Kitabı oku: «Rodman the Keeper: Southern Sketches», sayfa 22

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"You!" said Wainwright.

"Did you not know that I would come?" said the girl.

He had not known it, or thought of it. He turned his eyes toward the other figure; everything still looked red. He held out a pocket-book.

"Go!" he said; "Royce is on your track!"

He spoke in a whisper; his voice had left him as he gained breath. Eliot, a dark-skinned, handsome, but cutthroat-looking fellow, seized the money and sprang toward the door. But Honor sprang too, and held him back; she had heard something. The next moment they all heard something – Royce coming in above.

When the youth entered, Brother Bethuel was quietly reading his Bible; the table on which it lay was across the cellar-door.

"Welcome," said the little missionary, rising. "I am happy to see you, Mr. Royce."

The place looked so peaceful, with the Bible, the ticking clock, and the cat, that Royce began to think it must be all a mistake. He sat down for a moment to rest, irresolute, and not quite knowing what to say next. The three, close under the thin flooring down below, did not stir, hardly breathed. Stephen was thinking that, if Royce could know the truth, he too would let Eliot go. But there was not much time for thought.

Brother Bethuel brought out some apples, and began to converse easily with his visitor. After a while he said, deprecatingly:

"Will you not remove your pistols to the window-seat behind you, Mr. Royce? From my youth, I could never abide the proximity of fire-arms of any kind. They distress me."

Royce good-naturedly took them out of his belt, and placed them behind him, but within easy reach. The missionary was on the opposite side of the room.

Not a sound below. Wainwright was breathing with his mouth wide open, so as not to pant. He was still much spent.

But it could not last long; Royce felt that he must search the house, even at the risk of offending the little missionary.

"Mr. Head," he said, awkwardly enough, "I am very sorry, but – but a communication has been received stating that one of the outlaws, and the one, too, who shot poor Allison, is concealed here, in this house. I am very sorry, but – but I must search every part of it immediately."

Brother Bethuel had risen; his countenance expressed sorrow and surprise.

"Young man," he said, "search where and as you please; but spare me your suspicions."

There was a dignity in his bearing which Royce had not seen before; he felt hot and ashamed.

"Indeed, Mr. Head, I regret all this," he said; "and, of course, it is but a matter of form. Still, for my own satisfaction, and yours, too, now I must go through the house."

He rose and moved a step forward. Quick as lightning the little missionary had sprung behind him, and pushed the pistols over the sill, through the open window, down forty feet on the rocks below.

"Traitor!" cried Royce, grappling him.

But it was too late; the pistols were gone. Brother Bethuel glowed openly with triumph; he made no more resistance in Royce's strong arms than a rag. The young man soon dropped him, and, hearing a sound below, ran to the cellar-door.

"He has no pistols!" screamed Bethuel down the stair after him: "you can manage him; he is alone."

Then, setting all the doors wide open, so that escape would be easy, he ran out to saddle Marcher.

Down below, in the cellar, Stephen had caught hold of Royce's arm. Royce, full in the narrow entranceway, stood glaring at Eliot, and minding Stephen's hold no more than the foot of a fly. The light from the horizontal door above streamed in and showed Eliot's dark face and Honor's dilated eyes. The girl stood near her cousin, but slightly behind him as though she feared his gaze.

"You are the man I want," said Royce; "I recognize you!" His strong voice came in among their previous whispers and bated breath, as his face came in among their three faces – Honor's ivory-pallid cheeks, the outlaw's strained attention, and Stephen's gray fatigue, more and more visible now as he gained breath and sight. "Yield yourself up. We are two to your one."

"We are two to your one," answered Eliot: "that man beside you is for me."

Royce looked down with surprise upon his cousin, who still held his arm.

"No mistaken lenity now, Stephen," he said curtly, shaking his arm free. "I must have this man; he shot Allison."

"How are you going to do it?" said Eliot jeeringly, putting his hands deep down in his pockets and squaring his shoulders. "Even Honor here is a match for two Yankees."

"Miss Dooris, I will let you pass," said Royce impatiently. "Go up stairs. This is no place for a girl like you."

"Say lady!" cried Eliot. "She is a Southern lady, sir!"

"Bah!" said Royce; "you are a fine person to talk of ladies. —Are you going, Miss Dooris?"

Great tears stood in Honor's eyes; she did not stir.

"She will not go, John," said Wainwright, "because that man is her cousin – he is an Eliot."

"He is a murderer!" said Royce, filling up the doorway again, and measuring with his eye the breadth of his opponent's shoulders and muscle. "Now, then, are you with me or against me, Stephen? If against me, by Heaven! I will fight you both."

"You do not understand, John. It is Honor's cousin: that is why I am anxious to save him."

"And what is her cousin or anybody's cousin to me?" cried Royce angrily. "I tell you that man shot Allison, and he shall swing for it."

He sprang forward as if to close with Eliot, then sprang back again. He remembered that it was more important that he should guard the door: there was no other way of escape. If Stephen, pursuing the extraordinary course he had taken in this matter, should side with Eliot, Brother Bethuel being a traitor too up stairs, he might not be able to overcome the outlaw in an attack. He set his teeth, therefore, and stood still. His hat was off; the sunset light touched his forehead and yellow hair; the image of strength and young manhood, he confronted them in his elegant attire – confronted the outlaw in his rough, unclean garments; Honor in her old, black gown; and Stephen in his torn clothes, his tired face looking yellow and withered as the face of an old baboon. He considered whether he could keep the door until the troops came: they would not be long behind him. But, if he only had his pistols!

His eye glanced toward Stephen; but Stephen never carried arms. Eliot, probably, had only a knife; if he had had a pistol, he would have shown it before now. All this in the flash of a second.

Brother Bethuel could be heard bringing Marcher around the house. Stephen made one more effort. In a few, concise words he explained who Eliot was, and his own great wish to aid him in escaping. With his hand on Royce's arm, he called his attention, by a gesture, to Honor.

"Let the man go for my sake and – hers," he said, in a low voice, looking up at his young cousin with his small, pale-colored eyes.

Honor clasped her hands and made a step forward; she did not speak, but implored with an entreating gaze. Royce threw his head back impatiently. All this was nothing to him. He would have his man, or die for it; they all saw that.

Then Eliot, who had watched to see the result of this pleading, made up his mind.

"Stand back from the door, or I fire!" he cried, drawing out his hand, and taking aim at Royce.

He had a pistol, then!

"I give you thirty seconds!"

But Honor, with a wild scream, ran forward, and threw herself against Royce's breast, covering it with her shoulders and head, and raising her arms and hands to shield his face. He did not hold her or put his arm around her; but she clung to him with her whole length, as a wet ribbon clings to a stone.

"Leave him, Honor!" cried Eliot, in a fury – "leave him, or I'll shoot you both!"

"Shoot, then!" said Honor, looking up into Royce's face, and frantically trying to cover every inch of it with her shielding hands.

Stephen ran and caught Eliot's arm; Royce, half blinded, tried to push the girl away; then the sound of the pistol filled the room. Royce swayed and fell over heavily, carrying Honor with him as he went down; a ball had entered his lung under the girl's arm, in the little space left open by the inward curve of her waist. Eliot ran by the two, up the stair, and out of the house; but, as he passed Honor, he took the time to strike her across the cheek, and curse her. At the door he found Marcher, sprang into the saddle, and rode away.

Brother Bethuel, with white face, hurried down and stanched the blood; he had no small knowledge of surgery and the healing craft, and he commanded Royce not to utter a syllable. Honor held the young man's head in her lap, and every now and then softly took up his fallen hand. Wainwright drew away, and watched her with the deepest pain of his life gnawing at his heart. He saw her stroke Royce's hair fondly, as if she could not help it, and saw her begin to sob over his closing eyes and the deepening violet shadows under them, and then stop herself lest she should disturb him. Brother Bethuel was listening to the breathing with bent head, to find out if there was any chance for life. The house was as still as a tomb; a bee came in, and hummed above their heads.

"He has a chance," said the missionary at last, fervently, raising his head. "Do not let him stir." He ran up stairs for restoratives, and Wainwright sat down on a stool which had been Eliot's seat during his imprisonment, and covered his eyes with his hand. It seemed to him that he had sat there a long time, and that Honor must be noticing him now. He glanced up; she was gazing down at the still face on her lap. He stirred; she motioned impatiently for silence with her hand, but did not raise her eyes. He sat looking at her miserably, and growing old, older with every moment. His lips quivered once as he silently gave up for ever his dream of hope and love. He passed his hand over his dry eyes, and sat still. By the time he was needed he was able to help Brother Bethuel in making Royce as comfortable as possible on the cellar-floor: they dared not move him.

The troops arrived in time to hear all about it – they then went back again.

Wainwright returned to Ellerby that evening. The army-surgeon and a nurse had been sent out immediately to the mountain cottage, and Colonel Eliot, distressed and agitated, had accompanied them. Wainwright went to his room, attired himself anew, and sought Adelaide's parlor. Adelaide received him quietly; she said nothing, but came around behind him and kissed his forehead. He looked up at her dumbly. Her eyes filled with tears. In her strange, double, woman's way she felt sorry for his sorrow. She was conscious of no guilt; she had only precipitated matters. Honor would never have loved him, and it was better he should know it. In truth, she had saved him.

And Honor? Oh, she had the usual torments of young love! She was no goddess to Royce, only a girl like any other. He was touched by her impulsive act, and during his long illness he began to think more and more about her. It all ended well; that is, he married her after a while, took her away to the North, and was, on the whole, a good husband. But, from first to last, he ruled her, and she never became quite the beauty that Mrs. Kellinger intended her to be, because she was too devoted to him, too absorbed in him, too dependent upon his fancies, to collect that repose and security of heart which are necessary to complete the beauty of even the most beautiful woman.

Ellerby village sank back into quietude. Still the moonlight whisky is made up in the mountains, and still the revenue detectives are shot. The United States troops go up every summer, and – come back again! The wild, beautiful region is not yet conquered.

Wainwright reëntered society; society received him with gladness. A fresh supply of mothers smiled upon him, a fresh supply of daughters filed past him. He made his little compact remarks as before, and appeared unaltered; but he let the lime-light play about him rather more continuously now, and took fewer journeys. He will never swerve from Adelaide again. As they grow older, the chances are that some day he will say to her, "Why should we not be married, Adelaide?"

And she will answer, "Why not, indeed?"

This woman loved him; the other would never have given him more than gratitude. What would you have?

THE END
Türler ve etiketler
Yaş sınırı:
12+
Litres'teki yayın tarihi:
16 mayıs 2017
Hacim:
400 s. 1 illüstrasyon
Telif hakkı:
Public Domain
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