Kitabı oku: «Under One Flag», sayfa 4

Marjorie! Behind him was a woman whose face, whose form, whose everything I knew. It seemed that "the woman who sat at the desk" recognised her also. She held out the locket.

"Madam, allow me to have the happiness to return to you your locket. That it is yours I am sure because of your portrait which is in it. You have scarcely altered at all since the day it was taken."

I snatched it from her.

"Give it to me!" I stormed. "Since, through all these years, it has been held in such safe keeping, Marjorie, won't you take your locket back again?"

She had never moved her eyes from off my face, just as I had kept mine on hers. She moved a little forward. And-then I had her in my arms and her cheek was next to mine, and the locket was in her hand, and-we both of us were crying-I admit it… Oh, yes, it was a miracle of grace and healing, since by the grace of God the open wound was healed. For us-for Marjorie and me-the life worth living is no longer in the land of ghosts. We are living it now, together; dear wife! together.

And it is universally admitted that we are the best customers Ordino's Restaurant has. Those two young persons have been there again and again since then, with their dolls, whom they are still instructing in the proper manner of eating a banana. I should be afraid to estimate how many bananas they have themselves consumed in the process of instruction. And to think that that Christmas miracle all came about because that child intruded herself into my apartments-actually! – with a view of showing me how to make a fire!

In itself, was that not a miracle too?

OUR MUSICAL COMEDY

"I forbid you to do it!"

Of course when George said that, with such an air, and in such a tone, I should have been perfectly justified in making an end of everything. The idea of his actually ordering me, when we had been engaged scarcely any time at all, was really too much. But I remembered what was due to myself and-I think! – behaved beautifully. I was merely crushing.

"You will remember, if you please, that, at present, I am not your wife. And may I ask if you propose to speak to me like that when I am?"

"I trust that whenever I see you contemplating a false step I shall always use my influence to endeavour to persuade you not to take it."

"Persuasion is one thing-ordering is quite another."

It all began with the private theatricals in aid of the parochial charities. Almost for the first time since I had been in the place people seemed to have found out my existence. It was the rector's son-Frank Spencer-who was the actual discoverer. I really believe it was that fact which George did not like. Mr Spencer came and said that they were going to have theatricals and would I take part in them? I told him that I had never acted in my life. He declared that they could not do without me. I explained that I did not see how that could be, since I had not had the least experience, and, indeed, doubted if I should not make a complete spectacle of myself and spoil everything. He replied that it was ridiculous to talk like that-which I thought was rather rude of him, since he was sure that I should make a first-rate actress-though I could not even guess what made him sure; and everybody was certain that the whole thing would be an utter failure without me-then look how the parochial charities would suffer! I confess that I did not understand why everybody should take that view; though, on the other hand, I did not want the charities to languish on my account, and-well, I may as well own it-I rather liked the idea. I thought it was not half a bad one. Because I never had acted was no reason why I never should; at any rate, it occurred to me that it would be capital fun to try.

So when I informed Mr Spencer that I would consider the matter, I fancy that I rather conveyed the impression that my consideration might have a favourable issue.

Then the trouble began. George objected. When I wrote and told him that I was thinking of taking part in an amateur dramatic performance in aid of some most deserving charities, which were much in need of help, he sent me back a letter which rather surprised me. In the course of it he observed that there was a great deal too much of that sort of thing about-if that were so then certainly hitherto none of it had come my way; that not seldom amateur theatricals were but a cloak for something about which the less said the better-what he meant I had not the least idea; that they were generally exhibitions of incompetent vanity-which was not exactly a pleasant remark to make; that he could not understand how any sane person could wish to be connected with proceedings which, as a rule, were merely the outcome of a desire for vulgar notoriety. He concluded by remarking that while he had not the slightest desire to bias my judgment, of which, as I was aware, he had the highest opinion, at the same time he hoped that I would consider very carefully what he had said before arriving at a final decision.

Two days afterwards I met Mr Spencer, and he overpersuaded me. It is not to be denied that he had a most persuasive manner, and was, decidedly, not bad-looking; though, of course, that had nothing to do with it. It was the moving fashion in which he depicted the lamentable condition of the Coal Club, and the Clothing Club, and the Soup Kitchen, and that kind of thing, which induced me to promise to do all that I could for the Good Cause.

Still, when later Mr Spencer informed me that it was suggested that A Pair of Knickerbockers should be one of the pieces, and I had read it, and understood that it was proposed I should play Mrs Melrose to his Mr Melrose, I admit that I was taken aback. It was at this point that George came on the scene. When he heard, there was quite a storm.

"Do you actually propose to appear upon the public stage attired in a pair of knickerbockers?"

"Do you call the Assembly Room at the 'Lion' the public stage?" I asked.

"I do, since anyone will be admitted who chooses to pay at the door."

"I'm sure there's nothing wrong in the piece or the rector wouldn't allow it to be played."

"The rector! You're not engaged to the rector, you're engaged to me, and I forbid you to do it."

It was then I made that crushing retort about not being his wife yet. Still, at the bottom of my heart I felt that there was reason in what he said. I doubt if any girl ever has looked well-really well! – in knickerbockers, and I was sure that they would not suit me. I had not the faintest intention of appearing either in public or private in any garment of any kind whatever which I knew would make me look a fright. So I made a great show of my willingness to meet George's wishes on every possible occasion, and promised that I would not act in A Pair of Knickerbockers. He was delighted, and-well, we had rather a nice time.

When I told Mr Spencer of my decision I quite expected that he would not like it. On the contrary, he did not seem to mind in the least; indeed, he seemed to be almost relieved.

"That decides it!" he exclaimed. "Your refusal is the last straw; it brings me to the sticking point; now I have made up my mind."

Then he made of me a confidant.

It appeared that he was a dramatist; he had written a play. It was most interesting. He had sent it to the manager of every theatre in London, and to a good many out of London too, and not one of them would bring it out. Which showed that there was something in it.

"Because," as he explained, "it's notorious that a man who's an outsider, and by that I mean one who wasn't born on the stage, or doesn't own a newspaper, or fifty thousand a year, or a handle to his name, has no more chance of getting a decent play accepted than he has of flying to the moon. If this play of mine was piffle, or the usual kind of stodge, then it might have a chance of being produced. The mere fact that it has not been produced, and probably never will be, proves that it is out of the common ruck."

He looked so handsome as he said this, and so full of scorn for the people who were incapable of seeing merit when it stared them in the face, that I felt a wave of sympathy sweep over me.

"Not that it matters," he continued. "In this world nothing matters."

It seemed rather a sweeping assertion. But I understood the bitterness which called it forth. So, with one fleeting glance out of the corner of my eye to let him know that there was one who comprehended, I suffered him to go on. And he went on.

"However, where there's a will there's a way, and when a man's set on gaining his end it's hard to stop him-if he is a man! There's more roads lead to Rome than one. My play shall see the light in the same fashion that many a work of genius has done before. Who knows how and where Shakespeare's first play was produced? We'll act it at the 'Lion.'"

"How splendid!" I exclaimed.

"Mind you," he added with a modesty which did him credit, "I don't say that my play's a work of genius."

"But I'm sure it is."

He shook his head.

"Frankly, it's not. In fact, it's a musical comedy in one act."

"But a musical comedy may be a work of genius."

He regarded me with what I felt almost amounted to an air of mystery.

"Did you ever know a musical comedy that was?"

"Yours may be an exception to the rule."

He suddenly seemed to make up his mind to adopt an air of perfect frankness.

"I know whereabouts my piece is as well as anyone living, and I give you my word it's not a work of genius. It's a kind of a go-as-you-please sort of thing; you'll see what I mean when you've read it."

I did see; or, rather, it would be more correct to say that I did not see. I told him so when we met again.

"I found it so difficult to make out what it's all about; it seems so vague. Nothing that anybody does seems to have any connection with anything that anybody else does."

The way in which he received my criticism was charming; he did not show the slightest sign of being hurt.

"You think that's a fault?" he said.

"It does appear to be rather a disadvantage. You know when people go to the theatre they like to have some idea of what they're looking at."

"I suppose they do. The fact is, that that's where the trouble was-I got stuck. When anyone had been doing anything I couldn't think what they ought to do next, so I started someone else doing something else instead. That's why I said it was a kind of a go-as-you-please. You observe I call it A Lover's Quarrel. Don't you think it's rather a good title?"

"It's not a bad title. But I don't understand which the lovers are supposed to be, or where the quarrel comes in."

"Perhaps not. You see the title was used in a sort of general sense." A bright idea seemed all at once to strike him. I was beginning to suspect that that was a kind of thing which did not strike him very often. "I tell you what-you've got the dramatic instinct-couldn't you give me a hint or two? What I want is a collaborator."

I felt convinced that he wanted something.

"Of course, I'm quite without experience. I think you're rash in crediting me with a dramatic instinct. I'm not sure that I even know what you mean. But I'll look through it again and see if I can be of any use."

"Do! and, mind you, do with it as you like; turn it inside out; cut it to pieces; anything! I know you'll make a first-rate thing of it. And I tell you what, we'll announce ourselves as joint authors."

In a weak moment-he certainly had very seductive eyes! – I yielded what amounted to a tacit consent. I read his play again, and came to the conclusion that while, as it stood, it was absolute rubbish, it yet contained that of which something might be made. I re-wrote the thing from beginning to end. What a time I had while I was in the throes of composition! and what a time everyone else had who came within a mile of me! I was scarcely on speaking terms with a single creature, and when anyone tried to speak to me I felt like biting them.

When it was finished Mr Spencer was in ecstasies.

"It's splendid! magnificent! there's nothing like it on the London stage!" I admit that I thought that that was possible. "There's no mistake about it, not the slightest shred of a scintilla of doubt, we've written a masterpiece!"

The "we" was good, and as for the "masterpiece," it was becoming plainer and plainer that Mr Frank Spencer was one of those persons who are easily pleased; which, as that sort is exceedingly rare, was, after all, a fault on the right side.

"Everybody," he went on, "will be enraptured with it; they won't be able to help it; they're absolutely bound to be."

I wished I felt as certain of that as he did. Indeed I doubted so much if rapture would represent the state of mind of a certain gentleman that, in the daily letter which I always wrote to him, I never even hinted that I was engaged on a work of collaboration; though, for a time, that work filled my mind to the extinction of everything else.

"Now," continued my co-author, "the thing is to cast it, and, mind you, this will want casting, this will; no round pegs in square holes. We don't want to have a fine play spoilt by anyone incapable; everyone will have to be as good as we can get."

Although he spoke as if it would be a task of the most delicate kind-and, for my part, I did not see how, in the neighbourhood of West Marden, we were going to cast it at all; yet, in actual practice he seemed to me to make nothing of the matter. When he came with what he called the "proposed cast" I was really amazed.

"Do you seriously mean, Mr Spencer, that these are the people whom you suggest should act in our play?"

"Certainly. I've thought this thing out right to the bed-rock, and I assure you that we couldn't do better. Of course, you must remember that I shall do a good bit myself. I fancy you'll be surprised when you see me act. I haven't much voice, but it isn't voice, you know, that's wanted in this sort of thing; and though I can't say that I'm a regular dancer I can throw my feet about in a way that'll tickle 'em. And then there's you-you'll be our winning card; the star of the evening. You'll carry off the thing on your own shoulders, with me to help you. The others, they'll just fill in the picture, as it were."

"I do hope, Mr Spencer, that you won't rely on me too much. I've told you, again and again, that I've never acted in my life, and have not the faintest notion if I can or can't."

Putting his hands into his trouser pockets he tried to patronise me as if he were a wiseacre of two hundred instead of a mere child of twenty.

"My dear Miss Wilson, I know an actress when I see one."

"You have an odd way of expressing yourself. I hope that you don't mean that when you see me you see an actress; because I assure you that I trust that you do nothing of the kind."

I wondered what George would think and say if he heard that hare-brained young simpleton accusing me of looking like an actress.

"You give my words a wrong construction. I only meant to express my profound conviction that in your hands everything will be perfectly safe."

"I can only say, Mr Spencer, that I hope you're right, because when I think of some of the people whose names you have put upon this piece of paper I have my doubts. I see you have Mrs Lascelles to act Dora Egerton, who is supposed to be a young girl, and who has to both sing and dance. I should imagine that Mrs Lascelles never sang a note; her speaking voice is as hoarse as a crow's. And as for dancing, why, she must weigh I don't know what, and is well past forty."

"There's nothing else Mrs Lascelles could act."

"Nothing else she could act! Act! I'm perfectly convinced that she can't act anything."

Mr Spencer winked, which was a reprehensible habit-one of several which I was meaning to tell him I objected to.

"She'll take two rows of reserved seats."

"Indeed, is that her qualification? Then am I to take it that the qualifications of all the rest of the people whom you have down on your piece of paper are of a similar kind?"

His manner immediately became confidential; he was very fond of becoming confidential. It was a fondness which I was commencing to perceive that it might become advisable to check before it went too far. There were moments when I never knew what he was going to say. I felt that he might say anything.

"You see, between ourselves, on the strict QT, it's like this; if we want to make the show the howling success it ought to be, what we've got to do is to see that everyone in the cast represents money."

"I don't understand."

I did not.

"Oh, yes, you do; only-I know!" He winked again; there was positively an impertinent twinkle in his eye. "You can see as far through a brick wall as anybody, when you like, only sometimes you don't like. What we've got to do is to fill the Assembly Rooms with money, and with more money, mind you, than the room holds. And the way to do that is to get the people to act whose names I have got down on that piece of paper."

"I still don't follow you. However, since you are managing the affair I suppose it's no business of mine. You are responsible for its success, not I."

"Exactly; you've hit it! I am responsible, and you may take it from me that in a little matter of this sort I know my way about. It's going to be a success-a bumper."

In spite of his confidence, when we came to actual business, things did not begin auspiciously.

By way of a commencement, he read the piece to the people who were going to act it. He said that dramatists always did do so, and that it was necessary to do everything in regular order. The reading took place at Mrs Lascelles's house, The Grange. I had not been in the house before, and from the manner in which she received me I inclined to the opinion that she would just as soon I had not come into it then. As I looked round the room I could not but feel that, for the performance of a musical comedy, Mr Spencer had gathered together a truly curious company. I began to wish that I had had no hand in the collaboration. Before he had finished the reading that wish took a very much more definite form.

He was not a good reader; that fact forced itself upon one's attention before he had got through three lines. But had he been the finest reader in the world it would not have made a great deal of difference. A more dreadful set of people to read a musical comedy to one could not by any possibility imagine. The jokes-especially as he read them! – did not strike even me as being very good ones, and sometimes they were a little frivolous. What does one expect in a musical comedy? Had they been the finest jokes conceivable it would not have mattered. I do not believe there was a person present who could have seen a joke at all, even with the aid of a surgical operation. Each time there was a touch of frivolity the faces of the audience grew graver. And as for the songs! Everybody knows the kind of songs one does hear in musical comedies. The words are not suggestive of either Shakespeare or the musical glasses. I had planned mine on the same lines. There was one chorus which struck me as rather catchy.

 
"It tickled me so I had to smile;
I told the girl she was full of guile.
She said, 'What ho!'
I replied, 'Oh, no!
To put salt on my tail you must walk a mile!'"
 

I do not pretend that that's poetry, or anything but nonsense. You expect nonsense in a musical comedy. But when Mr Spencer had read two verses, Mrs Parker, who is the wife of the chairman of our local bench, rose from her chair with an expression of countenance calculated to sour all the milk for miles around, and observed-in such a tone of voice! -

"Excuse me, Mr Spencer. I must go. When I received your invitation I did not expect this kind of thing."

"What kind of thing?"

Mr Spencer looked up with a start. It was rapidly becoming more and more obvious to me that he was one of those young men who are incapable of seeing even as far as the tips of their own noses. He had been stammering and stumbling on in apparently sublime unconsciousness of the sort of reception which our masterpiece was receiving. The singularity of Mrs Parker's bearing seemed to take him entirely by surprise.

"May I ask, Mr Spencer, what you call the-stuff you have been reading?"

"Stuff? You mean the piece? It's a musical comedy."

"Indeed. I haven't noticed any music yet, and as for comedy-there is none. It appears to me to be a mere tissue of meaningless vulgarity. Where did you get it from?"

"Miss Wilson and I wrote it together-that is, she did the greater part of it. In fact, Miss Wilson practically wrote it all."

Which was true enough, but he need not have put it quite so emphatically just at that moment.

"Miss Wilson?" Mrs Parker put up her glasses and she looked at me. How she looked! "I have not the pleasure of Miss Wilson's acquaintance, but I cannot help thinking that she might have been better employed."

Then she went. Fancy my sensations!

Mr Spencer must have been pachydermatous. He seemed unable to feel either on his own account or on mine. Candid criticism of that ultra-candid sort was to him like water on a duck's back. Directly Mrs Parker was out of the room he turned to Mrs Lascelles.

"I don't think it's so bad, do you? – considering!"

"Considering." She said this with an accent for which I could have thrown something at her. That wretched boy only smiled. It seemed to be his role in life-to smile. Mrs Lascelles was good enough to add a sort of saving clause. "I daresay it will be better on the stage than it is off."

Mr Spencer jumped at the opening.

"Of course! On the stage it will be simply ripping! It's meant to be acted, not read; no good play ever reads well. The better it is the worse it reads."

"This one doesn't read well, does it? In any case I think you made a mistake in asking Mrs Parker to take part in a piece of the kind."

"It was a mistake, wasn't it?"

That young man beamed as if he were congratulating himself on having done something exceedingly clever. In return, Mrs Lascelles observed him with an air which was not exactly beaming.

"Frankly, Mr Spencer, I don't see much of a part in the piece for me."

As a matter of fact there was no part; there was just a song and a dance and nothing else. But I, personally, was convinced that that was too much. That extraordinary young man, however, put the matter in a way which staggered me.

"You see, Mrs Lascelles, it's like this: your part at present is simply outlined-the outline has to be filled in. That's the advantage of a piece like this, you can do that so easily. What I want is your idea of what you'd like the part to be, and then I'll write it up. See what I mean?"

I did not see what he meant. Under the circumstances I think I was to be congratulated on having been able to hold my peace-till later.

The reading limped to a finish. Then came the chorus. So far as I was able to gather, not a creature thought anything of the play, and they thought still less of the parts which had been allotted them. Mr Spencer scattered promises like leaves in autumn. It made my ears burn to listen to him. I was not so pliable. For instance, Major Hardy came up to me to make some truly sensible remarks.

"Candidly, Miss Wilson" – everybody was candid, it was in the air-"my idea was that we should represent Hamlet. I don't know if you are aware that I am by way of being a Shakespearian scholar. I have formed my own notion of the Prince of Denmark. I fancy that I might give shape and substance to that notion if I were allowed to read the part. I should have to read it. Between ourselves, my memory is so imperfect that I could never hope to get anything off by heart. You will therefore see that it is something of a jump to the-eh-kind of thing we have just been listening to. So far as I understand it is proposed that I should play a negro minstrel. Now Mrs Hardy would never permit me to black my face-never! She'd be afraid that it wouldn't come off again. On some points she is extremely nervous. Could the part not be transformed into that of a Highland piper? I have the kilts, and I have the pipes, and I can do some remarkable things with the bagpipes when I am once fairly started. Sometimes it takes me a little time to get into my stride, apt to make two or three false starts, don't you know; wind goes wrong or something, but really, people seem to find that the most amusing part of it."

I informed him that the character could not be "transformed" into a Highland piper; that as for bagpipes, they were out of the question. I had heard of his "pipes." He was fond of playing on them in remote portions of his grounds; people had mistaken them for foghorns. In fact, I tried to convey the impression that I was not to be trifled with. From the look which came on his face I fancy that, to a great extent, I succeeded.

What does anyone suppose was the first remark which Mr Spencer addressed to me when at last we were alone together? – with all the assurance in the world!

"Went off magnificently, didn't it? I told you it would; with a regular bang!"

My attitude, when confronted by this amazing observation, was one of polar frigidity.

"I noticed the bang; it was one of those bangs which accompany a final explosion. Of course, I need scarcely observe that, so far as I am concerned, the whole affair is at an end."

"Miss Wilson! you're joking! You're not going to let them see that you're afraid of them?"

"Afraid! Mr Spencer, you use the most extraordinary language. Why should I be afraid? I beg to inform you that I am afraid of nothing, and of no one."

"I'm sure of it! All you have to do is to show a bold front and you'll do as you like with the lot of them."

"So far I've not observed much of the bold front about you. You kowtow to everyone as if you liked nothing so much as being trampled on."

"That's diplomacy; bound to be diplomatic. This sort of thing always begins like this."

"Does it? Then I wish you'd told me so at the beginning. I hate diplomacy."

"Miss Wilson, you have the dramatic instinct-"

"Mr Spencer, I wish you wouldn't talk nonsense. I believe you say that to everyone. I heard you tell Mrs Lascelles that when she appears on the stage she'll hold the audience in the hollow of her hand."

"So she will. She's going to appear in short skirts. When they catch sight of her they'll kill themselves with laughing."

When he said that a dreadful suspicion flashed across my mind that he was making fun of us all, including me; having a joke at our expense. I had little doubt, after what I had seen and heard that afternoon, that he was perfectly capable of such disgraceful conduct. I did not hesitate to let him know at once what I suspected.

"Mr Spencer, is it your intention that we shall all of us make laughing-stocks of ourselves for your amusement? Because, if so, I beg to state that I, for one, decline. I heard what you said to Mrs Lascelles; I heard you tell her that she would make the hit of the piece."

"So she will; a hit's made in all kinds of ways."

"Do you dare to tell me that all the while you were intentionally leading her on to making a complete idiot of herself?"

No eel that ever lived could compare with that young man for slipperiness. He always had an explanation handy-the more impossible the position the readier the explanation was.

"It's like this. If people are bent on making fools of themselves, and will only bite your nose off if you try to stop them, what are you to do? I tell you that the burden of the piece will be on your shoulders and mine before the night comes round, and we'll carry it off. But it's no good telling people that now, it has to be managed. Let's wait till they've got themselves into a fine old hole, and all the tickets are sold. All the country-side will crowd to see them make fools of themselves. Then, when they've muddled themselves into a state of semi-idiocy, they'll come and beg us-as a favour-to do what they wouldn't let us do at any price if we were to propose it now. You leave it to me. I've perhaps got a funny way of my own of doing things, but I've a knack of getting where I want at the end. You keep your eyes wide open and you'll see some sport."

He closed one of his eyes that very moment and winked at me again. It was clear enough that he was a reprehensible young rascal, and all the while there was a doubt at the back of my head as to whether he would not wind up by landing me in a disagreeable situation. But, as I think I have already said, he had such a way about him, and such a plausible air, and he really was so good-looking, that he actually succeeded in persuading me-after all that had already happened-to continue my connection with that miserable play.

We had the first rehearsal. Oh, dear, it was dreadful! Not only were we all at sixes and sevens-no one knew anything of his or her part, or had the faintest notion what to do-but not a creature seemed to have an idea of how to put matters even a little into shape. As for that Spencer boy, he was worse than useless. It seemed to me that he took either an imbecile or a malicious pleasure in making confusion worse confounded. As for order! Everybody was talking together, and as no one could get anyone to pay the least attention to what he or she was saying, by degrees some of them began to sulk.

"You ought," I yelled to Mr Spencer when, for a moment, I succeeded in catching him by the coat sleeve, "for the first rehearsal to have called the principal performers only; we shall never get on like this."

Although the piece was only in one act there was a long cast, and a tremendous chorus, besides no end of people who were just supposed to dress up and walk on and off. "Get half the parish on the stage, and the other half is bound to come and laugh at them" – that was Mr Spencer's idea. The consequence was that that ridiculous little platform at the "Lion," which was going to be the stage, was so crammed with people that there was scarcely room to move, so that the proceedings almost resembled a scrimmage in a game of Rugby football.

Miss Odger, who was standing by, heard what I said, although Mr Spencer apparently continued oblivious of my presence. Quite uninvited she answered for him.