For that is how the rogues got into the garden.
 

CATHLEEN

 
I thought to have escaped misfortune here.
Has any one been killed?
 

STEWARD

 
Oh, no, not killed.
They have stolen half a cart-load of green cabbage.
 

CATHLEEN

 
But maybe they were starving.
 

STEWARD

 
That is certain.
To rob or starve, that was the choice they had.
 

CATHLEEN

 
A learned theologian has laid down
That starving men may take what's necessary,
And yet be sinless.
 

OONA

 
Sinless and a thief!
There should be broken bottles on the wall.
 

CATHLEEN

 
And if it be a sin, while faith's unbroken
God cannot help but pardon. There is no soul
But it's unlike all others in the world,
Nor one but lifts a strangeness to God's love
Till that's grown infinite, and therefore none
Whose loss were less than irremediable
Although it were the wickedest in the world.
 

(Enter TEIG and SHEMUS.)

STEWARD

 
What are you running for? Pull off your cap,
Do you not see who's there?
 

SHEMUS

 
I cannot wait.
I am running to the world with the best news
That has been brought it for a thousand years.
 

STEWARD

 
Then get your breath and speak.
 

SHEMUS

 
If you'd my news
You'd run as fast and be as out of breath.
 

TEIG

 
Such news, we shall be carried on men's shoulders.
 

SHEMUS

 
There's something every man has carried with him
And thought no more about than if it were
A mouthful of the wind; and now it's grown
A marketable thing!
 

TEIG

 
And yet it seemed
As useless as the paring of one's nails.
 

SHEMUS

 
What sets me laughing when I think of it,
Is that a rogue who's lain in lousy straw,
If he but sell it, may set up his coach.
 

TEIG (laughing)

 
There are two gentlemen who buy men's souls.
 

CATHLEEN

 
O God!
 

TEIG

 
And maybe there's no soul at all.
 

STEWARD

 
They're drunk or mad.
 

TEIG

 
Look at the price they give.
 

(Showing money.)

SHEMUS (tossing up money)

 
"Go cry it all about the world," they said.
"Money for souls, good money for a soul."
 

CATHLEEN

 
Give twice and thrice and twenty times their money,
And get your souls again. I will pay all.
 

SHEMUS

 
Not we! not we! For souls – if there are souls —
But keep the flesh out of its merriment.
I shall be drunk and merry.
 

TEIG

 
Come, let's away.
 

(He goes.)

CATHLEEN

 
But there's a world to come.
 

SHEMUS

 
And if there is,
I'd rather trust myself into the hands
That can pay money down than to the hands
That have but shaken famine from the bag.
 

(He goes out R.)

(Lilting)

 
"There's money for a soul, sweet yellow money.
There's money for men's souls, good money, money."
 

CATHLEEN (to ALEEL)

 
Go call them here again, bring them by force,
Beseech them, bribe, do anything you like;
 

(ALEEL goes.)

 
And you too follow, add your prayers to his.
 

(OONA, who has been praying, goes out.)

 
Steward, you know the secrets of my house.
How much have I?
 

STEWARD

 
A hundred kegs of gold.
 

CATHLEEN

 
How much have I in castles?
 

STEWARD

 
As much more.
 

CATHLEEN

 
How much have I in pasture?
 

STEWARD

 
As much more.
 

CATHLEEN

 
How much have I in forests?
 

STEWARD

 
As much more.
 

CATHLEEN

 
Keeping this house alone, sell all I have,
Go barter where you please, but come again
With herds of cattle and with ships of meal.
 

STEWARD

 
God's blessing light upon your ladyship.
You will have saved the land.
 

CATHLEEN

 
Make no delay.
 

(He goes L.)

(ALEEL and OONA return)

CATHLEEN

 
They have not come; speak quickly.
 

ALEEL

 
One drew his knife
And said that he would kill the man or woman
That stopped his way; and when I would have stopped him
He made this stroke at me; but it is nothing.
 

CATHLEEN

 
You shall be tended. From this day for ever
I'll have no joy or sorrow of my own.
 

OONA

 
Their eyes shone like the eyes of birds of prey.
 

CATHLEEN

 
Come, follow me, for the earth burns my feet
Till I have changed my house to such a refuge
That the old and ailing, and all weak of heart,
May escape from beak and claw; all, all, shall come
Till the walls burst and the roof fall on us.
From this day out I have nothing of my own.
 

(She goes.)

OONA (taking ALEEL by the arm and as she speaks bandaging his wound)

 
She has found something now to put her hand to,
And you and I are of no more account
Than flies upon a window-pane in the winter.
 

(They go out.)

END OF SCENE II

SCENE III

Scene. —Hall in the house of Countess Cathleen. At the Left an oratory with steps leading up to it. At the Right a tapestried wall, more or less repeating the form of the oratory, and a great chair with its back against the wall. In the Centre are two or more arches through which one can see dimly the trees of the garden. Cathleen is kneeling in front of the altar in the oratory; there is a hanging lighted lamp over the altar. Aleel enters.

ALEEL

 
I have come to bid you leave this castle and fly
Out of these woods.
 

CATHLEEN

 
What evil is there here
That is not everywhere from this to the sea?
 

ALEEL

 
They who have sent me walk invisible.
 

CATHLEEN

 
So it is true what I have heard men say,
That you have seen and heard what others cannot.
 

ALEEL

 
I was asleep in my bed, and while I slept
My dream became a fire; and in the fire
One walked and he had birds about his head.
 

CATHLEEN

 
I have heard that one of the old gods walked so.
 

ALEEL

 
It may be that he is angelical;
And, lady, he bids me call you from these woods.
And you must bring but your old foster-mother,
And some few serving men, and live in the hills,
Among the sounds of music and the light
Of waters, till the evil days are done.
For here some terrible death is waiting you,
Some unimagined evil, some great darkness
That fable has not dreamt of, nor sun nor moon
Scattered.
 

CATHLEEN

 
No, not angelical.
 

ALEEL

 
This house
You are to leave with some old trusty man,
And bid him shelter all that starve or wander
While there is food and house room.
 

CATHLEEN

 
He bids me go
Where none of mortal creatures but the swan
Dabbles, and there you would pluck the harp, when the trees
Had made a heavy shadow about our door,
And talk among the rustling of the reeds,
When night hunted the foolish sun away
With stillness and pale tapers. No – no – no!
I cannot. Although I weep, I do not weep
Because that life would be most happy, and here
I find no way, no end. Nor do I weep
Because I had longed to look upon your face,
But that a night of prayer has made me weary.
 

ALEEL (prostrating himself before her)

 
Let Him that made mankind, the angels and devils
And dearth and plenty, mend what He has made,
For when we labour in vain and eye still sees
Heart breaks in vain.
 

CATHLEEN

 
How would that quiet end?
 

ALEEL

 
How but in healing?
 

CATHLEEN

 
You have seen my tears
And I can see your hand shake on the floor.
 

ALEEL (faltering)

 
I thought but of healing. He was angelical.
 

CATHLEEN (turning away from him)

 
No, not angelical, but of the old gods,
Who wander about the world to waken the heart —
The passionate, proud heart – that all the angels,
Leaving nine heavens empty, would rock to sleep.
 

(She goes to chapel door; ALEEL holds his clasped hands towards her for a moment hesitatingly, and then lets them fall beside him.)

CATHLEEN

 
Do not hold out to me beseeching hands.
This heart shall never waken on earth. I have sworn,
By her whose heart the seven sorrows have pierced,
To pray before this altar until my heart
Has grown to Heaven like a tree, and there
Rustled its leaves, till Heaven has saved my people.
 

ALEEL (who has risen)

 
When one so great has spoken of love to one
So little as I, though to deny him love,
What can he but hold out beseeching hands,
Then let them fall beside him, knowing how greatly
They have overdared?
 

(He goes towards the door of the hall. The COUNTESS CATHLEEN takes a few steps towards him.)

CATHLEEN

 
If the old tales are true,
Queens have wed shepherds and kings beggar-maids;
God's procreant waters flowing about your mind
Have made you more than kings or queens; and not you
But I am the empty pitcher.
 

ALEEL

 
Being silent,
I have said all, yet let me stay beside you.
 

CATHLEEN

 
No, no, not while my heart is shaken. No,
But you shall hear wind cry and water cry,
And curlew cry, and have the peace I longed for.
 

ALEEL

 
Give me your hand to kiss.
 

CATHLEEN

 
I kiss your forehead.
And yet I send you from me. Do not speak;
There have been women that bid men to rob
Crowns from the Country-under-Wave or apples
Upon a dragon-guarded hill, and all
That they might sift men's hearts and wills,
And trembled as they bid it, as I tremble
That lay a hard task on you, that you go,
And silently, and do not turn your head;
Goodbye; but do not turn your head and look;
Above all else, I would not have you look.
 

(ALEEL goes.)

 
I never spoke to him of his wounded hand,
And now he is gone. (She looks out.)
I cannot see him, for all is dark outside.
Would my imagination and my heart
Were as little shaken as this holy flame!
 

(She goes slowly into the chapel. The distant sound of an alarm bell. The two MERCHANTS enter hurriedly.)

SECOND MERCHANT

 
They are ringing the alarm, and in a moment
They'll be upon us.
 

FIRST MERCHANT (going to a door at the side)

 
Here is the Treasury,
You'd my commands to put them all to sleep.
 

SECOND MERCHANT

 
Some angel or else her prayers protected them.
 

(Goes into the Treasury and returns with bags of treasure. FIRST MERCHANT has been listening at the oratory door.)

FIRST MERCHANT

 
She has fallen asleep.
 

(SECOND MERCHANT goes out through one of the arches at the back and stands listening. The bags are at his feet.)

SECOND MERCHANT

 
We've all the treasure now,
So let's away before they've tracked us out.
 

FIRST MERCHANT

 
I have a plan to win her.
 

SECOND MERCHANT

 
You have time enough
If you would kill her and bear off her soul
Before they are upon us with their prayers;
They search the Western Tower.
 

FIRST MERCHANT

 
That may not be.
We cannot face the heavenly host in arms.
Her soul must come to us of its own will,
But being of the ninth and mightiest Hell
Where all are kings, I have a plan to win it.
Lady, we've news that's crying out for speech.
 

(CATHLEEN wakes and comes to door of chapel.)

CATHLEEN

 
Who calls?
 

FIRST MERCHANT

 
We have brought news.
 

CATHLEEN

 
What are you?
 

FIRST MERCHANT

 
We are merchants, and we know the book of the world
Because we have walked upon its leaves; and there
Have read of late matters that much concern you;
And noticing the castle door stand open,
Came in to find an ear.
 

CATHLEEN

 
The door stands open,
That no one who is famished or afraid,
Despair of help or of a welcome with it.
But you have news, you say.
 

FIRST MERCHANT

 
We saw a man,
Heavy with sickness in the bog of Allen,
Whom you had bid buy cattle. Near Fair Head
We saw your grain ships lying all becalmed
In the dark night; and not less still than they,
Burned all their mirrored lanthorns in the sea.
 

CATHLEEN

 
My thanks to God, to Mary and the angels,
That I have money in my treasury,
And can buy grain from those who have stored it up
To prosper on the hunger of the poor.
But you've been far and know the signs of things,
When will this famine end?
 

FIRST MERCHANT

 
Day copies day,
And there's no sign of change, nor can it change,
With the wheat withered and the cattle dead.
 

CATHLEEN

 
And heard you of the demons who buy souls?
 

FIRST MERCHANT

 
There are some men who hold they have wolves' heads,
And say their limbs – dried by the infinite flame —
Have all the speed of storms; others, again,
Say they are gross and little; while a few
Will have it they seem much as mortals are,
But tall and brown and travelled – like us, lady —
Yet all agree a power is in their looks
That makes men bow, and flings a casting-net
About their souls, and that all men would go
And barter those poor vapours, were it not
You bribe them with the safety of your gold.
 

CATHLEEN

 
Praise be to God, to Mary, and the angels
That I am wealthy! Wherefore do they sell?
 

FIRST MERCHANT

 
As we came in at the great door we saw
Your porter sleeping in his niche – a soul
Too little to be worth a hundred pence,
And yet they buy it for a hundred crowns.
But for a soul like yours, I heard them say,
They would give five hundred thousand crowns and more.
 

CATHLEEN

 
How can a heap of crowns pay for a soul?
Is the green grave so terrible a thing?
 

FIRST MERCHANT

 
Some sell because the money gleams, and some
Because they are in terror of the grave,
And some because their neighbours sold before,
And some because there is a kind of joy
In casting hope away, in losing joy,
In ceasing all resistance, in at last
Opening one's arms to the eternal flames,
In casting all sails out upon the wind;
To this – full of the gaiety of the lost —
Would all folk hurry if your gold were gone.
 

CATHLEEN

 
There is a something, Merchant, in your voice
That makes me fear. When you were telling how
A man may lose his soul and lose his God
Your eyes were lighted up, and when you told
How my poor money serves the people, both —
Merchants forgive me – seemed to smile.
 

FIRST MERCHANT

 
I laugh
To think that all these people should be swung
As on a lady's shoe-string, – under them
The glowing leagues of never-ending flame.
 

CATHLEEN

 
There is a something in you that I fear;
A something not of us; were you not born
In some most distant corner of the world?
 

(The SECOND MERCHANT, who has been listening at the door, comes forward, and as he comes a sound of voices and feet is heard.)

SECOND MERCHANT

 
Away now – they are in the passage – hurry,
For they will know us, and freeze up our hearts
With Ave Marys, and burn all our skin
With holy water.
 

FIRST MERCHANT

 
Farewell; for we must ride
Many a mile before the morning come;
Our horses beat the ground impatiently.
 

(They go out. A number of PEASANTS enter by other door.)

FIRST PEASANT

 
Forgive us, lady, but we heard a noise.
 

SECOND PEASANT

 
We sat by the fireside telling vanities.
 

FIRST PEASANT

 
We heard a noise, but though we have searched the house
We have found nobody.
 

CATHLEEN

 
You are too timid,
For now you are safe from all the evil times,
There is no evil that can find you here.
 

OONA (entering hurriedly)

 
Ochone! Ochone! The treasure room is broken in.
The door stands open, and the gold is gone.
 

(PEASANTS raise a lamentable cry.)

CATHLEEN

 
Be silent. (The cry ceases.) Have you seen nobody?
 

OONA

 
Ochone!
That my good mistress should lose all this money.
 

CATHLEEN

 
Let those among you – not too old to ride —
Get horses and search all the country round,
I'll give a farm to him who finds the thieves.
 

(A man with keys at his girdle has come in while she speaks. There is a general murmur of "The porter! the porter!")

PORTER

 
Demons were here. I sat beside the door
In my stone niche, and two owls passed me by,
Whispering with human voices.
 

OLD PEASANT

 
God forsakes us.
 

CATHLEEN

 
Old man, old man, He never closed a door
Unless one opened. I am desolate,
Because of a strange thought that's in my heart;
But I have still my faith; therefore be silent;
For surely He does not forsake the world,
But stands before it modelling in the clay
And moulding there His image. Age by age
The clay wars with His fingers and pleads hard
For its old, heavy, dull and shapeless ease;
But sometimes – though His hand is on it still —
It moves awry and demon hordes are born.
 

(PEASANTS cross themselves.)

 
Yet leave me now, for I am desolate,
I hear a whisper from beyond the thunder.
 

(She comes from the oratory door.)

 
Yet stay an instant. When we meet again
I may have grown forgetful. Oona, take
These two – the larder and the dairy keys.
 

(To the PORTER.)

 
But take you this. It opens the small room
Of herbs for medicine, of hellebore,
Of vervain, monkshood, plantain, and self-heal.
The book of cures is on the upper shelf.
 

PORTER

 
Why do you do this, lady; did you see
Your coffin in a dream?
 

CATHLEEN

 
Ah, no, not that.
But I have come to a strange thought. I have heard
A sound of wailing in unnumbered hovels,
And I must go down, down – I know not where —
Pray for all men and women mad from famine;
Pray, you good neighbours.
 

(The PEASANTS all kneel. COUNTESS CATHLEEN ascends the steps to the door of the oratory, and turning round stands there motionless for a little, and then cries in a loud voice:)

 
Mary, Queen of angels,
And all you clouds on clouds of saints, farewell!
 

END OF SCENE III

SCENE IV

Scene. —A wood near the Castle, as in Scene II. A group of PEASANTS pass.

FIRST PEASANT

 
I have seen silver and copper, but not gold.
 

SECOND PEASANT

 
It's yellow and it shines.
 

FIRST PEASANT

 
It's beautiful.
The most beautiful thing under the sun,
That's what I've heard.
 

THIRD PEASANT

 
I have seen gold enough.
 

FOURTH PEASANT

 
I would not say that it's so beautiful.
 

FIRST PEASANT

 
But doesn't a gold piece glitter like the sun?
That's what my father, who'd seen better days,
Told me when I was but a little boy —
So high – so high, it's shining like the sun,
Round and shining, that is what he said.
 

SECOND PEASANT

 
There's nothing in the world it cannot buy.
 

FIRST PEASANT

 
They've bags and bags of it.
 

(They go out. The two MERCHANTS follow silently. Then ALEEL passes over the stage singing.)

ALEEL

 
Impetuous heart be still, be still,
Your sorrowful love can never be told,
Cover it up with a lonely tune.
He who could bend all things to His will
Has covered the door of the infinite fold
With the pale stars and the wandering moon.
 

END OF SCENE IV