Kitabı oku: «The Paliser case», sayfa 2

Cassy put her elbows on the table. "He could not be anything else than decent. Don't you know him well?"

Paliser shrugged. "Our intimacy is not oppressive."

"He saved her father's life," the Tamburini put in. "Her father is a musician – and authentically marquis," she added, as though that explained everything.

"We are Portuguese," said Cassy, "or at least my father is. He used to play at the Metro. But he threw it up and one night, when he was coming home from a private house where he had been giving a concert, he was attacked. There were two of them. They knocked him down – "

"Before he had time to draw his sword-cane," the fat woman interrupted.

"Yes," Cassy resumed, "and just then Mr. Lennox came along and knocked them down and saved his violin which was what they were after."

"It's a Cremona," said the Tamburini who liked details.

"But that is not all of it," the girl continued. "My father's arm was broken. He has not been able to play since. Mr. Lennox brought him home and sent for his own physician. He's a dear."

"Who is?" Paliser asked. "The physician?"

But now a waiter was upon them with a bottle which he produced with a pop! Dishes followed to which Cassy permitted the man to help her. Her swallow of anything became large spoonfuls of rich blackness and the tenderness of savorous flesh. She was not carnal, but she was hungry and at her home latterly the food had been vile.

The Tamburini, with enigmatic ideas in the back of her head, ate her horrible dish very delicately, her little finger crooked. But she drank nobly.

Paliser too had ideas which, however, were not enigmatic in the least and not in the back of his head either. They concerned two young women, one of whom was patently engaged to Lennox and the other probably in love with him. The situation appealed to this too charming young man to whom easy conquests were negligible.

He had been looking at Cassy. On the table was a vase in which there were flowers. He took two of them and looked again at the girl.

"Sunday is always hateful. Couldn't you both dine with me here?"

The former prima donna wiped her loose mouth. She could, she would, and she said so.

Paliser put the flowers before Cassy.

"Le parlate d'amor," the ex-diva began and, slightly for a moment, her deep voice mounted.

Cassy turned on her. "You're an imbecile."

With an uplift of the chin – a family habit – Paliser summoned the waiter. While he was paying him, Cassy protested. She had nothing to wear.

She had other objections which she kept to herself. If it had been Lennox she would have had none at all. But it was not Lennox. It was a man whom she had never seen before and who was entirely too free with his eyes.

"Come as you are," said the Tamburini, who massively stood up.

Paliser also was rising. "Let me put you in a cab and on Sunday – "

Cassy gave him a little unsugared look. "You take a great deal for granted."

Behind the girl's back the Tamburini gave him another look. Cheerful and evil and plainer than words it said: "Leave it to me."

Cassy, her perfect nose in the air, announced that she must get her things.

Through the emptying restaurant Paliser saw them to the entrance. There, as he waited, the captain hurried to him.

"Everything satisfactory, sir?"

"I want a private dining-room on Sunday."

"Yes, sir. For how many?"

"Two."

"Sorry, sir. It's against the rules."

Paliser surveyed him. "Whom does this hotel belong to? You?"

The captain smiled and caressed his chin. "No, sir, the hotel does not belong to me. It is owned by Mr. Paliser."

"Thank you. So I thought. I am Mr. Paliser. A private dining-room on Sunday for two."

But now Cassy and the Tamburini, hatted and cloaked, were returning. The chastened waiter moved aside. Through the still crowded halls, Paliser accompanied them to the street where, a doorkeeper assiduously assisting, he got them into a taxi, asked the addresses, paid the mechanician, saw them off.

Manfully, as the cab veered, the Tamburini swore.

"You damn fool, that man is rich as all outdoors."

IV

The house in which Cassy lived was what is agreeably known as a walk-up. There was no lift, merely the stairs, flight after flight, which constituted the walk-up, one that ascended to the roof, where you had a fine view of your neighbours' laundry. Such things are not for everybody. Cassy hated them.

On this night when the taxi, after reaching Harlem, landed her there and, the walk-up achieved, she let herself into a flat on the fifth floor, a "You're late!" filtered out at her.

It was her father, who, other things being equal, you might have mistaken for Zuloaga's "Uncle." The lank hair, the sad eyes, the wan face, the dressing-gown, there he sat. Only the palette was absent. Instead was an arm in a sling. There was another difference. Beyond, in lieu of capricious manolas, was a piano and, above it, a portrait with which Zuloaga had nothing to do. The portrait represented a man who looked very fierce and who displayed a costume rich and unusual. Beneath the portrait was a violin. Beside the piano was a sword-cane. Otherwise, barring a rose-wood table, the room contained nothing to boast of.

"You're late," he repeated.

His name was Angelo Cara. When too young to remember it, he had come to New York from Lisbon. With him had come the swashbuckler in oil. He grew up in New York, developed artistic tastes, lost the oil man, acquired a wife, lost her also, but not until she had given him a daughter who was named Bianca, a name which, after elongating into Casabianca, shortened itself into Cassy.

Meanwhile, on Madison Avenue, then unpolluted, there was a brown-stone front, a landau, other accessories, the flower of circumstances not opulent but easy, the rents and increments of the swashbuckler's estate, which by no means had come from Lisbon but which, the rich and unusual costume boxed in camphor, had been acquired in the import and sale of wine.

The fortune that the swashbuckler made descended to his son, who went to Wall Street with it. There the usual cropper wiped him out, affected his health, drove him, and not in a landau either, from Madison Avenue, left him the portrait, the violin, the table and nothing else.

But that is an exaggeration. To have debts is to have something. They stir you. They stirred him. Besides there was Cassy. To provide for both was the violin which in his hands played itself. For years it sufficed. Then, with extreme good sense, he fought with the Union, fought with Toscanini, disassociated himself from both. Now, latterly, with his arm in a sling, the wolf was not merely at the door, it was in the living-room of this Harlem flat which Cassy had just entered.

It was then that he repeated it. "You're late!"

For the past hour he had sat staring at things which the room did not contain – a great, glowing house; an orchestra demoniacally led by a conductor whom he strangely resembled; a stage on which, gracile in the violet and silver of doublet and hose, the last of the Caras bowed to the vivas.

Then abruptly the curtain had fallen, the lights had gone out, the vision faded, banished by the quick click of her key.

But not entirely. More or less the dream was always with him. When to-day is colourless, where can one live except in the future? To-day is packed with commonplaces which, could we see them correctly, are probably false for in the future only beautiful things are true. It is stupid not to live among them, particularly if you have the ability, and what artist lacks it? In the future, there is fame for the painter, there is posterity for the poet and much good may it do them. But for the musician, particularly for the song-bird, there is the vertigo of instant applause. In days like these, days that witness the fall of empires, the future holds for the donna, for the prima donna, for the prima donna assoluta, the grandest of earthly careers.

That career, Angelo Cara foresaw for his daughter, foresaw it at least in the hypnogogic visions which the artist always has within beck and call. In the falsifying commonplaces of broad daylight he was not so sure. Her upper register had in it a parterre of flowers, but elsewhere it lacked volume, lacked line, lacked colour, and occasionally he wondered whether her voice would not prove to be a voix de salon and not the royal organ that fills a house. Yet in the strawberry of her throat, the orifice was wide, the larynx properly abnormal. In addition the Tamburini was prophetically comforting.

But did the woman know her trade? He did not believe it. He believed though that she had no morals, never had had any, even as a child. It was the same way with Rachel and the fact left him cold. He was artistically indifferent to what the putana did or omitted, to what anybody omitted or did. But anybody by no means included his daughter. At the thought of anything amiss with her, presto! his sad eyes flamed. Very needlessly too. Cassy was as indifferent to other people's conceptions of decorum as he was himself. The matter did not touch her. Clear-eyed, clean-minded, she was straight as a string.

"How did it go?" he asked.

Cassy laughed. She had had a glass of champagne. She had too, what is far headier, the wine of youth.

"Well, I didn't see any showmen tumbling over each other. Mr. Lennox was there. He asked after you, and introduced a man who had us out to supper. It was very good. I did so wish for you, poor dear."

"What man? What is his name?"

"Paliser, I think. Something of the kind. Ma Tamby told me."

"Not old M. P.?"

"Perhaps, I don't know. He has hair like a looking-glass. He did not seem old; he seemed very impudent. Ma Tamby says he's rich as all outdoors."

"That's the son then. Don't have anything to do with him. They're a bad lot."

"As if I cared! Ma Tamby said he could get me an engagement."

"Ha! In vaudeville with acrobats and funny men and little suppers to follow."

"Why not big ones?"

"Big what?"

"Big goose!" replied Cassy, who removed her gloves, took off her hat, ran a pin through it, put it down.

Her father stared. Behind the girl stood a blonde brute whom the supper had evoked. He wore a scowl and a bloody apron. In his hand was a bill. Behind him was the baker, the candlestickmaker. Behind these was the agent, punctual and pertinacious, who had come for the rent. Though but visions, they were real. Moreover, though they evaporated at once, solidly they would return. He had been staring at her, and through her, at them. In staring his eyes filled. Immediately they leaked.

Cassy bit her lip. The tumbril and the guillotine would not have made her weep. Dry-eyed she would have gone from one to the other. Besides, what on earth was he wowing about? But immediately it occurred to her that he might be experiencing one of the attacks to which he was subject. She leaned over him. "You poor dear, is it your heart?"

He brushed his eyes. Dimly they lighted. With artistic mobility his face creased in a smile. "No, farther down."

Cassy moved back. "What in the world – "

But now his face clouded again. "I am glad you had supper. To-morrow we'll starve."

The exaggeration annoyed her, she exclaimed at it and then stopped short. Already she had envisaged the situation. But it was idle, she thought, to excite him additionally.

"Well?" he almost whinnied.

But as he would have to know, she out with it. "There's the portrait, there's the violin. Either would tide us over."

In speaking she had approached him again. He shoved her aside. With a jerk he got to his feet, struck an attitude, tapped himself on the breast.

"I, Marquis de Casa-Evora, sell my father's picture! I, Angelo Cara, sell my violin! And you, my daughter, suggest such a thing! But are you my daughter? Are you – oh!"

It trailed away. The noble anger, real or assumed, fell from him. No longer the outraged father, he was but a human being in pain.

Cassy hurried to the mantel where, in provision of these attacks, were glass tubes with amyl in them. She took and broke one and had him inhale it.

Then, though presently the spasm passed, the wolf remained. But the beast had no terrors for Cassy. Buoyant, as youth ever is, his fangs amused her. They might close on her, but they would not hurt, at any rate very much, or, in any case, very long. Meanwhile she had had supper and for the morrow she had a plan. That night she dreamed of it. From the dream she passed into another. She dreamed she was going about giving money away. The dream of a dream, it was very beautiful, and sometimes, to exceptional beings, beautiful dreams come true, not in the future merely, but in a walk-up.

V

In Park Avenue that night there was no dramatic father in waiting. There were no bills, no scenes, no thought of secret errands; merely a drawing-room in which a fire was burning and where, presently, Margaret and Lennox were alone.

"I have letters to write," Mrs. Austen told them.

She had no letters to write, but she did have a thing or two to consider. What the wolf was to Cassy's father, Lennox was to her.

At dinner, Peter Verelst's advice to do nothing had seemed strategic. At the Splendor, it had seemed stupid. The spectacle of that girl hobnobbing with Lennox had interested her enormously. If a spectacle can drip, that had dripped and with possibilities which, if dim as yet, were none the less providential, particularly when viewed spaciously, in the light of other possibilities which Paliser exhaled. Mrs. Austen was a woman of distinction. You had only to look at her to be aware of it. Yet, at the possible possibilities, she licked her chops.

Meanwhile, with the seriousness of those to whom love is not the sentiment that it once was, or the sensation that it has become, but the dense incarnate mystery that it ever should be, Margaret and Lennox were also occupied with the future.

In connection with it, Lennox asked: "Can you come to-morrow?"

As he spoke, Margaret released her hand. Her mother was entering and he stood up.

"Mrs. Austen," he resumed, "won't you and Margaret have tea at my apartment to-morrow?"

He would have reseated himself but the lady saw to it that he did not.

"You have such pleasant programmes, Mr. Lennox. You are not going though, are you? Well, if you must, good-night."

It was boreal, yet, however arctic, it was smiling, debonair. As such, Lennox had no recourse but to accept it. He bent over Margaret's hand, touched two of Mrs. Austen's fingers. In a moment, he had gone.

Mrs. Austen, smiling still, sat down.

"Nice young man. Very nice. Nice hats, nice ties, nice coats. Then also he is a theosophist, I suppose, or, if not, then by way of becoming one. What more could the heart desire? Would you mind putting out one of those lights? Not that one – the other."

Gowned in grey which in spite of its hue contrived to be brilliant, Mrs. Austen rustled ever so slightly. Always a handsome woman and well aware of it, she was of two minds about her daughter's looks. They far surpassed her own and she did not like that. On the other hand they were an asset on which she counted.

She rustled, quite as slightly again.

"And such a taking way with him! That little singing-girl whom we saw to-night, quite a pretty child, didn't you think? She seemed quite smitten. Then there are others, one may suppose. Yes, certainly, a very nice young man."

"Mother!"

"Well, what? Young men will be young men. Only a theosophist could imagine that they would be young girls. I make every allowance from him – as doubtless he does for others. This is quite as it should be. I have no patience with model young men. Model young men delight their mothers' hearts and ruin their wives' temper. They remodel themselves after marriage. Whereas a young man who is not model at all, one who has had his fling beforehand, settles down and becomes quite fat. You have chosen very wisely, my dear. If you had waited you might have had Paliser and I should not have liked that. He is too good."

Margaret stretched a hand to the fire. She was not cold and the movement was mechanical. But she made no reply. In Matthew we are told that for every idle word we utter we shall answer at the day of judgment. That passage she had longly meditated. She did not believe that Matthew wrote it and she did not believe in a day of judgment. Matthew was a peasant who spoke Syro-Chaldaic. It was not supposable that he could write in Greek. It was not supposable that there can be a specific day of judgment, since every moment of our days is judged. But through Margaret had her tolerant doubts, she knew that the message itself was sound. It did not condemn evil and vulgar words, for they condemn themselves. What it condemned was idle words and she regretted that her mother employed them. But theosophy is, primarily, a school of good manners. The Gospel condemns idle words, theosophy forbids disagreeable ones.

To her mother's remarks, she made therefore no reply. Instead, she changed the subject.

"Will you care to go with me to his rooms to-morrow?"

With a mimic of surprise and of gentle remonstrance that was admirably assumed, Mrs. Austen lifted a hand.

"But, my dear! Were you thinking of going alone?"

The remonstrance, however gentle, was absurd and she knew it. Margaret could go where she liked. It would all be chaste as a piano-recital. But the flea that she had been trying to put in the girl's ear seemed very ineffective. She is just as I was at her age, thought this lady, who, in so thinking, flattered herself extraordinarily.

She shook her head. "For if you were, it would not do. Such things may pass in London, they don't here. But to-morrow is Saturday, isn't it? Yes, to-morrow is Saturday. At three I have an appointment with the dentist. I'll telephone though. That always pains them and, where a dentist is concerned, I do think turn about is fair play."

It was pleasantly said. To make it pleasanter, she stood up and added: "Are you to sit here and read? There is a French book lying around somewhere that belonged to your dear father. I don't remember who wrote it and I have forgotten the title, but you are sure to like it. There! I have it. It is called: 'L'art de tromper les femmes.'"

Mrs. Austen moved to the door and looked back.

"But if you don't find it readily, let it go for to-night. Your young man is sure to have a copy. No nice young man is without one."

VI

Lennox was a broker, a vocation which he practised in Wall Street. Early on the following afternoon, while returning from there, he sat wedged between a gunman and a Hun. He was unconscious of either. The uncertain market; the slump, momentarily undiscernible, but mathematically inevitable; customers, credulous or sceptical, but always avid; the pulse of the feverish street which the ticker indifferently registered; the atmosphere of tobacco and greed; the trailing announcements; "Steel, three-fourths; Pennsy, a half," these things were forgotten. The train crashed on. Of that too he was unconscious.

Before him a panorama had unrolled – the day he first saw her, the hour he first loved her, the moment he first thought she might care for him – the usual panorama that unfolds before any one fortunate enough to love and to be loved in return.

"Grand Central!"

The gunman disappeared, the Hun had gone, the car emptied itself on a platform from which it was at once refilled. Lennox ascended the stair, reached the street, boarded a taxi, drove to his home.

The latter, situated on the ground floor of an apartment house a step from Park Avenue, was entirely commonplace, fitted with furniture large and ugly, yet minutely relieved by a photograph which showed the almost perfect oval of Margaret's almost perfect face.

The photograph stood on a table in the sitting-room beyond which extended other rooms that, in addition to being ugly, were dark. But Lennox had no degrading manias for comfort. Pending the great day he camped in these rooms, above which, on an upper storey was a duplex apartment which, if Margaret liked, he proposed to take.

It was for her opinion regarding it that he had asked her to come. In the forenoon she had telephoned that she and her mother would both be with him. He had instructed his servant accordingly and now a silver tea-service that had belonged to his grandmother and which, being Victorian, was hideous, gleamed at him as he entered the rooms.

Something else gleamed also. On a rug, a puddle of sunlight had spilled.

Above, on the embossed platter, were petits fours, watercress sandwiches, a sack of sweetmeats, a bunch of violets, a scatter of cups. Beneath was the puddle.

Lennox looked. It seemed all right.

Harris, his servant, a little man, thin as an umbrella, sidled silently by. The vestibule took him. From it came the sound of a voice, limpid, clear, which Lennox knew and knew too was not Margaret's.

"A lady to see you, sir," Harris, reappearing and effacing himself, announced.

The doorway framed her. There, with her shock of auburn hair, her cameo face, her slim figure and her costume which, though simple, was not the ruinous simplicity that Fifth Avenue achieves, Cassy presented a picture very different from that on the table, a picture otherwise differentiated by a bundle that was big as a baby.

Lennox did not know but that it might contain a baby and the possibility alarmed this man who was afraid of nobody.

"Hello!" he exclaimed.

In exclaiming, he stared. He liked the girl. But at the moment she was in the way. Moreover, why she had come to these rooms of his, where she had not been invited, and where she had not ventured before, was a mystery.

"How's your father?" he added.

There are people, as there are animals, that cannot be awkward and are never ridiculous. Cassy was one of them. None the less she stood on one foot. The tea-table had become very talkative. It told her that it was expecting somebody; that watercress sandwiches were not for her; no, nor Victorian horrors either.

"Be off!" it shouted.

"Sit down," said Lennox.

Cassy, hugging the bundle, remained in the doorway. It was not the tea-table merely, but something else, the indefinable something which one may feel and not describe that was telling her to hurry. Afterward, with that regret which multiplies tears and subtracts nothing, she wished she had hurried, wished rather that she had not come, wished that she had defied the wolf, outfaced the butcher, done anything except enter these rooms.

She shifted the bundle. "I have been gadding about in Wall Street. I never was there before, but it is so nice and windy I may go there again. This is just a good-day and good-bye."

As she spoke she turned, and as she turned Lennox' heart smote him. He hurried to her.

"See here! You can't go like this. Have a cup of tea."

Cassy gave him the rare seduction of her smile. "Thank you. I am out on business and I never drink in business hours."

But now Lennox had got himself between her and the vestibule.

"Business!" he repeated. "What is it? Anything in my line? Let's transact it here. Wall Street is no place" – for a pretty girl he was about to say but, desisting, he substituted – "for you."

"But you are expecting people."

"How in the world did you know? Anyway, they are not here yet and if they were they would be glad to meet you."

"I wonder!" said Cassy, whose wonder concerned not their pleasure but her own, and concerned it because she hated snobs, among whom she knew that Lennox moved.

"Now, tell me," he resumed.

Cassy, realising that it must be then or never, looked up at him.

"You remember father's violin?"

"I should say I did."

"Well, my business in Wall Street was to offer it as – what do you call it? – as collateral."

Lennox indicated the bundle. "Is that it?"

Cassy nodded. "I had to hide it and smuggle it out without his knowing it. He thinks it stolen. If he knew, he would kill me. As it is, he has gone crazy. To quiet him, I said I would go to the police."

Lennox laughed. "And I am the police!"

"Yes, you're the police."

"All right then. The police have recovered it. Take it back to him. How much do you need? Will a hundred do?"

That was not Cassy's idea. She shook her docked head at it. "You're the police but I am a business man. If you make the loan, you must keep the collateral."

"You are a little Jew, that's what you are," Lennox, affecting annoyance, replied.

Cassy smiled, "I like your jeu d'esprit. But not well enough to accept money as a gift."

"Good Lord!" Lennox protested. "Look here! I am not giving money away. I don't mean it as a gift. Pay me back whenever you like. Until then, what do you expect me to do with that thing? Give serenades? No, take it back to your father. I know just how he feels about it. He told me."

Cassy shifted the bundle. "Good-bye then." But as he still blocked the way, she added: "Will you let me pass?"

Moralists maintain that a man should never argue with a woman, particularly when she is young and good-looking. He should yield, they assert. Cassy's youth and beauty said nothing audible to Lennox. They said nothing of which he was then aware. In addition he was not a moralist. But there are influences, as there are bacilli, which unconsciously we absorb. For some time he had been absorbing a few. He did not realise it then. When he did, he was in prison. That though was later. At the moment he threw up his hands.

"I surrender. Will you mind putting it down somewhere?"

Cassy turned. Beyond was a table and near it a chair to which she went. There she dumped the violin. In so doing she saw Margaret's picture.

"What a lovely girl!"

Lennox, who had followed, nodded. "That is Miss Austen to whom I am engaged."

"Oh!" said Cassy. She did not know that Lennox was engaged. But suddenly the room had become uncomfortably warm and she blurted it: "How happy she must be!"

At the slip, for he thought it one, Lennox laughed.

"You mean how happy I must be," exclaimed this rare individual to whom the verb to be happy had a present tense, yet one which even then it was losing.

He had been fumbling in a pocket. From it he drew a wad of bills, fives and tens, and made another wad. "Here you are. I will mail you a receipt for the collateral."

Cassy, taking the money in one hand, extended the other. "May I say something?"

"Why, of course."

Cassy could talk and very fluently. But at the moment she choked. What is worse, she flushed. Conscious of which and annoyed at it, she withdrew her hand and said: "It's so hot here!"

Lennox looked about, then at her. "Is it? Was that what you wanted to say?"

Cassy shook herself. "No, and it was very rude of me. I wanted to thank you. Good-bye, Mr. Policeman."

"Good-bye," he threw after the girl, who, in leaving the room, must have taken the sunlight with her. As she passed over the rug, the puddle passed too. It followed her out like a dog.

That phenomenon, to which Lennox then attached no significance, he afterward recalled. For the moment he busied himself with pen and ink. Presently he touched a button.

From regions beyond the little old man appeared.

Lennox motioned at the bundle. "Take that to this address. Ask for Mr. Cara and say it comes from the police. From the police, don't forget, Harris."

"I'll not forget, sir."

"And go now. When the ladies come, I'll open the door."

As it happened, only shadows came. The shadows lengthened. They lapped the floor, devoured the silver, turned the rug into a pit, the room into darkness. Apart from shadows, no one came, no one rang. But, though Lennox was unaware of it, two people did come, and of the two one would have rung, had not the other prevented.

Lennox did not know that. On the inaccessible planes where events are marshalled, it was perhaps prearranged that he should not.