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This grove was by no means in good condition, many of its trees were ancient, some were dead; still, work had been done there, and the attempt, such as it was, had been persisted in, though never effectually. The persistence had been due to the will of Mrs. Thorne, the ineffectualness to the will of old Pablo. His mistress, by a system of serene determination, had been able to triumph, to a certain extent, over the ancient and well-organized contrariness of this old man – a dumb opposition whose existence she never in the least recognized, though its force she well knew. Each season the obstinate old servant began by disapproving regularly of everything she ordered; next, he carried out her orders slowly, and with as many delays as possible – this not so much from any reasonable objection to her ideas as from his general principles of resistance, founded upon family pride. For Pablo, who was Raquel's husband – a bent little negro of advanced age – could never forget that "Marse Edgar's wife" was but an interloper after all, an importation from New England, and not "ob de fambly c'nection," not even of southern birth. The memory of majestic "Old Madam," Edgar Thorne's Spanish aunt, kept her "Young Miss" still in the estimation of the two old slaves, though "Ole Miss" had now been for a number of years safely in her coquina tomb – "let us hope enjoying rest and peace – as that poor little Mistress Thorne will now enjoy them too, at last," as an old friend of the family, Mrs. Betty Carew, had remarked with much feeling, though some ambiguity of phrase (the latter quite unintentional), the day after the funeral.

"Young Miss 'lows dese yere's yappul-trees," Pablo said to Raquel, with a fine scorn, as he dug objectingly round their roots. "An' 'lowing it, 'lowing it, Raquel, she orders accordin'!"

But the southern trees had lived, and had even, some of them, thrived a little under the unwonted northern methods applied to them; Mrs. Thorne, therefore, was able to rise above old Pablo's disapprovals – a feat, indeed, which she had been obliged to perform almost daily, and with regard to many other things than oranges, ever since her first arrival at East Angels, seventeen years before.

This lady now seated herself on a bench under the rose-tree. She had tied on, over her neat little widow's cap, the broad-brimmed palmetto hat which she usually wore in the garden; this hat had fallen slightly back, and now its broad yellow brim, standing out in a circle round her small face, looked not unlike the dull nimbus with which the heads of the stiff, sweet little angels in the early Italian paintings are weighted down. The clergyman, Mr. Moore, stood beside her.

The Rev. Middleton Moore, rector of St. Philip and St. James's, Gracias-á-Dios, was a tall gentleman, with narrow, slightly stooping shoulders, long thin hands, a long smooth face, and thin dry brown hair which always looked long (though it was not), because it grew from the top of his head down to his ears in straight flat smoothness, the ends being there cut across horizontally. His features were delicately moulded. His long feet were slender and well-shaped. There was a charming expression of purity and goodness in his small, mild blue eyes. He was attired in clerical black, all save his hat, which was brown – a low-crowned, brown straw hat adorned with a brown ribbon. Mrs. Penelope Moore, his wife, profound as was her appreciation of the dignity of his position as rector of the parish, could yet never quite resist the temptation of getting for him, now and then, a straw hat, and a straw hat, too, which was not black; to her sense a straw hat was youth, and to her sense the rector was young. It was in a straw hat that she had first beheld and admired him as the handsomest, as well as the most perfect, of men; and so in a straw hat she still occasionally sent him forth, gazing at the back view of it and him, from the rickety windows of her Gothic rectory, with much satisfaction, as he went down the path towards the gate on his way to some of the gentle Gracias entertainments. For of course he wore it only on such light, unofficial occasions.

Dr. Kirby, meanwhile, was making the circuit of the orange grove. He stopped and peered up sidewise into each tree, his head now on one shoulder, now on the other; then he came back, his hands and pockets filled with oranges, which he offered to all; seating himself on the low curb of an old well, he began to peel one with the little silver knife which he kept for the purpose, doing it so deftly that not a drop of the juice escaped, and looking on calmly meanwhile as the other bird, Carlos Mateo, went through his dance for the entertainment of the assembled company. Carlos Mateo was a tall gray crane of aged and severe aspect; at Garda's call he had come forward with long, dignified steps and stalked twice round the little open space before the rose-tree, following her with grave exactitude as she walked before him. She then called him to a path bordered with low bushes, and here, after a moment, the company beheld him jumping slowly up and down, aiding himself with his wings, sometimes rising several feet above the ground, and sometimes only hopping on his long thin legs; he advanced in this manner down the path to its end, and then back again, Garda walking in front, and raising her hand as he rose and fell, as though beating time. Nothing could have been more comical than the solemnity of the old fellow as he went through these antics; it was as if a gray-bearded patriarch should suddenly attempt a hornpipe.

His performance ended, he followed his mistress back to the company, to receive their congratulations.

"What can we give him?" said Winthrop. "What does he like?"

"He will not take anything except from me," answered Garda; she gathered a rose, and stood holding it by the stem while Carlos Mateo pecked gravely at the petals. The sun was sinking, his horizontal rays shone across her bright hair; she had taken off her hat, which was hanging by its ribbon from her arm; Winthrop looked at her, at the rose-laden branches above her head, at the odd figure of the crane by her side, at the background of the wild old garden behind her. He was thinking that he would give a good deal for a picture of the scene.

But while he was thinking it, Manuel had spoken it. "Miss Garda, I would give a year out of my life for a picture of you as you are at this moment!" he said, ardently. Winthrop turned away.

He went to look at some camellias, whose glossy leaves formed a thicket at a little distance; on the other side of this thicket he discovered a crape-myrtle avenue, the delicate trees so choked and hustled by the ruder foliage which had grown up about them that they stood like captives in the midst of a rabble, broken-hearted and dumb; with some pushing he made his way within, and followed the lost path. It brought him to a mound of tangled shrubbery which rose like a small hill at this end of the garden, decked here and there, in what seemed inaccessible places, with brilliant flowers. But the places had not been inaccessible to Torres. Winthrop met him returning from the thorny conflict with a magnificent stalk of blossoms which he had captured there, and was now bringing back in triumph; it was a long wand of gorgeous spurred bells, each two inches in length, crimson without, cream-color within, the lip of the flaring lower petal lined with purple, and spotted with gold. Torres carried his prize to Garda, and offered it in silence. She thanked him prettily in Spanish, and he stood beside her, his dark face in a dull glow from pleasure.

"Perhaps it is poisonous," murmured Manuel, taking good care, however, to murmur in English.

"Oh, my dearest child! pray put it down," said Mrs. Thorne, anxiously.

"It is quite harmless," said the clergyman, "I know the family to which it belongs. It is not indigenous here; probably the original shrub was planted in the garden many years ago, and has run wild."

Garda took the stalk in her right hand, extended her left rigidly, and, stiffening her light figure in a wooden attitude, looked meekly upward.

"Bravo! bravo!" said the Doctor from his well-curb, laughing, and beginning on a second orange.

She stood thus for a few instants only. But it was very well done – an exact copy of a dark, grim old picture in the little Spanish cathedral of Gracias, a St. Catherine with a stalk of lilies in her hand.

Winthrop, who had returned, was standing on the other side of the open space. Apparently he had not noticed this little pantomime. Garda looked at him for a moment. Then she left her place, went across, and gravely decorated him with her stalk of blossoms, the large stem going through three of the button-holes of his coat before it could hold itself firmly; the brilliant flowers extended diagonally across his breast, past his chin, and above one ear.

"Your hat will break the top buds," said Garda, surveying her handiwork. "Please take it off."

He obeyed. "For what sacrifice am I thus adorned?" he asked.

"It's no sacrifice," answered Garda, "it's a rebellion – a rebellion against your constant objections to everything in the world!"

"But I haven't opened my lips."

"That is the very thing; you object silently – which is much worse. I'm not accustomed to people who object silently. Everybody here talks; why don't you talk?"

This little dialogue went on apart, the others could not hear it.

"I do – when you give me an opportunity," Winthrop answered.

"I'll give you one now," responded Garda; "we'll go back to the house, we'll go through the orange-walk as we came, and the others can follow as they came." Without waiting for reply, she went towards the garden gate. Winthrop followed her; and then Carlos Mateo, stalking across the open space, followed Winthrop. He followed him so closely that Winthrop declared he could feel his beak on his back. When they reached the house they paused; Carlos then took up his station a little apart, and stood on one leg to rest himself, watching Winthrop meanwhile with a suspicious eye.

Mrs. Thorne was crossing the level with the Rev. Mr. Moore. Following them, at a little distance, came Dr. Kirby, with his hands behind him. Manuel and Torres, forced to be companions a second time, formed the rear-guard of the returning procession. But as it approached the house, Manuel, raising his hat to Mrs. Thorne, turned away; he went down the live-oak avenue to the river landing, where his skiff was waiting. Manuel had his ideas, he did not care to be one of five. Torres, who also had his ideas, and many more of them than Manuel had, was not troubled by considerations of this sort; in his mind a Torres was never one of five, or one of anything, but always a Torres, and alone. Left to himself, he now took longer steps, passed the others, and came first to the doorway where Garda was standing.

"Why do you always look so serious, Mr. Torres?" she said, in Spanish, as he came up.

"It is of small consequence how I look, while the señorita herself remains so beautiful," answered the young man, bowing ceremoniously.

"Isn't that pretty?" said Garda to Winthrop.

"Immensely so," replied that decorated personage.

"But he does not look half so serious as you look comical – with all those brilliant flowers by the side of your immovable face," she went on, breaking into a laugh.

"It is of small consequence how I look, seeing that the señorita herself placed them where they are," answered Winthrop, in tolerable if rather labored Spanish, turning with a half-smile to Torres as he borrowed his phrase.

"You did not like it? You thought it childish?" said Garda. She drew the stalk quickly from its place. She was now speaking English, and Torres watched to see the fate of his gift; she had taken the flowers with the intention of throwing them away, but noticing that the Cuban's eyes were fixed upon them, she slipped the end of the stem under her belt, letting the long brilliant spray hang down over her dark skirt.

"I am now more honored than ever," said Winthrop.

"But it is Mr. Torres whom I am honoring this time," answered the girl.

Torres, hearing his name in her English sentence, drew the heels of his polished boots together with a little click, and made another low bow.

The rest of the party now came up, and soon after, the visitors took leave; Winthrop rode back across the pine-barrens to Gracias. Dr. Kirby bore him company on his stout black horse Osceola, glad indeed to be there and off his own feet; on the way he related a large portion of that history of the Spaniards in Florida which Garda, their descendant, had interrupted at the mill.

As they left East Angels, and rode out on the barren, this descendant was being addressed impressively by her mother. "That, Garda, is my idea of a cultivated gentleman: to have had such wide opportunities, and to have improved them; to be so agreeable, and yet so kind; so quiet, and yet so evidently a man of distinction, of mark – it's a rare combination."

"Very," replied Garda, giving the crane her gloves to carry in his beak.

They were still standing in the lower doorway; Mrs. Thorne surveyed her daughter for a moment, one of her states of uncertainty seemed to have seized her. "I hope you appreciate that Mr. Winthrop is not another Manuel or Torres," she said at last, in her most amiable tone.

"Perfectly, mamma; I could never make such a mistake as that. Mr. Winthrop inspires respect."

"He does – he does," said Mrs. Thorne, with conviction.

"I respect him already as a father," continued Garda. "Manuel and Ernesto also respect him as a father. Come, Carlos, my angel, let us go down to the landing, and see if we can call Manuel back."

CHAPTER III

Gracias-á-Dios was a little town lying half asleep on the southern coast of the United States, under a sky of almost changeless blue.

Of almost changeless blue. Americans have long been, in a literary way, the vicarious victims, to a certain extent, of the climate of the British Isles. The low tones of the atmosphere of those islands, the shifting veils of fog and rain rising and falling over them, the soft gray light filtered through mist and cloud – all these have caused the blue skies and endless sunshine of Italy to seem divinely fair to visitors from English shores; and as among these visitors have come the poets and the romance writers, this fairness, embalmed in prose and verse, has taken its place in literature, has become classic. The imaginative New World student, eager to learn, passionately desirous to appreciate, has read these pages reverently; he knows them by heart. And when at last the longed-for day comes when he too can make his pilgrimage to these scenes of legend and story, so dominated is he, for the most part, by the spell of tradition that he does not even perceive that these long-chanted heavens are no bluer than his own; or if by chance his eye, accurate in spite of himself, notes such a possibility, he puts it from him purposely, preferring the blueness which is historic. The heavens lying over Venice and her palaces are, must be, softer than those which expand distantly over miles of prairie and forest; the hue of the sky which bends over Rome is, must be, of a deeper, richer tint than any which a New World has attained. But generally this preference of the imaginative American is not a choice so much as an unconscious faith which he has cherished from childhood, and from which he would hardly know how to dissent; he is gazing at these foreign skies through a long, enchanting vista of history, poetry, and song; he simply does not remember his own sky at all.

Only recently has he begun to remember it, only recently has he begun to discover that, in the matter of blue at least, he has been gazing through glasses adjusted to the scale of English atmosphere and English comparisons, and that, divested of these aids to vision, he can find above his own head and in his own country an azure as deep as any that the Old World can show.

When this has been discovered it remains but blue sky. The other treasure of those old lands beyond the sea – their ruins, their art, their ancient story – these he has not and can never have, and these he loves with that deep American worship which must seem to those old gods like the arrival of Magi from afar, men of distant birth, sometimes of manners strange, but bringing costly gifts and bowing the knee with reverence where the dwellers in the temple itself have grown cold.

Compared with those of the British Isles, all the skies of the United States are blue. In the North, this blue is clear, strong, bright; in the South, a softness mingles with the brilliancy, and tempers it to a beauty which is not surpassed. The sky over the cotton lands of South Carolina is as soft as that of Tuscany; the blue above the silver beaches of Florida melts as languorously as that above Capri's enchanted shore. Gracias-á-Dios had this blue sky. Slumberous little coast hamlet as it was, it had also its characteristics.

"Gracias á Dios!" Spanish sailors had said, three hundred years before, when, after a great storm, despairing and exhausted, they discovered this little harbor on the low, dangerous coast, and were able to enter it – "Gracias á Dios!" "Thanks to God!" In the present day the name had become a sort of shibboleth. To say Gracias á Dios in full, with the correct Spanish pronunciation, showed that one was of the old Spanish blood, a descendant of those families who dated from the glorious times when his Most Catholic and Imperial Majesty, King of Spain, Defender of the Church, always Victorious, always Invincible, had held sway on this far shore. To say Gracias without the "á Dios," but still with more or less imitation of the Spanish accent, proved that one belonged among the older residents of the next degree of importance, that is, that one's grandfather or great-grandfather had been among those English colonists who had come out to Florida during the British occupation; or else that he had been one of the planters from Georgia and the Carolinas who had moved to the province during the same period. This last pronunciation was also adopted by those among the later-coming residents who had an interest in history, or who loved for their own sakes the melody of the devout old names given by the first explorers – names now so rapidly disappearing from bay and harbor, reef and key. But these three classes were no longer all, there was another and more recent one, small and unimportant as yet, but destined to grow. This new class counted within its ranks at present the captains and crews of the northern schooners that were beginning to come into that port for lumber; the agents of land-companies looking after titles and the old Spanish grants; speculators with plans in their pockets for railways, with plans in their pockets for canals, with plans in their pockets (and sometimes very little else) for draining the swamps and dredging the Everglades, many of the schemes dependent upon aid from Congress, and mysteriously connected with the new negro vote. In addition there were the first projectors of health resorts, the first northern buyers of orange groves: in short, the pioneers of that busy, practical American majority which has no time for derivations, and does not care for history, and which turns its imagination (for it has imagination) towards objects more veracious than the pious old titles bestowed by an age and race that murdered, and tortured, and reddened these fair waters with blood, for sweet religion's sake. This new class called the place Grashus – which was a horror to all the other inhabitants.

The descendants of the Spaniards, of the English colonists, of the Georgia and Carolina planters – families much thinned out now in numbers and estate, wearing for the most part old clothes, but old prides as well – lived on in their old houses in Gracias and its neighborhood, giving rather more importance perhaps to the past than to the present, but excellent people, kind neighbors, generous and devoted friends. They were also good Christians; on Sundays they all attended service in one or the other of the two churches of Gracias, the Roman Catholic cathedral of Our Lady of the Angels, and the Episcopal church of St Philip and St. James'. These two houses of worship stood side by side on the plaza, only an old garden between them. St. Philip and St. James' had a bell; but its Spanish neighbor had four, and not only that, but a habit of ringing all four together, in a sort of quickstep, at noon on Sundays, so that the Episcopal rector, in that land of open windows, was obliged either to raise his voice to an unseemly pitch, or else to preach for some minutes in dumb-show, which latter course he generally adopted as the more decorous, mildly going back and giving the lost sentences a second time, as though they had not been spoken, when the clamor had ceased. This, however, was the only warfare between the two churches. And it might have been intended, too, merely as a friendly hint from the Angels to the Saints that the latter's sermons were too long. The Episcopal rector, the Rev. Middleton Moore, had in truth ideas somewhat behind his times: he had not yet learned that fifteen or at most twenty minutes should include the utmost length of his weekly persuasions to virtue. It had never occurred to the mind of this old-fashioned gentleman that congregations are now so highly improved, so cultivated and intellectual, that they require but a few moments of dispassionate reminder from the pulpit once a week, that on the whole it is better to be moral, and, likewise, that any assumption of the functions of a teacher on the part of a clergyman is now quite obsolete and even laughable – these modern axioms Middleton Moore had not yet learned; the mistaken man went on hopefully exhorting for a full three-quarters of an hour. And as his congregation were as old-fashioned as himself, no objection had as yet been made to this course, the simple people listening with respect to all he had to say, not only for what it was in itself, but for what he was in himself – a man without spot, one who, in an earlier age, would have gone through martyrdom with the same pure, gentle firmness with which he now addressed them from a pulpit of peace. It was in this little church of St. Philip and St. James' that Evert Winthrop had first beheld Garda Thorne.

The next day he presented a letter of introduction which his aunt, Mrs. Rutherford, had given him before he left New York; the letter bore the address, "Mrs. Carew." Winthrop had not welcomed this document, he disliked the demand for attention which epistles usually convey. How much influence the beautiful face seen in church had upon its presentation when he finally made it, how long, without that accident, the ceremony might have been delayed, it would be difficult, perhaps, to accurately state. He himself would have said that the beautiful face had hastened it somewhat; but that in time he should have obeyed his aunt's wish in any case, as he always did. For Winthrop was a good nephew, his aunt had given him the only mother's love his childhood had known.

Mrs. Carew, who as Betty Gwinnet had been Mrs. Rutherford's room-mate at a New York school forty-four years before, lived in one of the large, old, rather dilapidated houses of Gracias; she was a widow, portly, good-natured, reminiscent, and delighted to see the nephew of her "dearest Katrina Beekman." It was not until his second visit that this nephew broached the subject of the face seen in church, and even then he presented it so slightly, with its narrow edge towards her, as it were, that the good lady never had a suspicion that it was more than a chance allusion on his part, and indeed always thereafter took to herself the credit of having been the first to direct a cultivated northern attention to this beautiful young creature, who was being left, "like the poet's flower, you know, to blush unseen and waste her sweetness on the desert air, though of coarse you understand that I am not literal of course, for fortunately there are no deserts in Florida, unless, indeed, you include the Everglades, and I don't see how you can, for certainly the essence of a desert is, and always has been, dryness of course, dryness to a degree, and the Everglades are all under water, so that there isn't a dry spot anywhere for even so much as the sole of your foot, any more than there was for Noah's weary dove, you know, and it's water, water, everywhere, and not a drop to drink, that is, if you should wish to drink it, which I am sure I hope you wouldn't, for it's said to be most unhealthy, and even the Ancient Mariner himself couldn't have stood it long."

Mrs. Carew was fertile in quotations, rich in simile; and if both were rather wanting in novelty, there was at least an element of unexpectedness in her manner of connecting them which amused her present visitor and kept him listening. Not that Winthrop was ever inattentive. On the contrary, he had listening powers of admirable range and calm. He was capable of participating in any amount of conversation upon the weather, he could accept with passiveness those advisers who are always telling their friends what they "ought" to do, he could listen imperturbably to little details from the people who always will tell little details, he could bear without impatience even the narration of dreams; he was able to continue an acquaintance unmoved with those excellent persons who, when they have said a good thing, immediately go back and tell it over again; in short, he betrayed no irritation in the presence of great Commonplace. The commonplace people, therefore, all liked him, he had not an enemy among them. And this was the more amusing, as, in reality, he detested them.

His friends, those who knew him best, told him that he went about most of the time in a mask. "All the world's a stage," he answered; "the only point is that the mask should be an agreeable one. Why should I be obliged to show my true complexion to Tom, Dick, and Harry, when Tom, Dick, and Harry so much prefer the one I have assumed? It's good practice for me – the mask-wearing – practice in self-control; and besides, Tom, Dick, and Harry are right, the borrowed complexion is the better one; perhaps I may be able, in time, to really acquire one like it."

To find himself listening, therefore, without his mask, listening for the simple entertainment of it, was always an agreeable variety to this gentleman, who kept at least his outward attention in such strict control; and the first time he heard Mrs. Betty Carew hold forth, he had a taste of it.

"Yes, that was Mistress Thorne and Garda, I reckon; on second thoughts, I am sure of it; for they always come up from East Angels on Sunday mornings to service, with old Pablo to row, as Mistress Thorne has succeeded in getting as far as the Episcopal church, though Our Lady of the Angels was too much for her, which was quite as well, however, because, of course, all the Thornes, being English, were Church people of course in the old country, though poor Eddie, having been twice diluted, as one may say, owing to his mother and grandmother having been Spanish and Roman Catholic, was not quite so strong in the real Episcopal doctrines as he might have been, which was a pity, of course, but could hardly, under the circumstances, have been prevented so far as I can see, for one swallow doesn't make a summer, I reckon, any more than one parent makes a Protestant, especially when the other's a Duero – with the Old Madam roaring on the borders, ready to raise Ned on the slightest provocation, to come down like wolf on the fold, you know – or was it the Assyrian? Now at East Angels – perhaps you are wondering at the name? Well, the cathedral, to begin with, is Our Lady of the Angels, and, in the old days, there were two mission-stations for the Indians south of here, one on the east coast, one more to the west, and bearing the same name. These chapels are gone; but as the Duero house stood near one of them, it took the name, or part of it, and has been called East Angels ever since. There was no house near the other chapel – West Angels – and some say the very site is lost, though others again have declared that the old bell is still there, lying at the foot of a great cypress – that hunters have seen it. But I haven't much faith in hunters, have you? – nor in fishermen either, for that matter. Little Mistress Thorne must know a great deal about fish, I suppose she lived on cod before she came down here; she belongs to Puritan stock, they say, and there were good people among them of course, though, for my part, I have always had a horror of the way they treated the witches; not that I approve of witchcraft, which is of course as wicked as possible, and even the witch of Endor, I suppose, could hardly be defended upon moral grounds, whatever you may do upon historical – which are so much the fashion nowadays, though I, for one, can't abide them – making out as they do that everything is a falsehood, and that even Pocahontas was not a respectable person; I don't know what they will attack next, I'm sure; Pocahontas was our only interesting Indian. Not that I care for Indians, don't fancy that; the Seminoles particularly; I'm always so glad that they've gone down to live in the Everglades, half under water; if anything could take down their savageness, I should think it would be that. I know them very well, of course – the Thornes, not the Seminoles – though perhaps I was never quite so intimate with them as Pamela Kirby was (she's dead now, poor soul! so sad for her!), for Pamela used to give Garda lessons; she moulded her, as she called it, taught her to shoot – of course I mean the young idea, and not guns. In fact, they have all had a hand in it – the moulding of Garda; too many, I think, for I believe in one overruling eye, and if you get round that, there's the good old proverb that remains pretty true, after all, I reckon, the one about too many cooks, though in this case the broth has been saved by the little mother, who is a very Napoleon in petticoats, and never forgets a thing; she actually remembers a thing before it has happened; Methuselah himself couldn't do more, though, come to think of it, I suppose very little had happened in the world before his day – excepting trilobites, that we used to read about in school. And Mistress Thorne knows all about them, you may be sure, just as well as Methuselah did; for she was a teacher, to begin with, a prim little New England school marm whom poor Eddie Thorne met by accident one summer when he went north, and fell in love with, as I have always supposed, from sheer force of contrast, like Beauty and the Beast, you know – not that she was a beast, of course, though poor Eddie was very handsome, but still I remember that everybody wondered, because it had been thought that he would marry the sister of Madame Giron, who had hair that came down to her feet. However, I ought to say that poor little Mistress Thorne has certainly done her very best to acquire our southern ways; she has actually tried to make herself over, root, stem, and branch, from her original New England sharpness to our own softer temperament, though I always feel sure, at the same moment, that, in the core of the rock, the old sap burns still – like the soul under the ribs of death, you know; not that I mean that exactly (though she is thin), but simply that the leopard cannot change his spots, nor the zebra his stripes, nor," added the good lady – altering her tone to solemnity as she perceived that her language was becoming Biblical – "the wild cony her young. Just to give you an idea of what I mean, Mr. Winthrop: for a long time after she first came to Gracias that little creature used regularly to parse twenty-four pages of 'Paradise Lost' every day, as a sort of mental tonic, I reckon, against what she thought the enervating tendencies of our southern life here – like quinine, you know; and as she parsed so much, she was naturally obliged to quote, as a sort of safety-valve, which was very pleasant of course and very intellectual, though I never care much for quotations myself, they are so diffuse, and besides, with all your efforts, you cannot make 'Paradise Lost' appropriate to all the little daily cares of life and house-keeping, which no true woman, I think, should be above; for though Eve did set a table for the angel, that was merely poetical and not like real life in the least, for she only had fruits, and no dishes probably but leaves, that you could throw away afterwards, which was very different from nice china, I can assure you, for you may not know, not being a house-keeper, that as regards china nowadays– our old blue sets – our servants are not in the least careful not to nick; I don't enter here into the great question of emancipation for the slaves, but– nick they will! Mistress Thorne speaks like 'Paradise Lost' to this day, and, what is more, she has taught Garda to speak in the same way – just like a book; only Garda's book is her own, you never know what she is going to say next, she turns about in all sorts of shapes, like those kaleidoscopes they used to give us children when I was little, only she never rattles (they did, dreadfully) – for I am sure a softer voice I never heard, unless it was that of the Old Madam, who used to say in velvet tones the most ferocious things you ever heard. Ah, you should have seen her! – straight as an arrow, and they said she was ninety for over thirty years, which of course was impossible, even if she had wished it, which I doubt, for there is the well-known Bible age of threescore years and ten, and to have exceeded it to that extent would have been irreverent. She was poor Eddie Thorne's aunt, the sister of his mother, a Duero and a tremendous one, dyed in ancestors to the core; every one was afraid of her but Garda, and Garda she took complete charge of as long as she lived, though Mistress Thorne did what she could on the outskirts —not much, I fancy, for the Old Madam declared that the child was a true Duero and should be brought up as one, which seemed to mean principally that she should swing in the hammock, and not learn verbs. I think Mistress Thorne began to teach Garda verbs the day after the funeral; at least when I went down there to pay a visit of condolence I found her with a grammar in her hand, and a good deal of cheerfulness under the circumstances – a good deal! The first Edgar Thorne, the one who came out from England, is said to have been a man of a good deal of force of character, for he kept a coach and four, and at that early day, on these pine-barrens, it almost seemed as if he must have created them by magic, which makes one think of Cinderella and her rats, doesn't it? And indeed, in this case, the horses did turn into rats, as one may say, before their very eyes; the poor Thornes have no horses now" said the kind-hearted lady, pausing to shake her head sympathetically, and then speeding on again. "They say that rats desert a sinking ship – though I have always wondered how, since ships are not apt to sink at the piers, are they? – and I never heard that rats could make rafts, though squirrels can, they say – a bit of plank with their tails put up as a sail, though of course rats' tails would never do for that, they are so thin; but if rats do desert their ship, Mistress Thorne will never desert hers, she will keep the Thorne colors flying to the last, and go down, if down she must, with the silent courage of the Spartan boy – although it was a fox he had gnawing him, wasn't it? and not a rat; but it makes no difference, it's the principle that's important, not the illustration. Garda's name is really Edgarda, Edgarda after all the Thornes, who, it seems, have been Edgars and Edgardas for centuries, which I should think must have been very inconvenient, for, just to mention one thing, they could never have signed their names in initials, because that would have meant fathers and sons and brothers and sisters indiscriminately, in fact all of them except the wives, who, having come in from outside families, would be able, fortunately, to be plain Mary and Jane. I am very fond of Garda, as indeed we all are; and I think she has wonderful beauty, don't you? – though rather Spanish perhaps. When she was about twelve years old I was afraid that the tinge of her mother in her was going to make her thin; but Nature fortunately prevented that in time, for you know that once an elbow gets fixed in the habit of being sharp, sharp it remains to the end of the chapter, though you may have pounds and pounds both above and below it, which seems strange, doesn't it? though of course it must serve some good purpose, as we ought all to believe. And that reminds me to say that I hope dear Katrina has gained flesh since she left school, for she used to be rather too slender (though very handsome otherwise), so that, in profile view, you couldn't help thinking of a paper-cutter, and you doubted whether she could even cast a shadow – like the man without a shadow, you remember, who used to double his up and put it in his pocket – only of course dear Katrina was never anything horrible like that, and, after all, why we should wish to cast shadows I am sure I don't know; certainly there are enough of them, as it is, in this vale of tears. If you like, I will take you down some day to call upon the Thornes; they will be delighted to see us and we shall be like angels' visits, few and far between, or fair as a star when only one; I hope you like poetry – you modern young gentlemen have such a way of being above it! But Mr. Carew was always very fond of Mrs. Hemans."

Türler ve etiketler

Yaş sınırı:
12+
Litres'teki yayın tarihi:
23 mart 2017
Hacim:
780 s. 1 illüstrasyon
Telif hakkı:
Public Domain
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