Kitabı oku: «The Collected Works in Verse and Prose of William Butler Yeats. Volume 7 of 8», sayfa 14

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DHOYA

I

Long ago, before the earliest stone of the Pyramids was laid, before the Bo tree of Buddha unrolled its first leaf, before a Japanese had painted on a temple wall the horse that every evening descended and trampled the rice-fields, before the ravens of Thor had eaten their first worm together, there lived a man of giant stature and of giant strength named Dhoya. One evening Fomorian galleys had entered the Bay of the Red Cataract, now the Bay of Ballah, and there deserted him. Though he rushed into the water and hurled great stones after them, they were out of reach. From earliest childhood the Fomorians had held him captive and compelled him to toil at the oar, but when his strength had come his fits of passion made him a terror to all on board. Sometimes he would tear the seats of the galley from under the rowers, and drive the rowers up into the shrouds, where they would cling until the passion left him. ‘The demons,’ they said, ‘have made him their own.’ So they enticed him on shore, he having on his head a mighty stone pitcher to fill with water, and deserted him.

When the last sail had dropped over the rim of the world, he rose from where he had flung himself down on the sands and hurried through the forest eastward. After a time he reached that lake among the mountains where in later times Diarmuid drove down four stakes and made thereon a platform with four flags in the centre for a hearth, and placed over all a roof of wicker and skins, and hid his Grania, islanded thereon. Still eastward he went, what is now Bulben on one side, Cope’s mountain on the other, until at last he threw himself at full length in a deep cavern and slept. Henceforward he made this cavern his lair, issuing forth to hunt the deer or the bears or the mountain oxen. Slowly the years went by, his fits of fury growing more and more frequent, though there was no one but his own shadow to rave against. When his fury was on him even the bats and owls, and the brown frogs that crept out of the grass at twilight, would hide themselves – even the bats and owls and the brown frogs. These he had made his friends, and let them crawl and perch about him, for at times he would be very gentle, and they too were sullen and silent – the outcasts from they knew not what. But most of all, things placid and beautiful feared him. He would watch for hours, hidden in the leaves, to reach his hand out slowly and carefully at last, and seize and crush some glittering halcyon.

Slowly the years went by and human face he never saw, but sometimes, when the gentle mood was on him and it was twilight, a presence seemed to float invisibly by him and sigh softly, and once or twice he awoke from sleep with the sensation of a finger having rested for a moment on his forehead, and would mutter a prayer to the moon that glimmered through the door of his cave before turning to sleep again. ‘O moon,’ he would say, ‘that wanderest in the blue cave of the sky, more white than the beard of Partholan, whose years were five hundred, sullen and solitary, sleeping only on the floor of the sea: keep me from the evil spirits of the islands of the lake southward beyond the mountains, and the evil spirits of the caves northward beyond the mountains, and the evil spirits who wave their torches by the mouth of the river eastward beyond the valley, and the evil spirits of the pools westward beyond the mountains, and I will offer you a bear and a deer in full horn, O solitary of the cave divine, and if any have done you wrong I will avenge you.’

Gradually, however, he began to long for this mysterious touch.

At times he would make journeys into distant parts, and once the mountain bulls gathered together, proud of their overwhelming numbers and their white horns, and followed him with great bellowing westward, he being laden with their tallest, well-nigh to his cave, and would have gored him, but, pacing into a pool of the sea to his shoulders, he saw them thunder away, losing him in the darkness. The place where he stood is called Pooldhoya to this day.

So the years went slowly by, and ever deeper and deeper came his moodiness, and more often his fits of wrath. Once in his gloom he paced the forests for miles, now this way, now that, until, returning in the twilight, he found himself standing on a cliff southward of the lake that was southward of the mountains. The moon was rising. The sound of the swaying of reeds floated from beneath, and the twittering of the flocks of reed-wrens who love to cling on the moving stems. It was the hour of votaries. He turned to the moon, then hurriedly gathered a pile of leaves and branches, and making a fire cast thereon wild strawberries and the fruit of the quicken-tree. As the smoke floated upwards a bar of faint purple clouds drifted over the moon’s face – a refusal of the sacrifice. Hurrying through the surrounding woods he found an owl sleeping in the hollow of a tree, and returning cast him on the fire. Still the clouds gathered. Again he searched the woods. This time it was a badger that he cast among the flames. Time after time he came and went, sometimes returning immediately with some live thing, at others not till the fire had almost burnt itself out. Deer, wild swine, birds, all to no purpose. Higher and higher he piled the burning branches, the flames and the smoke waved and circled like the lash of a giant’s whip. Gradually the nearer islands passed the rosy colour on to their more distant brethren. The reed-wrens of the furthest reed beds disturbed amid their sleep must have wondered at the red gleam reflected in each other’s eyes. Useless his night-long toil; the clouds covered the moon’s face more and more, until, when the long fire-lash was at its brightest, they drowned her completely in a surge of unbroken mist. Raging against the fire he scattered with his staff the burning branches, and trampled in his fury the sacrificial embers beneath his feet. Suddenly a voice in the surrounding darkness called him softly by name. He turned. For years no articulate voice had sounded in his ears. It seemed to rise from the air just beneath the verge of the precipice. Holding by a hazel bush he leaned out, and for a moment it seemed to him the form of a beautiful woman floated faintly before him, but changed as he watched to a little cloud of vapour; and from the nearest of the haunted islands there came assuredly a whiff of music. Then behind him in the forest said the voice, ‘Dhoya, my beloved.’ He rushed in pursuit; something white was moving before him. He stretched out his hand; it was only a mass of white campion trembling in the morning breeze, for an ashen morning was just touching the mists on the eastern mountains. Beginning suddenly to tremble with supernatural fear Dhoya turned homewards. Everything was changed; dark shadows seemed to come and go, and elfin chatter to pass upon the breeze. But when he reached the shelter of the pine woods all was still as of old. He slackened his speed. Those solemn pine-trees soothed him with their vast unsociability – many and yet each one alone. Once or twice, when in some glade further than usual from its kind arose a pine-tree larger than the rest, he paused with bowed head to mutter an uncouth prayer to that dark outlaw. As he neared his cave and came from the deep shade into the region of mountain-ash and hazel, the voices seemed again to come and go, and the shadows to circle round him, and once a voice said, he imagined, in accents faint and soft as falling dew, ‘Dhoya, my beloved.’ But a few yards from the cave all grew suddenly silent.

II

Slower and slower he went, with his eyes on the ground, bewildered by all that was happening. A few feet from the cave he stood still, counting aimlessly the round spots of light made by the beams slanting through trees that hid with their greenness, as in the centre of the sea, that hollow rock. As over and over he counted them, he heard, first with the ear only, then with the mind also, a footstep going to and fro within the cave. Lifting his eyes he saw the same figure seen on the cliff – the figure of a woman, beautiful and young. Her dress was white, save for a border of feathers dyed the fatal red of the spirits. She had arranged in one corner the spears, and in the other the brushwood and branches used for the fire, and spread upon the ground the skins, and now began pulling vainly at the great stone pitcher of the Fomorians.

Suddenly she saw him and with a burst of laughter flung her arms round his neck, crying, ‘Dhoya, I have left my world far off. My people – on the floor of the lake they are dancing and singing, and on the islands of the lake; always happy, always young, always without change. I have left them for thee, Dhoya, for they cannot love. Only the changing, and moody, and angry, and weary can love. I am beautiful; love me, Dhoya. Do you hear me? I left the places where they dance, Dhoya, for thee!’ For long she poured out a tide of words, he answering at first little, then more and more as she melted away the silence of so many inarticulate years; and all the while she gazed on him with eyes, no ardour could rob of the mild and mysterious melancholy that watches us from the eyes of animals – sign of unhuman reveries.

Many days passed over these strangely-wedded ones. Sometimes when he asked her, ‘Do you love me?’ she would answer, ‘I do not know, but I long for your love endlessly.’ Often at twilight, returning from hunting, he would find her bending over a stream that flowed near to the cave, decking her hair with feathers and reddening her lips with the juice of a wild berry.

He was very happy secluded in that deep forest. Hearing the faint murmurs of the western sea, they seemed to have outlived change. But Change is everywhere, with the tides and the stars fastened to her wheel. Every blood-drop in their lips, every cloud in the sky, every leaf in the world changed a little, while they brushed back their hair and kissed. All things change save only the fear of change. And yet for his hour Dhoya was happy and as full of dreams as an old man or an infant – for dreams wander nearest to the grave and the cradle.

Once, as he was returning home from hunting, by the northern edge of the lake, at the hour when the owls cry to each other, ‘It is time to be abroad,’ and the last flutter of the wind has died away, leaving under every haunted island an image legible to the least hazel branch, there suddenly stood before him a slight figure, at the edge of the narrow sand-line, dark against the glowing water. Dhoya drew nearer. It was a man leaning on his spear-staff, on his head a small red cap. His spear was slender and tipped with shining metal; the spear of Dhoya of wood, one end pointed and hardened in the fire. The red-capped stranger silently raised that slender spear and thrust at Dhoya, who parried with his pointed staff.

For a long while they fought. The last vestige of sunset passed away and the stars came out. Underneath them the feet of Dhoya beat up the ground, but the feet of the other as he rushed hither and thither, matching his agility with the mortal’s mighty strength, made neither shadow nor footstep on the sands. Dhoya was wounded, and growing weary a little, when the other leaped away, and, crouching down by the water, began: ‘You have carried away by some spell unknown the most beautiful of our bands – you who have neither laughter nor singing. Restore her, Dhoya, and go free.’ Dhoya answered him no word, and the other rose and again thrust at him with the spear. They fought to and fro upon the sands until the dawn touched with olive the distant sky, and then his anger-fit, long absent, fell on Dhoya, and he closed with his enemy and threw him, and put his knee on his chest and his hands on his throat, and would have crushed all life out of him, when lo! he held beneath his knee no more than a bundle of reeds.

Nearing home in the early morning he heard the voice he loved, singing:

 
Full moody is my love and sad,
His moods bow low his sombre crest,
I hold him dearer than the glad,
And he shall slumber on my breast.
 
 
My love hath many an evil mood,
Ill words for all things soft and fair,
I hold him dearer than the good,
My fingers feel his amber hair.
 
 
No tender wisdom floods the eyes
That watch me with their suppliant light —
I hold him dearer than the wise,
And for him make me wise and bright.
 

And when she saw him she cried, ‘An old mortal song heard floating from a tent of skin, as we rode, I and mine, through a camping-place at night.’ From that day she was always either singing wild and melancholy songs or else watching him with that gaze of animal reverie.

Once he asked, ‘How old are you?’

‘A thousand years, for I am young.’

‘I am so little to you,’ he went on, ‘and you are so much to me – dawn, and sunset, tranquillity, and speech, and solitude.’

‘Am I so much?’ she said; ‘say it many times!’ and her eyes seemed to brighten and her breast heaved with joy.

Often he would bring her the beautiful skins of animals, and she would walk to and fro on them, laughing to feel their softness under her feet. Sometimes she would pause and ask suddenly, ‘Will you weep for me when we have parted?’ and he would answer, ‘I will die then’; and she would go on rubbing her feet to and fro in the soft skin.

And so Dhoya grew tranquil and gentle, and Change seemed still to have forgotten them, having so much on her hands. The stars rose and set watching them smiling together, and the tides ebbed and flowed, bringing mutability to all save them. But always everything changes, save only the fear of Change.

III

One evening as they sat in the inner portion of the cave, watching through the opening the paling of the sky and the darkening of the leaves, and counting the budding stars, Dhoya suddenly saw stand before him the dark outline of him he fought on the lake sand, and heard at the same instant his companion sigh.

The stranger approached a little, and said, ‘Dhoya, we have fought heretofore, and now I have come to play chess against thee, for well thou knowest, dear to the perfect warrior after war is chess.’

‘I know it,’ answered Dhoya.

‘And when we have played, Dhoya, we will name the stake.’

‘Do not play,’ whispered his companion at his side.

But Dhoya, being filled with his anger-fit at the sight of his enemy, answered, ‘I will play, and I know well the stake you mean, and I name this for mine, that I may again have my knee on your chest and my hands on your throat, and that you will not again change into a bundle of wet reeds.’ His companion lay down on a skin and began to cry a little. Dhoya felt sure of winning. He had often played in his boyhood, before the time of his anger-fits, with his masters of the galley; and besides, he could always return to his hands and his weapons once more.

Now the floor of the cave was of smooth, white sand, brought from the seashore in his great Fomorian pitcher, to make it soft for his beloved to walk upon; before it had been, as it now is, of rough clay. On this sand the red-capped stranger marked out with his spear-point a chess-board, and marked with rushes, crossed and recrossed each alternate square, fixing each end of the rush in the sand, until a complete board was finished of white and green squares, and then drew from a bag large chessmen of mingled wood and silver. Two or three would have made an armful for a child. Standing each at his end they began to play. The game did not last long. No matter how carefully Dhoya played, each move went against him. At last, leaping back from the board, he cried, ‘I have lost!’ The two spirits were standing together at the entrance. Dhoya seized his spear, but slowly the figures began to fade, first a star and then the leaves showed through their forms. Soon all had vanished away.

Then, understanding his loss, he threw himself on the ground, and rolling hither and thither, roared like a wild beast. All night long he lay on the ground, and all the next day till nightfall. He had crumbled his staff unconsciously between his fingers into small pieces, and now, full of dull rage, the pointed end of the staff still in his hand, arose and went forth westward. In a ravine of the northern mountain he came on the tracks of wild horses. Soon one passed him fearlessly, knowing nothing of man. He drove the pointed end of the staff deep in the flank, making a great wound, sending the horse rushing with short screams down the mountain. Other horses passed him one by one, driven southward by a cold wind laden with mist, arisen in the night-time. Towards the end of the ravine stood one black and huge, the leader of the herd. Dhoya leaped on his back with a loud cry that sent a raven circling from the neighbouring cliff, and the horse, after vainly seeking to throw him, rushed off towards the north-west, over the heights of the mountains where the mists floated. The moon, clear sometimes of the flying clouds, from low down in the south-east, cast a pale and mutable light, making their shadow rise before them on the mists, as though they pursued some colossal demon, sombre on his black charger. Then leaving the heights they rushed down that valley where, in far later times, Diarmuid hid in a deep cavern his Grania, and passed the stream where Muadhan, their savage servant, caught fish for them on a hook baited with a quicken-berry. On over the plains, on northward, mile after mile, the wild gigantic horse leaping cliff and chasm in his terrible race; on until the mountains of what is now Donegal rose before them – over these among the clouds, driving rain blowing in their faces from the sea, Dhoya knowing not whither he went, or why he rode. On – the stones loosened by the hoofs rumbling down into the valleys – till far in the distance he saw the sea, a thousand feet below him; then, fixing his eyes thereon, and using the spear-point as a goad, he roused his black horse into redoubled speed, until horse and rider plunged headlong into the Western Sea.

Sometimes the cotters on the mountains of Donegal hear on windy nights a sudden sound of horses’ hoofs, and say to each other, ‘There goes Dhoya.’ And at the same hour men say if any be abroad in the valleys they see a huge shadow rushing along the mountain.

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Yaş sınırı:
12+
Litres'teki yayın tarihi:
02 mayıs 2017
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210 s. 1 illüstrasyon
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Public Domain
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