Kitabı oku: «Bab Ballads and Savoy Songs», sayfa 7
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TRUE DIFFIDENCE
My boy, you may take it from me,
That of all the afflictions accurst
With which a man's saddled
And hampered and addled,
diffident nature's the worst.
Though clever as clever can be—
A Crichton of early romance—
You must stir it and stump it,
And blow your own trumpet,
Or, trust me, you haven't a chance.
Now take, for example, my case:
I've a bright intellectual brain—
In all London city
There's no one so witty—
I've thought so again and again.
I've a highly intelligent face—
My features cannot be denied—
But, whatever I try, sir,
I fail in—and why, sir?
I'm modesty personified!
As a poet, I'm tender and quaint—
I've passion and fervor and grace—
From Ovid and Horace
To Swinburne and Morris,
They all of them take a back place,
Then I sing and I play and I paint;
Though none are accomplished as I,
To say so were treason:
You ask me the reason?
I'm diffident, modest and shy!
THE HIGHLY RESPECTABLE GONDOLIER
I stole the Prince, and I brought him here,
And left him, gaily prattling
With a highly respectable Gondolier,
Who promised the Royal babe to rear,
And teach him the trade of a timoneer
With his own beloved bratling.
Both of the babes were strong and stout,
And, considering all things, clever.
Of that there is no manner of doubt—
No probable, possible shadow of doubt—
No possible doubt whatever.
Time sped, and when at the end of a year
I sought that infant cherished,
That highly respectable Gondolier
Was lying a corpse on his humble bier—
I dropped a Grand Inquisitor's tear—
That Gondolier had perished.
A taste for drink, combined with gout,
Had doubled him up for ever.
Of that there is no manner of doubt—
No probable, possible shadow of doubt—
No possible doubt whatever.
But owing, I'm much disposed to fear,
To his terrible taste for tippling,
That highly respectable Gondolier
Could never declare with a mind sincere
Which of the two was his offspring dear,
And which the Royal stripling!
Which was which he could never make out,
Despite his best endeavour.
Of that there is no manner of doubt—
No probable, possible shadow of doubt—
No possible doubt whatever.
The children followed his old career—
(This statement can't be parried)
Of a highly respectable Gondolier:
Well, one of the two (who will soon be here)—
But which of the two is not quite clear—
Is the Royal Prince you married!
Search in and out and round about
And you'll discover never
A tale so free from every doubt—
All probable, possible shadow of doubt—
All possible doubt whatever!
DON'T FORGET
Now, Marco dear,
My wishes hear:
While you're away
It's understood
You will be good,
And not too gay.
To every trace
Of maiden grace
You will be blind,
And will not glance
By any chance
On womankind!
If you are wise,
You'll shut your eyes
'Till we arrive,
And not address
A lady less
Than forty-five;
You'll please to frown
On every gown
That you may see;
And O, my pet,
You won't forget
You've married me!
O, my darling, O, my pet,
Whatever else you may forget,
In yonder isle beyond the sea,
O, don't forget you've married me!
You'll lay your head
Upon your bed
At set of sun.
You will not sing
Of anything
To any one:
You'll sit and mope
All day, I hope,
And shed a tear
Upon the life
Your little wife
Is passing here!
And if so be
You think of me,
Please tell the moon:
I'll read it all
In rays that fall
On the lagoon:
You'll be so kind
As tell the wind
How you may be,
And send me words
By little birds
To comfort me!
And O, my darling, O, my pet,
Whatever else you may forget,
In yonder isle beyond the sea,
O, don't forget you've married me!
THE DARNED MOUNSEER
I shipped, d'ye see, in a Revenue sloop,
And, off Cape Finistere,
A merchantman we see,
A Frenchman, going free,
So we made for the bold Mounseer.
D'ye see?
We made for the bold Mounseer!
But she proved to be a Frigate—and she up with her ports,
And fires with a thirty-two!
It come uncommon near,
But we answered with a cheer,
Which paralyzed the Parley-voo,
D'ye see?
Which paralyzed the Parley-voo!
Then our Captain he up and he says, says he,
"That chap we need not fear,—
We can take her, if we like,
She is sartin for to strike,
For she's only a darned Mounseer,
D'ye see?
She's only a darned Mounseer!
But to fight a French fal-lal—it's like hittin' of a gal—
It's a lubberly thing for to do;
For we, with all our faults,
Why, we're sturdy British salts,
While she's but a Parley-voo,
D'ye see?
A miserable Parley-voo!"
So we up with our helm, and we scuds before the breeze,
As we gives a compassionating cheer;
Froggee answers with a shout
As he sees us go about,
Which was grateful of the poor Mounseer,
D'ye see?
Which was grateful of the poor Mounseer!
And I'll wager in their joy they kissed each other's cheek
(Which is what them, furriners do),
And they blessed their lucky stars?
We were hardy British tars
Who had pity on a poor Parley-voo,
D'ye see?
Who had pity on a poor Parley-voo!
THE HUMANE MIKADO
A more humane Mikado never
Did in Japan exist,
To nobody second,
I'm certainly reckoned
A true philanthropist,
It is my very humane endeavor
To make, to some extent,
Each evil liver
A running river
Of harmless merriment.
My object all sublime
I shall achieve in time—
To let the punishment fit the crime—
The punishment fit the crime;
And make each prisoner pent
Unwillingly represent
A source of innocent merriment,
Of innocent merriment!
All prosy dull society sinners,
Who chatter and bleat and bore,
Are sent to hear sermons
From mystical Germans
Who preach from ten to four,
The amateur tenor, whose vocal villanies
All desire to shirk,
Shall, during off hours,
Exhibit his powers
To Madame Tussaud's waxwork.
The lady who dyes a chemical yellow,
Or stains her grey hair puce,
Or pinches her figger,
Is blacked like a nigger
With permanent walnut juice.
The idiot who, in railway carriages,
Scribbles on window panes,
We only suffer
To ride on a buffer
In Parliamentary trains.
My object all sublime
I shall achieve in time—
To let the punishment fit the crime—
The punishment fit the crime;
And make each prisoner pent
Unwillingly represent
A source of innocent merriment,
Of innocent merriment!
The advertising quack who wearier
With tales of countless cures.
His teeth, I've enacted,
Shall all be extracted
By terrified amateurs.
The music hall singer attends a series
Of masses and fugues and "ops"
By Bach, interwoven
With Sophr and Beethoven,
At classical Monday Pops.
The billiard sharp whom any one catches,
His doom's extremely hard—
He's made to dwell
In a dungeon cell
On a spot that's always barred.
And there he plays extravagant matches
In fitless finger-stalls,
On a cloth untrue
With a twisted cue,
And elliptical billiard balls!
My object all sublime
I shall achieve in time—
To let the punishment fit the crime—
The punishment fit the crime;
And make each prisoner pent
Unwillingly represent
A source of innocent merriment,
Of innocent merriment!
THE HOUSE OF PEERS
When Britain really ruled the waves—
(In good Queen Bess's time)
The House of Peers made no pretence
To intellectual eminence,
Or scholarship sublime;
Yet Britain won her proudest bays
In good Queen Bess's glorious days!
When Wellington thrashed Bonaparte,
As every child can tell,
The House of Peers, throughout the war,
Did nothing in particular,
And did it very well;
Yet Britain set the world a-blaze
In good King George's glorious days!
And while the House of Peers withholds
Its legislative hand.
And noble statesmen do not itch
To interfere with matters which
They do not understand,
As bright will shine Great Britain's rays,
As in King George's glorious days!
THE ÆSTHETE
If you're anxious for to shine in the high æsthetic line, as a man of culture rare,
You must get up all the germs of the transcendental terms, and plant them everywhere.
You must lie upon the daisies and discourse in novel phrases of your complicated state of mind,
The meaning doesn't matter if it's only idle chatter of a transcendental kind.
And everyone will say,
As you walk your mystic way,
"If this young man expresses himself in terms too deep for me,
Why, what a very singularly deep young man this deep young man must be!"
Be eloquent in praise of the very dull old days which have long since passed away,
And convince 'em if you can, that the reign of good Queen Anne was Culture's palmiest day.
Of course you will pooh-pooh whatever's fresh and new, and declare it's crude and mean,
And that art stopped short in the cultivated court of the Empress Josephine,
And everyone will say,
As you walk your mystic way,
"If that's not good enough for him which is good enough for me,
Why, what a very cultivated kind of youth this kind of youth must be!"
Then a sentimental passion of a vegetable fashion must excite your languid spleen,
An attachment a la Plato for a bashful young potato, or a not-too-French French bean.
Though the Philistines may jostle, you will rank as an apostle in the high æsthetic band,
If you walk down Picadilly with a poppy or a lily in your mediæval hand.
And everyone will say,
As you walk your flowery way,
"If he's content with a vegetable love which would certainly not suit me,
Why, what a most particularly pure young man this pure young man must be!"
PROPER PRIDE
The Sun, whose rays
Are all ablaze
With ever living glory,
Does not deny
His majesty—
He scorns to tell a story!
He don't exclaim
"I blush for shame,
So kindly be indulgent,"
But, fierce and bold,
In fiery gold,
He glories all effulgent!
I mean to rule the earth.
As he the sky—
We really know our worth,
The Sun and I!
Observe his flame,
That placid dame,
The Moon's Celestial Highness;
There's not a trace
Upon her face
Of diffidence or shyness:
She borrows light
That, through the night,
Mankind may all acclaim her!
And, truth to tell,
She lights up well,
So I, for one, don't blame her!
Ah, pray make no mistake,
We are not shy;
We're very wide awake,
The Moon and I!
THE BAFFLED GRUMBLER
Whene'er I poke
Sarcastic joke
Replete with malice spiteful,
The people vile
Politely smile
And vote me quite delightful!
Now, when a wight
Sits up all night
Ill-natured jokes devising,
And all his wiles
Are met with smiles,
It's hard, there's no disguising!
Oh, don't the days seem lank and long
When all goes right and nothing goes wrong,
And isn't your life extremely flat
With nothing whatever to grumble at!
When German bands
From music stands
Play Wagner imperfectly—
I bid them go—
They don't say no,
But off they trot directly!
The organ boys
They stop their noise
With readiness surprising,
And grinning herds
Of hurdy-gurds
Retire apologizing!
Oh, don't the days seem lank and long
When all goes right and nothing goes wrong,
And isn't your life extremely flat
With nothing whatever to grumble at!
I've offered gold,
In sums untold,
To all who'd contradict me—
I've said I'd pay
A pound a day
To any one who kicked me—
I've bribed with toys
Great vulgar boys
To utter something spiteful,
But, bless you, no!
They will be so
Confoundedly politeful!
In short, these aggravating lads
They tickle my tastes, they feed my fads,
They give me this and they give me that,
And I've nothing whatever to grumble at!
THE WORKING MONARCH
Rising early in the morning,
We proceed to light our fire;
Then our Majesty adorning
In its work-a-day attire,
We embark without delay
On the duties of the day.
First, we polish off some batches
Of political dispatches,
And foreign politicians circumvent;
Then, if business isn't heavy,
We may hold a Royal levee,
Or ratify some acts of Parliament;
Then we probably review the household troops—
With the usual "Shalloo humps!" and "Shalloo hoops!"
Or receive with ceremonial and state
An interesting Eastern Potentate,
After that we generally
Go and dress our private valet—
(It's rather a nervous duty—he's a touchy little man)
Write some letters literary
For our private secretary—
He is shaky in his spelling, so we help him if we can.
Then, in view of cravings inner,
We go down and order dinner;
Or we polish the Regalia and the Coronation Plate—
Spend an hour in titivating
All our Gentlemen-in-Waiting;
Or we run on little errands for the Ministers of State.
Oh, philosophers may sing
Of the troubles of a King;
Yet the duties are delightful, and the privileges great;
But the privilege and pleasure
That we treasure beyond measure
Is to run on little errands for the Ministers of State!
After luncheon (making merry
On a bun and glass of sherry),
If we've nothing particular to do,
We may make a Proclamation,
Or receive a Deputation—
Then we possibly create a Peer or two.
Then we help a fellow creature on his path
With the Garter or the Thistle or the Bath:
Or we dress and toddle off in semi-State
To a festival, a function, or a fete.
Then we go and stand as sentry
At the Palace (private entry),
Marching hither, marching thither, up and down and to and fro,
While the warrior on duty
Goes in search of beer and beauty
(And it generally happens that he hasn't far to go).
He relieves us, if he's able,
Just in time to lay the table,
Then we dine and serve the coffee; and at half-past twelve or one,
With a pleasure that's emphatic,
We retire to our attic
With the gratifying feeling that our duty has been done.
Oh, philosophers may sing
Of the troubles of a King,
But of pleasures there are many and of troubles there are none;
And the culminating pleasure
That we treasure beyond measure
Is the gratifying feeling that our duty has been done!
THE ROVER'S APOLOGY
Oh, gentlemen, listen, I pray;
Though I own that my heart has been ranging,
Of nature the laws I obey,
For nature is constantly changing.
The moon in her phases is found,
The time and the wind and the weather,
The months in succession come round,
And you don't find two Mondays together.
Consider the moral, I pray,
Nor bring a young fellow to sorrow,
Who loves this young lady to-day,
And loves that young lady to-morrow.
You cannot eat breakfast all day,
Nor is it the act of a sinner,
When breakfast is taken away
To turn your attention to dinner;
And it's not in the range of belief,
That you could hold him as a glutton,
Who, when he is tired of beef,
Determines to tackle the mutton.
But this I am ready to say,
If it will diminish their sorrow,
I'll marry this lady to-day,
And I'll marry that lady to-morrow!
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