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Kitabı oku: «Harper's Young People, January 10, 1882», sayfa 3

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But to-day everything went wrong; his head was full of fancies, and with his ready pencil he was sketching when he should have been studying, scrawling scrolls and rose-windows over his Latin, and sending flocks of pigeons up and down the margin of oceans and continents. He stumbled at his lessons, he bothered those who knew them, and perplexed those who did not, until the master's patience was exhausted, and he gave him a sound thrashing.

After that there was silence, sullenness, and an appearance of work, but a sudden roar of laughter from the boys made the master look up. Felix was bending over his book as if he were the only one undisturbed. The master was not, however, easily deceived.

"Come here, Felix."

"Yes, sir;" and the lad slowly obeyed.

"Give me that book."

"I'd rather not, sir."

"Give it to me."

Now Felix had a real liking for his master, and was usually sorry for offending him; but the whipping had not been beneficial, although his conscience told him that it was deserved. He presented the book. On its fly-leaf was a drawing of the master – a very clever caricature – as Cupid drawing his bow at a group of girls, who, with much disdain and derision, were pelting him with sticks and stones.

The master's face flushed at the disrespect; but he quietly laid the book aside, and proceeded with his duties, Felix remaining standing.

The recitations went on, the hum of study, the drawl of the lazy ones, and the quick, eager replies of the ambitious. Felix was forgotten.

The boy began to think he had made a mistake. What had he gained by misconduct? Where were the thoughts of the morning under the cathedral windows? How was he fitting himself to work on the beautiful structure which was to be the medium of praise and prayer for multitudes, in the long ages to come? And yet he knew this had been his mother's hope and wish. Was he making good use of the talents God had given him?

He was looking out the window now, watching the lights and shadows on the carved stone of buttress and gable.

The boys were dismissed. He sat down to the extra tasks assigned him. He was hungry, he was miserable, but he plodded on, and finished his work. The master bade him go, and he went, but not home.

He lingered about the cathedral, watching the workmen. Finally he became fascinated by their employment; and taking up their tools, worked out a leaf pattern on a bit of refuse stone. The men left him there. Tired and faint, he sought his mother's resting-place. The rose was drooping for want of water.

"Come, it is time you were home," said a familiar voice.

Felix looked up astonished. It was the master.

"You must go with me to your father. I wish to speak to him."

Felix obeyed. The climax had come. His father was stern and hard, and the master, of course, would have a sorry tale to tell.

Fortunately the village people had gone in to their evening meal, and he would be spared the disgrace of being seen conducted like a culprit to his father. He did not speak a word, nor did the master, but shame and remorse were written on every feature. He felt as if he were a criminal about to receive sentence – a sentence, too, which was deserved, and which justice demanded.

"Well, what now, Herr Professor, is the matter?" asked the father, grimly surveying his son.

"Felix is in trouble again, Mr. Zimmerman."

"Hah! idle as usual – good for nothing – won't study?"

"Yes, a little of all, I am sorry to say. But I have a remedy to propose."

"A thrashing, of course."

"No, once a day is enough. We've tried that; it did not answer in this case as well as it does sometimes. May I have the pleasure of Master Felix's company to supper?"

"What, sir, you want the boy to be rewarded for bad behavior?"

"Not at all – not at all. Run away, Felix; get your face washed and your jacket on, and you shall be my guest for this evening."

Felix was almost too much surprised to be able to move, but without daring to question his father, he did as the master told him. While he was gone, a conversation went on between Mr. Zimmerman and the teacher.

It is not necessary to repeat it; but Felix saw a different expression on his father's face when, neatly dressed, he came down the steps and followed the master home.

He was fearfully hungry, and yet almost ashamed to take the good broth and bread which were set before him in the master's quaint and quiet little parlor; they somehow choked him; and as he looked about at the book-covered shelves and old engravings, the detestable caricature he had drawn in the morning danced before his eyes.

At last he could stand it no longer. The teacher seemed to have disappeared, and only this kind, genial host sat opposite him, heaping up his plate and bowl.

"Herr Professor," he stammered, "I beg your pardon – indeed I do."

"I am very glad to hear that, my boy; but don't think any more about it just now," was the response, and filling his pipe, wreaths of smoke began to play about the old man's head.

"It is a great pity that a lad of your talent should waste any time, Felix, and if you are willing, I think your father will let me give you drawing lessons."

Felix could hardly believe his ears.

"To be sure, you will have to apply yourself more diligently, be prompt and industrious, or all the lessons in the world won't make a man of you."

"I'll try," said Felix, though a mist was in his eyes.

"That's right," said the Professor, and then he opened some great volumes full of pictures, and the boy gazed in delighted wonder at a world more beautiful than his dreams. Not an allusion did the Professor make again to anything that had happened during the day.

When evening was over, and he courteously bade him good-night, Felix was dazed, and went home with light steps to his little bed.

As soon as Turk woke him next morning he sprang up with alacrity, and would have been off with the dawn to water his rose-bush, but his father detained him.

"Felix," said he, somewhat sternly, "the master says there's good stuff in you if you'll use it. Come here and eat your breakfast before you go, and let me hear what you have to say for yourself."

"I'll try," was the sum and substance of Felix's talk over his brown bread and milk.

Ten years after this there was a great celebration in the town, for the cathedral was finished. Cannon thundered, bells pealed, and a grand "Te Deum" was chanted to the rolling rhythm of the magnificent organ.

A group of visitors standing near a certain pillar of great beauty were applauding it, while they complimented a young architect and sculptor, whose work it was. His head was modestly bent as he received the commendation, but in a moment he raised it, and turning to a very old man in a professor's gown, whose hair was white with the snows of many winters, he took him by the hand and presented him to the visitors.

"Gentlemen, this is the person you must thank for the pillar. Whatever beauty it possesses, whatever expression it is of truth and religion, is due to my master, whose kindness rescued me from idleness, whose skill directed my youthful efforts."

Sleep, little daughter!

Ay, chill is the weather,

But we in our cottage

Are cheerful together.

Father is sailing

Across the wild water;

Father in heaven

Smiles down on my daughter!

Sleep, little daughter!

The wind is abating;

Father is sailing,

And mother is waiting.

Soon he will come,

In the soft sunny weather;

Father in heaven

Will bring us together.

BY JIMMY BROWN

I don't like Mr. Travers as much as I did. Of course I know he's a very nice man, and he's going to be my brother when he marries Sue, and he used to bring me candy sometimes, but he isn't what he used to be.

One time – that was last summer – he was always dreadfully anxious to hear from the Post-office, and whenever he came to see Sue, and he and she and I would be sitting on the front piazza, he would say, "Jimmy, I think there must be a letter for me; I'll give you ten cents if you'll go down to the Post-office"; and then Sue would say, "Don't run, Jimmy; you'll get heart-disease if you do"; and I'd walk 'way down to the Post-office, which is pretty near half a mile from our house. But now he doesn't seem to care anything about his letters; and he and Sue sit in the back parlor, and mother says I mustn't go in and disturb them; and I don't get any more ten cents.

I've learned that it won't do to fix your affections on human beings, for even the best of men won't keep on giving you ten cents forever. And it wasn't fair for Mr. Travers to get angry with me the other night, when it was all an accident – at least 'most all of it; and I don't think it's manly for a man to stand by and see a sister shake a fellow that isn't half her size, and especially when he never supposed that anything was going to happen to her even if it did break.

When Aunt Eliza came to our house the last time, she brought a steam chair; that's what she called it, though there wasn't any steam about it. She brought it from Europe with her, and it was the queerest sort of chair, that would all fold up, and had a kind of footstool to it, so that you put your legs out and just lie down in it. Well, one day it got broken. The back of the seat fell down, and shut Aunt Eliza up in the chair so she couldn't get out, and didn't she just howl till somebody came and helped her! She was so angry that she said she never wanted to see that chair again, "And you may have it if you want it Jimmy for you are a good boy sometimes when you want to be."

So I took the chair and mended it. The folks laughed at me, and said I couldn't mend it to save my life; but I got some nails and some mucilage, and mended it elegantly. Then mother let me get some varnish, and I varnished the chair, and when it was done it looked so nice that Sue said we'd keep it in the back parlor. Now I'm never allowed to sit in the back parlor, so what good would my chair do me? But Sue said, "Stuff and nonsense that boy's indulged now till he can't rest." So they put my chair in the back parlor, just as if I'd been mending it on purpose for Mr. Travers. I didn't say anything more about it; but after it was in the back parlor I took out one or two screws that I thought were not needed to hold it together, and used them for a boat that I was making.

That night Mr. Travers came as usual, and after he had talked to mother awhile about the weather, and he and father had agreed that it was a shame that other folks hadn't given more money to the Michigan sufferers, and that they weren't quite sure that the sufferers were a worthy object, and that a good deal of harm was done by giving away money to all sorts of people, Sue said:

"Perhaps we had better go into the back parlor; it is cooler there, and we won't disturb father, who wants to think about something."

So she and Mr. Travers went into the back parlor, and shut the door, and talked very loud at first about a whole lot of things, and then quieted down, as they always did.

"IT HAD SHUT UP LIKE A JACKKNIFE."

I was in the front parlor, reading Robinson Crusoe, and wishing I could go and do likewise – like Crusoe, I mean; for I wouldn't go and sit quietly in a back parlor with a girl, like Mr. Travers, not if you were to pay me for it. I can't see what some fellows see in Sue. I'm sure if Mr. Martin or Mr. Travers had her pull their hair once the way she pulls mine sometimes, they wouldn't trust themselves alone with her very soon.

All at once we heard a dreadful crash in the back parlor, and Mr. Travers said Good something very loud, and Sue shrieked as if she had a needle run into her. Father and mother and I and the cook and the chambermaid all rushed to see what was the matter.

The chair that I had mended, and that Sue had taken away from me, had broken down while Mr. Travers was sitting in it, and it had shut up like a jackknife, and caught him so he couldn't get out. It had caught Sue too, who must have run to help him, or she never would have been in that fix, with Mr. Travers holding her by the wrist, and her arm wedged in so she couldn't pull it away.

Father managed to get them loose, and then Sue caught me and shook me till I could hear my teeth rattle, and then she ran up stairs and locked herself up; and Mr. Travers never offered to help me, but only said, "I'll settle with you some day, young man," and then he went home. But father sat down on the sofa and laughed, and said to mother:

"I guess Sue would have done better if she'd have let the boy keep his chair."

I'm very sorry, of course, that an accident happened to the chair, but I've got it up in my room now, and I've mended it again, and it's the best chair you ever sat in.

MY FAMILY OF ORIOLES

BY W. O. AYRES

We were down in the country last summer, Fred and I, at Blackberry Farm. Fred is a bright, lively boy, nine years old, and everything there was novelty to him, for he had never been out of the city before, excepting once, when he was too young to notice and remember what he saw. Perhaps no boy who left New York in July enjoyed his vacation more than Fred did his two months at Blackberry Farm.

Among the residents at the farm-house was one Tiglath-Pileser, commonly called Tig for short, though Fred almost always gave him at least one of his two names in full in speaking either to him or of him. Tig was a very handsome Maltese cat, to whom his little mistress, who was very fond of him and very proud of him, had given this name of the old King of Assyria. Now Tig was a very industrious cat; he not only caught mice about the house and barn, but birds also out in the orchard, and once I saw him come in dragging a garter-snake much longer than himself.

One morning Fred came hurrying to the veranda, where I was sitting, closely followed by Tig, both of them in a state of great excitement.

"Oh, Uncle William, Tiglath has killed such a beautiful, beautiful bird! Only see! I made him give it up, though he tried hard to keep it."

And in fact Tig was at that very moment manifesting great dissatisfaction with the condition of things, and a decided determination to recover his property.

"Did you ever see such a beautiful bird, Uncle William? Tiglath-Pileser, keep your foot down. His head is so black and his breast is such a bright orange."

"Yes, Fred, there are few birds of more brilliant plumage which come so far north as New England. It is a Baltimore oriole, though if you should ask any one of the people about here, you would probably be told that it was a hang-bird, or perhaps a fire hang-bird – a name which they give it from the nest which it builds, and from its very bright colors. There are various species of orioles in other countries, but this and the orchard oriole are the only ones which are ever seen in New England."

"But why is he the Baltimore oriole if he comes here to Connecticut to live?"

"Who was the first Governor of the colony of Maryland, Fred?"

"Cecil Calvert, known as Lord Baltimore," replied Fred, in regular school-boy style.

"Yes; and when Lord Baltimore came to America his servants wore a livery of orange with black trimmings; and so this bird, which is very common in Maryland, was called the 'Baltimore oriole' from the colors of his coat. And it is very true of him, as it doubtless was of the servants just mentioned, that his wife and children are much more plainly dressed. The female bird and the young ones wear no such gay colors; you would scarcely suspect that they were part of his family. The people of Baltimore always speak of the oriole as 'our bird,' and if you had kept watch of the papers, Fred, you would have seen that last year in October, when they wanted to have a great festival to celebrate the completion of their splendid water-supply system, they called it 'The Baltimore Oriole Celebration.' Everywhere in the decorations, and in the dresses of the ladies, and in the scarfs and neckties of the gentlemen appeared the black and brilliant gold of the oriole."

"What does he live on, Uncle William? His bill is very smooth, and comes to a round, sharp point. It does not look as though he could bite anything hard."

"Ah! that bill, Fred, is a wonder. And it is not merely for eating that he uses it. You remember I told you the people called him hang-bird, because of the sort of nest he builds. Now that nest he never could build unless he had this curious bill. I must tell you a story about his mode of using his bill; but before I do it we will start out for a walk, and find one of their nests, if possible, even an old one of last year will do. We will put this dead bird away, so that we can examine him again. So, Tig, if you want a bird for your breakfast, you must go and catch another."

"Yes, Tiglath, we can not spare him, even though he does really belong to you. But you can go with us." So away we three went across the fields, Tig, however, soon wandering off in search of a mouse or something.

We had not gone very far before I espied an oriole's nest. It was on the extreme end of the branch of an apple-tree. Fred climbed it, and presently we had the nest in our hands. It was hung where a branch divided into two smaller twigs, and I showed Fred very easily how the bird had begun by fastening an end of a very long soft piece of grass to one of the twigs, and then fastening the other end to the other twig, so that the middle of the grass hung down in a long loop as much as five inches deep. Then it had made another loop, which hung across the first, and of the same depth, but this time the loop was made of a piece of bark. Then there was another loop – actually a string which the bird had found; and so it went on until there were seven or eight loops hanging.

"Now look at these other fibres, Fred, which run across and around the loops, and make a real basket of it. Do you see they go over one loop and under another, and so on? How do you suppose they were put there? There is where that shape of the bill which you noticed comes into play. Come, let us go back to the house, where you can have the bird and the nest together, and I will tell you the story, and you shall see for yourself."

We were soon quietly seated on the veranda, Fred all eagerness for a lesson in ornithology.

"The story is about a family of young orioles, three of them, which I took from their nest just before they were large enough to fly away. Perhaps it was cruel to take them, on their mother's account, but she seemed to care very little about it, and in a few days they would have left her anyway. I carried them to my room, and put them in a large open cage, where I thought they would be as comfortable as possible.

"Knowing that their mother fed them on berries and insects, I gave them plenty of both; but they would not touch them, and all that day they ate nothing. Next morning I tried them again, but it was of no use, and fearing they would starve, I was about to carry them back to the old nest, hoping their mother could do better with them than I could, when an accident showed me how to manage them.

"I was at that time making a collection of birds, and on my working-table lay the body of a robin, whose skin I had just prepared and stuffed. I had one of the little orioles sitting on my finger, when he hopped off on the table, and seeing a piece of the flesh of the robin, he swallowed it on the instant. As he seemed to like that sort of food, I cut him another piece, and down it went like a flash, and I continued to feed him until he could eat no more, and then I brought out his brother and sister and fed them in the same manner.

"After that I had no trouble in keeping them supplied with food, and they grew rapidly. They never ate anything but the flesh of the birds which I was skinning daily. I had no suspicion that such birds would eat meat at all, nor do I think that it is generally known. Neither Mr. Audubon nor any other writer mentions any such habit as belonging to them; but these little fellows were very fond of it, and they certainly throve well on it.

"Of course they were soon strong enough to fly, and I left the door of their cage open for them to come and go as they pleased. They grew very tame, and soon learned to come to the table and get food themselves. They always slept in the cage, but during the day they were everywhere about the room. They grew so much attached to me, that the instant I entered the room every bird with a loud chirrup would start for me with his utmost speed, lighting on the top of my head, on my shoulders, on my finger when I held it out to them – anywhere that they could find a place.

"If a stranger came with me, they were doubtful; would let him take them, and possibly sit a minute on his finger, but nothing more. It was when one of them was sitting on my finger that I first learned that curious use of his bill in nest-building of which I spoke before we went out.

"I had brought him up to my face, when, to my great surprise, he put the point of his bill between my lips, and tried to pry them open. I tried him again, and he did it the second time. I lifted one of the others, the female, and she used her bill in the same manner. It occurred to me at once that that was the way in which they built their nests. I watched them constantly, and became perfectly certain that I was right. They would try to pry open my fingers; if I separated my lips, they would try to part my teeth. They often went up to books, and put in the point of the bill to pry apart the leaves, opening the bill each time with all their strength."

"And is that the way, Uncle William, he has done with this nest? Sure enough, I can see. Look! – look here! that piece of grass has gone under this loop, and then it comes over, and here it goes under again."

"That is just what the bird did, Fred. At first it was all open work, and easy; but as the nest was getting nearly finished, the bill was shoved in under that loop and opened widely, and the grass passed through, and so on one after the other. And the nest could not have been made as you see it now except for that singular way of using the bill.

"But I must tell you more of their doings. They soon learned that their food came from birds, and that it was because I skinned the birds, and they learned just how I did it. If a bird lay on the table, they gave no attention to him till I sat down ready for work. Then every oriole flew immediately to the table; but each one looked around carelessly, as though he had come there by accident, and had nothing particular on his mind. They would walk about, and try to pry open books and whatever else came in their way, and very often I waited some time, just to try them and see what they would do. I would profess to read something, as though skinning a bird was not in my thoughts at all.

Türler ve etiketler
Yaş sınırı:
12+
Litres'teki yayın tarihi:
30 kasım 2017
Hacim:
80 s. 1 illüstrasyon
Telif hakkı:
Public Domain

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