Kitabı oku: «Mark Twain: A Biography. Volume II, Part 1: 1886-1900», sayfa 19
To their elders the farm remained always the quiet haven. Once to Orion's wife Clemens wrote:
This is a superb Sunday . . . .
The city in the valley is purple with shade, as seen from up here at the study. The Cranes are reading and loafing in the canvas- curtained summer-house, fifty yards away, on a higher (the highest) point; the cats are loafing over at Ellerslie, which is the children's estate and dwelling house in their own private grounds (by deed from Susie Crane), a hundred yards from the study, among the clover and young oaks and willows. Livy is down at the house, but I shall now go and bring her up to the Cranes to help us occupy the lounges and hammocks, whence a great panorama of distant hills and valley and city is seeable. The children have gone on a lark through the neighboring hills and woods, Susie and Clara horseback and Jean, driving a buggy, with the coachman for comrade and assistant at need. It is a perfect day indeed.
The ending of each year's summer brought only regret. Clemens would never take away all his things. He had an old superstition that to leave some article insured return. Mrs. Clemens also left something—her heart's content. The children went around bidding various objects good-by and kissed the gates of Ellerslie too.
CLVIII
MARK TWAIN AT FIFTY
Mark Twain's fiftieth birthday was one of the pleasantly observed events of that year. There was no special celebration, but friends sent kindly messages, and The Critic, then conducted by Jeannette and Joseph Gilder, made a feature of it. Miss Gilder wrote to Oliver Wendell Holmes and invited some verses, which with his never-failing kindliness he sent, though in his accompanying note he said:
"I had twenty-three letters spread out on my table for answering, all marked immediate, when your note came."
Dr. Holmes's stanzas are full of his gentle spirit:
TO MARK TWAIN
(On his fiftieth birthday)
Ah, Clemens, when I saw thee last,
We both of us were younger;
How fondly mumbling o'er the past
Is Memory's toothless hunger!
So fifty years have fled, they say,
Since first you took to drinking;
I mean in Nature's milky way
Of course no ill I'm thinking.
But while on life's uneven road
Your track you've been pursuing,
What fountains from your wit have flowed
What drinks you have been brewing!
I know whence all your magic came,
Your secret I've discovered,
The source that fed your inward flame,
The dreams that round you hovered.
Before you learned to bite or munch,
Still kicking in your cradle,
The Muses mixed a bowl of punch
And Hebe seized the ladle.
Dear babe, whose fiftieth year to-day
Your ripe half-century rounded,
Your books the precious draught betray
The laughing Nine compounded.
So mixed the sweet, the sharp, the strong,
Each finds its faults amended,
The virtues that to each belong
In happiest union blended.
And what the flavor can surpass
Of sugar, spirit, lemons?
So while one health fills every glass
Mark Twain for Baby Clemens!
OLIVER WENDELL HOLMES
Frank R. Stockton, Charles Dudley Warner, and Joel Chandler Harris sent pleasing letters. Warner said:
You may think it an easy thing to be fifty years old, but you will find it's not so easy to stay there, and your next fifty years will slip away much faster than those just accomplished.
Many wrote letters privately, of course, and Andrew Lang, like Holmes, sent a poem that has a special charm.
FOR MARK TWAIN
To brave Mark Twain, across the sea,
The years have brought his jubilee.
One hears it, half in pain,
That fifty years have passed and gone
Since danced the merry star that shone
Above the babe Mark Twain.
We turn his pages and we see
The Mississippi flowing free;
We turn again and grin
O'er all Tom Sawyer did and planned
With him of the ensanguined hand,
With Huckleberry Finn!
Spirit of Mirth, whose chime of bells
Shakes on his cap, and sweetly swells
Across the Atlantic main,
Grant that Mark's laughter never die,
That men through many a century
May chuckle o'er Mark Twain!
Assuredly Mark Twain was made happy by these attentions; to Dr. Holmes he wrote:
DEAR DR. HOLMES,—I shall never be able to tell you the half of how proud you have made me. If I could you would say you were nearly paid for the trouble you took. And then the family: If I could convey the electrical surprise and gratitude and exaltation of the wife and the children last night, when they happened upon that Critic where I had, with artful artlessness, spread it open and retired out of view to see what would happen—well, it was great and fine and beautiful to see, and made me feel as the victor feels when the shouting hosts march by: and if you also could have seen it you would have said the account was squared. For I have brought them up in your company, as in the company of a warm and friendly and beneficent but far-distant sun; and so, for you to do this thing was for the sun to send down out of the skies the miracle of a special ray and transfigure me before their faces. I knew what that poem would be to them; I knew it would raise me up to remote and shining heights in their eyes, to very fellowship with the chambered Nautilus itself, and that from that fellowship they could never more dissociate me while they should live; and so I made sure to be by when the surprise should come.
Charles Dudley Warner is charmed with the poem for its own felicitous sake; and so indeed am I, but more because it has drawn the sting of my fiftieth year; taken away the pain of it, the grief of it, the somehow shame of it, and made me glad and proud it happened.
With reverence and affection,
Sincerely yours,
S. L. CLEMENS.
So Samuel Clemens had reached the half-century mark; reached it in what seemed the fullness of success from every viewpoint. If he was not yet the foremost American man of letters, he was at least the most widely known he sat upon the highest mountain-top. Furthermore, it seemed to him that fortune was showering her gifts into his lap. His unfortunate investments were now only as the necessary experiments that had led him to larger successes. As a publisher, he was already the most conspicuous in the world, and he contemplated still larger ventures: a type-setting machine patent, in which he had invested, and now largely controlled, he regarded as the chief invention of the age, absolutely certain to yield incalculable wealth. His connection with the Grant family had associated him with an enterprise looking to the building of a railway from Constantinople to the Persian Gulf. Charles A. Dana, of the Sun, had put him in the way of obtaining for publication the life of the Pope, Leo XIII, officially authorized by the Pope himself, and this he regarded as a certain fortune.
Now that the tide had turned he felt no hesitancy in reckoning a fortune from almost any venture. The Grant book, even on the liberal terms allowed to the author, would yield a net profit of one hundred and fifty thousand dollars to its publishers. Huck Finn would yield fifty thousand dollars more. The sales of his other books had considerably increased. Certainly, at fifty, Mark Twain's fortunes were at flood-tide; buoyant and jubilant, he was floating on the topmost wave. If there were undercurrents and undertow they were down somewhere out of sight. If there were breakers ahead, they were too far distant to be heard. So sure was he of the triumphant consummation of every venture that to a friend at his home one night he said:
"I am frightened at the proportions of my prosperity. It seems to me that whatever I touch turns to gold."
CLIX
THE LIFE OF THE POPE
As Mark Twain in the earlier days of his marriage had temporarily put aside authorship to join in a newspaper venture, so now again literature had dropped into the background, had become an avocation, while financial interests prevailed. There were two chief ventures—the business of Charles L. Webster & Co. and the promotion of the Paige type-setting machine. They were closely identified in fortunes, so closely that in time the very existence of each depended upon the success of the other; yet they were quite distinct, and must be so treated in this story.
The success of the Grant Life had given the Webster business an immense prestige. It was no longer necessary to seek desirable features for publication. They came uninvited. Other war generals preparing their memoirs naturally hoped to appear with their great commander. McClellan's Own Story was arranged for without difficulty. A Genesis of the Civil War, by Gen. Samuel Wylie Crawford, was offered and accepted. General Sheridan's Memoirs were in preparation, and negotiations with Webster & Co. for their appearance were not delayed. Probably neither Webster nor Clemens believed that the sale of any of these books would approach those of the Grant Life, but they expected them to be large, for the Grant book had stimulated the public taste for war literature, and anything bearing the stamp of personal battle experience was considered literary legal-tender.
Moreover, these features, and even the Grant book itself, seemed likely to dwindle in importance by the side of The Life of Pope Leo XIII., who in his old and enfeebled age had consented to the preparation of a memoir, to be published with his sanction and blessing.—[By Bernard O'Reilly, D.D., LL.D. "Written with the Encouragement, Approbation, and Blessings of His Holiness the Pope."]—Clemens and Webster—every one, in fact, who heard of the project—united in the belief that no book, with the exception of the Holy Scripture itself or the Koran, would have a wider acceptance than the biography of the Pope. It was agreed by good judges—and they included Howells and Twichell and even the shrewd general agents throughout the country—that every good Catholic would regard such a book not only as desirable, but as absolutely necessary to his salvation. Howells, recalling Clemens's emotions of this time, writes:
He had no words in which to paint the magnificence of the project or to forecast its colossal success. It would have a currency bounded only by the number of Catholics in Christendom. It would be translated into every language which was anywhere written or printed; it would be circulated literally in every country of the globe.
The formal contract for this great undertaking was signed in Rome in April, 1886, and Webster immediately prepared to go over to consult with his Holiness in person as to certain details, also, no doubt, for the newspaper advertising which must result from such an interview.
It was decided to carry a handsome present to the Pope in the form of a specially made edition of the Grant Memoirs in a rich-casket, and it was Clemens's idea that the binding of the book should be solid gold—this to be done by Tiffany at an estimated cost of about three thousand dollars. In the end, however, the binding was not gold, but the handsomest that could be designed of less precious and more appropriate materials.
Webster sailed toward the end of June, and was warmly received and highly honored in Rome. The great figures of the Grant success had astonished Europe even more than America, where spectacular achievements were more common. That any single publication should pay a profit to author and publisher of six hundred thousand dollars was a thing which belonged with the wonders of Aladdin's garden. It was natural, therefore, that Webster, who had rubbed the magic lamp with this result, who was Mark Twain's partner, and who had now traveled across the seas to confer with the Pope himself, should be received with royal honors. In letters written at the time, Webster relates how he found it necessary to have an imposing carriage and a footman to maintain the dignity of his mission, and how, after various impressive formalities, he was granted a private audience, a very special honor indeed. Webster's letter gives us a picture of his Holiness which is worth preserving.
We—[Mrs. Webster, who, the reader will remember, was Annie Moffett, a daughter of Pamela Clemens, was included in the invitation to the Presence Chamber.]—found ourselves in a room perhaps twenty-five by thirty-five feet; the furniture was gilt, upholstered in light-red silk, and the side-walls were hung with the same material. Against the wall by which we entered and in the middle space was a large gilt throne chair, upholstered in red plush, and upon it sat a man bowed with age; his hair was silvery white and as pure as the driven snow. His head was partly covered with a white skullcap; he was dressed in a long white cassock which reached to his feet, which rested upon a red-plush cushion and were inclosed in red embroidered slippers with a design of a cross. A golden chain was about his neck and suspended by it in his lap was a gold cross set in precious stones. Upon a finger of his right hand was a gold ring with an emerald setting nearly an inch in diameter. His countenance was smiling, and beamed with benevolence. His face at once impressed us as that of a noble, pure man who could not do otherwise than good.
This was the Pope of Rome, and as we advanced, making the three genuflexions prescribed by etiquette, he smiled benignly upon us. We advanced and, kneeling at his feet, kissed the seal upon his ring. He took us each by the hand repeatedly during the audience and made us perfectly at our ease.
They remained as much as half an hour in the Presence; and the Pope conversed on a variety of subjects, including the business failure of General Grant, his last hours, and the great success of his book. The figures seemed to him hardly credible, and when Webster assured him that already a guaranteed sale of one hundred thousand copies of his own biography had been pledged by the agents he seemed even more astonished. "We in Italy cannot comprehend such things," he said. "I know you do great work in America; I know you have done a great and noble work in regard to General Grant's book, but that my Life should have such a sale seems impossible."
He asked about their home, their children, and was in every way the kindly, gentle-hearted man that his pictured face has shown him. Then he gave them his final blessing and the audience closed.
We each again kissed the seal on his ring. As Annie was about to kiss it he suddenly withdrew his hand and said, "And will you, a little Protestant, kiss the Pope's ring?" As he said this, his face was all smiles, and mischief was clearly delineated upon it. He immediately put back his hand and she kissed the ring. We now withdrew, backing out and making three genuflexions as before. Just as we reached the door he called to Dr. O'Reilly, "Now don't praise me too much; tell the truth, tell the truth."
CLX
A GREAT PUBLISHER AT HOME
Men are likely to be spoiled by prosperity, to be made arrogant, even harsh. Success made Samuel Clemens merely elate, more kindly, more humanly generous. Every day almost he wrote to Webster, suggesting some new book or venture, but always considerately, always deferring to suggestions from other points of view. Once, when it seemed to him that matters were not going as well as usual, a visit from Webster showed him that it was because of his own continued absence from the business that he did not understand. Whereupon he wrote:
DEAR CHARLEY,—Good—it's all good news. Everything is on the pleasantest possible basis now, and is going to stay so. I blame myself in not looking in on you oftener in the past—that would have prevented all trouble. I mean to stand to my duty better now.
At another time, realizing the press of responsibility, and that Webster was not entirely well, he sent a warning from Mrs. Clemens against overwork. He added:
Your letter shows that you need such a warning. So I warn you myself to look after that. Overwork killed Mr. Langdon and it can kill you.
Clemens found his own cares greatly multiplied. His connection with the firm was widely known, and many authors sent him their manuscripts or wrote him personal letters concerning them. Furthermore, he was beset by all the cranks and beggars in Christendom. His affairs became so numerous at length that he employed a business agent, F. G. Whitmore, to relieve him of a part of his burden. Whitmore lived close by, and was a good billiard-player. Almost anything from the morning mail served as an excuse to send for Whitmore.
Clemens was fond of affairs when they were going well; he liked the game of business, especially when it was pretentious and showily prosperous. It is probable that he was never more satisfied with his share of fortune than just at this time. Certainly his home life was never happier. Katie Leary, for thirty years in the family service, has set down some impressions of that pleasant period.
Mr. Clemens was a very affectionate father. He seldom left the house at night, but would read to the family, first to the children until bedtime, afterward to Mrs. Clemens. He usually read Browning to her. They were very fond of it. The children played charades a great deal, and he was wonderful at that game and always helped them. They were very fond of private theatricals. Every Saturday of their lives they had a temporary stage put up in the school-room and we all had to help. Gerhardt painted the scenery. They frequently played the balcony scene from "Romeo and Juliet" and several plays they wrote themselves. Now and then we had a big general performance of "The Prince and the Pauper." That would be in the library and the dining-room with the folding-doors open. The place just held eighty-four chairs, and the stage was placed back against the conservatory. The children were crazy about acting and we all enjoyed it as much as they did, especially Mr. Clemens, who was the best actor of all. I had a part, too, and George. I have never known a happier household than theirs was during those years.
Mr. Clemens spent most of his time up in the billiard-room, writing or playing billiards. One day when I went in, and he was shooting the balls around the tables, I noticed smoke coming up from the hearth. I called Patrick, and John O'Neill, the gardener, and we began taking up the hearth to see what was the matter. Mr. Clemens kept on playing billiards right along and paid no attention to what we were doing. Finally, when we got the hearth up, a lot of flame and smoke came out into the room. The house was on fire. Mr. Clemens noticed then what we were about, and went over to the corner where there were some bottle fire-extinguishers. He took one down and threw it into the flames. This put them out a good deal, and he took up his cue, went back to the table, and began to shoot the balls around again as if nothing had happened. Mrs. Clemens came in just then and said, "Why, the house is afire!"
"Yes, I know it," he said, but went on playing.
We had a telephone and it didn't work very well. It annoyed him a good deal and sometimes he'd say:
"I'll tear it out."
One day he tried to call up Mrs. Dr. Tafft. He could not hear plainly and thought he was talking to central. "Send down and take this d–thing out of here," he said; "I'm tired of it." He was mad, and using a good deal of bad language. All at once he heard Mrs. Dr. Tafft say, "Oh, Mr. Clemens, good morning." He said, "Why, Mrs. Tafft, I have just come to the telephone. George, our butler, was here before me and I heard him swearing as I came up. I shall have to talk to him about it."
Mrs. Tafft often told it on him.—[ Mark Twain once wrote to the telephone management: "The time is coming very soon when the telephone will be a perfect instrument, when proximity will no longer be a hindrance to its performance, when, in fact, one will hear a man who is in the next block just as easily and comfortably as he would if that man were in San Francisco."] Mrs. Clemens, before I went there, took care of his desk, but little by little I began to look after it when she was busy at other things. Finally I took care of it altogether, but he didn't know it for a long time. One morning he caught me at it. "What are you doing here?" he asked.
"Dusting, Mr. Clemens," I said.
"You have no business here," he said, very mad.
"I've been doing it for a year, Mr. Clemens," I said. "Mrs. Clemens told me to do it."
After that, when he missed anything—and he missed things often—he would ring for me. "Katie," he would say, "you have lost that manuscript."
"Oh, Mr. Clemens,", I would say, "I am sure I didn't touch it."
"Yes, you did touch it, Katie. You put it in the fire. It is gone."
He would scold then, and fume a great deal. Then he would go over and mark out with his toe on the carpet a line which I was never to cross. "Katie," he would say, "you are never to go nearer to my desk than that line. That is the dead-line." Often after he had scolded me in the morning he would come in in the evening where I was dressing Mrs. Clemens to go out and say, "Katie, I found that manuscript." And I would say, "Mr. Clemens, I felt so bad this morning that I wanted to go away."
He had a pipe-cleaner which he kept on a high shelf. It was an awful old dirty one, and I didn't know that he ever used it. I took it to the balcony which was built out into the woods and threw it away as far as I could throw it. Next day he asked, "Katie, did you see my pipe-cleaner? You did see it; I can tell by your looks."
I said, "Yes, Mr. Clemens, I threw it away."
"Well," he said, "it was worth a thousand dollars," and it seemed so to me, too, before he got done scolding about it.
It is hard not to dwell too long on the home life of this period. One would like to make a long chapter out of those play-acting evenings alone. They remained always fresh in Mark Twain's memory. Once he wrote of them:
We dined as we could, probably with a neighbor, and by quarter to eight in the evening the hickory fire in the hall was pouring a sheet of flame up the chimney, the house was in a drench of gas- light from the ground floor up, the guests were arriving, and there was a babble of hearty greetings, with not a voice in it that was not old and familiar and affectionate; and when the curtain went up we looked out from the stage upon none but faces that were dear to us, none but faces that were lit up with welcome for us.
