Kitabı oku: «The Complete Collection»

William Wharton
Birdy

Dedication

To all my family

Contents

Title Page

Dedication

Birdy

Birdy

– Aw, come on, Birdy! This is Al here, all the way from Dix. Stop it, huh!

I lean back and poke my head out into the corridor. The queer looking guard-orderly type in the white coat’s still at the other end.

I peer through the cage door. Birdy’s squatting in the middle of the floor, not even looking at me. He’s squatting the same way he used to squat in the loft when he was sewing feathers on that creepy pigeon suit of his. If this doctor-major-psychiatrist here ever finds out about that pigeon suit, he’ll sure as hell chain Birdy right to the floor.

Sometimes it’d scare the crap out of me. I’d climb up to the loft expecting only pigeons and Birdy’d be hunched in the back, in the dark, sewing feathers on those long johns. Birdy could come up with the weirdest ideas.

And now, here he is again, hunkering in the middle of this white room, ignoring me. I sneak another look along the corridor.

– Come on, Birdy. Cut it out! I know you’re not really a bird! This section eight crap doesn’t make sense. The stupid war’s over for Christ’s sake! Hitler, Mussolini, Tojo, the whole shitload; kaput!

Nothing. Maybe he is a loon. I wonder if this psychiatrist knows we call him Birdy? Birdy’s old lady wouldn’t tell; probably doesn’t even know.

Birdy turns his back on me. He just spins in his squat. He keeps his hands against his sides and twists around. He’s staring up at the sky through a small, high window on the other side of the room.

The doctor-major told me I’m supposed to talk about things Birdy and I did together. They shipped me out of the hospital at Dix to come down here. My face is still wrapped in bandages. I’m between operations. It hurts to eat or talk and I’ve been talking like crazy since nine o’clock in the morning. I can’t think of any more things to say.

– Hey Birdy! How about when we built the pigeon loft up in the tree down in the woods?

Maybe talking about that’ll get him. Birdy’s old lady made us rip down the first loft, the one in his yard. Birdy’s house is part of the Cosgrove estate; used to be the gate house. The Cosgrove house and barn burned down years ago. Birdy’s house is just over the left-center field fence of the baseball field. The baseball field is built on the old Cosgrove pasture; last open place left around there.

– Hey Birdy! What in hell did your old lady do with all those baseballs?

Birdy’s old lady’d keep any baseballs that went over the fence into their yard. Ball players didn’t even try anymore. Semi-pros, everybody, gave up. Hit a homer over that fence, into Birdy’s yard; good-bye, ball. Nothing to do but throw in a new one. It got to be expensive playing in that ball park if you were a long-ball-hitting right-hander.

What the hell could she’ve done with all those baseballs? Birdy and I used to look for those baseballs everywhere around his place. Maybe she buried them, or she could’ve sold them; big black market source for used baseballs.

– Hey Birdy! Remember those Greenwood bastards? They never did find our loft up in that tree. Shit, there sure were some creeps in our neighborhood!

Those Greenwood kids’d bust up anything they could get their hands on. They’d steal bikes, pigeons, everything not nailed down.

This loft was a great place for pigeons to home on and nobody’d have any idea it was up there. We kept a rope ladder in a hole under some bushes. We had a hook on it and used to throw it over a branch to climb up.

– Remember that rope ladder we used to climb up, Birdy? Jesus, we were screwballs when you think about it!

I keep talking, watching Birdy, trying to tell if he’s listening. He’s still staring out that high window on the back wall.

He’s certainly pitiful-looking squatting on the middle of the floor in thin, white hospital pajamas. He’s squatting flat on his feet with his knees together, his head thrust forward, his arms against his sides, his fingers hooked behind him. The way he squats, you’d think maybe he just might spring up, flap his arms a few times and fly out that window he’s got his eye on.

It was a terrific loft we built down there in the woods. It was smaller than our first place, the one in his yard. Our first flock in Birdy’s yard was big. There were ten pairs, and two extra cocks. We had all good stock, no junk birds, no cornys, all purebred. I figure if you’re going to spend money on feed, you might’s well have good birds. Birdy’s always trying to bring in some kind of shitty bird just because he likes it. We used to have big arguments about this.

We had three pairs of blue bars, four pairs of blue checks, a pair of red checks and two pairs of white kings. No fancy birds, no tumblers, no fantails; none of that crap.

Now I think. I know.

Know. Think. Nothing.

When we sold the old flock, Birdy’s mother made us scrape the pigeon shit from the front porch where the birds used to roost. She had the whole porch repainted with our pigeon money.

Birdy’s mother’s a first-class bitch.

Anyway, so we have no money to buy birds for the new loft in the tree. Birdy isn’t supposed to have pigeons at all, anywhere.

We get our first two birds down at Sixty-third Street under the el. There’s a big flock of street pigeons there, mostly pure junk. We’d go watch them after school. We’d take the free bus from the railroad terminal to Sears. We’re about thirteen, fourteen then.

We’d watch the pigeons strutting around, eating, fucking, the way pigeons do all day, not paying much attention to anything else. The el’d go by and they’d soar up in big arcs as if it hadn’t been happening every five minutes for about fifty years. Birdy shows me how they usually go back to the same place and do the same things they were doing. We’d watch and try to figure who the flock leaders are and where the nests are up in the girders of the el. We try to work out the pairs. Pigeons are like people; fuck practically all year long and mostly stay in the same pairs.

Usually we’d bring along a bag of feed. Birdy can get almost any pigeon to come sit on his hand in about two minutes. He’d tell me to pick one out of a flock and he’d concentrate on that one pigeon and start making pigeon noises. Sure as hell, that exact pigeon’d begin twisting over and hop right up into his hand. He tells me once he just calls them over. How’n hell can you call a particular pigeon out of a flock? Birdy’s a terrific liar.

– Ah, come on, Birdy. Get off it, huh? This is Al here. Let’s cut this shit!

Nothing. Anyhow, this one pair of blue bars adopts Birdy. They’re beautiful birds but not banded. Birdy gets them so they’ll sit on his head or shoulders and they’ll let him hold them around the wings. He’d stretch out one wing after the other and ruffle their flight feathers. These pigeons act as if this is the most natural thing in the world; seem to like it.

Birdy’d let them go, throw them up with the other pigeons and they’d come right back. Usually pigeons will always fly to the flock. One day Birdy and I walk home instead of taking the bus, and that pair stays right with Birdy all the way to our tree loft. Those crazy birds are homed on Birdy.

Must not listen.

To hear something, must not listen.

To see something, must not look.

To know something, must not think.

To tell something, must not listen.

We had to lock the loft to keep those blue bars from following Birdy home. His old lady’d poison them if she ever caught on.

– Hey, Birdy; remember the blue bar pair you had homed on you? Jesus, that was weird!

He’s still not paying any attention. I don’t care if he is a loon, he shouldn’t just ignore me.

– Birdy, can you hear me? If you hear me and don’t say anything, you really are a loon; nothing but a fucking loon.

Christ, I’m wasting my time. He acts like he’s deaf or something. Major-doctor says he can hear, hears every word I say. Those bastards don’t know everything either. Maybe Birdy’s just scared and doesn’t want to listen. What the hell could’ve happened to him?

When we had the old flock at his house, one thing Birdy and I liked to do was take a bird or two out for a ride on our bicycles. We built a special box to carry them. These were birds already homed to the loft. Birdy’d rigged a string on the pigeon gate with an old alarm clock so we’d know exactly when they got back. We’d go out to Springfield or someplace and let them fly home with a message to ourselves.

One time when I go to the shore with my family, I take two birds with me. I wade out in the surf and let them loose; less than two hours later they’re back at the loft. That’s over ninety miles. In the message I wrote the time and told Birdy I’m letting the birds fly loose over the Atlantic Ocean.

Birdy’d sit by the hour in our loft watching those pigeons. Christ, I like pigeons myself, but not all the holy day sitting in the dark watching. Then, there’s that pigeon suit he used to wear. He started making it while we still had the loft in his back yard. It began with an old pair of long johns he dyed dark blue. He gathered pigeon feathers from everywhere and kept them in a cigar box. He’d squat, like I said, in the back of our loft, sewing feathers onto those long johns. He began at the top and worked down, round and round, one feather overlapping the other, the way a bird is.

When he got it finished and put it on, he looked like some kind of scraggly giant blue check. He’d wear this crazy suit every time he went into the loft. It’s one thing that definitely bugged his mother.

When we built the tree loft, it got worse. He started wearing gloves covered with feathers and slipped reddish-yellow long socks over his shoes and up to his knees. This was all finished off by a hood with more feathers and a yellow cardboard beak. In the back of the loft, in dark shadows, squatting, sometimes he’d look like a real pigeon, only about the size of a big dog. Somebody accidentally looking up into that tree and seeing him walking around would probably go completely nuts.

– That’s what you need here, Birdy, need the old pigeon costume. Really freak out your fatass doctor.

Birdy didn’t have any feeling for quality birds. I never could figure just what it was he looked for in a pigeon. Take this next pigeon we get for the tree loft; it’s one of the ugliest things you can imagine. She’s so corny, I wouldn’t think even a corny’d have anything to do with her. Birdy thinks she’s beautiful.

It’s about a month after we got the blue bars, Birdy comes to the loft with this pigeon one rainy day and says he found her down in the dump fighting a rat. Now, who’d believe a thing like that? Birdy’s lies are so way out nobody’d believe them. Another thing about Birdy is he’ll believe other people’s lies. Birdy’ll believe almost anything.

The earth turns and we are caught. The weight invades and we struggle in a cage of shifting tons.

This corny’s absolutely black, not shiny black but a dull smoky black. Except for her beak and the way she walks like a pigeon, you’d swear she’s a pint-size crow. She’s so small I think she’s a squab, this is after I’m convinced she’s a pigeon. I don’t want her in the loft. An extra hen in a loft is bad news, but Birdy insists. He keeps raving about how beautiful she is and how she can fly.

First thing she does is steal that blue bar cock away from the hen. He doesn’t know what hit him. He’s wearing himself out strutting around, chasing, fucking her; not even eating. Poor blue bar hen is moping on the nest.

I’m pissed; I want to throw the goddamned corny out. Pigeon witch’s what she is. Birdy says OK but he’s not happy. We throw her up and out the next day. I figure she’s a wanderer and we’ll never see her again.

When I get to the loft that afternoon, Birdy’s already there; so’s the witch. She’s with a great red check cock. They’re strutting all around the loft and the red check’s giving it to her while the blue bar’s trying to get his in but making zero. We watch all afternoon. Finally the blue bar goes back to his hen. I say, OK, the witch can stay now she has her own cock. She must’ve gotten homed to the loft in only two days.

No one knows more than they have to know. All of us locked in gravity graves.

Well, that witch is unbelievable. Next time she goes out, she comes back with a beautiful pair of purebred, banded ash. Birds like that cost a fortune, eight, nine dollars a pair. These are really show birds. We can’t imagine where they come from. The ash cock goes for the witch and the hen follows them into the loft. They’re so beautiful they light up the whole place. So now the ash is fucking the witch and the red check’s out. It’s not natural.

Things go on like that. The witch goes out and comes back with a cock or sometimes a pair. Most times it’s quality birds. This witch has sex appeal for good pigeons. She always lets the cock she brings home have it till the next one comes along, then never lets him near her again. During the three months she’s in our loft she shows no sign of nesting. Birdy says maybe she’s a whore pigeon, but I’m sure she’s a witch.

I break inside my aloneness to knowledge, the end of knowing; a billowing of an air current; a movement toward necessity.

Shit, before we know it, we have more pigeons than we can keep in the loft. Nobody even knows we have pigeons, so nobody suspects us. With our witch, we’re the biggest pigeon-nappers west of Sixty-third Street.

We start taking extra pigeons out to Cheltenham or Media on the train and selling them. Not much chance of anybody recognizing them way out here. We’re making three, four dollars each weekend that way. Working a whole paper route every day you can’t make that.

And do we ever have great pigeons in the loft. Makes our old loft look like a pig sty. Birdy insists on keeping those first blue bars and, of course, we keep the ashes. Then, we have the sweetest pair of blue checks you ever saw. Checks as clear and unblurred as a checkerboard and they’re big but still slim, with high heads. They have feet red as persimmons and clean. Banded birds, both of them, beautiful. I could watch them all day. I really go for quality pigeons. We have two pairs of red bars almost as good, so good anybody’d trade three pairs of purebreds for either pair.

The witch is in and out. Sometimes she’s gone three, four days at a time. Even though she’s making us all that money, I wish she won’t come back some time. She gives me the willies. I don’t like the way Birdy is with her, either. They’re creepy together, especially when he’s wearing that stupid pigeon costume.

I take another peek up and down the corridor. For a loony bin, it’s awful quiet. Most rooms have double doors. The outside door only has a small glass window so you can look in at the crazies; the inside door has bars. I’m sitting in the space between the two doors.

It’s a lot better looking hospital here than the one at Dix. I’m in plastic surgery there and everybody’s in and out all the time. We have to wait two, three weeks, sometimes a month, between operations. We’re not sick so they let us out while we’re waiting. I’m heading home between operations; big hero in the hoagie shop. They tell me one more will do it; but I’ll never be able to grow a beard on that part. Who the hell wants to grow a beard anyhow?

– Hey, Birdy boy!! Remember that old corny we had? She really had hot pants for you, buddy. How’d you like a little pigeon nookey, right now, huh?

I have a feeling for a minute there I got to him, just the way his fingers unfold and fold again. He really could be putting this whole thing on. What the hell, it’s no sense bucking for section eight. They’re letting everybody out anyway.

That corny used to parade back and forth in front of Birdy, cooing low and shimmying down her back the way a pigeon hen does when she wants a cock to jump her. She’s flirting with him, the witch. When Birdy’s spread some feed on the floor, she doesn’t go down and hustle with the others; oh no, she flies over on Birdy’s hand and gets him to feed her. She makes all the same moves a hen makes when she gets fed by a cock. Birdy even puts some grains between his lips and she picks them out. Christ, sometimes I used to think Birdy actually thought he was a pigeon.

To bend the tree or fill the sail is nothing. Knowledge only, not knowing. A bird knows the air without knowledge.

I want to see if I can remind Birdy of when we went on the treasure hunt. This was after the gas tank and after they made us break up the loft. We’d already graduated from elementary school and Birdy was going to a Catholic school. I’m going to Upper Merion, the public school. My parents are Catholic too, but they’re Italian Catholics and don’t go to church much. Birdy’s old man and old lady are big for mass and all that crap.

Anyway, I have to write a story for my English class and since I have practically no imagination, I decide to work this gag on Birdy and write it up just the way it happens. We’re reading ‘The Gold Bug’ in class and maybe it gave me the idea.

– Hey, Birdy!! How about when we went looking for old man Cosgrove’s buried treasure? Jesus, what a riot.

I came over to Birdy’s place with the map. I’d spent almost a week making it and getting everything else ready. I have it all browned with fire and burnt on the edges. Christ, it’s a masterpiece. It’s all in code and we figure it out in Birdy’s room. We move a model for one of Birdy’s crazy birds off his desk so we can spread out the map. It’s raining that day.

Birdy’s always making bird models. He makes them with balsa wood and paper the way you make a model airplane, only his are bird designs with rubber-band power to make the wings flap up and down. Some of them are complicated, with wings that rotate so they twist vertically on the up stroke and horizontally on the down. He’s actually gotten some of them to fly. Trouble is, none of them fly as far as a regular model airplane; it takes too much rubber-band time to flap the wings for any kind of long flight.

– Boy, you really fell like a ton of bricks for that crappy map, Birdy.

The message part has all kinds of complicated directions, like from this tree to that rock, all that treasure map talk. It leads us to a wall where we’re supposed to find another message. Birdy eats it up; Christ, he’ll believe anything. He’s talking about how he’s going to build a giant aviary with his money. I almost give away the whole thing; I don’t want to hurt Birdy, I’m just having a joke and getting my English homework done.

We go down that night. It’s raining like hell. I try getting Birdy to postpone but nothing can stop him. He believes things so hard he’s getting me to believe; I almost expect to actually find some treasure myself.

We tromp around in the dark, sopping wet, no flashlights. Birdy’s leading me to a treasure I didn’t put there. We do find the old tobacco can where I hid the second message; it’s shoved between stones of the Cosgrove ruin, beside where the fireplace used to be. Birdy slips it into his pocket and we hightail out of there and run all the way back to his house. We go in through the cellar so nobody’ll see us. Birdy’s a little runt but he runs like the wind.

We sneak back up to his room again and spread out the new map. I’ve used the same code and burnt off a part of the writing but left enough for us to figure out it’s a treasure map. There’s an X to mark the spot. Birdy wants to go straight out again. I talk him into going the next night. We need proper tools and stuff. I’m wishing I’d never started the whole damned thing. I’m sorry I don’t have some kind of treasure to bury for Birdy to find.

The treasure is supposed to be buried at the north-east corner of the old barn ruin. This is all said in treasure talk again so we have to figure it out. I help Birdy over some hard parts but he gets most of it himself. He deserves a treasure all right.

We agree to get together after supper when it’s dark. I have no trouble getting out, but Birdy has a fancy plan with a dummy in his bed and a way to lock his door from inside. He could probably just say he was coming over to my place but he’s deep into the treasure business. The Tom Sawyer of Upper Merion.

We have a shovel and he has a compass and a string and I bring along my twenty-two just in case. Naturally, it’s started raining again. Didn’t rain all day but now it’s pouring. It’s a thick, dark night. We go across center field, down the hill behind the flagpole and along the path leading to the Cosgrove barn. It’s late fall, past my birthday, so there isn’t much grass or bushes. Summer, you can hardly get into this part; wouldn’t even know the old walls are there.

I didn’t come down here when I made the map. I just made up the spot, ‘north-east corner of barn’. It runs out, with a compass, there is a north-east corner. Turns out, eerily, that there’s a slight depression in the ground right where the X should be. I’m ready to dig for gold myself. Maybe I’m getting messages from the other world. Maybe old man Cosgrove’s been getting through to me. Everybody always says Cosgrove buried his money. For years people used to dig around here hoping to find some of it.

We start digging, taking turns every five minutes. I’m torn between laughing my balls off and shitting my pants. Birdy’s dead serious, checking my watch to see I don’t get more’n my share of digging. He’s digging when he hits something. ‘That’s it!’ he says. I’m turning green. What if there is a treasure; it’s too spooky. He digs like mad, clears a corner of something made out of metal. I start digging on my turn and turn it up finally. It’s an old can of motor oil. I laugh; I figure now’s the time to tell him. I’m mud up to my ass and wet. We’re getting into clay and it’s slippery. Digging in the dark when you can’t even see the rocks you clink against is no fun.

‘There isn’t any treasure, Birdy, I made the whole thing up.’

He takes the shovel and starts digging again.

‘Christ, no sense digging anymore, Birdy, there isn’t any treasure here! I made up the map and everything. I did it as a school project.’

Birdy keeps on digging.

‘Aw, come on, Birdy. Let’s go home and get dry.’

Birdy stops, looks over at me. Then he says he knows the treasure is here and we shouldn’t give up. It’s got to be here and I only think I made up the map. That’s too much. I tell him he’s crazy and I’m leaving. He keeps digging. I stand around another five minutes, then take off. He’s still digging madly, not saying anything.

I don’t see Birdy for another two or three days. I decide not to write about the treasure hunt for school. I go down to where we’d been digging and there’s a hole at least six feet deep, deep as a grave. I don’t know how the hell Birdy got out of the hole when he was finished.

When I finally do see Birdy again, we don’t talk about the treasure hunt at first. A few days later, Birdy says he figures somebody got to it before us; that’s why the ground was sunk in like that. He still won’t believe I made it all up; even when I tell him how I did it. He only gives me one of his crazy eye-wiggling looks.

I want to think to make real this that I know and can’t hold. I’m pulled down. The earth in me is strong; the drifting dust is in my bones.

We get such a good business going, selling pigeons, we decide to go out and get some birds ourselves. That’s what we were doing up on the gas tank that night. It’s a big storage tank at Marshall Road and Long Lane. This is a place where several different flocks of pigeons roost and nest.

– How about us up on top of the gas tank, Birdy. That was wild. That night you almost convinced me you might just be part bird.

Damn; he’s not paying any attention to me at all.

– Listen here, birdbrain! I’m tired talking to the back of your head; you can’t be that crazy! Maybe if I come in and give you a coupla hard ones you’ll hear better!

Crazy ass thing to say; anybody hear me, they’d lock me up too. Anyway, Birdy’s not afraid of things people are supposed to be afraid of. No way you can make him do something he doesn’t want. No way to hurt him; like he just doesn’t feel anything he doesn’t want to. Typical of what I mean is the way I met Birdy.

Mario, my kid brother, comes in and tells me this freak down at the Cosgrove place took his knife. I ask him where he got the knife; he tells me he found it. I figure he stole it but I’m always looking for fights anyway. I’m naturally strong and I’ve already started lifting weights; have my own miniature gym down in the cellar. I’m walking around squeezing spring things to increase my grip; reading Strength and Health; York, Pennsylvania, is a kind of Mecca for me. I start all this crap when I’m only about eleven – probably because the old man used to beat me up so much. Anyway, I’ve got all this strength and I want to try it out with fights.

I’m just starting these crazy ideas when Mario tells me about Birdy taking his knife. I’m thirteen. Birdy must be all of twelve. I see us in my mind as older, not as little punks like that.

I go down and walk across the ball field. I’m wearing my new brown leather jacket and Mario’s tagging along behind me. He shows me the place. I lean over the gate in the wall and Birdy’s sitting on the steps of his back porch cleaning off the knife. I tell him to come over. He comes with a look on his face as if he’s glad to meet me.

Living things grow upward but are not free. The highest branches trap air and light but only feed endless grindings of earth. Growth itself is without meaning.

I tell him to give me the knife. He says it’s his; says he bought it from a kid named Zigenfus. He tells me I can check with this Zigenfus if I want. I ask him to let me see the knife. He gives it to me. We’re talking over the wooden gate in the wall to his house. It’s the wall of the baseball field.

I see right away this is a really good knife, a switchblade. I try to work it. Tricky kind of catch and spring; seems to be broken. Birdy reaches over to show me how it works. I pull the knife away and tell him to keep his crummy hands off my knife. He looks at me with his wiggly eyes as if I’m nuts. I turn and start walking away with Mario. He opens the gate and comes after us. We keep walking. He gets in front of us, walking backwards, and asks for his knife. I stop. I hold it up. ‘This knife?’ I say. ‘Try and take it.’ He reaches for the knife. I’m holding it up in my left hand so I can give him a good one with the right. Somehow I miss, and he gets hold of the knife. I snatch the knife out of his hand. I hold it up and he reaches again. I swing and miss again. His head is right there, but by the time my fist gets to that place, he’s gone. I swear he moves after I start the punch. I put the knife in my pocket so I can use both hands; I figure I’m really going to massacre this fool. He keeps reaching for the pocket. He’s always there and I keep swinging but can’t hit him. I start trying to set him up. Nothing doing; it’s like I’m doing everything in slow motion and he’s at full speed. He’s not doing anything like bobbing and weaving; he just moves away from the place I hit at, the way you’d step from in front of a car.

I decide to grab him. If I have to, I’ll put him on the ground where he can’t move, then clobber him. Mario’s not saying anything. Next time Birdy reaches in for the knife, I step forward and get a good headlock on him. I bend to throw him over my leg and he’s gone. The feeling is exactly the way it feels when a snake slips out of your hand. He squirmed or vibrated.

I try everything. I try tackling him. I try getting him in a bear hug. I try another headlock. Nothing holds him.

Later, when Birdy switches to old U.M. High, I want him to go out for wrestling but he won’t do it. The only exception is one time when we have an intramural competition and there’s nobody to wrestle against Vogel at a hundred thirty-five. Vogel is district champ; Birdy says he’ll suit up to fill in.

The whole school is out to see the match; intramural sports are a big thing at U.M. At the opening of the first period, Vogel misses the takedown a couple times, then he dives at Birdy. Birdy steps aside and falls on Vogel for a takedown. Birdy can’t weigh more than one twenty-five soaking wet. Vogel’s getting mad. He tries to roll. Birdy slips loose and lets Vogel roll alone onto his back. All Birdy has to do is flop on him, hold him down and he has a pin, or at least a near pin. Birdy stands up and smiles down at Vogel. Vogel scrambles for an escape. Birdy has two points for the takedown and Vogel one for the escape.

Same thing happens again and Birdie has another two points for takedown. Vogel escapes again just at the end of the period. Score: Birdy four, Vogel two. The crowd’s beginning to laugh; everybody’s rooting for Birdy. Birdy’s walking around looking goof y as ever, the wrestling suit hanging all loose on him.

The second period starts in referee position with Vogel on top. He really hunkers in on Birdy. Birdy’s not even looking at anything, just smiling to himself. I figure this is where Birdy gets pinned. Vogel’s a strong kraut bastard; he’s all red in the face he’s so mad.