Kitabı oku: «The Paliser case», sayfa 4

IX

That same evening, as Lennox was leaving the club, Mrs. Austen, rising from the dinner-table, preceded Margaret into the drawing-room and looked at the clock, a prostrate nymph, balancing a dial on the soles of her feet. At the figures on the dial, the nymph pointed a finger.

From the clock Mrs. Austen turned and exclaimed at the windows which she had already examined. "The jardinières have not yet been attended to! It is inconceivable!"

Margaret, who had seated herself, said: "You might send for the manager."

"He would only keep me waiting and then expect me to tell him what I wanted. He ought to know. Besides, I might have forgotten. It is very tiresome."

Margaret stood up. "I will tell him."

With a click, Mrs. Austen unfurled a fan and, with another click, refurled it. "No. I will see him myself. I am quite in the humour."

Margaret looked after her mother, who was leaving the room. The sudden tempest in a flowerpot surprised her. But the outer door closed. Margaret reseated herself. Presently he would come and together they would make those plans that lovers make – and then unmake, unless, elsewhere, they have been made for them.

Meanwhile she waited. The incident at the Sandringham, the sight of Cassy, her mother's facile insinuations, these things had distressed her, because, and only because, they had prevented her from enjoying the innocent pleasure of the innocent visit to the rooms of her betrothed, whom she loved with a love that was too pure and too profound, to harbour doubt and suspicion and that evil child of theirs which jealousy is. Her faith was perfect. That faith showed in her face and heightened her beauty with a candour that should have disarmed her mother, who, in the hall below, was, at that moment, instructing a man and not about flower-boxes either.

"Mr. Lennox, you may know him, by sight I mean, will be coming here shortly. Please have him shown into that room there."

Mrs. Austen passed on. The little room at which she had glanced that afternoon received her – a hospitality in which a mirror joined. The latter welcomed her with a glimpse of herself. It was like meeting an old friend. But no; a friend certainly, yet not an old one. Age had not touched this lady, not impudently at least, though where it may have had the impertinence to lay a finger, art had applied another, a moving finger that had written a parody of youth on her face which was then turning to some one behind her whom the mirror disclosed.

In turning, she smiled.

"It is so good of you, Mr. Lennox, to look in on me. The door-man told you about Margaret, did he not? No? How careless of him. The dear child has a headache and has gone to bed."

"Has she?" said Lennox. He found but that. But at least he understood why Margaret had not come to his rooms. The headache had prevented her.

"It is nothing." Mrs. Austen was telling him. "To-morrow she will be herself again. Nice weather we are having."

"Very," Lennox answered.

As he would have said the same thing if Mrs. Austen had declared that the weather was beastly, the reply did not matter. It did not matter to her; it did not matter to him. She was thinking of something else and he was also. He was thinking of Margaret, wondering whether he might not go to her. Were it not for the strait-jacket that conventionality is and which pinions the sturdiest, he would have gone. He was a little afraid of Mrs. Austen, as an intelligent man sometimes is afraid of an imbecile woman. But his fear of her fainted beside the idea that if, disregarding the bagatelles of the door, he made his way to Margaret, she herself might not like it. That alone restrained him. Afterward he wished he had let nothing prevent him. Afterward he regretted it. It is the misery of life – and sometimes its reward – that regret should be futile.

But, at the moment, grim and virile, a hat in one hand, a stick in the other, his white tie just showing between the lapels of his overcoat, already he was consoling himself. He had not seen Margaret in the afternoon, and he was not to see her this evening. No matter. The morrow would repay – that morrow which is falser than the former day.

Pleasantly at him and at his thoughts, Mrs. Austen played the flute. "Won't you sit down?" In speaking, she sank on a sofa which she occupied amply.

Lennox, shifting his stick, took a chair. Later, in one of those evil moods that come to the best, as well as to the worst, he wished he had brained her with it.

With the magic flute, Mrs. Austen continued: "To-morrow is Sunday, is it not? You must be sure to come. Dear me! I can remember when everybody went to church on Sunday and then walked up and down Fifth Avenue. Fifth Avenue had trees then instead of shops and on the trees were such funny little worms. They used to hang down and crawl on you. The houses, too, were so nice. They all had piazzas and on the piazzas were honeysuckles. But I fear I am boasting. I don't really remember all that. It was my father who told me. Those must have been the good old days!"

Lennox again shifted his stick. "To-day I had hoped that you would look in on me."

The flute caressed the strain. "Yes. It was too bad! We had quite counted on it. Bachelor quarters must be so exciting."

"Well, not mine at any rate. They are rather dark."

"But that must make them all the more exciting! Blindman's buff! Hide and go seek! What fun you must have with your friends romping about!"

"My friends are too busy for that. Though to-day – "

"Yes?"

Lennox hesitated. He knew that this woman took no interest in him whatever, but he had intended to tell Margaret about Cassy.

Pleasantly Mrs. Austen prodded him. "Yes?"

"Nothing of any moment. This afternoon, Miss Cara, the girl who sang last night, came to see me. You may remember I told you I knew her father."

"It seems to me I do."

"Things have not gone well there and I advanced her a trifle for him."

Mrs. Austen unfurled her fan. It was all Honest Injun. She had not a doubt of it and never had. But if she had thought it a Sioux and Comanche story, it would have been the same to her.

"I am sorry you did not meet her," Lennox continued. "You might have lent her a hand."

"Professionally, you mean?"

"Yes."

"I might have her sing here," replied Mrs. Austen, who would have seen Cassy hanged first.

Lennox considered the picture: Mrs. Austen in the rôle of shepherdess, herding for Cassy's benefit the flock of sheep that society is. But the picture did not detain him. He stood up.

"That would be very good of you. Please tell Margaret I am sorry she has a headache and that I will look in on her to-morrow."

No you won't, thought Mrs. Austen, who said: "Yes, do."

In a moment, when he had gone, she looked again in the mirror. It showed her a woman who would not steal, unless she could do so undetectably; a woman who would not forge, because she did not know how. Crimes ridiculous or merely terrific she was too shrewd to commit. But there are crimes that the law cannot reach. There are cards, too, that fate may deal.

After looking at the woman, she looked at the cards. They were dreamlike. Even so, they needed stacking. Mrs. Austen arranged them carefully, ran them up her sleeve and floated to the room where Margaret waited.

As she entered, Margaret turned to her. Her face had that disquieting loveliness which Spanish art gave to the Madonna, the loveliness of flesh eclipsed certainly by the loveliness of the soul, but still flesh, still lovely.

At sight of it Mrs. Austen experienced the admiration tinctured with the vitriol of jealousy that some mothers inject. Mrs. Austen had been a belle in the nights when there were belles but her belledom, this girl, who was not a belle, outshone. Yet the glow of it while necessarily physical had in it that which was moral. Unfortunately the radiance of moral beauty only those who are morally beautiful can perceive. Mrs. Austen was blind to it. It was her daughter's physical beauty that she always saw and which, though she was jealous of it, had, she knew, a value, precisely as beauty had a value in Circassia where, before the war, it fetched as much as a hundred Turkish pounds. In New York, where amateurs are keener and beauty is more rare, it may run into millions.

Commercially conscious of that, Mrs. Austen felt for the cards and carelessly produced one.

"Do you know, I believe we are to have a shower. Your young man got off just in time."

Margaret, who had glanced at the prostrate nymph, looked at her upright mother. "Do you mean that Keith has come – and gone?"

Mrs. Austen sat down and extracted another card. "My dear, when I went below he was coming in. We – "

Margaret, with her usual directness, interrupted. "But he is coming back?"

"That depends on you."

"On me? How? What do you mean?"

"That you must do as you like, of course. But if you elect to see him, for goodness' sake don't refer to it."

"Refer to it!" Margaret exclaimed. "Refer to what?"

"The vestal whom we saw this afternoon."

"I don't understand."

Indulgently Mrs. Austen motioned. "It is hardly proper that you should."

Margaret winced and coloured. "Your insinuation is horrible."

Cheerfully Mrs. Austen smiled. Margaret's start, her heightened colour, her visible annoyance, these things comforted her. A grandee of Spain warmed his hands at the auto-da-fé. There are people just like him. There are people that take comfort in another's distress. Mrs. Austen did not know that she resembled them. She had nothing but Margaret's welfare in view. Nothing but that and her own. Her own though came first.

She raised the fan. "My dear, you misjudge me. I always said that he is a good young man and I stick to it. He is good, far too good, too good to be true." With that, lowering the fan, she produced a trump. "Downstairs, a moment ago, he told me so."

Margaret gasped. "He told you – he told you – "

"Precisely. That is just what he did tell me."

Margaret straightened. "I don't believe it."

Mrs. Austen waved at her. "Oh, I don't mean that he has deceived you. He has done nothing of the kind. It is you who have deceived yourself. That was to be expected. At your age I deceived myself quite as thoroughly. I thought your father a conquering hero and he was merely a bore. But he pointed a moral, though he adorned no tale. He married to settle down. That is this young man's idea and I must give him credit for the fact that while he has not deceived you, he did deceive me. I thought him a tedious person; whereas, not a bit of it. He is exceedingly lively. If he keeps it up, his wife will be blessed among women. But that is just it. He won't keep it up. He swore he would not and I believe him. He has turned over a new leaf. I can't cry over it, but it is really too bad."

Margaret, who had straightened, stiffened. "If I believed a word of what you tell me, I would forgive him entirely."

Mrs. Austen, unprepared for that, leaned forward. "My dear, I had no idea you were so sensible."

"I would forgive entirely," Margaret continued. "But I would never see him again."

How good that tasted! Mrs. Austen swallowed it contentedly. "Of course you will see him. You are not going blind, I suppose. But when you do see him, it will be only decent of you to ignore the matter which is not a fit subject for you to discuss."

Margaret, who had straightened and stiffened, now was rigid. "I certainly shall ignore it. It is not worth talking about."

Mrs. Austen leaned back. "Ah, my dear, how right you are. He could not tell you that he had loved wisely, it would not be very flattering. He could not say he had loved too well, for that would be embarrassing. What a pretty frock you have on. Did Marguerite make it? Of course he could not. It would not be nice at all. But to me he made a soiled breast of it. Don't you think the skirt a bit too long? Stand up a minute."

Margaret coloured again. She coloured with a flush that put two red spots on her. She did not believe it. She could not and would not. Yet credence, like the wind, bloweth where it listeth.

Mrs. Austen, noting the spots, knew that the card had been well played and leisurely selected another.

"Perhaps it is the way you are sitting. Yes, altogether it is quite ducky. I really must go to Marguerite on Monday. Don't let me forget about it or the dentist either. I shall have my hands full and my mouth also. The proper caper, too, apparently. That little dollymop, whom we saw this afternoon, had her hands full. Did you notice the roll of bills that she was counting? Such an enjoyable occupation! But it won't last. You need not worry on that score. He had been paying her off. He assured me of that and so unnecessarily. Why, I saw the whole thing at a glance. Anybody but you would have seen it too. But you are so theosophically nearsighted. It was for that reason I took you away. Now, though, he is going to begin on a clean slate. Those were his very words, and you, I suppose, are the clean slate. He has such original expressions, hasn't he? But there! I forgot. He did not mean me to tell you. In fact, he begged me not to."

From Margaret's face the flush retreating left it white with that whiteness which dismay creates. A bucket of mud had drenched her. It did more, it dazed her. The idea that the bucket was imaginary, the mud non-existent, that every word she had heard was a lie, did not occur to this girl who, if a Psyche, was not psychic. In her heart was the mud; in her mother's hand was the bucket. But the mire itself, he had put there. The evidence of her own eyes she might have questioned. But he had admitted it and the fact that he had induced in her the purely animal feeling to get away, to be alone and to suffer unseen.

She left the room, went to her own, closed the door and at a prie-Dieu fell on her knees, not to pray – she knew that the Lords of Karma are not to be propitiated or coerced – but in humiliation.

In humiliation there may be self-pity and that is always degrading. With uncertain hands she tried to transform that pity into sorrow, not for herself, but for him. The burnt offering seared her. In the secret chambers of her being her young soul tripped and fell. For support she clutched at her creed. Ordinarily it would have sustained her. Ordinarily it would have told her that her suffering was the penalty for suffering which she had caused, a penalty that the gods of the doors that close behind our birth were measuring to her. Ordinarily she would have realised that in some anterior, enigmatic and forgotten life, she, too, had debased herself and that this cross was the punishment for that debasement. Ordinarily the creed would have sustained her. But as she clutched at it, it receded. Only the cross remained and that was too heavy.

In the drawing-room an indifferent nymph pointed a finger at hours, all of which wound and of which the last one kills.

In that room Mrs. Austen was writing a note. Addressed to Montagu Paliser, jr., esqre., it asked him to dinner.

X

In the subway, the following evening, Cassy saw a man eyeing her. She turned and saw another man who also was eyeing her. On the seat opposite two women were discussing her clothes.

The clothes, her own manufacture, were not of the fashion, not behind it, or ahead of it, but above it. A mode, or a mood of her own, they consisted in a blue silk smock and a yellow cloth skirt. On the sleeves and about the neck of the smock there was also yellow, touches of it, with which the skirt married. Therewith she was hatless, rebellious and handsome.

Accustomed to the inquisitiveness of appraising eyes, she ignored the women as, already, she had ignored the men. With obliterating unconcern, she reduced them to the fluidity of the inchoate. Other matters occupied her, and, primarily, a trick, an extremely shabby one, from which she had not yet recovered.

The day before, after paying the butcher, the baker, and the punctual and pertinacious agent, she had scaled the walk-up where she found her father with the violin, on which, an hour earlier, Lennox had loaned her the money.

The spectacle flabbergasted her. Then, realising what Lennox had done, his iniquity struck her as hateful. At once, in an effort to account, however imaginatively, for the apparent sorcery of it all, she tried to invent a fairy-tale. But the tale would not come. Nor was it needed. Her father dispensed with any. Impatient of detail, as the artist usually is, he required none. The extraordinary perspicacity of the police who had nailed and returned the violin instanter, this wizardry that would have thrown any one else into stupors of bewilderment, interested him not at all. He had the violin. That sufficed. The rest did not matter.

It mattered though and monumentally to Cassy. To owe the butcher, the baker, the candlestickmaker, and to have them look slantingly at you, that was disgusting. But to be beholden for a gift, which you had refused to accept, and which then, behind your back, was dumped in on you, that was degrading. Consequently, while conjecturing new versions of Perrault, versions which it relieved her to find were not wanted, she gnashed her milk-white teeth at Lennox, felt that she hated him, yet felt, too, and the feeling was maddening, that the hatred was very tender.

All this was irritating enough and the Tamburini had contrived to add to the irritation. It had been arranged that the fallen star was to come to the walk-up and accompany Cassy to the Splendor. Instead of which, at the last moment, the ex-diva had telephoned that she would join her at the hotel, and Cassy foresaw a tedious sitting about in the lobby, for Ma Tamby was always late. But when have misfortunes come singly? Cassy foresaw, too, that the tedium would not be attenuated by Paliser's conversation.

It was not for that, or for him, that she was then in the subway, but for dinner. Young, healthy and consequently carnal, though not otherwise carnal than hunger can make you, she liked food, on condition that she had not prepared it, and – in particular, and why not? – she liked the savorously truffled menus that walk-ups lack. She had another reason for being in the subway, one that Ma Tamby had lodged, like a flea, in her ear.

But now, near the heart of Manhattan, the train had stopped. Cassy got out, looked at her white gloves, wondered if they smelled of benzine, decided that they did, took them off and went on to the Splendor where Paliser was waiting.

Other people appeared to be similarly occupied. In the high, wide hall were groups of careful men and careless women, the latter very scrumptious in their imported frocks. The sight of these Parisianisms abashed Cassy no more than her appearance abashed Paliser. Etiquette, Formality, the Proper Thing, the great inane gods of the ante-bellum heavens, he had never acknowledged and now, though locally their altars remained and their worship persisted, he knew they were forever dead, blown into the dust-bin of the things that were, tossed there in derision by that atheist, the War.

The careless women looked at Cassy and carefully looked away. The careful men looked at her and carelessly looked again. In the severity of the wide, high hall, the girl with her rebellious beauty and harlequin gown, struck a note which it lacked, struck two of them, the go-and-be-hanged-to-you and originality.

In evening clothes that said Savile Row, Paliser approached. "You are punctual as a comet and equally luminous."

Cassy, ignoring the remark, ignoring, too, the hand that accompanied it, cut him short. "Haven't seen Madame Tamburini, have you?"

Paliser's hair had the effect of a mirror. He smoothed the back of it. The ex-diva he had certainly seen and not later than just before she telephoned to Cassy. But it is injudicious, and also tiresome, to tell everything. With the wave of a cheque, the complicity of the former first-lady had been assured, and assured moreover without a qualm on her part. Ma Tamby did not know what it is to have a qualm – which she could not have spelled if she had known. She was differently and superiorly educated. In the university that life is, she had acquired encyclopedias of recondite learning. She knew that ice is not all that it is cracked up to be: that a finger in the pie is better than two in the fire, and that angels have been observed elsewhere than at Mons – learning which, as you may see, is surprising.

Over the ham and eggs of an earlier evening, the syllables of Paliser's name had awakened echoes of old Academy nights and Mapleson's "grand revivals" of the Trovatore, echoes thin and quavering, yet still repeating hymns in glory of the man's angelic papa. On the way from ham and eggs to Harlem, she had, in consequence, conjured, for Cassy's benefit, with performing fleas. But when, on this afternoon, M. P. jr., had come and waved cheques at her, she had felt that her worst hopes were realised, that her finger was really in the pie, and she had agreed to everything, which, however, for the moment, was nothing at all, merely to abandon Cassy that evening; merely also to collaborate later in the evocation of a myth, and meanwhile to keep at it with the fleas.

Now, in the hall of the Splendor, as Paliser patted the back of his head, he was enjoying Cassy's open-air appearance that needed only a tennis-racket to be complete.

Cassy glanced about. She had a penny or two more than her carfare and yet, if she had owned the shop, she could not have appeared more at ease in this smartest of smart inns, a part of which, destiny, in its capriciousness, was to offer her.

"No," he answered. "But I have a private room somewhere. She can find her way there, unless you prefer palms and an orchestra."

"I do," said Cassy, to whom a room with this man said only boredom and who liked to see what was going on.

Then when, presently, they were seated at a table, to which the chastened captain of the ham-and-egg night had piloted the way, Cassy beheld what she had never beheld before, and what few mortals ever do behold, a cradled bottle of Clos de Vougeot. But to her, the royal crû was very much like the private room. It said nothing. A neighbouring table was more eloquent.

Among the people seated there was an imperial woman with an imperial manner, whom Cassy instantly recognised. She was prima donna, prima donna assoluta, and though Cassy did not know it – nor would it have interested her if she had known – dissoluta also.

To be in her shoes!

In that seven-leagued dream, she forgot Paliser, the delinquent Tamburini, the trick that Lennox had played. In a golden gloom, on a wide stage, to a house packed to the roof, Cassy was bowing. Her final roulade had just floated on and beyond, lost now in cyclonic bravas.

"It was the Duc d'Aumale," Paliser was saying.

"Eh?" Abruptly Cassy awoke.

"Or, if not, some other chap who, recognising it, ordered his regiment to halt and present arms."

"To whom?"

"To the vineyard where the grape in that bottle was grown."

Cassy shook out a napkin. "You talk just like my janitress. I never understand a word she says."

But now a waiter was bringing delicacies other than those obtainable in Harlem; in particular, a dish that had the merit of pleasing Cassy.

"What is it?" she asked.

"Muskrat."

"What!"

"Muskrat with terrapin for a pseudonym. The pseudonym shows imagination. Let us be thankful for that. Gastronomy is bankrupt. Formerly it was worshipped. Formerly gastronomy was a goddess. To-day the sole tributes consist in bills-of-fare that are just like the Sahara minus the oases. It is the oases we want and it is muskrat we get. That is all wrong. The degree of culture that any nation may claim is shown in its cookery and if there is anything viler than what we get here it must be served in Berlin. It must have been Solon who said: 'Tell me what you eat and I will tell you who you are.' He added, or should have, that animals feed, man dines and, when permitted, dines devoutly. There are dishes, as there are wines, to which one should rise and bow. But hereabouts it is only by special dispensation that one gets them. In a hotel such as this there is an outward show of reverence, but it is sheer hypocrisy; of real piety there is none, a sham attempt to observe the sacred rites without knowing how. I admit I don't know either. From me the divine afflatus has been withheld. But elsewhere I have been conscious of the presence. Once or twice I was blessed. Here, though, in default of shrines there should be chairs. Harvard, Yale, Columbia, should establish a few. When I was in college I was taught everything that it is easiest to forget. If the youth of the land were instructed in gastronomy we would all be wiser and better. Chairs on gastronomy, that is what we need!"

Cassy laughed. "Why not tables?"

Paliser laughed with her. The laughter was a bond. It joined them however tenuously. It was what he had been driving at. Accustomed to easy successes, Cassy's atmosphere, with its flavour of standoffishness and indifference, appealed to this man, who had supped on the facile and who wanted the difficult. Cassy, he could have sworn, would supply it and, if he had, he would have sworn very truly.

Meanwhile the muskrat had gone. Dishes less false but equally fair had followed. Now, with the air of a conjurer, the waiter just showed them an entremets which he hastened to serve. It was a soufflée.

At it, Cassy, just showing the point of her strawberry tongue, exclaimed without rancour: "Ma Tamby has thrown us over."

Paliser lit a cigarette. "She may be singing in the private room."

Cassy laughed again. "Yes. 'Una voce poco fa!' That would be just the thing – wouldn't it? – to sing privately in private."

Paliser answered, though what, she did not hear. The orchestra drowned it and for a moment she considered him, conscious that he was less objectionable than he had seemed, yet entirely unconscious that such objection as she had experienced was due to his extreme good-looks, which in a man are always objectionable to a woman when she herself is handsome, for they make him resemble her and, in so doing, constitute an encroachment on her prerogatives, which, in itself, is an affront.

Cassy, ignorant of the psychology of it, equally unaware that familiarity which may breed contempt can also dissolve dislike, and feeling merely a lessening of her instinctive hostility, told herself that he was perhaps not as cocky as he looked and drank of the glass before her.

The Clos de Vougeot which, to the educated palate, is art, literature and song combined, meant nothing more to her than if it had been Médoc. She drank it because it was there at her hand, as she would have drunk water, without savouring it, without any realisation of the enormity of the crime. Yet though it meant nothing, nothing at least of which she was aware, the royal crû was affecting her. It modified and mollified, admonishing her that this man was an inoffensive insect who, circumstances favouring, might, as Ma Tamby when inserting the flea had told her, put her father on his feet.

In just what the favouring circumstances could consist, the fallen star had not bothered to indicate, and she had not bothered because they were too obvious and also because she was sure that Cassy was not insane.

Paliser abandoned his cigarette. "If you like, we might look in at the Metropolitan. I believe I have a box."

Apart from down-stage and the centre of it, apart, too, from the flys and the dressing-rooms, Cassy's imagination had not as yet conceived anything more beckoning than a box at the opera, even though, as on this occasion, the opera happened to be a concert. "Why, yes. Only – " Pausing, she looked about. The imperial lady had gone.

"Only what?" Paliser very needlessly asked for he knew.

"I fear I am a bit overdressed."

"Not for Sunday. The house will be full and nobody in it. Besides, what do you care?"

Cassy shrugged. "Personally, not a rap. It was of you I was thinking."

Paliser, who had been signing the check and feeing the waiter, looked at her. "I did not know that you were so considerate."

Cassy, in surprise not at him, but at herself, laughed. "Nor did I."

Paliser stood up and drew back her chair. "Be careful. You might become cynical. It is in thinking of others that cynicism begins."

The platitude slipped from him absently. He had no wish for the concert, no wish to hear Berlinese trulls and bubonic bassi bleat. But, for the tolerably delicate enterprise that he had in hand, there were the preliminary steps which could only be hastened slowly and anything slower than the Metropolitan on a Sunday night, it was beyond him to conjecture.

But though on that evening a basso did bleat, it may be that he was not bubonic. Moreover he was followed by a soprano who, whether trullish or not, at any rate was not Berlinese and whose voice had the lusciousness of a Hawaiian pineapple. But the selections, which were derived from old Italian cupboards, displeased Paliser, who called them painted mush.

But not twice! Cassy turned her back on him. The painted mush shook stars in her ears, opened vistas on the beyond. Save for him she would have been quite happy. But his remark annoyed her. It caused her to revise her opinion. Instead of an inoffensive insect he was an offensive fool. None the less, as the concert progressed, she revised it again. On entering the box she had seen his name on the door. The memory of that, filtering through the tinted polenta from the ancient cupboards, softened her. A man so gifted could express all the imbecilities he liked. Elle s'enfichait.

As a result, before it was over, in lieu of her back, she gave him the seduction of her smile, and, later when, in his car, on the way to the walk-up, he spoke of future dinners, fresher songs, she had so far forgotten the painted mush insult, that momentarily she foresaw but one objection. She had nothing to wear and frankly, with entire unconcern, she out with it.

For that he had a solution which he kept to himself. The promptly obliterating stare with which she would have reduced him to non-existence, he dodged in advance.