Kitabı oku: «Letters of Anton Chekhov to His Family and Friends», sayfa 8

Sasha is a young woman of the newest type. She is well-educated, intelligent, honest, and so on. In the realm of the blind a one-eyed man is king, and so she favours Ivanov in spite of his being thirty-five. He is better than anyone else. She knew him when she was a child and saw his work close at hand, at the period before he was exhausted. He is a friend of her father’s.

She is a female who is not won by the vivid plumage of the male, not by their courage and dexterity, but by their complaints, whinings and failures. She is the sort of girl who loves a man when he is going downhill. The moment Ivanov loses heart the young lady is on the spot! That’s just what she was waiting for. Just think of it, she now has such a holy, such a grateful task before her! She will raise up the fallen one, set him on his feet, make him happy… It is not Ivanov she loves, but this task. Argenton in Daudet’s book says, “Life is not a novel.” Sasha does not know this. She does not know that for Ivanov love is only a fresh complication, an extra stab in the back. And what comes of it? She struggles with him for a whole year and, instead of being raised, he sinks lower and lower.

… In my description of Ivanov there often occurs the word “Russian.” Don’t be cross about it. When I was writing the play I had in mind only the things that really matter – that is, only the typical Russian characteristics. Thus the extreme excitability, the feeling of guilt, the liability to become exhausted are purely Russian. Germans are never excited, and that is why Germany knows nothing of disappointed, superfluous, or over-tired people… The excitability of the French is always maintained at one and the same level, and makes no sudden bounds or falls, and so a Frenchman is normally excited down to a decrepit old age. In other words, the French do not have to waste their strength in over-excitement; they spend their powers sensibly, and do not go bankrupt.

… Ivanov and Lvov appear to my imagination to be living people. I tell you honestly, in all conscience, these men were born in my head, not by accident, not out of sea foam, or preconceived “intellectual" ideas. They are the result of observing and studying life. They stand in my brain, and I feel that I have not falsified the truth nor exaggerated it a jot. If on paper they have not come out clear and living, the fault is not in them but in me, for not being able to express my thoughts. It shows it is too early for me to begin writing plays.

January 7, 1889

… I have been cherishing the bold dream of summing up all that has hitherto been written about whining, miserable people, and with my Ivanov saying the last word. It seemed to me that all Russian novelists and playwrights were drawn to depict despondent men, but that they all wrote instinctively, having no definite image or views on the subject. As far as my design goes I was on the right track, but the execution is good for nothing. I ought to have waited! I am glad I did not listen to Grigorovitch two or three years ago, and write a novel! I can just imagine what a lot of good material I should have spoiled. He says: “Talent and freshness overcome everything.” It is more true to say that talent and freshness can spoil a great deal. In addition to plenty of material and talent, one wants something else which is no less important. One wants to be mature – that is one thing; and for another the feeling of personal freedom is essential, and that feeling has only recently begun to develop in me. I used not to have it before; its place was successfully filled by my frivolity, carelessness, and lack of respect for my work.

What writers belonging to the upper class have received from nature for nothing, plebeians acquire at the cost of their youth. Write a story of how a young man, the son of a serf, who has served in a shop, sung in a choir, been at a high school and a university, who has been brought up to respect everyone of higher rank and position, to kiss priests’ hands, to reverence other people’s ideas, to be thankful for every morsel of bread, who has been many times whipped, who has trudged from one pupil to another without goloshes, who has been used to fighting, and tormenting animals, who has liked dining with his rich relations, and been hypocritical before God and men from the mere consciousness of his own insignificance – write how this young man squeezes the slave out of himself, drop by drop, and how waking one beautiful morning he feels that he has no longer a slave’s blood in his veins but a real man’s…

March 5, 1889

… Last night I drove out of town and listened to the gypsies. They sing well, the wild creatures. Their singing reminds me of a train falling off a high bank in a violent snow-storm: there is a lot of turmoil, screeching and banging.

… I bought Dostoevsky in your shop and am now reading him. It is fine, but very long and indiscreet. It is over-pretentious.

SUMY,

LINTVARYOVS’ ESTATE, May, 1889.

… Among other things I am reading Gontcharov and wondering. I wonder how I could have considered Gontcharov a first-rate writer. His “Oblomov” is not really good. Oblomov himself is exaggerated and is not so striking as to make it worth while to write a whole book about him. A flabby sluggard like so many, a commonplace, petty nature without any complexity in it: to raise this person to the rank of a social type is to make too much of him. I ask myself, what would Oblomov be if he had not been a sluggard? And I answer that he would not have been anything. And if so, let him snore in peace. The other characters are trivial, with a flavour of Leikin about them; they are taken at random, and are half unreal. They are not characteristic of the epoch and give one nothing new. Stoltz does not inspire me with any confidence. The author says he is a splendid fellow, but I don’t believe him. He is a sly brute, who thinks very well of himself and is very complacent. He is half unreal, and three-quarters on stilts. Olga is unreal and is dragged in by the tail. And the chief trouble is that the whole novel is cold, cold, cold. I scratch out Gontcharov from the list of my demi-gods.

But how direct, how powerful is Gogol, and what an artist he is! His “Marriage” alone is worth two hundred thousand roubles. It is simply delicious, and that is all about it. He is the greatest of Russian writers. In “The Inspector General” the first act is the best, in “The Marriage” the third act is the worst. I am going to read it aloud to my people.

May 4, 1889

… Nature is an excellent sedative. It pacifies – that is, it makes one indifferent. And it is essential in this world to be indifferent. Only those who are indifferent are able to see things clearly, to be just and to work. Of course, I am only speaking of intelligent people of fine natures; the empty and selfish are indifferent enough any way.

You say that I have grown lazy. That does not mean that I am now lazier than I used to be. I work now as much as I did three or five years ago. To work and to look as though I were working from nine in the morning till dinner, and from evening tea till bedtime has become a habit with me, and in that respect I am just like a government clerk. And if my work does not produce two novels a month or an income of ten thousand, it is not my laziness that is at fault, but my fundamental, psychological peculiarities. I do not care enough for money to succeed in medicine, and for literature I have not enough passion and therefore not enough talent. The fire burns in me slowly and evenly, without suddenly spluttering and flaring up, and this is why it does not happen to me to write three or four signatures a night, or to be so carried away by work as to prevent myself from going to bed if I am sleepy; this is why I commit no particular follies nor do anything particularly wise.

I am afraid that in this respect I resemble Gontcharov, whom I don’t like, who is ten heads taller than I am in talent. I have not enough passion; add to that this sort of lunacy: for the last two years I have for no reason at all ceased to care about seeing my work in print, have become indifferent to reviews, to literary conversations, to gossip, to success and failure, to good pay – in short, I have gone downright silly. There is a sort of stagnation in my soul. I explain it by the stagnation in my personal life. I am not disappointed, I am not tired, I am not depressed, but simply everything has suddenly become less interesting. I must do something to rouse myself.

May 7

I have read Bourget’s “Disciple” in the Russian translation. This is how it strikes me. Bourget is a gifted, very intelligent and cultured man. He is as thoroughly acquainted with the method of the natural sciences, and as imbued with it as though he had taken a good degree in science or medicine. He is not a stranger in the domain he proposes to deal with – a merit absent in Russian writers both new and old.

… The novel is interesting. I have read it and understand why you were so absorbed by it. It is clever, interesting, in places witty, somewhat fantastic. As to its defects, the chief of them is his pretentious crusade against materialism. Forgive me, but I can’t understand such crusades. They never lead to anything and only bring needless confusion into people’s thoughts. Whom is the crusade against, and what is its object? Where is the enemy and what is there dangerous about him? In the first place, the materialistic movement is not a school or tendency in the narrow journalistic sense; it is not something passing or accidental; it is necessary, inevitable, and beyond the power of man. All that lives on earth is bound to be materialistic. In animals, in savages, in Moscow merchants, all that is higher and non-animal is conditioned by an unconscious instinct, while all the rest is material, and they of course cannot help it. Beings of a higher order, thinking men, are also bound to be materialists. They seek for truth in matter, for there is nowhere else to seek for it, since they see, hear, and sense matter alone. Of necessity they can only seek for truth where their microscopes, lancets, and knives are of use to them. To forbid a man to follow the materialistic line of thought is equivalent to forbidding him to seek truth. Outside matter there is neither knowledge nor experience, and consequently there is no truth…

I think that when dissecting a corpse, the most inveterate spiritualist will be bound to ask himself, “Where is the soul here?” And if one knows how great is the likeness between bodily and mental diseases, and that both are treated by the same remedies, one cannot help refusing to separate the soul from the body.

… To speak of the danger and harm of materialism, and even more to fight against it, is, to say the least, premature. We have not enough data to draw up an indictment. There are many theories and suppositions, but no facts… The priests complain of unbelief, immorality, and so on. There is no unbelief. People believe in something, whatever it may be…

As to immorality, it is not people like Mendeleyev but poets, abbots, and personages regularly attending Embassy churches, who have the reputation of being perverted debauchees, libertines, and drunkards.

In short, I cannot understand Bourget’s crusade. If, in starting upon it, he had at the same time taken the trouble to point out to the materialists an incorporeal God in the sky, and to point to Him in such a way that they should see Him, that would be another matter, and I should understand what he is driving at.

May 14, 1889

… You want to know if the lady doctor hates you as before. Alas! she has grown stouter and much more resigned, which I do not like at all. There are not many women doctors left on earth. They are disappearing and dying out like the branches in the Byelovyezhsky forest. Some die of consumption, others become mystics, some marry widowed squadron-commanders, some still try to stand firm, but are obviously losing heart. Probably the first tailors and the first astrologers also died out rapidly. Life is hard on those who have the temerity first to enter upon an unknown path. The vanguard always has a bad time of it.

May 15, 1889

If you have not gone abroad yet, I will answer your letter about Bourget… You are speaking of the “right to live” of this or that branch of knowledge; I am speaking of peace, not of rights. I want people not to see war where there is none. Different branches of knowledge have always lived together in peace. Anatomy and belles-lettres are of equally noble descent; they have the same purpose and the same enemy – the devil – and there is absolutely nothing for them to fight about. There is no struggle for existence between them. If a man knows about the circulation of the blood, he is rich; if he also learns the history of religion and the song “I remember a marvellous moment,” he becomes richer, not poorer – that is to say, we are concerned with pluses alone. This is why geniuses have never fought, and in Goethe the poet lived amicably side by side with the scientist.

It is not branches of knowledge such as poetry and anatomy, but errors – that is to say, men – that fight with one another. When a man fails to understand something he is conscious of a discord, and seeks for the cause of it not in himself, as he should, but outside himself – hence the war with what he does not understand. In the middle ages alchemy was gradually in a natural, peaceful way changing into chemistry, and astrology into astronomy; the monks did not understand, saw a conflict and fought against it. Just such a belligerent Spanish monk was our Pisarev in the sixties.

Bourget, too, is fighting. You say he is not, and I say he is. Imagine his novel falling into the hands of a man whose children are studying in the faculty of science, or of a bishop who is looking for a subject for his Sunday sermon. Will the effect be anything like peace? It will not. Or imagine the novel catching the eye of an anatomist or a physiologist, or any such. It will not breathe peace into anyone’s soul; it will irritate those who know and give false ideas to those who don’t.

TO A. N. PLESHTCHEYEV

MOSCOW, September 30, 1889.

… I do not think I ought to change the title of the story. [Footnote: “A Dreary Story.”] The wags who will, as you foretell, make jokes about “A Dreary Story,” are so dull that one need not fear them; and if someone makes a good joke I shall be glad to have given him the occasion for it. The professor could not write about Katya’s husband because he did not know him, and Katya does not say anything about him; besides, one of my hero’s chief characteristics is that he cares far too little about the inner life of those who surround him, and while people around him are weeping, making mistakes, telling lies, he calmly talks about the theatre or literature. Were he a different sort of man, Liza and Katya might not have come to grief.

October, 1889

I am afraid of those who look for a tendency between the lines, and who are determined to regard me either as a liberal or as a conservative. I am not a liberal, not a conservative, not a believer in gradual progress, not a monk, not an indifferentist. I should like to be a free artist and nothing more, and I regret that God has not given me the power to be one. I hate lying and violence in all their forms, and am equally repelled by the secretaries of consistories and by Notovitch and Gradovsky. Pharisaism, stupidity and despotism reign not in merchants’ houses and prisons alone. I see them in science, in literature, in the younger generation… That is why I have no preference either for gendarmes, or for butchers, or for scientists, or for writers, or for the younger generation. I regard trade-marks and labels as a superstition. My holy of holies is the human body, health, intelligence, talent, inspiration, love, and the most absolute freedom – freedom from violence and lying, whatever forms they may take. This is the programme I would follow if I were a great artist.

MOSCOW,

February 15, 1890.

I answer you, dear Alexey Nikolaevitch, at once on receiving your letter. It was your name-day, and I forgot it!! Forgive me, dear friend, and accept my belated congratulations.

Did you really not like the “Kreutzer Sonata”? I don’t say it is a work of genius for all time, of that I am no judge; but to my thinking, among the mass of all that is written now, here and abroad, one scarcely could find anything else as powerful both in the gravity of its conception and the beauty of its execution. To say nothing of its artistic merits, which in places are striking, one must be grateful to the novel, if only because it is keenly stimulating to thought. As one reads it, one can scarcely refrain from crying out: “That’s true,” or “That’s absurd.” It is true it has some very annoying defects. Apart from all those you enumerate, it has one for which one cannot readily forgive the author – that is, the audacity with which Tolstoy holds forth about what he doesn’t know and is too obstinate to care to understand. Thus his statements about syphilis, foundling hospitals, the aversion of women for the sexual relation, and so on, are not merely open to dispute, but show him up as an ignoramus who has not, in the course of his long life, taken the trouble to read two or three books written by specialists. But yet these defects fly away like feathers in the wind; one simply does not notice them in face of the real worth of the story, or, if one notices them, it is only with a little vexation that the story has not escaped the fate of all the works of man, all imperfect and never free from blemish.

My Petersburg friends and acquaintances are angry with me? What for? For my not having bored them enough with my presence, which has for so long been a bore to myself! Soothe their minds. Tell them that in Petersburg I ate a great many dinners and a great many suppers, but did not fascinate one lady; that every day I was confident of leaving by the evening train, that I was detained by my friends and by The Marine Almanack, the whole of which I had to look through from the year 1852. While I was in Petersburg, I got through in one month more than my young friends would in a year. Let them be angry, though!

I sit all day long reading and making extracts. I have nothing in my head or on paper except Sahalin. Mental obsession. Mania Sachalinosa.

Not long ago I dined with Madame Yermolov. [Translator’s Note: The celebrated actress.] A wild-flower thrust into the same nosegay with the carnation was the more fragrant for the good company it had kept. So I, after dining with the star, was aware of a halo round my head for two days afterwards …

Good-bye, my dear friend; come and see us…

TO A. S. SUVORIN

MOSCOW, February 23, 1890.

… My brother Alexandr is a slow-witted creature; he is enthusiastic over Ornatsky’s missionary speech, in which he says that the natives do not become Christians because they are waiting for a special ukaz (that is, command) from the Tsar on the subject and are waiting for their chiefs to be baptized … (by force – be it understood). This eloquent pontifex says, too, that the native priests ought, in view of their ascetic manner of life, to be removed from the natives and put into special institutions somewhat after the fashion of monasteries. A nice set of people and no mistake! They have wasted two million roubles, they send out every year from the academy dozens of missionaries who cost the treasury and the people large sums, yet they cannot convert the natives, and what is more, want the police and the military to help them with fire and sword…

If you have Madame Tsebrikov’s article, do not trouble to send it. Such articles give no information and only waste time; I want facts. Indeed, in Russia there is a terrible poverty of facts, and a terrible abundance of reflections of all sorts.

February 28

… To-morrow is spring, and within ten to fifteen days the larks will come back. But alas! – the coming spring seems strange to me, for I am going away from it.

In Sahalin there is very good fish, but there are no hot drinks…

Our geologists, ichthyologists, zoologists and so on, are fearfully uneducated people. They write such a vile jargon that it not only bores one to read it, but one actually has at times to remodel the sentences before one can understand them; on the other hand, they have solemnity and earnestness enough and to spare. It’s really beastly…