Kitabı oku: «Moorland Idylls», sayfa 5

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XIV.
COLTSFOOT FLOWERS

Down by the streamlet in the Frying Pan, in the heavy clay soil of the bank, I see this morning the flower-scapes of the coltsfoot are lifting betimes their curious bent heads. Two days more, and they will star the bare earth with their golden blossoms. That is a sure sign that winter is over, the labourers will tell you, weatherwise in their ancestral lore; and, indeed, the coltsfoot is a prudent and a wary herb, which I have seldom known go wrong in its calculation of probabilities. It makes its own weather forecast, independently of the Meteorological Office, and it backs its opinion. As long as it thinks frost is likely to recur, it “lies low,” like Br’er Rabbit; but as soon as it feels pretty confident the worst is past, and no more hard weather will come to nip it in the bud, it boldly sends up its leafless flower-stem, looking more like a shoot of asparagus than anything else, with which most people are familiar. I have never seen it make a serious mistake, even in the sunniest and most treacherous English spring weather.

Who gave it its wisdom? – to parody Mr. Swinburne. How did it come so well to time itself as the earliest among our conspicuous spring flowers? Well, coltsfoot is a composite, belonging to the same minor group as the common ragworts – its very leaf, indeed, being a good deal like some of the larger ragworts in type, especially those handsome exotics of the race, so much cultivated in greenhouses under the name of cinerarias. But living in cold northern climates, on the banks of streams, in deep clay soil, where it spreads most vigorously, it has learned by experience to accommodate itself to its environment. It did so, in fact, many thousand years before Mr. Herbert Spencer taught poor recent humanity that latter-day catchword. Growing in thickset places, by running water, where its own large leaves and those of its neighbours would overshadow and hide its dainty blossoms in the height of summer, it has acquired the odd trick of sending them up naked, on the naked clay, in very early spring, when they court and easily attract the attention of the first spring insects to visit and fertilize them. In order to do this it must lay by material the summer before, and that material the prudent plants bury deep out of harm’s way, in their creeping underground rootstock. Owing to the dampness and chilliness of the clay, which suits its constitution best, coltsfoot hides its rootstock exceptionally deep in the earth, and this precaution affords it, on the whole, a safe protection alike against cold and against burrowing enemies. As long as the frozen earth remains chilly underneath, the buds make no stir; but as soon as the subsoil begins to rise in temperature to a very modest point the flower-heads grow apace from the buried material, exactly as hyacinths do from a bulb when placed in water in a slightly warm atmosphere. And such a raising of temperature in the subsoil is one of the surest signs that winter has spent itself.

The flower-stem of coltsfoot rises bare and leafless, save for a few small scales, such as one sees on asparagus; but it is thickly covered with a warm cottony wool, to keep out winter, and the buds are bent down so as to protect them at once from chill and from injury. Each stem terminates in a single pretty fluffy yellow flower-head, composed of innumerable golden florets of two kinds – those of the ray very narrow and ragged, giving the entire head its characteristic tasselled appearance; while those of the central disk are much larger, and bell-shaped. The entire blossom looks like a dandelion at first sight to a careless observer; but when you come to examine it closely, it is a far more dignified and beautiful flower. The tone of its yellow is richer, yet mellower, and its fluffy little ray-florets have a Japanesque charm in their flowing looseness.

So long as the flowers continue to bloom, you see no leaves; whence it comes about that many people know well the blossoms of coltsfoot in spring, and the foliage in summer, without having the faintest idea that they belong to one another. But if you keep your eye on the place where the yellow stars arose, after the flowers have withered and the white heads have blown away in copious flights, their wee feathery fruitlets, you will see by-and-by some big broad angular leaves, very thick and noticeable, rising high into the air from the same buried rootstock in the self-same position. Few leaves are more remarkable, with their heart-shaped bases and their obtrusive angles; while the under side is thickly covered throughout with a cottony wool, loose, white, and abundant. They are big, because they overtop the other leaves about, and so gain free access to the air and sunshine. They have elbow-room to spread in. Their business (like that of all leaves) is to catch and eat carbonic acid, which the sunlight assimilates for them. For this reason they are green above, with a transparent skin, which skin forms a water-layer for absorbing the gas and conducting it to the living green tissue beneath, where it is duly digested and assimilated. But why the cotton below? Well, the upper and under surfaces of leaves perform in nature quite different functions. The upper side, which is thick and firm, eats carbonic acid and receives the incident sunlight to digest it; but the under side, which is looser and spongier, gives off vapour of water – transpires, as we say – by innumerable little mouths, which are its outward breathing-pores. Now, these pores must not be allowed to get clogged with dew; so in wet meadows and by river-banks, where everything reeks with dew from sunset till late in the succeeding morning, almost all the plants protect the breathing-pores on their under side by such an unwettable felt of thickly matted cotton. Meadow-sweet is a familiar English example, and so is a close relation of our coltsfoot, the butterbur.

XV.
A HEATHER EPISODE

I flung myself on the heath outside the house just now, with my friend the Editor. He edits a London literary journal, and disbelieves in everything. He is critical and sceptical. When he inherits glory (as he surely must do in time, for his is the noblest and purest and best of souls at bottom, in spite of its gruffness), I believe he will gaze about him at the golden floor and the walls of chrysoprase, and murmur to himself, “Humph! Not all it’s cracked up to be!” Yet he is as tender as a woman, and as simple as a child; though he has found out the fact that the world is hollow, and that the human doll is stuffed with sawdust.

We lay beside a clump of tall flaming rose-bay – fire-weed, as they call it over yonder in America. There, in the great woodlands, on whose lap I was nursed, a wandering child of the primeval forest, you may see whole vast sheets of that flamboyant willow-herb covering the ground for miles on bare glades in the pinewood. Most visitors fancy it gets its common American name from its blaze of colour; and, indeed, it often spreads like a sea of flame over acres and acres of hillside together. But the prosaic backwoodsman gave it its beautiful title for a more practical reason: because it grows apace wherever a forest fire has killed out and laid waste the native vegetation. Like most of the willow-herbs, it has a floating seed winged with cottony threads, which waft it through the air on pinions of gossamer; and thus it alights on the newly burnt soil, and springs up amain after the first cool shower. Within twelve months it has almost obliterated the signs of devastation on the ground under foot; only the great charred stems and gaunt blackened branches rise above its smiling mass of green leaves and bright blossoms, to tell anew the half-forgotten tale of ruin and disaster.

Here in England the rose-bay is a less frequent denizen, for it loves the wilds, and feels most at home in deep rich meadow bottoms unoccupied by tillage. Now, in Britain these conditions do not often occur since the Norman conquest; still, I have seen vast sheets of its tall pink pyramids of bloom at John Evelyn’s Wootton; while even up here, on our heathery uplands, it fights hard for life among the gorse and bracken. Its beautiful spikes of irregular flowers, wide open below and tapering at the top into tiny knobs of bud, are among the loveliest elements in the natural flora of my poor three acres.

We were lying beside them, then, out of the eye of the sun, under the shadow of one bare and weather-beaten pine-tree, when talk fell by chance on the small brown lizards that skulk among the sandy soil of our hilltop. I said, and I believe, that the lizard population of the British Isles must outnumber the human by many, many millions. For every sandy heath is just a London of lizards. They pullulate in the ling like slum-children in Whitechapel. They were about us, I remarked, as thick as Hyde Park demonstrators; only, instead of demonstrating, they prefer to lie low and conceal their identity. The policeman hawks and the owls on night duty have taught them that wisdom – stern Draconian officers of nature’s executive, who know no gentler punishment than the death penalty for the slightest misdemeanour.

The Editor smiled that sceptical smile which is the terror of young contributors of Notes on Novels. He rejected the lizards like unsuitable copy. He didn’t believe in them. He doubted there were any on the heath at all. He had walked over square miles of English moorland, but never a lizard had he seen, out of all their millions. Imagination, he observed, was an invaluable property to poets and naturalists. It was part of their stock-in-trade. He didn’t seek to deprive them of it. As Falstaff says, a man may surely labour at his vocation.

I was put on my mettle. For once in my life, I did a rash thing; I ventured to prophesy. “If you wish,” I cried, “I’ll catch a lizard, and show you.” The Editor’s face was a study to behold. Phil May would have paid him ten guineas for the copyright. “As you like,” he answered grimly. “Produce your lizards.”

Fortune favours the brave. But I confess I trembled. Never before had I bragged; and now I wondered whether Fortune or Nemesis would carry it. ’Twas two to one on Nemesis. Yet the gods, as Swinburne tells us in “Les Noyades,” are sometimes kindly. We lay still on the heather – still as mice – and waited. Presently, to my great and unexpected joy, a sound as of life! – a rustling among the bilberry bushes! One sharp brown head, and then another, with beady black eyes as keen as a beagle’s, peeped forth from the miniature jungle of brake and cross-leaved heath in the bank beside us. I raised my lids, and looked mutely at the Editor. He followed my glance, and saw the tiny lithe creatures glide slowly from their covert, and crawl with heads held slyly on one side, and then on the other, into the open patch, on which we lay like statues. How they listened and looked! How they raised their quaint small heads, on the alert against the first faint breath of danger! I sat still as a mouse again, holding my breath in suspense, and waiting anxiously for developments. Then a miracle happened. Miracles do happen now and again, as once at Bolsena, to convince the sceptical. My hand lay motionless on the ground at my side. I would not have moved it just then for a sovereign. One wee brown lizard, gazing cautiously around, crept over it with sly care, and, finding it all right, walked up my sleeve as far as the elbow. I checked my heart and watched him. Never in my life before had such a thing happened to me – but I did not say so to the sceptical Editor; on the contrary, I looked as totally unconcerned as if I had been accustomed to lizards taking tours on me daily from my childhood upward. “Are you convinced?” I asked, with a bland smile of triumph. Even the Editor admitted, with a grudging sniff, that seeing is believing.

And, indeed, there are dozens of lizards to the square yard in England, though I never before knew one of them to assail me of its own accord. I have caught them a hundred times by force or fraud among the heaths and sand-pits. The commonest sort hereabouts is the dingy brown viviparous lizard, which lays no eggs, but brings forth its young alive, and tends them like a mother. It is an agile, wee thing, that creeps from its hole or nest during the noontide hours, and basks lazily in the sun in search of insects. But let a fly come near it, and quick as lightning it turns its tiny head, darts upon him like fate, and crunches him up between those sharp small teeth with the ferocity of a crocodile. We have sand-lizards, too, a far timider and wilder species; they bite your hand when caught, and refuse to live in captivity at the bottom of a flowerpot like their viviparous cousins. These pretty wee reptiles are often delicately spotted or banded with green; they lay a dozen leathery eggs in a hole in the sand, where the sun hatches out the poor abandoned little orphans without the aid of their unnatural mother. Still, they are much daintier in their colouring than the more domestic brown kind; and, after all, in a lizard I demand beauty rather than advanced moral qualities. I may be wrong; but such is my opinion. It is all very well to be ethical at Exeter Hall; but too sensitive a conscience is surely out of place in the struggle for life on the open moorland.

XVI.
THE CHRYSALIS YEAR

In warm spots under hedges, I see, the first spring insects now begin to appear, timidly and tentatively, from the shelter of their cocoons. Some few of them, indeed, like the lady-birds, the wasps, and the bumble-bees, have struggled through the winter in the winged or perfect form, having hibernated among warm moss or under the bark of trees in favoured situations. These adventurous kinds passed through their larval and pupal stages last year, and a tithe of them live on with difficulty through the winter frosts, to become the mothers and founders of fresh insect communities as April comes round again. But by far the greater number eat and grow as grubs or caterpillars through the summer months, and when autumn approaches turn into cocoons or chrysalides, to lie by for the winter in a snug retreat, well wrapped up in a warm silky or woollen coverlet, and protected underground from snow or hoarfrost. As soon as cold weather approaches, these prudent insects retire from public life, cease from active pursuits, melt themselves up into a sort of organic pulp, lose almost every distinguishable organ or feature, and remain dormant, in a state of indefinite protoplasm, which gradually takes shape again as moth, beetle, or butterfly. Mummies we sometimes call them, but they are not even mummies, for they lose almost entirely their form and limbs; they tide over the winter for the most part in an all but structureless mass, which yet encloses the potentiality of rebuilding in due course the shape and members of the ancestral insect. Slowly new limbs grow out within the protecting chrysalis case, wings bud from the side, and the grub or caterpillar changes by degrees into the totally unlike image of the beetle or butterfly. As soon as warmer weather sets in, the winged forms emerge with the first sunny day from their broken shell. I have seen nettle-butterflies abroad in a spell of genial warmth in the last week of January; a brimstone has been tempted forth to seek his lady-love on St. Valentine’s Day; and fritillaries are abundant in early March sunshine. Lesser insects, whose names are enshrined in scientific Latin alone, often emerge from their mummy-cases even earlier than these familiar and conspicuous lepidoptera.

The moment they peep forth, lo and behold! they find the plant world, for its part, ready decked to greet them. The very same morning that sees the first butterfly and the first bee on the wing, sees also the first crocus opening wide its shining cup in the full sun to woo them. The brimstone is no sooner out than the coltsfoot and the celandine and the bulbous buttercup spread their gold to allure him. And has it ever struck you that the plants, no less than the animals, pass through the winter period in the chrysalis condition? This is no mere figurative flower of speech; it is the scientific statement of a real and profound analogy. During the summer months the leaves of the crocus, the tulip, and the hyacinth have been eating and laying by, exactly as the caterpillar did, to provide material for next year’s flowering season. When winter blows cold, the leaves die down – the plant, as it were, retires underground into its bulb, like the caterpillar into the cocoon, and there remains, formless and organless, a mere pupa-like potentiality of future buds and blossoms. But when warm weather recurs, the bulb once more begins to germinate: it takes fresh form as a vigorous flower-head. Observe, too, that the flowering stem, like the winged stage of the insect, is the sexual epoch of the plant, an avatar told off, as the butterfly by the caterpillar, to produce the seeds which are the eggs of the species. In each case a certain definite period of time is passed in laying by material, in eating and storing only; then comes a quiescent epoch of rest and rebuilding; and this again is followed by a mature stage of marriage and reproduction. Notice, too, in either instance, that the reproductive stage is more beautifully formed and more attractively coloured than the mere accumulative and storing mechanism.

What is thus true of the crocus and of the butterfly is true, to a great extent, of all plants and animals in temperate or cold climates. They enter every winter into a chrysalis stage, from which in early spring they emerge once more, still more beautiful than before, freshly adorned for the mating and nesting period. Trees lose their leaves, and withdraw their protoplasmic and starchy material in a shapeless mass into the permanent tissues; but they hold it there, ready to manufacture it once more into bright green foliage and tasselled catkins, into blushing apple-blossoms, or tall spikes of horse-chestnut flower, or pink bloom of elms, with the first spring sunshine. Squirrels hibernate; moles sleep away the dead of winter; frogs retire to the depths of ponds; slugs bury themselves in the soil; dormice doze in well-lined crannies among the boles of hazels. Many species only tide over the cold weather, indeed, in the most potential form, as eggs or seeds; they are annuals, like the poppy or the aphides of roses. In such cases the whole race is represented for some months by its germs alone: one generation never sees or knows the existence of another. In other instances, somewhat higher, the species survives as pupa or as bulb, adult, no doubt, though in a relatively formless or indefinite shape, yet ready to come forth full-fledged and perfect at the first faint breath of returning summer. Still other kinds, again, struggle through as mature and fully formed insects, or birds, or mammals, and as evergreen trees or shrubs, though they live for the most part a life of low grade, and on accumulated materials. Nature is almost dormant in our zone through the winter months; life is then one vast and varied chrysalis.

XVII.
A SUMMER STROLL

My friend the Poet and I walk the world together on somewhat different principles. It is a fixed belief of his that illusion is far more beautiful than reality. He likes to see the distant hills through some dim veil of mist; he likes to believe the skylark feeds on dew and sunshine, and he is revolted when I explain to him, in spite of Shelley, the actual staples of its unromantic diet. To him, it seems, everything loses just half its beauty when he knows all about it. Analysis, he says, is destructive of pleasure. Only in an imagined and unrealized world can he find the pure elements that delight his fancy.

But to me the actual world as it stands is beautiful. I love to descry the very contour of the hills; I love to watch from afar the saucer-shaped combes on the flanks of the South Downs, when the afternoon light floods and bathes them in its glory. Illusion to my mind is less lovely than reality. Nothing on earth seems more beautiful than Truth. I love to catch her face behind the clouds that conceal her.

And now it is the plain unvarnished Truth I am going to give you in this Moorland Idyll. I am going to tell you just what we saw to-day, without one episode or incident save what really occurred to us. I could not make that stroll more exquisite than I found it, if I tried till Doomsday. It was an idyll of real life. May many more so come to me!

We strayed together – the Poet, Elsie, Lucy, and myself – across the moor to Highfield, in search of strawberries. Highfield lies some two miles off, at the beginning of the valley; a lost old-world farm, in a dell of the moors, with a market-garden. You poor Londoners, when you go to buy strawberries, go to buy them prosaically at a commercial fruiterer’s in a noisy street; but we moorlanders go with our basket in our hands to some lonely grange across the heather-clad upland. The first part of our walk lay high over the ridge, where the heath was burnt in the Jubilee year by the great fire; you can still plainly mark the point up to which the flames made a clear sweep of the heather, and the point where they left off, held in check by the beaters. For heather is really a forest-tree of some fifty years’ growth; and the waste where the fire raged is still covered to this day with a shorter crop of young seedling gorse and ling and whortleberry, while the older vegetation unburnt beyond rises tall and bush-like. The blasted part, too, shows by far the finest and deepest purple of any; not because the flowers are really bigger or thicker, but because where the plants are still short the Tyrian purple of the Scotch heather is seen to greatest advantage; whereas, when they rise higher, the Scotch heather is overtopped by the bushier and coarser and taller-growing ling, with its somewhat insipid pale pink blossoms. The Poet thinks the fire makes the heath burn brighter. I think myself it keeps the ling lower.

Anyhow, that spur is one blaze of glory. Not a spot on the moor flares so splendid a purple. We passed through it, single file, by the narrow footpath, where the ling rises knee-high on either side, and the little brown lizards dart wildly to their holes at first sound of a footfall. Along the ridge, past the broom-bushes, now hanging with silvery pods, we continued on the path till we reached the white beam-tree. There the trail diverges a little suddenly to the left; a cock-pheasant broke with a shrill cry on the wing; his whirr as he rose startled the shallow valley. A wood-pigeon, alarmed at his alarm, flapped afield from the pinewood; the low cooing of his fellows from the larches beyond died away at the sound of his warning signal. Then we turned into the middle trail, where it dips towards the lowland.

All at once Elsie started, and gave a little cry – “A fox! a fox!” And, sure enough, there was one. He ran on before us, with his red brush depressed, fifty yards or more along the path on the open. Seldom have I caught a longer or clearer view of him unhunted in England. We were but ten yards behind, and had fairly surprised him. However, he took his discovery like a gentleman, and instead of skulking away to right or left, where the heath rose high, he ran on along the open, so as to give us a fine stare at him. Lucy, who is a visitor, unused to country ways, save as townsfolk know them, had never seen a live fox in the wild state before, and the incident charmed her. He was so lithe and red, and he ran so well, with his sharp head held low, and with the wild air of his species.

By the chestnut plantation, where a grassy little lane dips close between the trees, cropped and cut for hop-poles, we began to descend in real earnest to the valley. A rabbit just dashed across the sward on the slope of path; his twinkling white tail scarce betrayed him for a moment. Two hawks hovered above, but held off for fear of us. Rustlings in the fallen foliage beneath the sapling chestnuts to right and left gave sign of other rabbits, unseen, but scurrying burrow-ward. As we reached the open we disturbed a young covey of nursling partridges. Most of them disappeared after their prudent mother before we could catch a glimpse of them; but one poor little chick, belated and terrified, darted with its tiny half-naked wings erect in an agony of alarm in the opposite direction. It found covert in the chestnuts, its tiny heart throbbing. Alas, that it should have conceived at so early an age so justly unfavourable an idea of humanity!

Beyond the plantation we turned aside into a field, and oh! such a field! Have I words to picture it? It had been sown for grass; but no grass was there. “Bad season,” says the farmer. “Thank Heaven for these slovenly farms,” says the botanist. Blue cornflowers grew in it, thick as stars in heaven; and huge spikes of viper’s bugloss as tall as a man’s waist and more lovely than a turquoise. Who shall describe their hue, their form, their fashion? A great spotted stem, like a lizard’s skin, green flecked with russet brown, and uncanny to look upon; on either side, long twisted spirals of red-and-blue blossoms, each curled like a scorpion’s tail, very strange and lurid. The individual blossom is bright blue, when fully opened, with crimson stamens; the buds are deep red; the dead flowers dry violet. Altogether, a most weird and witch-like plant. I think one might use it with great advantage for incantations and sorcery. The Poet decided to try its effect next time he would rid himself of a discarded lady-love. We plucked great armfuls, and carried them along with us as far as Highfield. Other flowers were there, too, of less poetic interest – bright yellow corn-marigolds, and scented white campion; scarlet poppies by the score, with waving panicles of not a few tall grasses. We gathered of them all, and they stand before me now, gladdening my eyes as I write, in the coarse red pots of plain Hampshire earthenware.

They had no strawberries left, after all, at Highfield. We had our walk for nothing – if that be nothing! So we used the empty basket to carry back our trophies. But, returning by the lane, we filled our vacant arms once more with foxgloves; and the fox himself crossed our path for a second again at the self-same turning, without seeking to reclaim them. Even the Poet admitted we had saved one day from Time’s devouring maw. And that’s how we live, up here in the moorland.

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Litres'teki yayın tarihi:
28 mayıs 2017
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140 s. 1 illüstrasyon
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