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WHERE THERE IS NOTHING, THERE IS GOD
The little wicker houses at Tullagh, where the Brothers were accustomed to pray, or bend over many handicrafts, when twilight had driven them from the fields, were empty, for the hardness of the winter had brought the brotherhood together in the little wooden house under the shadow of the wooden chapel; and Abbot Malathgeneus, Brother Dove, Brother Bald Fox, Brother Peter, Brother Patrick, Brother Bittern, Brother Fair-brows, and many too young to have won names in the great battle, sat about the fire with ruddy faces, one mending lines to lay in the river for eels, one fashioning a snare for birds, one mending the broken handle of a spade, one writing in a large book, and one shaping a jewelled box to hold the book; and among the rushes at their feet lay the scholars, who would one day be Brothers, and whose school-house it was, and for the succour of whose tender years the great fire was supposed to leap and flicker. One of these, a child of eight or nine years, called Olioll, lay upon his back looking up through the hole in the roof, through which the smoke went, and watching the stars appearing and disappearing in the smoke with mild eyes, like the eyes of a beast of the field. He turned presently to the Brother who wrote in the big book, and whose duty was to teach the children, and said, ‘Brother Dove, to what are the stars fastened?’ The Brother, rejoicing to see so much curiosity in the stupidest of his scholars, laid down the pen and said, ‘There are nine crystalline spheres, and on the first the Moon is fastened, on the second the planet Mercury, on the third the planet Venus, on the fourth the Sun, on the fifth the planet Mars, on the sixth the planet Jupiter, on the seventh the planet Saturn; these are the wandering stars; and on the eighth are fastened the fixed stars; but the ninth sphere is a sphere of the substance on which the breath of God moved in the beginning.’
‘What is beyond that?’ said the child.
‘There is nothing beyond that; there is God.’
And then the child’s eyes strayed to the jewelled box, where one great ruby was gleaming in the light of the fire, and he said, ‘Why has Brother Peter put a great ruby on the side of the box?’
‘The ruby is a symbol of the love of God.’
‘Why is the ruby a symbol of the love of God?’
‘Because it is red, like fire, and fire burns up everything, and where there is nothing, there is God.’
The child sank into silence, but presently sat up and said, ‘There is somebody outside.’
‘No,’ replied the Brother. ‘It is only the wolves; I have heard them moving about in the snow for some time. They are growing very wild, now that the winter drives them from the mountains. They broke into a fold last night and carried off many sheep, and if we are not careful they will devour everything.’
‘No, it is the footstep of a man, for it is heavy; but I can hear the footsteps of the wolves also.’
He had no sooner done speaking than somebody rapped three times, but with no great loudness.
‘I will go and open, for he must be very cold.’
‘Do not open, for it may be a man-wolf, and he may devour us all.’
But the boy had already drawn back the heavy wooden bolt, and all the faces, most of them a little pale, turned towards the slowly-opening door.
‘He has beads and a cross, he cannot be a man-wolf,’ said the child, as a man with the snow heavy on his long, ragged beard, and on the matted hair, that fell over his shoulders and nearly to his waist, and dropping from the tattered cloak that but half-covered his withered brown body, came in and looked from face to face with mild, ecstatic eyes. Standing some way from the fire, and with eyes that had rested at last upon the Abbot Malathgeneus, he cried out, ‘O blessed abbot, let me come to the fire and warm myself and dry the snow from my beard and my hair and my cloak; that I may not die of the cold of the mountains and anger the Lord with a wilful martyrdom.’
‘Come to the fire,’ said the abbot, ‘and warm yourself, and eat the food the boy Olioll will bring you. It is sad indeed that any for whom Christ has died should be as poor as you.’
The man sat over the fire, and Olioll took away his now dripping cloak and laid meat and bread and wine before him; but he would eat only of the bread, and he put away the wine, asking for water. When his beard and hair had begun to dry a little and his limbs had ceased to shiver with the cold, he spoke again.
‘O blessed abbot, have pity on the poor, have pity on a beggar who has trodden the bare world this many a year, and give me some labour to do, the hardest there is, for I am the poorest of God’s poor.’
Then the Brothers discussed together what work they could put him to, and at first to little purpose, for there was no labour that had not found its labourer in that busy community; but at last one remembered that Brother Bald Fox, whose business it was to turn the great quern in the quern-house, for he was too stupid for anything else, was getting old for so heavy a labour; and so the beggar was put to the quern from the morrow.
The cold passed away, and the spring grew to summer, and the quern was never idle, nor was it turned with grudging labour, for when any passed the beggar was heard singing as he drove the handle round. The last gloom, too, had passed from that happy community, for Olioll, who had always been stupid and unteachable, grew clever, and this was the more miraculous because it had come of a sudden. One day he had been even duller than usual, and was beaten and told to know his lesson better on the morrow or be sent into a lower class among little boys who would make a joke of him. He had gone out in tears, and when he came the next day, although his stupidity, born of a mind that would listen to every wandering sound and brood upon every wandering light, had so long been the byword of the school, he knew his lesson so well that he passed to the head of the class, and from that day was the best of scholars. At first Brother Dove thought this was an answer to his own prayers to the Virgin, and took it for a great proof of the love she bore him; but when many far more fervid prayers had failed to add a single wheatsheaf to the harvest, he began to think that the child was trafficking with bards, or druids, or witches, and resolved to follow and watch. He had told his thought to the abbot, who bid him come to him the moment he hit the truth; and the next day, which was a Sunday, he stood in the path when the abbot and the Brothers were coming from vespers, with their white habits upon them, and took the abbot by the habit and said, ‘The beggar is of the greatest of saints and of the workers of miracle. I followed Olioll but now, and by his slow steps and his bent head I saw that the weariness of his stupidity was over him, and when he came to the little wood by the quern-house I knew by the path broken in the under-wood and by the foot-marks in the muddy places that he had gone that way many times. I hid behind a bush where the path doubled upon itself at a sloping place, and understood by the tears in his eyes that his stupidity was too old and his wisdom too new to save him from terror of the rod. When he was in the quern-house I went to the window and looked in, and the birds came down and perched upon my head and my shoulders, for they are not timid in that holy place; and a wolf passed by, his right side shaking my habit, his left the leaves of a bush. Olioll opened his book and turned to the page I had told him to learn, and began to cry, and the beggar sat beside him and comforted him until he fell asleep. When his sleep was of the deepest the beggar knelt down and prayed aloud, and said, “O Thou Who dwellest beyond the stars, show forth Thy power as at the beginning, and let knowledge sent from Thee awaken in his mind, wherein is nothing from the world, that the nine orders of angels may glorify Thy name”; and then a light broke out of the air and wrapped Aodh, and I smelt the breath of roses. I stirred a little in my wonder, and the beggar turned and saw me, and, bending low, said, “O Brother Dove, if I have done wrong, forgive me, and I will do penance. It was my pity moved me”; but I was afraid and I ran away, and did not stop running until I came here.’
Then all the Brothers began talking together, one saying it was such and such a saint, and one that it was not he but another; and one that it was none of these, for they were still in their brotherhoods, but that it was such and such a one; and the talk was as near to quarreling as might be in that gentle community, for each would claim so great a saint for his native province. At last the abbot said, ‘He is none that you have named, for at Easter I had greeting from all, and each was in his brotherhood; but he is Aengus the Lover of God, and the first of those who have gone to live in the wild places and among the wild beasts. Ten years ago he felt the burden of many labours in a brotherhood under the Hill of Patrick and went into the forest that he might labour only with song to the Lord; but the fame of his holiness brought many thousands to his cell, so that a little pride clung to a soul from which all else had been driven. Nine years ago he dressed himself in rags, and from that day none has seen him, unless, indeed, it be true that he has been seen living among the wolves on the mountains and eating the grass of the fields. Let us go to him and bow down before him; for at last, after long seeking, he has found the nothing that is God; and bid him lead us in the pathway he has trodden. They passed in their white habits along the beaten path in the wood, the acolytes swinging their censers before them, and the abbot, with his crozier studded with precious stones, in the midst of the incense; and came before the quern-house and knelt down and began to pray, awaiting the moment when the child would wake, and the Saint cease from his watch and come to look at the sun going down into the unknown darkness, as his way was.
OF COSTELLO THE PROUD, OF OONA THE DAUGHTER OF DERMOTT AND OF THE BITTER TONGUE
Costello had come up from the fields and lay upon the ground before the door of his square tower, resting his head upon his hands and looking at the sunset, and considering the chances of the weather. Though the customs of Elizabeth and James, now going out of fashion in England, had begun to prevail among the gentry, he still wore the great cloak of the native Irish; and the sensitive outlines of his face and the greatness of his indolent body had a commingling of pride and strength which belonged to a simpler age. His eyes wandered from the sunset to where the long white road lost itself over the south-western horizon and to a horseman who toiled slowly up the hill. A few more minutes and the horseman was near enough for his little and shapeless body, his long Irish cloak, and the dilapidated bagpipes hanging from his shoulders, and the rough-haired garron under him, to be seen distinctly in the grey dusk. So soon as he had come within earshot, he began crying: ‘Is it sleeping you are, Tumaus Costello, when better men break their hearts on the great white roads? Get up out of that, proud Tumaus, for I have news! Get up out of that, you great omadhaun! Shake yourself out of the earth, you great weed of a man!’
Costello had risen to his feet, and as the piper came up to him seized him by the neck of his jacket, and lifting him out of his saddle threw him on to the ground.
‘Let me alone, let me alone,’ said the other, but Costello still shook him.
‘I have news from Dermott’s daughter, Winny.’ The great fingers were loosened, and the piper rose gasping.
‘Why did you not tell me,’ said Costello, ‘that you came from her? You might have railed your fill.’
‘I have come from her, but I will not speak unless I am paid for my shaking.’
Costello fumbled at the bag in which he carried his money, and it was some time before it would open, for the hand that had overcome many men shook with fear and hope. ‘Here is all the money in my bag,’ he said, dropping a stream of French and Spanish money into the hand of the piper, who bit the coins before he would answer.
‘That is right, that is a fair price, but I will not speak till I have good protection, for if the Dermotts lay their hands upon me in any boreen after sundown, or in Cool-a-vin by day, I will be left to rot among the nettles of a ditch, or hung on the great sycamore, where they hung the horse-thieves last Beltaine four years.’ And while he spoke he tied the reins of his garron to a bar of rusty iron that was mortared into the wall.
‘I will make you my piper and my body-servant,’ said Costello, ‘and no man dare lay hands upon the man, or the goat, or the horse, or the dog that is Tumaus Costello’s.’
‘And I will only tell my message,’ said the other, flinging the saddle on the ground, ‘in the corner of the chimney with a noggin in my hand, and a jug of the Brew of the Little Pot beside me, for though I am ragged and empty, my forebears were well clothed and full until their house was burnt and their cattle harried seven centuries ago by the Dillons, whom I shall yet see on the hob of hell, and they screeching’; and while he spoke the little eyes gleamed and the thin hands clenched.
Costello led him into the great rush-strewn hall, where were none of the comforts which had begun to grow common among the gentry, but a feudal gauntness and bareness, and pointed to the bench in the great chimney; and when he had sat down, filled up a horn noggin and set it on the bench beside him, and set a great black jack of leather beside the noggin, and lit a torch that slanted out from a ring in the wall, his hands trembling the while; and then turned towards him and said: ‘Will Dermott’s daughter come to me, Duallach, son of Daly?’
‘Dermott’s daughter will not come to you, for her father has set women to watch her, but she bid me tell you that this day sennight will be the eve of St. John and the night of her betrothal to Namara of the Lake, and she would have you there that, when they bid her drink to him she loves best, as the way is, she may drink to you, Tumaus Costello, and let all know where her heart is, and how little of gladness is in her marriage; and I myself bid you go with good men about you, for I saw the horse-thieves with my own eyes, and they dancing the “Blue Pigeon” in the air.’ And then he held the now empty noggin towards Costello, his hand closing round it like the claw of a bird, and cried: ‘Fill my noggin again, for I would the day had come when all the water in the world is to shrink into a periwinkle-shell, that I might drink nothing but Poteen.’
Finding that Costello made no reply, but sat in a dream, he burst out: ‘Fill my noggin, I tell you, for no Costello is so great in the world that he should not wait upon a Daly, even though the Daly travel the road with his pipes and the Costello have a bare hill, an empty house, a horse, a herd of goats, and a handful of cows.’
‘Praise the Dalys if you will,’ said Costello as he filled the noggin, ‘for you have brought me a kind word from my love.’
For the next few days Duallach went hither and thither trying to raise a bodyguard, and every man he met had some story of Costello, how he killed the wrestler when but a boy by so straining at the belt that went about them both that he broke the big wrestler’s back; how when somewhat older he dragged fierce horses through a ford in the Unchion for a wager; how when he came to manhood he broke the steel horseshoe in Mayo; how he drove many men before him through Rushy Meadow at Drum-an-air because of a malevolent song they had about his poverty; and of many another deed of his strength and pride; but he could find none who would trust themselves with any so passionate and poor in a quarrel with careful and wealthy persons like Dermott of the Sheep and Namara of the Lake.
Then Costello went out himself, and after listening to many excuses and in many places, brought in a big half-witted fellow, who followed him like a dog, a farm-labourer who worshipped him for his strength, a fat farmer whose forefathers had served his family, and a couple of lads who looked after his goats and cows; and marshalled them before the fire in the empty hall. They had brought with them their stout cudgels, and Costello gave them an old pistol apiece, and kept them all night drinking Spanish ale and shooting at a white turnip which he pinned against the wall with a skewer. Duallach of the Pipes sat on the bench in the chimney playing ‘The Green Bunch of Rushes,’ ‘The Unchion Stream,’ and ‘The Princes of Breffeny’ on his old pipes, and railing now at the appearance of the shooters, now at their clumsy shooting, and now at Costello because he had no better servants. The labourer, the half-witted fellow, the farmer and the lads were all well accustomed to Duallach’s railing, for it was as inseparable from wake or wedding as the squealing of his pipes, but they wondered at the forbearance of Costello, who seldom came either to wake or wedding, and if he had would scarce have been patient with a scolding piper.
On the next evening they set out for Cool-a-vin, Costello riding a tolerable horse and carrying a sword, the others upon rough-haired garrons, and with their stout cudgels under their arms. As they rode over the bogs and in the boreens among the hills they could see fire answering fire from hill to hill, from horizon to horizon, and everywhere groups who danced in the red light on the turf, celebrating the bridal of life and fire. When they came to Dermott’s house they saw before the door an unusually large group of the very poor, dancing about a fire, in the midst of which was a blazing cartwheel, that circular dance which is so ancient that the gods, long dwindled to be but fairies, dance no other in their secret places. From the door and through the long loop-holes on either side came the pale light of candles and the sound of many feet dancing a dance of Elizabeth and James.
They tied their horses to bushes, for the number so tied already showed that the stables were full, and shoved their way through a crowd of peasants who stood about the door, and went into the great hall where the dance was. The labourer, the half-witted fellow, the farmer and the two lads mixed with a group of servants who were looking on from an alcove, and Duallach sat with the pipers on their bench, but Costello made his way through the dancers to where Dermott of the Sheep stood with Namara of the Lake pouring Poteen out of a porcelain jug into horn noggins with silver rims.
‘Tumaus Costello,’ said the old man, ‘you have done a good deed to forget what has been, and to fling away enmity and come to the betrothal of my daughter to Namara of the Lake.’
‘I come,’ answered Costello, ‘because when in the time of Costello De Angalo my forebears overcame your forebears and afterwards made peace, a compact was made that a Costello might go with his body-servants and his piper to every feast given by a Dermott for ever, and a Dermott with his body-servants and his piper to every feast given by a Costello for ever.’
‘If you come with evil thoughts and armed men,’ said the son of Dermott flushing, ‘no matter how strong your hands to wrestle and to swing the sword, it shall go badly with you, for some of my wife’s clan have come out of Mayo, and my three brothers and their servants have come down from the Ox Mountains’; and while he spoke he kept his hand inside his coat as though upon the handle of a weapon.
‘No,’ answered Costello, ‘I but come to dance a farewell dance with your daughter.’
Dermott drew his hand out of his coat and went over to a tall pale girl who was now standing but a little way off with her mild eyes fixed upon the ground.
‘Costello has come to dance a farewell dance, for he knows that you will never see one another again.’
The girl lifted her eyes and gazed at Costello, and in her gaze was that trust of the humble in the proud, the gentle in the violent, which has been the tragedy of woman from the beginning. Costello led her among the dancers, and they were soon drawn into the rhythm of the Pavane, that stately dance which, with the Saraband, the Gallead, and the Morrice dances, had driven out, among all but the most Irish of the gentry, the quicker rhythms of the verse-interwoven, pantomimic dances of earlier days; and while they danced there came over them the unutterable melancholy, the weariness with the world, the poignant and bitter pity for one another, the vague anger against common hopes and fears, which is the exultation of love. And when a dance ended and the pipers laid down their pipes and lifted their horn noggins, they stood a little from the others waiting pensively and silently for the dance to begin again and the fire in their hearts to leap up and to wrap them anew; and so they danced and danced Pavane and Saraband and Gallead and Morrice through the night long, and many stood still to watch them, and the peasants came about the door and peered in, as though they understood that they would gather their children’s children about them long hence, and tell how they had seen Costello dance with Dermott’s daughter Oona, and become by the telling themselves a portion of ancient romance; but through all the dancing and piping Namara of the Lake went hither and thither talking loudly and making foolish jokes that all might seem well with him, and old Dermott of the Sheep grew redder and redder, and looked oftener and oftener at the doorway to see if the candles there grew yellow in the dawn.
At last he saw that the moment to end had come, and, in a pause after a dance, cried out from where the horn noggins stood that his daughter would now drink the cup of betrothal; then Oona came over to where he was, and the guests stood round in a half-circle, Costello close to the wall to the right, and the piper, the labourer, the farmer, the half-witted man and the two farm lads close behind him. The old man took out of a niche in the wall the silver cup from which her mother and her mother’s mother had drunk the toasts of their betrothals, and poured Poteen out of a porcelain jug and handed the cup to his daughter with the customary words, ‘Drink to him whom you love the best.’
She held the cup to her lips for a moment, and then said in a clear soft voice: ‘I drink to my true love, Tumaus Costello.’
And then the cup rolled over and over on the ground, ringing like a bell, for the old man had struck her in the face and the cup had fallen, and there was a deep silence.
There were many of Namara’s people among the servants now come out of the alcove, and one of them, a story-teller and poet, a last remnant of the bardic order, who had a chair and a platter in Namara’s kitchen, drew a French knife out of his girdle and made as though he would strike at Costello, but in a moment a blow had hurled him to the ground, his shoulder sending the cup rolling and ringing again. The click of steel had followed quickly, had not there come a muttering and shouting from the peasants about the door and from those crowding up behind them; and all knew that these were no children of Queen’s Irish or friendly Namaras and Dermotts, but of the wild Irish about Lough Gara and Lough Cara, who rowed their skin coracles, and had masses of hair over their eyes, and left the right arms of their children unchristened that they might give the stouter blows, and swore only by St. Atty and sun and moon, and worshipped beauty and strength more than St. Atty or sun and moon.
Costello’s hand had rested upon the handle of his sword and his knuckles had grown white, but now he drew it away, and, followed by those who were with him, strode towards the door, the dancers giving way before him, the most angrily and slowly, and with glances at the muttering and shouting peasants, but some gladly and quickly, because the glory of his fame was over him. He passed through the fierce and friendly peasant faces, and came where his good horse and the rough-haired garrons were tied to bushes; and mounted and bade his ungainly bodyguard mount also and ride into the narrow boreen. When they had gone a little way, Duallach, who rode last, turned towards the house where a little group of Dermotts and Namaras stood next to a more numerous group of countrymen, and cried: ‘Dermott, you deserve to be as you are this hour, a lantern without a candle, a purse without a penny, a sheep without wool, for your hand was ever niggardly to piper and fiddler and story-teller and to poor travelling people.’ He had not done before the three old Dermotts from the Ox Mountains had run towards their horses, and old Dermott himself had caught the bridle of a garron of the Namaras and was calling to the others to follow him; and many blows and many deaths had been had not the countrymen caught up still glowing sticks from the ashes of the fires and hurled them among the horses with loud cries, making all plunge and rear, and some break from those who held them, the whites of their eyes gleaming in the dawn.
For the next few weeks Costello had no lack of news of Oona, for now a woman selling eggs or fowls, and now a man or a woman on pilgrimage to the Well of the Rocks, would tell him how his love had fallen ill the day after St. John’s Eve, and how she was a little better or a little worse, as it might be; and though he looked to his horses and his cows and goats as usual, the common and uncomely, the dust upon the roads, the songs of men returning from fairs and wakes, men playing cards in the corners of fields on Sundays and Saints’ Days, the rumours of battles and changes in the great world, the deliberate purposes of those about him, troubled him with an inexplicable trouble; and the country people still remember how when night had fallen he would bid Duallach of the Pipes tell, to the chirping of the crickets, ‘The Son of Apple,’ ‘The Beauty of the World,’ ‘The King of Ireland’s Son,’ or some other of those traditional tales which were as much a piper’s business as ‘The Green Bunch of Rushes,’ ‘The Unchion Stream,’ or ‘The Chiefs of Breffeny’; and while the boundless and phantasmal world of the legends was a-building, would abandon himself to the dreams of his sorrow.
Duallach would often pause to tell how some clan of the wild Irish had descended from an incomparable King of the Blue Belt, or Warrior of the Ozier Wattle, or to tell with many curses how all the strangers and most of the Queen’s Irish were the seed of the misshapen and horned People from Under the Sea or of the servile and creeping Ferbolg; but Costello cared only for the love sorrows, and no matter whither the stories wandered, whether to the Isle of the Red Lough, where the blessed are, or to the malign country of the Hag of the East, Oona alone endured their shadowy hardships; for it was she and no king’s daughter of old who was hidden in the steel tower under the water with the folds of the Worm of Nine Eyes round and about her prison; and it was she who won by seven years of service the right to deliver from hell all she could carry, and carried away multitudes clinging with worn fingers to the hem of her dress; and it was she who endured dumbness for a year because of the little thorn of enchantment the fairies had thrust into her tongue; and it was a lock of her hair, coiled in a little carved box, which gave so great a light that men threshed by it from sundown to sunrise, and awoke so great a wonder that kings spent years in wandering or fell before unknown armies in seeking to discover her hiding-place; for there was no beauty in the world but hers, no tragedy in the world but hers: and when at last the voice of the piper, grown gentle with the wisdom of old romance, was silent, and his rheumatic steps had toiled upstairs and to bed, and Costello had dipped his fingers into the little delf font of holy water and begun to pray to Mary of the Seven Sorrows, the blue eyes and star-covered dress of the painting in the chapel faded from his imagination, and the brown eyes and homespun dress of Dermott’s daughter Winny came in their stead; for there was no tenderness in the world but hers. He was of those ascetics of passion who keep their hearts pure for love or for hatred as other men for God, for Mary and for the Saints, and who, when the hour of their visitation arrives, come to the Divine Essence by the bitter tumult, the Garden of Gethsemane, and the desolate Rood ordained for immortal passions in mortal hearts.
One day a serving-man rode up to Costello, who was helping his two lads to reap a meadow, and gave him a letter, and rode away without a word; and the letter contained these words in English: ‘Tumaus Costello, my daughter is very ill. The wise woman from Knock-na-Sidhe has seen her, and says she will die unless you come to her. I therefore bid you come to her, whose peace you stole by treachery. – Dermott, the son of Dermott.’
Costello threw down his scythe, and sent one of the lads for Duallach, who had become woven into his mind with Oona, and himself saddled his great horse and Duallach’s garron.
When they came to Dermott’s house it was late afternoon, and Lough Gara lay down below them, blue, mirror-like, and deserted; and though they had seen, when at a distance, dark figures moving about the door, the house appeared not less deserted than the Lough. The door stood half open, and Costello knocked upon it again and again, so that a number of lake gulls flew up out of the grass and circled screaming over his head, but there was no answer.
‘There is no one here,’ said Duallach, ‘for Dermott of the Sheep is too proud to welcome Costello the Proud,’ and he threw the door open, and they saw a ragged, dirty, very old woman, who sat upon the floor leaning against the wall. Costello knew that it was Bridget Delaney, a deaf and dumb beggar; and she, when she saw him, stood up and made a sign to him to follow, and led him and his companion up a stair and down a long corridor to a closed door. She pushed the door open and went a little way off and sat down as before; Duallach sat upon the ground also, but close to the door, and Costello went and gazed upon Winny sleeping upon a bed. He sat upon a chair beside her and waited, and a long time passed and still she slept on, and then Duallach motioned to him through the door to wake her, but he hushed his very breath, that she might sleep on, for his heart was full of that ungovernable pity which makes the fading heart of the lover a shadow of the divine heart. Presently he turned to Duallach and said: ‘It is not right that I stay here where there are none of her kindred, for the common people are always ready to blame the beautiful.’ And then they went down and stood at the door of the house and waited, but the evening wore on and no one came.
